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Color name
RGB 64 105 206

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 64 105 206 it is the complementary color RGB 191 150 49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 64 105 206. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 64 105 206 shade: RGB 69 105 201, RGB 86 123 220, RGB 103 141 239, RGB 120 159 255 and RGB 137 177 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 64 105 206. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 64 105 206 shade: RGB 64 105 206, RGB 47 87 187, RGB 30 69 168, RGB 13 51 149 and RGB 0 33 130

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 64 105 206 shade: RGB 64 105 205, RGB 64 67 205, RGB 99 64 205, RGB 138 64 205 and RGB 176 64 205

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 64 105 206 shade: RGB 64 105 205, RGB 64 67 205 and RGB 64 64 205

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 64 105 206 shade matches the following richer shades: RGB 64 105 205, RGB 45 97 225 and RGB 25 88 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 64 105 206 shade: RGB 64 105 205, RGB 83 113 186, RGB 103 121 167, RGB 122 129 147 and RGB 142 138 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 64 105 206 shade: RGB 64 182 205, RGB 64 144 205, RGB 64 106 205, RGB 64 69 205 and RGB 97 64 205

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 64 105 206 shade: RGB 38 70 149, RGB 46 85 182, RGB 64 105 205, RGB 97 131 214 and RGB 130 156 222

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 64 105 206 shade: RGB 64 105 206, RGB 191 64 205 and RGB 163 205 64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 64 105 206 shade: RGB 64 105 206, RGB 205 64 106 and RGB 106 205 64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 64 105 206 shade: RGB 64 105 206, RGB 191 64 205, RGB 205 163 64 and RGB 78 205 64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 64 105 206 shade: RGB 64 105 206, RGB 205 64 177, RGB 205 163 64 and RGB 64 205 92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 49 / 0 / 19

HEX #4069CE

RGB 64 105 206

HSL 222.68, 0.59%, 0.53%

LAB 46.51, 19.31, -56.6

 

Complementary color

CMYK 0 / 21 / 74 / 25

HEX #BF9631

RGB 191 150 49

HSL 42.68, 0.59%, 0.47%

LAB 64.25, 5.32, 56.16

 

CMYK 66 / 48 / 0 / 21

HEX #4569C9

RGB 69 105 201

HSL 223.64, 0.55%, 0.53%

LAB 46.43, 18.31, -53.85

 

CMYK 61 / 44 / 0 / 14

HEX #567BDC

RGB 86 123 220

HSL 223.43, 0.66%, 0.6%

LAB 53.29, 16.66, -53.62

 

CMYK 57 / 41 / 0 / 6

HEX #678DEF

RGB 103 141 239

HSL 223.24, 0.81%, 0.67%

LAB 60.04, 15.3, -53.4

 

CMYK 53 / 38 / 0 / 0

HEX #789FFF

RGB 120 159 255

HSL 222.67, 1%, 0.74%

LAB 66.53, 13.25, -51.82

 

CMYK 46 / 31 / 0 / 0

HEX #89B1FF

RGB 137 177 255

HSL 219.66, 1%, 0.77%

LAB 72.22, 6.8, -42.81

 

CMYK 69 / 49 / 0 / 19

HEX #4069CE

RGB 64 105 206

HSL 222.68, 0.59%, 0.53%

LAB 46.51, 19.31, -56.6

 

CMYK 75 / 53 / 0 / 27

HEX #2F57BB

RGB 47 87 187

HSL 222.86, 0.6%, 0.46%

LAB 39.59, 21.57, -56.81

 

CMYK 82 / 59 / 0 / 34

HEX #1E45A8

RGB 30 69 168

HSL 223.04, 0.7%, 0.39%

LAB 32.61, 24.38, -56.94

 

CMYK 91 / 66 / 0 / 42

HEX #0D3395

RGB 13 51 149

HSL 223.24, 0.84%, 0.32%

LAB 25.63, 27.86, -56.85

 

CMYK 100 / 75 / 0 / 49

HEX #002182

RGB 0 33 130

HSL 224.77, 1%, 0.25%

LAB 18.8, 31.87, -56.29

 

CMYK 69 / 49 / 0 / 20

HEX #4069CD

RGB 64 105 205

HSL 222.55, 0.59%, 0.53%

LAB 46.45, 18.95, -56.13

 

CMYK 69 / 67 / 0 / 20

HEX #4043CD

RGB 64 67 205

HSL 238.72, 0.59%, 0.53%

LAB 36.95, 42.8, -71.57

 

CMYK 52 / 69 / 0 / 20

HEX #6340CD

RGB 99 64 205

HSL 254.89, 0.59%, 0.53%

LAB 39.12, 49.55, -67.91

 

CMYK 33 / 69 / 0 / 20

HEX #8A40CD

RGB 138 64 205

HSL 271.49, 0.59%, 0.53%

LAB 43.47, 56.72, -60.63

 

CMYK 14 / 69 / 0 / 20

HEX #B040CD

RGB 176 64 205

HSL 287.66, 0.59%, 0.53%

LAB 48.64, 64.65, -52.04

 

CMYK 69 / 49 / 0 / 20

HEX #4069CD

RGB 64 105 205

HSL 222.55, 0.59%, 0.53%

LAB 46.45, 18.95, -56.13

 

CMYK 69 / 67 / 0 / 20

HEX #4043CD

RGB 64 67 205

HSL 238.72, 0.59%, 0.53%

LAB 36.95, 42.8, -71.57

 

CMYK 69 / 69 / 0 / 20

HEX #4040CD

RGB 64 64 205

HSL 240, 0.59%, 0.53%

LAB 36.3, 44.58, -72.64

 

CMYK 69 / 49 / 0 / 20

HEX #4069CD

RGB 64 105 205

HSL 222.55, 0.59%, 0.53%

LAB 46.45, 18.95, -56.13

 

CMYK 80 / 57 / 0 / 12

HEX #2D61E1

RGB 45 97 225

HSL 222.67, 0.75%, 0.53%

LAB 45, 29.14, -69.9

 

CMYK 90 / 64 / 0 / 4

HEX #1958F4

RGB 25 88 244

HSL 222.74, 0.91%, 0.53%

LAB 43.83, 40.61, -82.56

 

CMYK 69 / 49 / 0 / 20

HEX #4069CD

RGB 64 105 205

HSL 222.55, 0.59%, 0.53%

LAB 46.45, 18.95, -56.13

 

CMYK 55 / 39 / 0 / 27

HEX #5371BA

RGB 83 113 186

HSL 222.52, 0.43%, 0.53%

LAB 48.5, 10.87, -41.85

 

CMYK 38 / 28 / 0 / 35

HEX #6779A7

RGB 103 121 167

HSL 223.13, 0.27%, 0.53%

LAB 51.09, 5.23, -26.69

 

CMYK 17 / 12 / 0 / 42

HEX #7A8193

RGB 122 129 147

HSL 223.2, 0.1%, 0.53%

LAB 53.97, 1.37, -10.55

 

CMYK 0 / 3 / 10 / 44

HEX #8E8A80

RGB 142 138 128

HSL 42.86, 0.06%, 0.53%

LAB 57.55, -0.37, 5.87

 

CMYK 69 / 11 / 0 / 20

HEX #40B6CD

RGB 64 182 205

HSL 189.79, 0.59%, 0.53%

LAB 68.72, -25.25, -21.21

 

CMYK 69 / 30 / 0 / 20

HEX #4090CD

RGB 64 144 205

HSL 205.96, 0.59%, 0.53%

LAB 57.51, -4.77, -38.55

 

CMYK 69 / 48 / 0 / 20

HEX #406ACD

RGB 64 106 205

HSL 222.13, 0.59%, 0.53%

LAB 46.72, 18.31, -55.69

 

CMYK 69 / 66 / 0 / 20

HEX #4045CD

RGB 64 69 205

HSL 237.87, 0.59%, 0.53%

LAB 37.4, 41.6, -70.84

 

CMYK 53 / 69 / 0 / 20

HEX #6140CD

RGB 97 64 205

HSL 254.04, 0.59%, 0.53%

LAB 38.93, 49.22, -68.23

 

CMYK 74 / 53 / 0 / 42

HEX #264695

RGB 38 70 149

HSL 222.7, 0.59%, 0.37%

LAB 31.72, 17.15, -46.89

 

CMYK 75 / 53 / 0 / 29

HEX #2E55B6

RGB 46 85 182

HSL 222.79, 0.6%, 0.45%

LAB 38.65, 20.86, -55.41

 

CMYK 69 / 49 / 0 / 20

HEX #4069CD

RGB 64 105 205

HSL 222.55, 0.59%, 0.53%

LAB 46.45, 18.95, -56.13

 

CMYK 55 / 39 / 0 / 16

HEX #6183D6

RGB 97 131 214

HSL 222.56, 0.59%, 0.61%

LAB 55.71, 12.03, -46.34

 

CMYK 41 / 30 / 0 / 13

HEX #829CDE

RGB 130 156 222

HSL 223.04, 0.58%, 0.69%

LAB 64.8, 7.63, -36.39

 

CMYK 69 / 49 / 0 / 19

HEX #4069CE

RGB 64 105 206

HSL 222.68, 0.59%, 0.53%

LAB 46.51, 19.31, -56.6

 

CMYK 7 / 69 / 0 / 20

HEX #BF40CD

RGB 191 64 205

HSL 294.04, 0.59%, 0.53%

LAB 50.86, 67.91, -48.36

 

CMYK 20 / 0 / 69 / 20

HEX #A3CD40

RGB 163 205 64

HSL 77.87, 0.59%, 0.53%

LAB 77.17, -33.71, 62.52

 

CMYK 69 / 49 / 0 / 19

HEX #4069CE

RGB 64 105 206

HSL 222.68, 0.59%, 0.53%

LAB 46.51, 19.31, -56.6

 

CMYK 0 / 69 / 48 / 20

HEX #CD406A

RGB 205 64 106

HSL 342.13, 0.59%, 0.53%

LAB 49.11, 58.3, 7.86

 

CMYK 48 / 0 / 69 / 20

HEX #6ACD40

RGB 106 205 64

HSL 102.13, 0.59%, 0.53%

LAB 74.25, -53.57, 58.59

 

CMYK 69 / 49 / 0 / 19

HEX #4069CE

RGB 64 105 206

HSL 222.68, 0.59%, 0.53%

LAB 46.51, 19.31, -56.6

 

CMYK 7 / 69 / 0 / 20

HEX #BF40CD

RGB 191 64 205

HSL 294.04, 0.59%, 0.53%

LAB 50.86, 67.91, -48.36

 

CMYK 0 / 20 / 69 / 20

HEX #CDA340

RGB 205 163 64

HSL 42.13, 0.59%, 0.53%

LAB 69.14, 5.18, 55.33

 

CMYK 62 / 0 / 69 / 20

HEX #4ECD40

RGB 78 205 64

HSL 114.04, 0.59%, 0.53%

LAB 73.32, -60.85, 57.32

 

CMYK 69 / 49 / 0 / 19

HEX #4069CE

RGB 64 105 206

HSL 222.68, 0.59%, 0.53%

LAB 46.51, 19.31, -56.6

 

CMYK 0 / 69 / 14 / 20

HEX #CD40B1

RGB 205 64 177

HSL 311.91, 0.59%, 0.53%

LAB 51.63, 66.67, -30.78

 

CMYK 0 / 20 / 69 / 20

HEX #CDA340

RGB 205 163 64

HSL 42.13, 0.59%, 0.53%

LAB 69.14, 5.18, 55.33

 

CMYK 69 / 0 / 55 / 20

HEX #40CD5C

RGB 64 205 92

HSL 131.91, 0.59%, 0.53%

LAB 73.24, -60.58, 45.02

 

Description

Color code: RGB 64 105 206 | qconv.com Color code: RGB 64 105 206 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 105 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 105 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 49 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 49% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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