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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2BD76D it is the complementary color #D42892. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2BD76D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2BD76D shade: #30D768, #41E97B, #52FB8E, #63FFA1 and #74FFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2BD76D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2BD76D shade: #2BD76D, #1AC55A, #09B347, #00A134 and #008F21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2BD76D shade: #2DD76E, #2DD740, #47D72D, #75D72D and #A3D72D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2BD76D shade: #2DD76E, #2DD79C, #2DD7C9, #2DB6D7 and #2D88D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2BD76D shade matches the following richer shades: #2DD76E and #18EB69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2BD76D shade: #2DD76E, #41C272, #55AE77, #699A7C and #7D8681

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2BD76D shade: #46D72D, #2DD740, #2DD76E, #2DD79B and #2DD7C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2BD76D shade: #1C954A, #23B75C, #2DD76E, #4FDD86 and #72E49E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2BD76D shade: #2BD76D, #2D73D7 and #D72D2F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2BD76D shade: #2BD76D, #6E2DD7 and #D76E2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2BD76D shade: #2BD76D, #2D73D7, #D72D95 and #D7902D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2BD76D shade: #2BD76D, #2D40D7, #D72D95 and #D7C32D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 49 / 16

HEX #2BD76D

RGB 43 215 109

HSL 143.02, 0.68%, 0.51%

LAB 76.2, -64.51, 40.41

 

Complementary color

CMYK 0 / 81 / 31 / 17

HEX #D42892

RGB 212 40 146

HSL 323.02, 0.68%, 0.49%

LAB 48.99, 71.62, -16.39

 

CMYK 78 / 0 / 52 / 16

HEX #30D768

RGB 48 215 104

HSL 140.12, 0.68%, 0.52%

LAB 76.21, -64.69, 42.85

 

CMYK 72 / 0 / 47 / 9

HEX #41E97B

RGB 65 233 123

HSL 140.71, 0.79%, 0.58%

LAB 82.29, -65.64, 41.32

 

CMYK 67 / 0 / 43 / 2

HEX #52FB8E

RGB 82 251 142

HSL 141.3, 0.95%, 0.65%

LAB 88.32, -66.26, 39.84

 

CMYK 61 / 0 / 37 / 0

HEX #63FFA1

RGB 99 255 161

HSL 143.85, 1%, 0.69%

LAB 90.2, -61.44, 33

 

CMYK 55 / 0 / 29 / 0

HEX #74FFB4

RGB 116 255 180

HSL 147.63, 1%, 0.73%

LAB 91.02, -54.46, 24.62

 

CMYK 80 / 0 / 49 / 16

HEX #2BD76D

RGB 43 215 109

HSL 143.02, 0.68%, 0.51%

LAB 76.2, -64.51, 40.41

 

CMYK 87 / 0 / 54 / 23

HEX #1AC55A

RGB 26 197 90

HSL 142.46, 0.77%, 0.44%

LAB 70.1, -63.02, 42.05

 

CMYK 95 / 0 / 60 / 30

HEX #09B347

RGB 9 179 71

HSL 141.88, 0.9%, 0.37%

LAB 63.96, -60.92, 43.69

 

CMYK 100 / 0 / 68 / 37

HEX #00A134

RGB 0 161 52

HSL 139.38, 1%, 0.32%

LAB 57.79, -58.05, 45.19

 

CMYK 100 / 0 / 77 / 44

HEX #008F21

RGB 0 143 33

HSL 133.85, 1%, 0.28%

LAB 51.56, -54.4, 46.22

 

CMYK 79 / 0 / 49 / 16

HEX #2DD76E

RGB 45 215 110

HSL 142.94, 0.68%, 0.51%

LAB 76.24, -64.13, 39.98

 

CMYK 79 / 0 / 70 / 16

HEX #2DD740

RGB 45 215 64

HSL 126.71, 0.68%, 0.51%

LAB 75.78, -69.75, 59.7

 

CMYK 67 / 0 / 79 / 16

HEX #47D72D

RGB 71 215 45

HSL 110.82, 0.68%, 0.51%

LAB 76.15, -67, 66.54

 

CMYK 46 / 0 / 79 / 16

HEX #75D72D

RGB 117 215 45

HSL 94.59, 0.68%, 0.51%

LAB 77.62, -55.31, 68.44

 

CMYK 24 / 0 / 79 / 16

HEX #A3D72D

RGB 163 215 45

HSL 78.35, 0.68%, 0.51%

LAB 79.94, -39.22, 71.42

 

CMYK 79 / 0 / 49 / 16

HEX #2DD76E

RGB 45 215 110

HSL 142.94, 0.68%, 0.51%

LAB 76.24, -64.13, 39.98

 

CMYK 79 / 0 / 27 / 16

HEX #2DD79C

RGB 45 215 156

HSL 159.18, 0.68%, 0.51%

LAB 77.02, -55.35, 17.43

 

CMYK 79 / 0 / 7 / 16

HEX #2DD7C9

RGB 45 215 201

HSL 175.06, 0.68%, 0.51%

LAB 78.1, -44.07, -5.01

 

CMYK 79 / 15 / 0 / 16

HEX #2DB6D7

RGB 45 182 215

HSL 191.65, 0.68%, 0.51%

LAB 68.69, -24.34, -26.77

 

CMYK 79 / 37 / 0 / 16

HEX #2D88D7

RGB 45 136 215

HSL 207.88, 0.68%, 0.51%

LAB 55.15, 1.03, -47.93

 

CMYK 79 / 0 / 49 / 16

HEX #2DD76E

RGB 45 215 110

HSL 142.94, 0.68%, 0.51%

LAB 76.24, -64.13, 39.98

 

CMYK 90 / 0 / 55 / 8

HEX #18EB69

RGB 24 235 105

HSL 143.03, 0.84%, 0.51%

LAB 82.18, -73.07, 49.57

 

CMYK 79 / 0 / 49 / 16

HEX #2DD76E

RGB 45 215 110

HSL 142.94, 0.68%, 0.51%

LAB 76.24, -64.13, 39.98

 

CMYK 66 / 0 / 41 / 24

HEX #41C272

RGB 65 194 114

HSL 142.79, 0.51%, 0.51%

LAB 70.12, -52.97, 30.2

 

CMYK 51 / 0 / 32 / 32

HEX #55AE77

RGB 85 174 119

HSL 142.92, 0.35%, 0.51%

LAB 64.59, -39.4, 20.26

 

CMYK 32 / 0 / 19 / 40

HEX #699A7C

RGB 105 154 124

HSL 143.27, 0.2%, 0.51%

LAB 59.5, -23.06, 10.57

 

CMYK 7 / 0 / 4 / 47

HEX #7D8681

RGB 125 134 129

HSL 146.67, 0.04%, 0.51%

LAB 55.07, -4.32, 1.54

 

CMYK 67 / 0 / 79 / 16

HEX #46D72D

RGB 70 215 45

HSL 111.18, 0.68%, 0.51%

LAB 76.13, -67.2, 66.51

 

CMYK 79 / 0 / 70 / 16

HEX #2DD740

RGB 45 215 64

HSL 126.71, 0.68%, 0.51%

LAB 75.78, -69.75, 59.7

 

CMYK 79 / 0 / 49 / 16

HEX #2DD76E

RGB 45 215 110

HSL 142.94, 0.68%, 0.51%

LAB 76.24, -64.13, 39.98

 

CMYK 79 / 0 / 28 / 16

HEX #2DD79B

RGB 45 215 155

HSL 158.82, 0.68%, 0.51%

LAB 77, -55.57, 17.93

 

CMYK 79 / 0 / 7 / 16

HEX #2DD7C8

RGB 45 215 200

HSL 174.71, 0.68%, 0.51%

LAB 78.07, -44.35, -4.51

 

CMYK 81 / 0 / 50 / 42

HEX #1C954A

RGB 28 149 74

HSL 142.81, 0.68%, 0.35%

LAB 54.28, -48.9, 30.59

 

CMYK 81 / 0 / 50 / 28

HEX #23B75C

RGB 35 183 92

HSL 143.11, 0.68%, 0.43%

LAB 65.75, -57.16, 35.73

 

CMYK 79 / 0 / 49 / 16

HEX #2DD76E

RGB 45 215 110

HSL 142.94, 0.68%, 0.51%

LAB 76.24, -64.13, 39.98

 

CMYK 64 / 0 / 39 / 13

HEX #4FDD86

RGB 79 221 134

HSL 143.24, 0.68%, 0.59%

LAB 79.1, -57.12, 31.78

 

CMYK 50 / 0 / 31 / 11

HEX #72E49E

RGB 114 228 158

HSL 143.16, 0.68%, 0.67%

LAB 82.66, -47.93, 24.44

 

CMYK 80 / 0 / 49 / 16

HEX #2BD76D

RGB 43 215 109

HSL 143.02, 0.68%, 0.51%

LAB 76.2, -64.51, 40.41

 

CMYK 79 / 47 / 0 / 16

HEX #2D73D7

RGB 45 115 215

HSL 215.29, 0.68%, 0.51%

LAB 49.16, 13.92, -57.5

 

CMYK 0 / 79 / 78 / 16

HEX #D72D2F

RGB 215 45 47

HSL 359.29, 0.68%, 0.51%

LAB 47.66, 64.04, 41.51

 

CMYK 80 / 0 / 49 / 16

HEX #2BD76D

RGB 43 215 109

HSL 143.02, 0.68%, 0.51%

LAB 76.2, -64.51, 40.41

 

CMYK 49 / 79 / 0 / 16

HEX #6E2DD7

RGB 110 45 215

HSL 262.94, 0.68%, 0.51%

LAB 38.02, 62.74, -75.44

 

CMYK 0 / 49 / 79 / 16

HEX #D76E2D

RGB 215 110 45

HSL 22.94, 0.68%, 0.51%

LAB 57.84, 36.94, 52.64

 

CMYK 80 / 0 / 49 / 16

HEX #2BD76D

RGB 43 215 109

HSL 143.02, 0.68%, 0.51%

LAB 76.2, -64.51, 40.41

 

CMYK 79 / 47 / 0 / 16

HEX #2D73D7

RGB 45 115 215

HSL 215.29, 0.68%, 0.51%

LAB 49.16, 13.92, -57.5

 

CMYK 0 / 79 / 31 / 16

HEX #D72D95

RGB 215 45 149

HSL 323.29, 0.68%, 0.51%

LAB 50.09, 71.41, -16.47

 

CMYK 0 / 33 / 79 / 16

HEX #D7902D

RGB 215 144 45

HSL 34.94, 0.68%, 0.51%

LAB 65.42, 18.9, 59.77

 

CMYK 80 / 0 / 49 / 16

HEX #2BD76D

RGB 43 215 109

HSL 143.02, 0.68%, 0.51%

LAB 76.2, -64.51, 40.41

 

CMYK 79 / 70 / 0 / 16

HEX #2D40D7

RGB 45 64 215

HSL 233.29, 0.68%, 0.51%

LAB 36.24, 46.13, -78.56

 

CMYK 0 / 79 / 31 / 16

HEX #D72D95

RGB 215 45 149

HSL 323.29, 0.68%, 0.51%

LAB 50.09, 71.41, -16.47

 

CMYK 0 / 9 / 79 / 16

HEX #D7C32D

RGB 215 195 45

HSL 52.94, 0.68%, 0.51%

LAB 78.27, -8.11, 71.37

 

Description

Color code: HEX #2BD76D | qconv.com Color code: HEX #2BD76D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 215 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 215 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 49 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 49% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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