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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BF05B it is the complementary color #C40FA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BF05B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3BF05B shade: #40F056, #51FF69, #62FF7C, #73FF8F and #84FFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BF05B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3BF05B shade: #3BF05B, #2ADE48, #19CC35, #08BA22 and #00A80F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3BF05B shade: #3CF05C, #4DF03C, #7DF03C, #AEF03C and #DEF03C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3BF05B shade: #3CF05C, #3CF08C, #3CF0BD, #3CF0ED and #3CC2F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3BF05B shade matches the following richer shades: #3CF05C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3BF05B shade: #3CF05C, #4DDF67, #5ECE72, #6FBD7D and #80AC88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3BF05B shade: #7EF03C, #4EF03C, #3CF05A, #3CF08A and #3CF0BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3BF05B shade: #0FCB30, #16ED3C, #3CF05C, #62F37C and #89F69C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3BF05B shade: #3BF05B, #3CAEF0 and #F03C66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3BF05B shade: #3BF05B, #5A3CF0 and #F05A3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3BF05B shade: #3BF05B, #3CAEF0, #F03CD2 and #F07E3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3BF05B shade: #3BF05B, #3C78F0, #F03CD2 and #F0B43C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 62 / 6

HEX #3BF05B

RGB 59 240 91

HSL 130.61, 0.86%, 0.59%

LAB 83.97, -73.02, 57.89

 

Complementary color

CMYK 0 / 92 / 16 / 23

HEX #C40FA4

RGB 196 15 164

HSL 310.61, 0.86%, 0.41%

LAB 45.3, 74.83, -33.13

 

CMYK 73 / 0 / 64 / 6

HEX #40F056

RGB 64 240 86

HSL 127.5, 0.85%, 0.6%

LAB 84.01, -72.85, 60.02

 

CMYK 68 / 0 / 59 / 0

HEX #51FF69

RGB 81 255 105

HSL 128.28, 1%, 0.66%

LAB 89.06, -72.9, 57.85

 

CMYK 62 / 0 / 51 / 0

HEX #62FF7C

RGB 98 255 124

HSL 129.94, 1%, 0.69%

LAB 89.66, -67.37, 50.16

 

CMYK 55 / 0 / 44 / 0

HEX #73FF8F

RGB 115 255 143

HSL 132, 1%, 0.73%

LAB 90.39, -60.99, 42.18

 

CMYK 48 / 0 / 36 / 0

HEX #84FFA2

RGB 132 255 162

HSL 134.63, 1%, 0.76%

LAB 91.25, -53.88, 34.08

 

CMYK 75 / 0 / 62 / 6

HEX #3BF05B

RGB 59 240 91

HSL 130.61, 0.86%, 0.59%

LAB 83.97, -73.02, 57.89

 

CMYK 81 / 0 / 68 / 13

HEX #2ADE48

RGB 42 222 72

HSL 130, 0.73%, 0.52%

LAB 77.99, -71.49, 58.97

 

CMYK 88 / 0 / 74 / 20

HEX #19CC35

RGB 25 204 53

HSL 129.39, 0.78%, 0.45%

LAB 71.99, -69.36, 59.71

 

CMYK 96 / 0 / 82 / 27

HEX #08BA22

RGB 8 186 34

HSL 128.76, 0.92%, 0.38%

LAB 65.97, -66.46, 59.79

 

CMYK 100 / 0 / 91 / 34

HEX #00A80F

RGB 0 168 15

HSL 125.36, 1%, 0.33%

LAB 59.92, -62.65, 58.71

 

CMYK 75 / 0 / 62 / 6

HEX #3CF05C

RGB 60 240 92

HSL 130.67, 0.86%, 0.59%

LAB 83.99, -72.78, 57.5

 

CMYK 68 / 0 / 75 / 6

HEX #4DF03C

RGB 77 240 60

HSL 114.33, 0.86%, 0.59%

LAB 84.08, -72.88, 69.67

 

CMYK 48 / 0 / 75 / 6

HEX #7DF03C

RGB 125 240 60

HSL 98.33, 0.86%, 0.59%

LAB 85.51, -61.49, 71.54

 

CMYK 28 / 0 / 75 / 6

HEX #AEF03C

RGB 174 240 60

HSL 82, 0.86%, 0.59%

LAB 87.8, -45.31, 74.54

 

CMYK 8 / 0 / 75 / 6

HEX #DEF03C

RGB 222 240 60

HSL 66, 0.86%, 0.59%

LAB 90.86, -26.74, 78.5

 

CMYK 75 / 0 / 62 / 6

HEX #3CF05C

RGB 60 240 92

HSL 130.67, 0.86%, 0.59%

LAB 83.99, -72.78, 57.5

 

CMYK 75 / 0 / 42 / 6

HEX #3CF08C

RGB 60 240 140

HSL 146.67, 0.86%, 0.59%

LAB 84.57, -65.95, 35.88

 

CMYK 75 / 0 / 21 / 6

HEX #3CF0BD

RGB 60 240 189

HSL 163, 0.86%, 0.59%

LAB 85.48, -55.95, 12.06

 

CMYK 75 / 0 / 1 / 6

HEX #3CF0ED

RGB 60 240 237

HSL 179, 0.86%, 0.59%

LAB 86.7, -43.64, -11.3

 

CMYK 75 / 19 / 0 / 6

HEX #3CC2F0

RGB 60 194 240

HSL 195.33, 0.86%, 0.59%

LAB 73.44, -20.81, -33.03

 

CMYK 75 / 0 / 62 / 6

HEX #3CF05C

RGB 60 240 92

HSL 130.67, 0.86%, 0.59%

LAB 83.99, -72.78, 57.5

 

CMYK 75 / 0 / 62 / 6

HEX #3CF05C

RGB 60 240 92

HSL 130.67, 0.86%, 0.59%

LAB 83.99, -72.78, 57.5

 

CMYK 65 / 0 / 54 / 13

HEX #4DDF67

RGB 77 223 103

HSL 130.68, 0.7%, 0.59%

LAB 79.23, -63.02, 47.14

 

CMYK 54 / 0 / 45 / 19

HEX #5ECE72

RGB 94 206 114

HSL 130.71, 0.53%, 0.59%

LAB 74.66, -51.38, 36.23

 

CMYK 41 / 0 / 34 / 26

HEX #6FBD7D

RGB 111 189 125

HSL 130.77, 0.37%, 0.59%

LAB 70.35, -37.73, 25.02

 

CMYK 26 / 0 / 21 / 33

HEX #80AC88

RGB 128 172 136

HSL 130.91, 0.21%, 0.59%

LAB 66.42, -22.18, 13.82

 

CMYK 48 / 0 / 75 / 6

HEX #7EF03C

RGB 126 240 60

HSL 98, 0.86%, 0.59%

LAB 85.55, -61.2, 71.59

 

CMYK 68 / 0 / 75 / 6

HEX #4EF03C

RGB 78 240 60

HSL 114, 0.86%, 0.59%

LAB 84.1, -72.7, 69.69

 

CMYK 75 / 0 / 63 / 6

HEX #3CF05A

RGB 60 240 90

HSL 130, 0.86%, 0.59%

LAB 83.98, -72.99, 58.32

 

CMYK 75 / 0 / 43 / 6

HEX #3CF08A

RGB 60 240 138

HSL 146, 0.86%, 0.59%

LAB 84.54, -66.3, 36.83

 

CMYK 75 / 0 / 23 / 6

HEX #3CF0BA

RGB 60 240 186

HSL 162, 0.86%, 0.59%

LAB 85.42, -56.64, 13.53

 

CMYK 93 / 0 / 76 / 20

HEX #0FCB30

RGB 15 203 48

HSL 130.53, 0.86%, 0.43%

LAB 71.57, -70.07, 60.94

 

CMYK 91 / 0 / 75 / 7

HEX #16ED3C

RGB 22 237 60

HSL 130.6, 0.86%, 0.51%

LAB 82.41, -78.44, 67.77

 

CMYK 75 / 0 / 62 / 6

HEX #3CF05C

RGB 60 240 92

HSL 130.67, 0.86%, 0.59%

LAB 83.99, -72.78, 57.5

 

CMYK 60 / 0 / 49 / 5

HEX #62F37C

RGB 98 243 124

HSL 130.76, 0.86%, 0.67%

LAB 86.08, -63.07, 45.75

 

CMYK 44 / 0 / 37 / 4

HEX #89F69C

RGB 137 246 156

HSL 130.46, 0.86%, 0.75%

LAB 88.75, -49.84, 33.79

 

CMYK 75 / 0 / 62 / 6

HEX #3BF05B

RGB 59 240 91

HSL 130.61, 0.86%, 0.59%

LAB 83.97, -73.02, 57.89

 

CMYK 75 / 28 / 0 / 6

HEX #3CAEF0

RGB 60 174 240

HSL 202, 0.86%, 0.59%

LAB 67.67, -10.19, -42.01

 

CMYK 0 / 75 / 58 / 6

HEX #F03C66

RGB 240 60 102

HSL 346, 0.86%, 0.59%

LAB 54.78, 69.45, 19.09

 

CMYK 75 / 0 / 62 / 6

HEX #3BF05B

RGB 59 240 91

HSL 130.61, 0.86%, 0.59%

LAB 83.97, -73.02, 57.89

 

CMYK 63 / 75 / 0 / 6

HEX #5A3CF0

RGB 90 60 240

HSL 250, 0.86%, 0.59%

LAB 40.73, 60.41, -85.3

 

CMYK 0 / 63 / 75 / 6

HEX #F05A3C

RGB 240 90 60

HSL 10, 0.86%, 0.59%

LAB 58.19, 56.17, 47.06

 

CMYK 75 / 0 / 62 / 6

HEX #3BF05B

RGB 59 240 91

HSL 130.61, 0.86%, 0.59%

LAB 83.97, -73.02, 57.89

 

CMYK 75 / 28 / 0 / 6

HEX #3CAEF0

RGB 60 174 240

HSL 202, 0.86%, 0.59%

LAB 67.67, -10.19, -42.01

 

CMYK 0 / 75 / 13 / 6

HEX #F03CD2

RGB 240 60 210

HSL 310, 0.86%, 0.59%

LAB 58.42, 80.62, -38.76

 

CMYK 0 / 48 / 75 / 6

HEX #F07E3C

RGB 240 126 60

HSL 22, 0.86%, 0.59%

LAB 64.78, 39.21, 53.92

 

CMYK 75 / 0 / 62 / 6

HEX #3BF05B

RGB 59 240 91

HSL 130.61, 0.86%, 0.59%

LAB 83.97, -73.02, 57.89

 

CMYK 75 / 50 / 0 / 6

HEX #3C78F0

RGB 60 120 240

HSL 220, 0.86%, 0.59%

LAB 52.6, 21.67, -65.98

 

CMYK 0 / 75 / 13 / 6

HEX #F03CD2

RGB 240 60 210

HSL 310, 0.86%, 0.59%

LAB 58.42, 80.62, -38.76

 

CMYK 0 / 25 / 75 / 6

HEX #F0B43C

RGB 240 180 60

HSL 40, 0.86%, 0.59%

LAB 76.98, 10.97, 65.99

 

Description

Color code: HEX #3BF05B | qconv.com Color code: HEX #3BF05B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 240 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 240 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 62 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 62% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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