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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C6CB4 it is the complementary color #C3934B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C6CB4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C6CB4 shade: #416CAF, #527EC2, #6390D5, #74A2E8 and #85B4FB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C6CB4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C6CB4 shade: #3C6CB4, #2B5AA1, #1A488E, #09367B and #002468

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C6CB4 shade: #3B6BB3, #3B4BB3, #4C3BB3, #6C3BB3 and #8D3BB3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C6CB4 shade: #3B6BB3, #3B4BB3 and #3B3BB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C6CB4 shade matches the following richer shades: #3B6BB3, #2867C7, #1564DA and #0160ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C6CB4 shade: #3B6BB3, #4F6FA0, #62738C, #767779 and #897B66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C6CB4 shade: #3BABB3, #3B8BB3, #3B6BB3, #3B4BB3 and #4B3BB3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C6CB4 shade: #274675, #315994, #3B6BB3, #5381C5 and #7297D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C6CB4 shade: #3C6CB4, #9B3BB3 and #9BB33B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C6CB4 shade: #3C6CB4, #B33B6B and #6BB33B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C6CB4 shade: #3C6CB4, #9B3BB3, #B3833B and #53B33B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C6CB4 shade: #3C6CB4, #B33BA7, #B3833B and #3BB347

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 40 / 0 / 29

HEX #3C6CB4

RGB 60 108 180

HSL 216, 0.5%, 0.47%

LAB 45.61, 7.41, -43.04

 

Complementary color

CMYK 0 / 25 / 62 / 24

HEX #C3934B

RGB 195 147 75

HSL 36, 0.5%, 0.53%

LAB 64.14, 10.22, 44.42

 

CMYK 63 / 38 / 0 / 31

HEX #416CAF

RGB 65 108 175

HSL 216.55, 0.46%, 0.47%

LAB 45.56, 6.54, -40.19

 

CMYK 58 / 35 / 0 / 24

HEX #527EC2

RGB 82 126 194

HSL 216.43, 0.48%, 0.54%

LAB 52.52, 5.37, -40.1

 

CMYK 54 / 32 / 0 / 16

HEX #6390D5

RGB 99 144 213

HSL 216.32, 0.58%, 0.61%

LAB 59.35, 4.44, -40.04

 

CMYK 50 / 30 / 0 / 9

HEX #74A2E8

RGB 116 162 232

HSL 216.21, 0.72%, 0.68%

LAB 66.04, 3.68, -40.02

 

CMYK 47 / 28 / 0 / 2

HEX #85B4FB

RGB 133 180 251

HSL 216.1, 0.94%, 0.75%

LAB 72.62, 3.04, -40.03

 

CMYK 67 / 40 / 0 / 29

HEX #3C6CB4

RGB 60 108 180

HSL 216, 0.5%, 0.47%

LAB 45.61, 7.41, -43.04

 

CMYK 73 / 44 / 0 / 37

HEX #2B5AA1

RGB 43 90 161

HSL 216.1, 0.58%, 0.4%

LAB 38.55, 9.16, -43.14

 

CMYK 82 / 49 / 0 / 44

HEX #1A488E

RGB 26 72 142

HSL 216.21, 0.69%, 0.33%

LAB 31.36, 11.5, -43.21

 

CMYK 93 / 56 / 0 / 52

HEX #09367B

RGB 9 54 123

HSL 216.32, 0.86%, 0.26%

LAB 24.09, 14.65, -43.18

 

CMYK 100 / 65 / 0 / 59

HEX #002468

RGB 0 36 104

HSL 219.23, 1%, 0.2%

LAB 16.8, 18.87, -42.85

 

CMYK 67 / 40 / 0 / 30

HEX #3B6BB3

RGB 59 107 179

HSL 216, 0.5%, 0.47%

LAB 45.22, 7.5, -43.07

 

CMYK 67 / 58 / 0 / 30

HEX #3B4BB3

RGB 59 75 179

HSL 232, 0.5%, 0.47%

LAB 36.4, 28.12, -57.26

 

CMYK 58 / 67 / 0 / 30

HEX #4C3BB3

RGB 76 59 179

HSL 248.5, 0.5%, 0.47%

LAB 33.81, 40.78, -61.42

 

CMYK 40 / 67 / 0 / 30

HEX #6C3BB3

RGB 108 59 179

HSL 264.5, 0.5%, 0.47%

LAB 37.06, 46.7, -56

 

CMYK 21 / 67 / 0 / 30

HEX #8D3BB3

RGB 141 59 179

HSL 281, 0.5%, 0.47%

LAB 41.29, 53.82, -48.96

 

CMYK 67 / 40 / 0 / 30

HEX #3B6BB3

RGB 59 107 179

HSL 216, 0.5%, 0.47%

LAB 45.22, 7.5, -43.07

 

CMYK 67 / 58 / 0 / 30

HEX #3B4BB3

RGB 59 75 179

HSL 232, 0.5%, 0.47%

LAB 36.4, 28.12, -57.26

 

CMYK 67 / 67 / 0 / 30

HEX #3B3BB3

RGB 59 59 179

HSL 240, 0.5%, 0.47%

LAB 32.51, 38.24, -63.61

 

CMYK 67 / 40 / 0 / 30

HEX #3B6BB3

RGB 59 107 179

HSL 216, 0.5%, 0.47%

LAB 45.22, 7.5, -43.07

 

CMYK 80 / 48 / 0 / 22

HEX #2867C7

RGB 40 103 199

HSL 216.23, 0.67%, 0.47%

LAB 44.62, 14.96, -55.66

 

CMYK 90 / 54 / 0 / 15

HEX #1564DA

RGB 21 100 218

HSL 215.94, 0.82%, 0.47%

LAB 44.71, 22.88, -66.43

 

CMYK 100 / 59 / 0 / 7

HEX #0160ED

RGB 1 96 237

HSL 215.85, 0.99%, 0.47%

LAB 44.92, 32.2, -76.84

 

CMYK 67 / 40 / 0 / 30

HEX #3B6BB3

RGB 59 107 179

HSL 216, 0.5%, 0.47%

LAB 45.22, 7.5, -43.07

 

CMYK 51 / 31 / 0 / 37

HEX #4F6FA0

RGB 79 111 160

HSL 216.3, 0.34%, 0.47%

LAB 46.4, 2.73, -30.01

 

CMYK 30 / 18 / 0 / 45

HEX #62738C

RGB 98 115 140

HSL 215.71, 0.18%, 0.47%

LAB 47.95, -0.12, -15.72

 

CMYK 2 / 2 / 0 / 53

HEX #767779

RGB 118 119 121

HSL 220, 0.01%, 0.47%

LAB 50.01, 0.03, -1.23

 

CMYK 0 / 10 / 26 / 46

HEX #897B66

RGB 137 123 102

HSL 36, 0.15%, 0.47%

LAB 52.34, 1.84, 13.45

 

CMYK 67 / 4 / 0 / 30

HEX #3BABB3

RGB 59 171 179

HSL 184, 0.5%, 0.47%

LAB 64.41, -28.38, -13.35

 

CMYK 67 / 22 / 0 / 30

HEX #3B8BB3

RGB 59 139 179

HSL 200, 0.5%, 0.47%

LAB 54.71, -11.55, -28.17

 

CMYK 67 / 40 / 0 / 30

HEX #3B6BB3

RGB 59 107 179

HSL 216, 0.5%, 0.47%

LAB 45.22, 7.5, -43.07

 

CMYK 67 / 58 / 0 / 30

HEX #3B4BB3

RGB 59 75 179

HSL 232, 0.5%, 0.47%

LAB 36.4, 28.12, -57.26

 

CMYK 58 / 67 / 0 / 30

HEX #4B3BB3

RGB 75 59 179

HSL 248, 0.5%, 0.47%

LAB 33.73, 40.61, -61.57

 

CMYK 67 / 40 / 0 / 54

HEX #274675

RGB 39 70 117

HSL 216.15, 0.5%, 0.31%

LAB 29.65, 4.9, -30.39

 

CMYK 67 / 40 / 0 / 42

HEX #315994

RGB 49 89 148

HSL 215.76, 0.5%, 0.39%

LAB 37.73, 5.9, -36.63

 

CMYK 67 / 40 / 0 / 30

HEX #3B6BB3

RGB 59 107 179

HSL 216, 0.5%, 0.47%

LAB 45.22, 7.5, -43.07

 

CMYK 58 / 35 / 0 / 23

HEX #5381C5

RGB 83 129 197

HSL 215.79, 0.5%, 0.55%

LAB 53.57, 4.77, -40.16

 

CMYK 45 / 27 / 0 / 18

HEX #7297D0

RGB 114 151 208

HSL 216.38, 0.5%, 0.63%

LAB 61.88, 2.42, -33.23

 

CMYK 67 / 40 / 0 / 29

HEX #3C6CB4

RGB 60 108 180

HSL 216, 0.5%, 0.47%

LAB 45.61, 7.41, -43.04

 

CMYK 13 / 67 / 0 / 30

HEX #9B3BB3

RGB 155 59 179

HSL 288, 0.5%, 0.47%

LAB 43.29, 57.01, -45.64

 

CMYK 13 / 0 / 67 / 30

HEX #9BB33B

RGB 155 179 59

HSL 72, 0.5%, 0.47%

LAB 69.13, -24.9, 56.05

 

CMYK 67 / 40 / 0 / 29

HEX #3C6CB4

RGB 60 108 180

HSL 216, 0.5%, 0.47%

LAB 45.61, 7.41, -43.04

 

CMYK 0 / 67 / 40 / 30

HEX #B33B6B

RGB 179 59 107

HSL 336, 0.5%, 0.47%

LAB 43.91, 52.49, -0.84

 

CMYK 40 / 0 / 67 / 30

HEX #6BB33B

RGB 107 179 59

HSL 96, 0.5%, 0.47%

LAB 66.28, -43.18, 52.18

 

CMYK 67 / 40 / 0 / 29

HEX #3C6CB4

RGB 60 108 180

HSL 216, 0.5%, 0.47%

LAB 45.61, 7.41, -43.04

 

CMYK 13 / 67 / 0 / 30

HEX #9B3BB3

RGB 155 59 179

HSL 288, 0.5%, 0.47%

LAB 43.29, 57.01, -45.64

 

CMYK 0 / 27 / 67 / 30

HEX #B3833B

RGB 179 131 59

HSL 36, 0.5%, 0.47%

LAB 58.16, 11.02, 45.04

 

CMYK 54 / 0 / 67 / 30

HEX #53B33B

RGB 83 179 59

HSL 108, 0.5%, 0.47%

LAB 65.27, -50.58, 50.81

 

CMYK 67 / 40 / 0 / 29

HEX #3C6CB4

RGB 60 108 180

HSL 216, 0.5%, 0.47%

LAB 45.61, 7.41, -43.04

 

CMYK 0 / 67 / 7 / 30

HEX #B33BA7

RGB 179 59 167

HSL 306, 0.5%, 0.47%

LAB 46.31, 60.61, -33.52

 

CMYK 0 / 27 / 67 / 30

HEX #B3833B

RGB 179 131 59

HSL 36, 0.5%, 0.47%

LAB 58.16, 11.02, 45.04

 

CMYK 67 / 0 / 60 / 30

HEX #3BB347

RGB 59 179 71

HSL 126, 0.5%, 0.47%

LAB 64.66, -55.02, 44.68

 

Description

Color code: HEX #3C6CB4 | qconv.com Color code: HEX #3C6CB4 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 108 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 108 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 40 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 40% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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