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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CE980 it is the complementary color #C3167F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CE980. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CE980 shade: #41E97B, #52FB8E, #63FFA1, #74FFB4 and #85FFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CE980. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CE980 shade: #3CE980, #2BD76D, #1AC55A, #09B347 and #00A134

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CE980 shade: #39E97E, #39E94F, #53E939, #82E939 and #B1E939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CE980 shade: #39E97E, #39E9AD, #39E9DD, #39C5E9 and #3996E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CE980 shade matches the following richer shades: #39E97E and #27FA7A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CE980 shade: #39E97E, #4BD782, #5DC586, #6EB389 and #80A28D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CE980 shade: #53E939, #39E94E, #39E97C, #39E9AB and #39E9DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CE980 shade: #14BB56, #18E067, #39E97E, #5EED96 and #83F1AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CE980 shade: #3CE980, #3982E9 and #E9393C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CE980 shade: #3CE980, #7C39E9 and #E97C39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CE980 shade: #3CE980, #3982E9, #E939A5 and #E99F39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CE980 shade: #3CE980, #394EE9, #E939A5 and #E9D439

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 45 / 9

HEX #3CE980

RGB 60 233 128

HSL 143.58, 0.8%, 0.57%

LAB 82.27, -65.54, 38.83

 

Complementary color

CMYK 0 / 89 / 35 / 24

HEX #C3167F

RGB 195 22 127

HSL 323.58, 0.8%, 0.43%

LAB 43.81, 69.34, -13.02

 

CMYK 72 / 0 / 47 / 9

HEX #41E97B

RGB 65 233 123

HSL 140.71, 0.79%, 0.58%

LAB 82.29, -65.64, 41.32

 

CMYK 67 / 0 / 43 / 2

HEX #52FB8E

RGB 82 251 142

HSL 141.3, 0.95%, 0.65%

LAB 88.32, -66.26, 39.84

 

CMYK 61 / 0 / 37 / 0

HEX #63FFA1

RGB 99 255 161

HSL 143.85, 1%, 0.69%

LAB 90.2, -61.44, 33

 

CMYK 55 / 0 / 29 / 0

HEX #74FFB4

RGB 116 255 180

HSL 147.63, 1%, 0.73%

LAB 91.02, -54.46, 24.62

 

CMYK 48 / 0 / 22 / 0

HEX #85FFC7

RGB 133 255 199

HSL 152.46, 1%, 0.76%

LAB 91.97, -46.85, 16.33

 

CMYK 74 / 0 / 45 / 9

HEX #3CE980

RGB 60 233 128

HSL 143.58, 0.8%, 0.57%

LAB 82.27, -65.54, 38.83

 

CMYK 80 / 0 / 49 / 16

HEX #2BD76D

RGB 43 215 109

HSL 143.02, 0.68%, 0.51%

LAB 76.2, -64.51, 40.41

 

CMYK 87 / 0 / 54 / 23

HEX #1AC55A

RGB 26 197 90

HSL 142.46, 0.77%, 0.44%

LAB 70.1, -63.02, 42.05

 

CMYK 95 / 0 / 60 / 30

HEX #09B347

RGB 9 179 71

HSL 141.88, 0.9%, 0.37%

LAB 63.96, -60.92, 43.69

 

CMYK 100 / 0 / 68 / 37

HEX #00A134

RGB 0 161 52

HSL 139.38, 1%, 0.32%

LAB 57.79, -58.05, 45.19

 

CMYK 76 / 0 / 46 / 9

HEX #39E97E

RGB 57 233 126

HSL 143.52, 0.8%, 0.57%

LAB 82.19, -66.26, 39.7

 

CMYK 76 / 0 / 66 / 9

HEX #39E94F

RGB 57 233 79

HSL 127.5, 0.8%, 0.57%

LAB 81.68, -72.35, 60.25

 

CMYK 64 / 0 / 76 / 9

HEX #53E939

RGB 83 233 57

HSL 111.14, 0.8%, 0.57%

LAB 82.06, -69.69, 68.69

 

CMYK 44 / 0 / 76 / 9

HEX #82E939

RGB 130 233 57

HSL 95.11, 0.8%, 0.57%

LAB 83.61, -57.54, 70.72

 

CMYK 24 / 0 / 76 / 9

HEX #B1E939

RGB 177 233 57

HSL 79.09, 0.8%, 0.57%

LAB 85.97, -41.31, 73.79

 

CMYK 76 / 0 / 46 / 9

HEX #39E97E

RGB 57 233 126

HSL 143.52, 0.8%, 0.57%

LAB 82.19, -66.26, 39.7

 

CMYK 76 / 0 / 26 / 9

HEX #39E9AD

RGB 57 233 173

HSL 159.55, 0.8%, 0.57%

LAB 83, -57.2, 16.89

 

CMYK 76 / 0 / 5 / 9

HEX #39E9DD

RGB 57 233 221

HSL 175.91, 0.8%, 0.57%

LAB 84.16, -45.28, -6.66

 

CMYK 76 / 15 / 0 / 9

HEX #39C5E9

RGB 57 197 233

HSL 192.27, 0.8%, 0.57%

LAB 73.99, -24.91, -28.41

 

CMYK 76 / 36 / 0 / 9

HEX #3996E9

RGB 57 150 233

HSL 208.3, 0.8%, 0.57%

LAB 60.4, 0.61, -49.62

 

CMYK 76 / 0 / 46 / 9

HEX #39E97E

RGB 57 233 126

HSL 143.52, 0.8%, 0.57%

LAB 82.19, -66.26, 39.7

 

CMYK 84 / 0 / 51 / 2

HEX #27FA7A

RGB 39 250 122

HSL 143.6, 0.95%, 0.57%

LAB 87.1, -74.33, 47.71

 

CMYK 76 / 0 / 46 / 9

HEX #39E97E

RGB 57 233 126

HSL 143.52, 0.8%, 0.57%

LAB 82.19, -66.26, 39.7

 

CMYK 65 / 0 / 40 / 16

HEX #4BD782

RGB 75 215 130

HSL 143.57, 0.64%, 0.57%

LAB 77.11, -56.29, 31.18

 

CMYK 53 / 0 / 32 / 23

HEX #5DC586

RGB 93 197 134

HSL 143.65, 0.47%, 0.57%

LAB 72.22, -44.47, 22.64

 

CMYK 39 / 0 / 23 / 30

HEX #6EB389

RGB 110 179 137

HSL 143.48, 0.31%, 0.57%

LAB 67.55, -31.17, 14.7

 

CMYK 21 / 0 / 13 / 36

HEX #80A28D

RGB 128 162 141

HSL 142.94, 0.15%, 0.57%

LAB 63.63, -16.07, 7.1

 

CMYK 64 / 0 / 76 / 9

HEX #53E939

RGB 83 233 57

HSL 111.14, 0.8%, 0.57%

LAB 82.06, -69.69, 68.69

 

CMYK 76 / 0 / 67 / 9

HEX #39E94E

RGB 57 233 78

HSL 127.16, 0.8%, 0.57%

LAB 81.67, -72.44, 60.64

 

CMYK 76 / 0 / 47 / 9

HEX #39E97C

RGB 57 233 124

HSL 142.84, 0.8%, 0.57%

LAB 82.16, -66.58, 40.64

 

CMYK 76 / 0 / 27 / 9

HEX #39E9AB

RGB 57 233 171

HSL 158.86, 0.8%, 0.57%

LAB 82.96, -57.64, 17.88

 

CMYK 76 / 0 / 6 / 9

HEX #39E9DA

RGB 57 233 218

HSL 174.89, 0.8%, 0.57%

LAB 84.07, -46.09, -5.2

 

CMYK 89 / 0 / 54 / 27

HEX #14BB56

RGB 20 187 86

HSL 143.71, 0.81%, 0.41%

LAB 66.8, -60.78, 39.96

 

CMYK 89 / 0 / 54 / 12

HEX #18E067

RGB 24 224 103

HSL 143.7, 0.81%, 0.49%

LAB 78.74, -69.92, 46.36

 

CMYK 76 / 0 / 46 / 9

HEX #39E97E

RGB 57 233 126

HSL 143.52, 0.8%, 0.57%

LAB 82.19, -66.26, 39.7

 

CMYK 60 / 0 / 37 / 7

HEX #5EED96

RGB 94 237 150

HSL 143.5, 0.8%, 0.65%

LAB 84.56, -57.5, 30.98

 

CMYK 46 / 0 / 28 / 5

HEX #83F1AE

RGB 131 241 174

HSL 143.45, 0.8%, 0.73%

LAB 87.38, -46.19, 22.77

 

CMYK 74 / 0 / 45 / 9

HEX #3CE980

RGB 60 233 128

HSL 143.58, 0.8%, 0.57%

LAB 82.27, -65.54, 38.83

 

CMYK 76 / 44 / 0 / 9

HEX #3982E9

RGB 57 130 233

HSL 215.11, 0.8%, 0.57%

LAB 54.78, 12.59, -58.58

 

CMYK 0 / 76 / 74 / 9

HEX #E9393C

RGB 233 57 60

HSL 358.98, 0.8%, 0.57%

LAB 52.48, 66.19, 40.49

 

CMYK 74 / 0 / 45 / 9

HEX #3CE980

RGB 60 233 128

HSL 143.58, 0.8%, 0.57%

LAB 82.27, -65.54, 38.83

 

CMYK 47 / 76 / 0 / 9

HEX #7C39E9

RGB 124 57 233

HSL 262.84, 0.8%, 0.57%

LAB 42.91, 64.23, -77.64

 

CMYK 0 / 47 / 76 / 9

HEX #E97C39

RGB 233 124 57

HSL 22.84, 0.8%, 0.57%

LAB 63.37, 37.36, 53.56

 

CMYK 74 / 0 / 45 / 9

HEX #3CE980

RGB 60 233 128

HSL 143.58, 0.8%, 0.57%

LAB 82.27, -65.54, 38.83

 

CMYK 76 / 44 / 0 / 9

HEX #3982E9

RGB 57 130 233

HSL 215.11, 0.8%, 0.57%

LAB 54.78, 12.59, -58.58

 

CMYK 0 / 76 / 29 / 9

HEX #E939A5

RGB 233 57 165

HSL 323.18, 0.8%, 0.57%

LAB 55.04, 74.21, -18.11

 

CMYK 0 / 32 / 76 / 9

HEX #E99F39

RGB 233 159 57

HSL 34.77, 0.8%, 0.57%

LAB 71.16, 18.99, 61.27

 

CMYK 74 / 0 / 45 / 9

HEX #3CE980

RGB 60 233 128

HSL 143.58, 0.8%, 0.57%

LAB 82.27, -65.54, 38.83

 

CMYK 76 / 67 / 0 / 9

HEX #394EE9

RGB 57 78 233

HSL 232.84, 0.8%, 0.57%

LAB 41.54, 44.97, -80.09

 

CMYK 0 / 76 / 29 / 9

HEX #E939A5

RGB 233 57 165

HSL 323.18, 0.8%, 0.57%

LAB 55.04, 74.21, -18.11

 

CMYK 0 / 9 / 76 / 9

HEX #E9D439

RGB 233 212 57

HSL 52.84, 0.8%, 0.57%

LAB 84.33, -8.64, 73.73

 

Description

Color code: HEX #3CE980 | qconv.com Color code: HEX #3CE980 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 233 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 233 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 45 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 45% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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