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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B69D3 it is the complementary color #C4962C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B69D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B69D3 shade: #4069CE, #517BE1, #628DF4, #739FFF and #84B1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B69D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B69D3 shade: #3B69D3, #2A57C0, #1945AD, #08339A and #002187

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B69D3 shade: #3B69D2, #3B40D2, #5F3BD2, #883BD2 and #B03BD2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B69D3 shade: #3B69D2, #3B40D2 and #3B3BD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B69D3 shade matches the following richer shades: #3B69D2, #2861E6 and #145AF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B69D3 shade: #3B69D2, #4F71BF, #6278AB, #758098 and #898785

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B69D3 shade: #3BBCD2, #3B93D2, #3B6BD2, #3B43D2 and #5C3BD2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B69D3 shade: #224699, #2A56BA, #3B69D2, #5D83DA and #7E9CE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B69D3 shade: #3B69D3, #C13BD2 and #A7D23B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B69D3 shade: #3B69D3, #D23B6B and #6BD23B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B69D3 shade: #3B69D3, #C13BD2, #D2A23B and #4DD23B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B69D3 shade: #3B69D3, #D23BB6, #D2A23B and #3BD257

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 50 / 0 / 17

HEX #3B69D3

RGB 59 105 211

HSL 221.84, 0.63%, 0.53%

LAB 46.63, 20.41, -59.28

 

Complementary color

CMYK 0 / 23 / 78 / 23

HEX #C4962C

RGB 196 150 44

HSL 41.84, 0.63%, 0.47%

LAB 64.75, 7.32, 58.74

 

CMYK 69 / 49 / 0 / 19

HEX #4069CE

RGB 64 105 206

HSL 222.68, 0.59%, 0.53%

LAB 46.51, 19.31, -56.6

 

CMYK 64 / 45 / 0 / 12

HEX #517BE1

RGB 81 123 225

HSL 222.5, 0.71%, 0.6%

LAB 53.33, 17.48, -56.37

 

CMYK 60 / 42 / 0 / 4

HEX #628DF4

RGB 98 141 244

HSL 222.33, 0.87%, 0.67%

LAB 60.05, 15.97, -56.16

 

CMYK 55 / 38 / 0 / 0

HEX #739FFF

RGB 115 159 255

HSL 221.14, 1%, 0.73%

LAB 66.26, 12.21, -52.26

 

CMYK 48 / 31 / 0 / 0

HEX #84B1FF

RGB 132 177 255

HSL 218.05, 1%, 0.76%

LAB 71.94, 5.64, -43.26

 

CMYK 72 / 50 / 0 / 17

HEX #3B69D3

RGB 59 105 211

HSL 221.84, 0.63%, 0.53%

LAB 46.63, 20.41, -59.28

 

CMYK 78 / 55 / 0 / 25

HEX #2A57C0

RGB 42 87 192

HSL 222, 0.64%, 0.46%

LAB 39.77, 22.89, -59.45

 

CMYK 86 / 60 / 0 / 32

HEX #1945AD

RGB 25 69 173

HSL 222.16, 0.75%, 0.39%

LAB 32.88, 25.94, -59.5

 

CMYK 95 / 67 / 0 / 40

HEX #08339A

RGB 8 51 154

HSL 222.33, 0.9%, 0.32%

LAB 26.02, 29.63, -59.29

 

CMYK 100 / 76 / 0 / 47

HEX #002187

RGB 0 33 135

HSL 225.33, 1%, 0.26%

LAB 19.38, 33.81, -58.47

 

CMYK 72 / 50 / 0 / 18

HEX #3B69D2

RGB 59 105 210

HSL 221.72, 0.63%, 0.53%

LAB 46.56, 20.05, -58.82

 

CMYK 72 / 70 / 0 / 18

HEX #3B40D2

RGB 59 64 210

HSL 238.01, 0.63%, 0.53%

LAB 36.46, 45.69, -75.28

 

CMYK 55 / 72 / 0 / 18

HEX #5F3BD2

RGB 95 59 210

HSL 254.3, 0.63%, 0.53%

LAB 38.22, 52.96, -72.28

 

CMYK 35 / 72 / 0 / 18

HEX #883BD2

RGB 136 59 210

HSL 270.6, 0.63%, 0.53%

LAB 42.79, 59.76, -64.64

 

CMYK 16 / 72 / 0 / 18

HEX #B03BD2

RGB 176 59 210

HSL 286.49, 0.63%, 0.53%

LAB 48.27, 67.5, -55.5

 

CMYK 72 / 50 / 0 / 18

HEX #3B69D2

RGB 59 105 210

HSL 221.72, 0.63%, 0.53%

LAB 46.56, 20.05, -58.82

 

CMYK 72 / 70 / 0 / 18

HEX #3B40D2

RGB 59 64 210

HSL 238.01, 0.63%, 0.53%

LAB 36.46, 45.69, -75.28

 

CMYK 72 / 72 / 0 / 18

HEX #3B3BD2

RGB 59 59 210

HSL 240, 0.63%, 0.53%

LAB 35.42, 48.56, -76.99

 

CMYK 72 / 50 / 0 / 18

HEX #3B69D2

RGB 59 105 210

HSL 221.72, 0.63%, 0.53%

LAB 46.56, 20.05, -58.82

 

CMYK 83 / 58 / 0 / 10

HEX #2861E6

RGB 40 97 230

HSL 222, 0.79%, 0.53%

LAB 45.24, 30.59, -72.35

 

CMYK 92 / 64 / 0 / 2

HEX #145AF9

RGB 20 90 249

HSL 221.66, 0.95%, 0.53%

LAB 44.66, 41.01, -83.99

 

CMYK 72 / 50 / 0 / 18

HEX #3B69D2

RGB 59 105 210

HSL 221.72, 0.63%, 0.53%

LAB 46.56, 20.05, -58.82

 

CMYK 59 / 41 / 0 / 25

HEX #4F71BF

RGB 79 113 191

HSL 221.79, 0.47%, 0.53%

LAB 48.55, 11.69, -44.67

 

CMYK 43 / 30 / 0 / 33

HEX #6278AB

RGB 98 120 171

HSL 221.92, 0.3%, 0.53%

LAB 50.65, 5.59, -29.72

 

CMYK 23 / 16 / 0 / 40

HEX #758098

RGB 117 128 152

HSL 221.14, 0.15%, 0.53%

LAB 53.48, 1.46, -14.23

 

CMYK 0 / 1 / 3 / 46

HEX #898785

RGB 137 135 133

HSL 30, 0.02%, 0.53%

LAB 56.43, 0.36, 1.33

 

CMYK 72 / 10 / 0 / 18

HEX #3BBCD2

RGB 59 188 210

HSL 188.74, 0.63%, 0.53%

LAB 70.56, -27.38, -21.16

 

CMYK 72 / 30 / 0 / 18

HEX #3B93D2

RGB 59 147 210

HSL 205.03, 0.63%, 0.53%

LAB 58.46, -5.5, -39.86

 

CMYK 72 / 49 / 0 / 18

HEX #3B6BD2

RGB 59 107 210

HSL 220.93, 0.63%, 0.53%

LAB 47.1, 18.78, -57.94

 

CMYK 72 / 68 / 0 / 18

HEX #3B43D2

RGB 59 67 210

HSL 236.82, 0.63%, 0.53%

LAB 37.11, 43.92, -74.21

 

CMYK 56 / 72 / 0 / 18

HEX #5C3BD2

RGB 92 59 210

HSL 253.11, 0.63%, 0.53%

LAB 37.94, 52.53, -72.75

 

CMYK 78 / 54 / 0 / 40

HEX #224699

RGB 34 70 153

HSL 221.85, 0.64%, 0.37%

LAB 31.85, 18.2, -49.12

 

CMYK 77 / 54 / 0 / 27

HEX #2A56BA

RGB 42 86 186

HSL 221.67, 0.63%, 0.45%

LAB 39.06, 21.25, -57.1

 

CMYK 72 / 50 / 0 / 18

HEX #3B69D2

RGB 59 105 210

HSL 221.72, 0.63%, 0.53%

LAB 46.56, 20.05, -58.82

 

CMYK 57 / 40 / 0 / 15

HEX #5D83DA

RGB 93 131 218

HSL 221.76, 0.63%, 0.61%

LAB 55.71, 12.49, -48.62

 

CMYK 44 / 31 / 0 / 12

HEX #7E9CE1

RGB 126 156 225

HSL 221.82, 0.62%, 0.69%

LAB 64.68, 7.45, -38.25

 

CMYK 72 / 50 / 0 / 17

HEX #3B69D3

RGB 59 105 211

HSL 221.84, 0.63%, 0.53%

LAB 46.63, 20.41, -59.28

 

CMYK 8 / 72 / 0 / 18

HEX #C13BD2

RGB 193 59 210

HSL 293.25, 0.63%, 0.53%

LAB 50.83, 70.99, -51.27

 

CMYK 20 / 0 / 72 / 18

HEX #A7D23B

RGB 167 210 59

HSL 77.09, 0.63%, 0.53%

LAB 78.82, -34.74, 66.07

 

CMYK 72 / 50 / 0 / 17

HEX #3B69D3

RGB 59 105 211

HSL 221.84, 0.63%, 0.53%

LAB 46.63, 20.41, -59.28

 

CMYK 0 / 72 / 49 / 18

HEX #D23B6B

RGB 210 59 107

HSL 340.93, 0.63%, 0.53%

LAB 49.36, 61.68, 7.73

 

CMYK 49 / 0 / 72 / 18

HEX #6BD23B

RGB 107 210 59

HSL 100.93, 0.63%, 0.53%

LAB 75.78, -55.56, 62.03

 

CMYK 72 / 50 / 0 / 17

HEX #3B69D3

RGB 59 105 211

HSL 221.84, 0.63%, 0.53%

LAB 46.63, 20.41, -59.28

 

CMYK 8 / 72 / 0 / 18

HEX #C13BD2

RGB 193 59 210

HSL 293.25, 0.63%, 0.53%

LAB 50.83, 70.99, -51.27

 

CMYK 0 / 23 / 72 / 18

HEX #D2A23B

RGB 210 162 59

HSL 40.93, 0.63%, 0.53%

LAB 69.37, 7.62, 57.84

 

CMYK 63 / 0 / 72 / 18

HEX #4DD23B

RGB 77 210 59

HSL 112.85, 0.63%, 0.53%

LAB 74.82, -63.19, 60.74

 

CMYK 72 / 50 / 0 / 17

HEX #3B69D3

RGB 59 105 211

HSL 221.84, 0.63%, 0.53%

LAB 46.63, 20.41, -59.28

 

CMYK 0 / 72 / 13 / 18

HEX #D23BB6

RGB 210 59 182

HSL 311.13, 0.63%, 0.53%

LAB 52.07, 70.31, -32.96

 

CMYK 0 / 23 / 72 / 18

HEX #D2A23B

RGB 210 162 59

HSL 40.93, 0.63%, 0.53%

LAB 69.37, 7.62, 57.84

 

CMYK 72 / 0 / 59 / 18

HEX #3BD257

RGB 59 210 87

HSL 131.13, 0.63%, 0.53%

LAB 74.64, -63.77, 48.96

 

Description

Color code: HEX #3B69D3 | qconv.com Color code: HEX #3B69D3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 105 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 105 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 50 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 50% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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