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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 21 100 218 it is the complementary color RGB 234 155 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 21 100 218. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 21 100 218 shade: RGB 26 100 213, RGB 43 118 232, RGB 60 136 251, RGB 77 154 255 and RGB 94 172 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 21 100 218. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 21 100 218 shade: RGB 21 100 218, RGB 4 82 199, RGB 0 64 180, RGB 0 46 161 and RGB 0 28 142

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 21 100 218 shade: RGB 21 100 218, RGB 21 47 218, RGB 48 21 218, RGB 101 21 218 and RGB 154 21 218

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 21 100 218 shade: RGB 21 100 218, RGB 21 47 218 and RGB 21 21 218

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 21 100 218 shade matches the following richer shades: RGB 21 100 218 and RGB 2 96 237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 21 100 218 shade: RGB 21 100 218, RGB 40 104 198, RGB 60 108 179, RGB 79 111 159 and RGB 99 115 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 21 100 218 shade: RGB 21 208 218, RGB 21 155 218, RGB 21 103 218, RGB 21 51 218 and RGB 44 21 218

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 21 100 218 shade: RGB 14 65 143, RGB 17 83 180, RGB 21 100 218, RGB 46 121 234 and RGB 84 145 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 21 100 218 shade: RGB 21 100 218, RGB 175 21 218 and RGB 182 218 21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 21 100 218 shade: RGB 21 100 218, RGB 218 21 103 and RGB 103 218 21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 21 100 218 shade: RGB 21 100 218, RGB 175 21 218, RGB 218 136 21 and RGB 64 218 21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 21 100 218 shade: RGB 21 100 218, RGB 218 21 201, RGB 218 136 21 and RGB 21 218 37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 54 / 0 / 15

HEX #1564DA

RGB 21 100 218

HSL 215.94, 0.82%, 0.47%

LAB 44.71, 22.88, -66.43

 

Complementary color

CMYK 0 / 34 / 84 / 8

HEX #EA9B25

RGB 234 155 37

HSL 35.94, 0.82%, 0.53%

LAB 70.22, 20.87, 67.59

 

CMYK 88 / 53 / 0 / 16

HEX #1A64D5

RGB 26 100 213

HSL 216.26, 0.78%, 0.47%

LAB 44.43, 21.2, -64.03

 

CMYK 81 / 49 / 0 / 9

HEX #2B76E8

RGB 43 118 232

HSL 216.19, 0.8%, 0.54%

LAB 51.03, 18.25, -64.07

 

CMYK 76 / 46 / 0 / 2

HEX #3C88FB

RGB 60 136 251

HSL 216.13, 0.96%, 0.61%

LAB 57.59, 15.8, -64.04

 

CMYK 70 / 40 / 0 / 0

HEX #4D9AFF

RGB 77 154 255

HSL 214.04, 1%, 0.65%

LAB 63.27, 8.56, -57.12

 

CMYK 63 / 33 / 0 / 0

HEX #5EACFF

RGB 94 172 255

HSL 210.93, 1%, 0.68%

LAB 68.83, 0.82, -48.27

 

CMYK 90 / 54 / 0 / 15

HEX #1564DA

RGB 21 100 218

HSL 215.94, 0.82%, 0.47%

LAB 44.71, 22.88, -66.43

 

CMYK 98 / 59 / 0 / 22

HEX #0452C7

RGB 4 82 199

HSL 216, 0.96%, 0.4%

LAB 38.17, 26.58, -66.17

 

CMYK 100 / 64 / 0 / 29

HEX #0040B4

RGB 0 64 180

HSL 218.67, 1%, 0.35%

LAB 31.72, 30.91, -65.58

 

CMYK 100 / 71 / 0 / 37

HEX #002EA1

RGB 0 46 161

HSL 222.86, 1%, 0.32%

LAB 25.34, 35.4, -64.67

 

CMYK 100 / 80 / 0 / 44

HEX #001C8E

RGB 0 28 142

HSL 228.17, 1%, 0.28%

LAB 19.16, 39.46, -63.23

 

CMYK 90 / 54 / 0 / 15

HEX #1564DA

RGB 21 100 218

HSL 215.94, 0.82%, 0.47%

LAB 44.71, 22.88, -66.43

 

CMYK 90 / 78 / 0 / 15

HEX #152FDA

RGB 21 47 218

HSL 232.08, 0.82%, 0.47%

LAB 32.38, 55.41, -86.69

 

CMYK 78 / 90 / 0 / 15

HEX #3015DA

RGB 48 21 218

HSL 248.22, 0.82%, 0.47%

LAB 29.98, 66.77, -90.66

 

CMYK 54 / 90 / 0 / 15

HEX #6515DA

RGB 101 21 218

HSL 264.37, 0.82%, 0.47%

LAB 34.73, 69.99, -82.63

 

CMYK 29 / 90 / 0 / 15

HEX #9A15DA

RGB 154 21 218

HSL 280.51, 0.82%, 0.47%

LAB 41.95, 75.82, -70.49

 

CMYK 90 / 54 / 0 / 15

HEX #1564DA

RGB 21 100 218

HSL 215.94, 0.82%, 0.47%

LAB 44.71, 22.88, -66.43

 

CMYK 90 / 78 / 0 / 15

HEX #152FDA

RGB 21 47 218

HSL 232.08, 0.82%, 0.47%

LAB 32.38, 55.41, -86.69

 

CMYK 90 / 90 / 0 / 15

HEX #1515DA

RGB 21 21 218

HSL 240, 0.82%, 0.47%

LAB 28.79, 66.07, -92.67

 

CMYK 90 / 54 / 0 / 15

HEX #1564DA

RGB 21 100 218

HSL 215.94, 0.82%, 0.47%

LAB 44.71, 22.88, -66.43

 

CMYK 99 / 59 / 0 / 7

HEX #0260ED

RGB 2 96 237

HSL 216, 0.98%, 0.47%

LAB 44.93, 32.23, -76.83

 

CMYK 90 / 54 / 0 / 15

HEX #1564DA

RGB 21 100 218

HSL 215.94, 0.82%, 0.47%

LAB 44.71, 22.88, -66.43

 

CMYK 80 / 47 / 0 / 22

HEX #2868C6

RGB 40 104 198

HSL 215.7, 0.66%, 0.47%

LAB 44.84, 13.93, -54.73

 

CMYK 66 / 40 / 0 / 30

HEX #3C6CB3

RGB 60 108 179

HSL 215.8, 0.5%, 0.47%

LAB 45.55, 7.05, -42.54

 

CMYK 50 / 30 / 0 / 38

HEX #4F6F9F

RGB 79 111 159

HSL 216, 0.34%, 0.47%

LAB 46.36, 2.42, -29.49

 

CMYK 29 / 18 / 0 / 45

HEX #63738C

RGB 99 115 140

HSL 216.59, 0.17%, 0.47%

LAB 48.02, 0.2, -15.6

 

CMYK 90 / 5 / 0 / 15

HEX #15D0DA

RGB 21 208 218

HSL 183.05, 0.82%, 0.47%

LAB 76.27, -37.58, -16.89

 

CMYK 90 / 29 / 0 / 15

HEX #159BDA

RGB 21 155 218

HSL 199.19, 0.82%, 0.47%

LAB 60.48, -10.66, -41.21

 

CMYK 90 / 53 / 0 / 15

HEX #1567DA

RGB 21 103 218

HSL 215.03, 0.82%, 0.47%

LAB 45.53, 20.94, -65.1

 

CMYK 90 / 77 / 0 / 15

HEX #1533DA

RGB 21 51 218

HSL 230.86, 0.82%, 0.47%

LAB 33.11, 53.3, -85.48

 

CMYK 80 / 90 / 0 / 15

HEX #2C15DA

RGB 44 21 218

HSL 247.01, 0.82%, 0.47%

LAB 29.75, 66.63, -91.05

 

CMYK 90 / 55 / 0 / 44

HEX #0E418F

RGB 14 65 143

HSL 216.28, 0.82%, 0.31%

LAB 29.05, 15.7, -47.59

 

CMYK 91 / 54 / 0 / 29

HEX #1153B4

RGB 17 83 180

HSL 215.71, 0.83%, 0.39%

LAB 37.12, 18.8, -56.76

 

CMYK 90 / 54 / 0 / 15

HEX #1564DA

RGB 21 100 218

HSL 215.94, 0.82%, 0.47%

LAB 44.71, 22.88, -66.43

 

CMYK 80 / 48 / 0 / 8

HEX #2E79EA

RGB 46 121 234

HSL 216.06, 0.82%, 0.55%

LAB 52.06, 17.39, -63.53

 

CMYK 65 / 39 / 0 / 7

HEX #5491EE

RGB 84 145 238

HSL 216.23, 0.82%, 0.63%

LAB 60.17, 9.13, -52.7

 

CMYK 90 / 54 / 0 / 15

HEX #1564DA

RGB 21 100 218

HSL 215.94, 0.82%, 0.47%

LAB 44.71, 22.88, -66.43

 

CMYK 20 / 90 / 0 / 15

HEX #AF15DA

RGB 175 21 218

HSL 286.9, 0.82%, 0.47%

LAB 45.24, 78.74, -65

 

CMYK 17 / 0 / 90 / 15

HEX #B6DA15

RGB 182 218 21

HSL 70.96, 0.82%, 0.47%

LAB 81.92, -33.81, 78.67

 

CMYK 90 / 54 / 0 / 15

HEX #1564DA

RGB 21 100 218

HSL 215.94, 0.82%, 0.47%

LAB 44.71, 22.88, -66.43

 

CMYK 0 / 90 / 53 / 15

HEX #DA1567

RGB 218 21 103

HSL 335.03, 0.82%, 0.47%

LAB 47.52, 72.69, 7.78

 

CMYK 53 / 0 / 90 / 15

HEX #67DA15

RGB 103 218 21

HSL 95.03, 0.82%, 0.47%

LAB 77.92, -61.41, 73.76

 

CMYK 90 / 54 / 0 / 15

HEX #1564DA

RGB 21 100 218

HSL 215.94, 0.82%, 0.47%

LAB 44.71, 22.88, -66.43

 

CMYK 20 / 90 / 0 / 15

HEX #AF15DA

RGB 175 21 218

HSL 286.9, 0.82%, 0.47%

LAB 45.24, 78.74, -65

 

CMYK 0 / 38 / 90 / 15

HEX #DA8815

RGB 218 136 21

HSL 35.03, 0.82%, 0.47%

LAB 63.81, 23.86, 65.98

 

CMYK 71 / 0 / 90 / 15

HEX #40DA15

RGB 64 218 21

HSL 106.9, 0.82%, 0.47%

LAB 76.85, -70.24, 72.43

 

CMYK 90 / 54 / 0 / 15

HEX #1564DA

RGB 21 100 218

HSL 215.94, 0.82%, 0.47%

LAB 44.71, 22.88, -66.43

 

CMYK 0 / 90 / 8 / 15

HEX #DA15C9

RGB 218 21 201

HSL 305.18, 0.82%, 0.47%

LAB 51.45, 83.1, -44.86

 

CMYK 0 / 38 / 90 / 15

HEX #DA8815

RGB 218 136 21

HSL 35.03, 0.82%, 0.47%

LAB 63.81, 23.86, 65.98

 

CMYK 90 / 0 / 83 / 15

HEX #15DA25

RGB 21 218 37

HSL 124.87, 0.82%, 0.47%

LAB 76.34, -74.62, 68.58

 

Description

Color code: RGB 21 100 218 | qconv.com Color code: RGB 21 100 218 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 100 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 100 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 54 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 54% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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