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Color name
RGB 61 61 106

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 61 61 106 it is the complementary color RGB 194 194 149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 61 61 106. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 61 61 106 shade: RGB 66 61 101, RGB 83 79 120, RGB 100 97 139, RGB 117 115 158 and RGB 134 133 177

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 61 61 106. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 61 61 106 shade: RGB 61 61 106, RGB 44 43 87, RGB 27 25 68, RGB 10 7 49 and RGB 0 0 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 61 61 106 shade: RGB 61 61 106, RGB 73 61 106, RGB 85 61 106, RGB 98 61 106 and RGB 106 61 103

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 61 61 106 shade: RGB 61 61 106

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 61 61 106 shade matches the following richer shades: RGB 61 61 106, RGB 47 47 120, RGB 34 34 134, RGB 20 20 147 and RGB 6 6 161

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 61 61 106 shade: RGB 61 61 106, RGB 75 75 93, RGB 88 88 79, RGB 102 102 66 and RGB 115 115 52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 61 61 106 shade: RGB 61 85 106, RGB 61 73 106, RGB 61 61 106, RGB 73 61 106 and RGB 85 61 106

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 61 61 106 shade: RGB 31 31 54, RGB 46 46 80, RGB 61 61 106, RGB 76 76 133 and RGB 91 91 159

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 61 61 106 shade: RGB 61 61 106, RGB 106 61 97 and RGB 79 106 61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 61 61 106 shade: RGB 61 61 106, RGB 106 61 61 and RGB 61 106 61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 61 61 106 shade: RGB 61 61 106, RGB 106 61 97, RGB 106 106 61 and RGB 61 106 70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 61 61 106 shade: RGB 61 61 106, RGB 106 61 84, RGB 106 106 61 and RGB 61 106 84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 42 / 0 / 58

HEX #3D3D6A

RGB 61 61 106

HSL 240, 0.27%, 0.33%

LAB 27.76, 12.58, -26.31

 

Complementary color

CMYK 0 / 0 / 23 / 24

HEX #C2C295

RGB 194 194 149

HSL 60, 0.27%, 0.67%

LAB 77.41, -7.36, 22.71

 

CMYK 35 / 40 / 0 / 60

HEX #423D65

RGB 66 61 101

HSL 247.5, 0.25%, 0.32%

LAB 27.94, 12.57, -22.8

 

CMYK 31 / 34 / 0 / 53

HEX #534F78

RGB 83 79 120

HSL 245.85, 0.21%, 0.39%

LAB 35.57, 11.8, -22.75

 

CMYK 28 / 30 / 0 / 45

HEX #64618B

RGB 100 97 139

HSL 244.29, 0.18%, 0.46%

LAB 42.95, 11.17, -22.78

 

CMYK 26 / 27 / 0 / 38

HEX #75739E

RGB 117 115 158

HSL 242.79, 0.18%, 0.54%

LAB 50.11, 10.63, -22.87

 

CMYK 24 / 25 / 0 / 31

HEX #8685B1

RGB 134 133 177

HSL 241.36, 0.22%, 0.61%

LAB 57.09, 10.16, -23

 

CMYK 42 / 42 / 0 / 58

HEX #3D3D6A

RGB 61 61 106

HSL 240, 0.27%, 0.33%

LAB 27.76, 12.58, -26.31

 

CMYK 49 / 51 / 0 / 66

HEX #2C2B57

RGB 44 43 87

HSL 241.36, 0.34%, 0.25%

LAB 19.85, 13.75, -26.57

 

CMYK 60 / 63 / 0 / 73

HEX #1B1944

RGB 27 25 68

HSL 242.79, 0.46%, 0.18%

LAB 11.59, 15.4, -26.95

 

CMYK 80 / 86 / 0 / 81

HEX #0A0731

RGB 10 7 49

HSL 244.29, 0.75%, 0.11%

LAB 3.96, 13.89, -25.66

 

CMYK 100 / 100 / 0 / 88

HEX #00001E

RGB 0 0 30

HSL 240, 1%, 0.06%

LAB 0.85, 5.95, -15.88

 

CMYK 42 / 42 / 0 / 58

HEX #3D3D6A

RGB 61 61 106

HSL 240, 0.27%, 0.33%

LAB 27.76, 12.58, -26.31

 

CMYK 31 / 42 / 0 / 58

HEX #493D6A

RGB 73 61 106

HSL 256, 0.27%, 0.33%

LAB 28.89, 16.28, -24.47

 

CMYK 20 / 42 / 0 / 58

HEX #553D6A

RGB 85 61 106

HSL 272, 0.27%, 0.33%

LAB 30.18, 20.22, -22.35

 

CMYK 8 / 42 / 0 / 58

HEX #623D6A

RGB 98 61 106

HSL 289.33, 0.27%, 0.33%

LAB 31.75, 24.64, -19.79

 

CMYK 0 / 42 / 3 / 58

HEX #6A3D67

RGB 106 61 103

HSL 304, 0.27%, 0.33%

LAB 32.66, 26.78, -16.39

 

CMYK 42 / 42 / 0 / 58

HEX #3D3D6A

RGB 61 61 106

HSL 240, 0.27%, 0.33%

LAB 27.76, 12.58, -26.31

 

CMYK 42 / 42 / 0 / 58

HEX #3D3D6A

RGB 61 61 106

HSL 240, 0.27%, 0.33%

LAB 27.76, 12.58, -26.31

 

CMYK 61 / 61 / 0 / 53

HEX #2F2F78

RGB 47 47 120

HSL 240, 0.44%, 0.33%

LAB 23.65, 23.41, -41.9

 

CMYK 75 / 75 / 0 / 47

HEX #222286

RGB 34 34 134

HSL 240, 0.6%, 0.33%

LAB 20.85, 34.97, -55.37

 

CMYK 86 / 86 / 0 / 42

HEX #141493

RGB 20 20 147

HSL 240, 0.76%, 0.33%

LAB 19.04, 45.88, -66.52

 

CMYK 96 / 96 / 0 / 37

HEX #0606A1

RGB 6 6 161

HSL 240, 0.93%, 0.33%

LAB 18.98, 54.46, -75.24

 

CMYK 42 / 42 / 0 / 58

HEX #3D3D6A

RGB 61 61 106

HSL 240, 0.27%, 0.33%

LAB 27.76, 12.58, -26.31

 

CMYK 19 / 19 / 0 / 64

HEX #4B4B5D

RGB 75 75 93

HSL 240, 0.11%, 0.33%

LAB 32.52, 4.3, -10.55

 

CMYK 0 / 0 / 10 / 65

HEX #58584F

RGB 88 88 79

HSL 60, 0.05%, 0.33%

LAB 37.15, -1.82, 5.22

 

CMYK 0 / 0 / 35 / 60

HEX #666642

RGB 102 102 66

HSL 60, 0.21%, 0.33%

LAB 42.34, -6.23, 20.39

 

CMYK 0 / 0 / 55 / 55

HEX #737334

RGB 115 115 52

HSL 60, 0.38%, 0.33%

LAB 47.18, -9.38, 34.38

 

CMYK 42 / 20 / 0 / 58

HEX #3D556A

RGB 61 85 106

HSL 208, 0.27%, 0.33%

LAB 35.06, -3.05, -14.96

 

CMYK 42 / 31 / 0 / 58

HEX #3D496A

RGB 61 73 106

HSL 224, 0.27%, 0.33%

LAB 31.34, 4.61, -20.7

 

CMYK 42 / 42 / 0 / 58

HEX #3D3D6A

RGB 61 61 106

HSL 240, 0.27%, 0.33%

LAB 27.76, 12.58, -26.31

 

CMYK 31 / 42 / 0 / 58

HEX #493D6A

RGB 73 61 106

HSL 256, 0.27%, 0.33%

LAB 28.89, 16.28, -24.47

 

CMYK 20 / 42 / 0 / 58

HEX #553D6A

RGB 85 61 106

HSL 272, 0.27%, 0.33%

LAB 30.18, 20.22, -22.35

 

CMYK 43 / 43 / 0 / 79

HEX #1F1F36

RGB 31 31 54

HSL 240, 0.27%, 0.17%

LAB 12.85, 6.96, -15.02

 

CMYK 43 / 43 / 0 / 69

HEX #2E2E50

RGB 46 46 80

HSL 240, 0.27%, 0.25%

LAB 20.49, 9.86, -20.86

 

CMYK 42 / 42 / 0 / 58

HEX #3D3D6A

RGB 61 61 106

HSL 240, 0.27%, 0.33%

LAB 27.76, 12.58, -26.31

 

CMYK 43 / 43 / 0 / 48

HEX #4C4C85

RGB 76 76 133

HSL 240, 0.27%, 0.41%

LAB 34.8, 15.48, -32.03

 

CMYK 43 / 43 / 0 / 38

HEX #5B5B9F

RGB 91 91 159

HSL 240, 0.27%, 0.49%

LAB 41.55, 17.97, -37

 

CMYK 42 / 42 / 0 / 58

HEX #3D3D6A

RGB 61 61 106

HSL 240, 0.27%, 0.33%

LAB 27.76, 12.58, -26.31

 

CMYK 0 / 42 / 8 / 58

HEX #6A3D61

RGB 106 61 97

HSL 312, 0.27%, 0.33%

LAB 32.4, 25.59, -12.96

 

CMYK 25 / 0 / 42 / 58

HEX #4F6A3D

RGB 79 106 61

HSL 96, 0.27%, 0.33%

LAB 41.7, -18.96, 22.11

 

CMYK 42 / 42 / 0 / 58

HEX #3D3D6A

RGB 61 61 106

HSL 240, 0.27%, 0.33%

LAB 27.76, 12.58, -26.31

 

CMYK 0 / 42 / 42 / 58

HEX #6A3D3D

RGB 106 61 61

HSL 0, 0.27%, 0.33%

LAB 31.2, 19.73, 8.5

 

CMYK 42 / 0 / 42 / 58

HEX #3D6A3D

RGB 61 106 61

HSL 120, 0.27%, 0.33%

LAB 40.63, -25.71, 20.52

 

CMYK 42 / 42 / 0 / 58

HEX #3D3D6A

RGB 61 61 106

HSL 240, 0.27%, 0.33%

LAB 27.76, 12.58, -26.31

 

CMYK 0 / 42 / 8 / 58

HEX #6A3D61

RGB 106 61 97

HSL 312, 0.27%, 0.33%

LAB 32.4, 25.59, -12.96

 

CMYK 0 / 0 / 42 / 58

HEX #6A6A3D

RGB 106 106 61

HSL 60, 0.27%, 0.33%

LAB 43.81, -7.4, 25.24

 

CMYK 42 / 0 / 34 / 58

HEX #3D6A46

RGB 61 106 70

HSL 132, 0.27%, 0.33%

LAB 40.8, -24.05, 15.48

 

CMYK 42 / 42 / 0 / 58

HEX #3D3D6A

RGB 61 61 106

HSL 240, 0.27%, 0.33%

LAB 27.76, 12.58, -26.31

 

CMYK 0 / 42 / 21 / 58

HEX #6A3D54

RGB 106 61 84

HSL 329.33, 0.27%, 0.33%

LAB 31.9, 23.21, -5.37

 

CMYK 0 / 0 / 42 / 58

HEX #6A6A3D

RGB 106 106 61

HSL 60, 0.27%, 0.33%

LAB 43.81, -7.4, 25.24

 

CMYK 42 / 0 / 21 / 58

HEX #3D6A54

RGB 61 106 84

HSL 150.67, 0.27%, 0.33%

LAB 41.12, -21.06, 7.55

 

Description

Color code: RGB 61 61 106 | qconv.com Color code: RGB 61 61 106 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 61 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 61 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 42 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 42% 0% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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