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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0FCB30 it is the complementary color #F034CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0FCB30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0FCB30 shade: #14CB2B, #25DD3E, #36EF51, #47FF64 and #58FF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0FCB30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0FCB30 shade: #0FCB30, #00B91D, #00A70A, #009500 and #008300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0FCB30 shade: #0FCB30, #21CB0F, #53CB0F, #86CB0F and #B9CB0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0FCB30 shade: #0FCB30, #0FCB63, #0FCB96, #0FCBC9 and #0F9CCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0FCB30 shade matches the following richer shades: #0FCB30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0FCB30 shade: #0FCB30, #21BA3B, #32A847, #449652 and #56845E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0FCB30 shade: #54CB0F, #22CB0F, #0FCB2E, #0FCB61 and #0FCB93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0FCB30 shade: #097F1E, #0CA527, #0FCB30, #17ED3C and #3DF05C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0FCB30 shade: #0FCB30, #0F86CB and #CB0F3B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0FCB30 shade: #0FCB30, #2E0FCB and #CB2E0F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0FCB30 shade: #0FCB30, #0F86CB, #CB0FAC and #CB540F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0FCB30 shade: #0FCB30, #0F4ECB, #CB0FAC and #CB8D0F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 76 / 20

HEX #0FCB30

RGB 15 203 48

HSL 130.53, 0.86%, 0.43%

LAB 71.57, -70.07, 60.94

 

Complementary color

CMYK 0 / 78 / 14 / 6

HEX #F034CF

RGB 240 52 207

HSL 310.53, 0.86%, 0.57%

LAB 57.55, 82.34, -38.43

 

CMYK 90 / 0 / 79 / 20

HEX #14CB2B

RGB 20 203 43

HSL 127.54, 0.82%, 0.44%

LAB 71.58, -70.13, 62.52

 

CMYK 83 / 0 / 72 / 13

HEX #25DD3E

RGB 37 221 62

HSL 128.15, 0.73%, 0.51%

LAB 77.55, -72.58, 62.23

 

CMYK 77 / 0 / 66 / 6

HEX #36EF51

RGB 54 239 81

HSL 128.76, 0.85%, 0.57%

LAB 83.5, -74.39, 61.42

 

CMYK 72 / 0 / 61 / 0

HEX #47FF64

RGB 71 255 100

HSL 129.46, 1%, 0.64%

LAB 88.82, -75.06, 59.65

 

CMYK 65 / 0 / 53 / 0

HEX #58FF77

RGB 88 255 119

HSL 131.14, 1%, 0.67%

LAB 89.36, -69.96, 52.03

 

CMYK 93 / 0 / 76 / 20

HEX #0FCB30

RGB 15 203 48

HSL 130.53, 0.86%, 0.43%

LAB 71.57, -70.07, 60.94

 

CMYK 100 / 0 / 84 / 27

HEX #00B91D

RGB 0 185 29

HSL 129.41, 1%, 0.36%

LAB 65.58, -66.82, 60.73

 

CMYK 100 / 0 / 94 / 35

HEX #00A70A

RGB 0 167 10

HSL 123.59, 1%, 0.33%

LAB 59.58, -62.51, 59.2

 

CMYK 100 / 0 / 100 / 42

HEX #009500

RGB 0 149 0

HSL 120, 1%, 0.29%

LAB 53.49, -57.73, 55.72

 

CMYK 100 / 0 / 100 / 49

HEX #008300

RGB 0 131 0

HSL 120, 1%, 0.26%

LAB 47.28, -52.57, 50.74

 

CMYK 93 / 0 / 76 / 20

HEX #0FCB30

RGB 15 203 48

HSL 130.53, 0.86%, 0.43%

LAB 71.57, -70.07, 60.94

 

CMYK 84 / 0 / 93 / 20

HEX #21CB0F

RGB 33 203 15

HSL 114.26, 0.86%, 0.43%

LAB 71.6, -70.28, 68.68

 

CMYK 59 / 0 / 93 / 20

HEX #53CB0F

RGB 83 203 15

HSL 98.3, 0.86%, 0.43%

LAB 72.62, -61.57, 69.94

 

CMYK 34 / 0 / 93 / 20

HEX #86CB0F

RGB 134 203 15

HSL 82.02, 0.86%, 0.43%

LAB 74.71, -45.8, 72.51

 

CMYK 9 / 0 / 93 / 20

HEX #B9CB0F

RGB 185 203 15

HSL 65.74, 0.86%, 0.43%

LAB 77.91, -25.62, 76.41

 

CMYK 93 / 0 / 76 / 20

HEX #0FCB30

RGB 15 203 48

HSL 130.53, 0.86%, 0.43%

LAB 71.57, -70.07, 60.94

 

CMYK 93 / 0 / 51 / 20

HEX #0FCB63

RGB 15 203 99

HSL 146.81, 0.86%, 0.43%

LAB 72.04, -64.3, 40.05

 

CMYK 93 / 0 / 26 / 20

HEX #0FCB96

RGB 15 203 150

HSL 163.09, 0.86%, 0.43%

LAB 72.9, -54.28, 14.83

 

CMYK 93 / 0 / 1 / 20

HEX #0FCBC9

RGB 15 203 201

HSL 179.36, 0.86%, 0.43%

LAB 74.21, -40.65, -10.81

 

CMYK 93 / 23 / 0 / 20

HEX #0F9CCB

RGB 15 156 203

HSL 195, 0.86%, 0.43%

LAB 60.06, -16.88, -33.5

 

CMYK 93 / 0 / 76 / 20

HEX #0FCB30

RGB 15 203 48

HSL 130.53, 0.86%, 0.43%

LAB 71.57, -70.07, 60.94

 

CMYK 93 / 0 / 76 / 20

HEX #0FCB30

RGB 15 203 48

HSL 130.53, 0.86%, 0.43%

LAB 71.57, -70.07, 60.94

 

CMYK 82 / 0 / 68 / 27

HEX #21BA3B

RGB 33 186 59

HSL 130.2, 0.7%, 0.43%

LAB 66.33, -62.66, 51.6

 

CMYK 70 / 0 / 58 / 34

HEX #32A847

RGB 50 168 71

HSL 130.68, 0.54%, 0.43%

LAB 60.9, -52.81, 40.25

 

CMYK 55 / 0 / 45 / 41

HEX #449652

RGB 68 150 82

HSL 130.24, 0.38%, 0.43%

LAB 55.74, -40.13, 28.42

 

CMYK 35 / 0 / 29 / 48

HEX #56845E

RGB 86 132 94

HSL 130.43, 0.21%, 0.43%

LAB 51.02, -24.15, 15.66

 

CMYK 59 / 0 / 93 / 20

HEX #54CB0F

RGB 84 203 15

HSL 97.98, 0.86%, 0.43%

LAB 72.65, -61.33, 69.98

 

CMYK 83 / 0 / 93 / 20

HEX #22CB0F

RGB 34 203 15

HSL 113.94, 0.86%, 0.43%

LAB 71.61, -70.18, 68.7

 

CMYK 93 / 0 / 77 / 20

HEX #0FCB2E

RGB 15 203 46

HSL 129.89, 0.86%, 0.43%

LAB 71.56, -70.21, 61.57

 

CMYK 93 / 0 / 52 / 20

HEX #0FCB61

RGB 15 203 97

HSL 146.17, 0.86%, 0.43%

LAB 72.01, -64.61, 40.99

 

CMYK 93 / 0 / 28 / 20

HEX #0FCB93

RGB 15 203 147

HSL 162.13, 0.86%, 0.43%

LAB 72.84, -54.98, 16.35

 

CMYK 93 / 0 / 76 / 50

HEX #097F1E

RGB 9 127 30

HSL 130.68, 0.87%, 0.27%

LAB 46.08, -49.06, 41.86

 

CMYK 93 / 0 / 76 / 35

HEX #0CA527

RGB 12 165 39

HSL 130.59, 0.86%, 0.35%

LAB 59.1, -59.81, 51.64

 

CMYK 93 / 0 / 76 / 20

HEX #0FCB30

RGB 15 203 48

HSL 130.53, 0.86%, 0.43%

LAB 71.57, -70.07, 60.94

 

CMYK 90 / 0 / 75 / 7

HEX #17ED3C

RGB 23 237 60

HSL 130.37, 0.86%, 0.51%

LAB 82.42, -78.38, 67.78

 

CMYK 75 / 0 / 62 / 6

HEX #3DF05C

RGB 61 240 92

HSL 130.39, 0.86%, 0.59%

LAB 84.01, -72.64, 57.52

 

CMYK 93 / 0 / 76 / 20

HEX #0FCB30

RGB 15 203 48

HSL 130.53, 0.86%, 0.43%

LAB 71.57, -70.07, 60.94

 

CMYK 93 / 34 / 0 / 20

HEX #0F86CB

RGB 15 134 203

HSL 202.02, 0.86%, 0.43%

LAB 53.45, -4.46, -43.87

 

CMYK 0 / 93 / 71 / 20

HEX #CB0F3B

RGB 203 15 59

HSL 345.96, 0.86%, 0.43%

LAB 43.29, 67.29, 28.9

 

CMYK 93 / 0 / 76 / 20

HEX #0FCB30

RGB 15 203 48

HSL 130.53, 0.86%, 0.43%

LAB 71.57, -70.07, 60.94

 

CMYK 77 / 93 / 0 / 20

HEX #2E0FCB

RGB 46 15 203

HSL 249.89, 0.86%, 0.43%

LAB 27.39, 64.33, -86.26

 

CMYK 0 / 77 / 93 / 20

HEX #CB2E0F

RGB 203 46 15

HSL 9.89, 0.86%, 0.43%

LAB 45.2, 59.5, 53.35

 

CMYK 93 / 0 / 76 / 20

HEX #0FCB30

RGB 15 203 48

HSL 130.53, 0.86%, 0.43%

LAB 71.57, -70.07, 60.94

 

CMYK 93 / 34 / 0 / 20

HEX #0F86CB

RGB 15 134 203

HSL 202.02, 0.86%, 0.43%

LAB 53.45, -4.46, -43.87

 

CMYK 0 / 93 / 15 / 20

HEX #CB0FAC

RGB 203 15 172

HSL 309.89, 0.86%, 0.43%

LAB 47, 77.19, -35.13

 

CMYK 0 / 59 / 93 / 20

HEX #CB540F

RGB 203 84 15

HSL 22.02, 0.86%, 0.43%

LAB 50.77, 44.43, 57.07

 

CMYK 93 / 0 / 76 / 20

HEX #0FCB30

RGB 15 203 48

HSL 130.53, 0.86%, 0.43%

LAB 71.57, -70.07, 60.94

 

CMYK 93 / 62 / 0 / 20

HEX #0F4ECB

RGB 15 78 203

HSL 219.89, 0.86%, 0.43%

LAB 37.59, 31.16, -69.43

 

CMYK 0 / 93 / 15 / 20

HEX #CB0FAC

RGB 203 15 172

HSL 309.89, 0.86%, 0.43%

LAB 47, 77.19, -35.13

 

CMYK 0 / 31 / 93 / 20

HEX #CB8D0F

RGB 203 141 15

HSL 40.21, 0.86%, 0.43%

LAB 63.16, 14.56, 65.92

 

Description

Color code: HEX #0FCB30 | qconv.com Color code: HEX #0FCB30 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 203 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 203 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 76 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 76% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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