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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39BE2B it is the complementary color #C641D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39BE2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39BE2B shade: #3EBE26, #4FD039, #60E24C, #71F45F and #82FF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39BE2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39BE2B shade: #39BE2B, #28AC18, #179A05, #068800 and #007600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39BE2B shade: #39BF2B, #61BF2B, #89BF2B, #B1BF2B and #BFA52B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39BE2B shade: #39BF2B, #2BBF45, #2BBF6D, #2BBF94 and #2BBFBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39BE2B shade matches the following richer shades: #39BF2B, #2AD218 and #1AE505

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39BE2B shade: #39BF2B, #48AC3E, #589951, #678664 and #767377

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39BE2B shade: #89BF2B, #61BF2B, #3ABF2B, #2BBF44 and #2BBF6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39BE2B shade: #257B1C, #2F9D23, #39BF2B, #4ED340 and #6DDB61

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39BE2B shade: #39BE2B, #2BB0BF and #BF2B75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39BE2B shade: #39BE2B, #2B3ABF and #BF2B3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39BE2B shade: #39BE2B, #2BB0BF, #B02BBF and #BF3A2B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39BE2B shade: #39BE2B, #2B84BF, #B02BBF and #BF662B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 77 / 25

HEX #39BE2B

RGB 57 190 43

HSL 114.29, 0.63%, 0.46%

LAB 67.93, -61.72, 59.18

 

Complementary color

CMYK 7 / 69 / 0 / 17

HEX #C641D4

RGB 198 65 212

HSL 294.29, 0.63%, 0.54%

LAB 52.44, 70.28, -49.79

 

CMYK 67 / 0 / 80 / 25

HEX #3EBE26

RGB 62 190 38

HSL 110.53, 0.67%, 0.45%

LAB 68.01, -61.06, 60.83

 

CMYK 62 / 0 / 73 / 18

HEX #4FD039

RGB 79 208 57

HSL 111.26, 0.62%, 0.52%

LAB 74.23, -62.22, 60.88

 

CMYK 58 / 0 / 66 / 11

HEX #60E24C

RGB 96 226 76

HSL 112, 0.72%, 0.59%

LAB 80.4, -62.97, 60.32

 

CMYK 54 / 0 / 61 / 4

HEX #71F45F

RGB 113 244 95

HSL 112.75, 0.87%, 0.66%

LAB 86.52, -63.42, 59.44

 

CMYK 49 / 0 / 55 / 0

HEX #82FF72

RGB 130 255 114

HSL 113.19, 1%, 0.72%

LAB 90.54, -61.05, 55.99

 

CMYK 70 / 0 / 77 / 25

HEX #39BE2B

RGB 57 190 43

HSL 114.29, 0.63%, 0.46%

LAB 67.93, -61.72, 59.18

 

CMYK 77 / 0 / 86 / 33

HEX #28AC18

RGB 40 172 24

HSL 113.51, 0.76%, 0.38%

LAB 61.67, -59.92, 58.55

 

CMYK 85 / 0 / 97 / 40

HEX #179A05

RGB 23 154 5

HSL 112.75, 0.94%, 0.31%

LAB 55.38, -57.3, 56.52

 

CMYK 96 / 0 / 100 / 47

HEX #068800

RGB 6 136 0

HSL 117.35, 1%, 0.27%

LAB 49.07, -53.58, 52.19

 

CMYK 100 / 0 / 100 / 54

HEX #007600

RGB 0 118 0

HSL 120, 1%, 0.23%

LAB 42.7, -48.77, 47.07

 

CMYK 70 / 0 / 77 / 25

HEX #39BF2B

RGB 57 191 43

HSL 114.32, 0.63%, 0.46%

LAB 68.25, -62.04, 59.49

 

CMYK 49 / 0 / 77 / 25

HEX #61BF2B

RGB 97 191 43

HSL 98.11, 0.63%, 0.46%

LAB 69.45, -52.32, 61.07

 

CMYK 28 / 0 / 77 / 25

HEX #89BF2B

RGB 137 191 43

HSL 81.89, 0.63%, 0.46%

LAB 71.39, -38.59, 63.58

 

CMYK 7 / 0 / 77 / 25

HEX #B1BF2B

RGB 177 191 43

HSL 65.68, 0.63%, 0.46%

LAB 74.05, -22.42, 67.01

 

CMYK 0 / 14 / 77 / 25

HEX #BFA52B

RGB 191 165 43

HSL 49.46, 0.63%, 0.46%

LAB 68.14, -3, 62.05

 

CMYK 70 / 0 / 77 / 25

HEX #39BF2B

RGB 57 191 43

HSL 114.32, 0.63%, 0.46%

LAB 68.25, -62.04, 59.49

 

CMYK 77 / 0 / 64 / 25

HEX #2BBF45

RGB 43 191 69

HSL 130.54, 0.63%, 0.46%

LAB 68.17, -61.98, 49.46

 

CMYK 77 / 0 / 43 / 25

HEX #2BBF6D

RGB 43 191 109

HSL 146.76, 0.63%, 0.46%

LAB 68.66, -56.14, 30.8

 

CMYK 77 / 0 / 23 / 25

HEX #2BBF94

RGB 43 191 148

HSL 162.57, 0.63%, 0.46%

LAB 69.41, -47.9, 11.03

 

CMYK 77 / 0 / 2 / 25

HEX #2BBFBC

RGB 43 191 188

HSL 178.78, 0.63%, 0.46%

LAB 70.46, -37.21, -9.3

 

CMYK 70 / 0 / 77 / 25

HEX #39BF2B

RGB 57 191 43

HSL 114.32, 0.63%, 0.46%

LAB 68.25, -62.04, 59.49

 

CMYK 80 / 0 / 89 / 18

HEX #2AD218

RGB 42 210 24

HSL 114.19, 0.79%, 0.46%

LAB 73.97, -71.03, 69.32

 

CMYK 89 / 0 / 98 / 10

HEX #1AE505

RGB 26 229 5

HSL 114.38, 0.96%, 0.46%

LAB 79.77, -78.23, 76.4

 

CMYK 70 / 0 / 77 / 25

HEX #39BF2B

RGB 57 191 43

HSL 114.32, 0.63%, 0.46%

LAB 68.25, -62.04, 59.49

 

CMYK 58 / 0 / 64 / 33

HEX #48AC3E

RGB 72 172 62

HSL 114.55, 0.47%, 0.46%

LAB 62.7, -50.54, 46.61

 

CMYK 42 / 0 / 47 / 40

HEX #589951

RGB 88 153 81

HSL 114.17, 0.31%, 0.46%

LAB 57.51, -35.7, 31.37

 

CMYK 23 / 0 / 25 / 47

HEX #678664

RGB 103 134 100

HSL 114.71, 0.15%, 0.46%

LAB 52.79, -18.04, 14.81

 

CMYK 1 / 3 / 0 / 53

HEX #767377

RGB 118 115 119

HSL 285, 0.02%, 0.46%

LAB 48.82, 1.96, -1.8

 

CMYK 28 / 0 / 77 / 25

HEX #89BF2B

RGB 137 191 43

HSL 81.89, 0.63%, 0.46%

LAB 71.39, -38.59, 63.58

 

CMYK 49 / 0 / 77 / 25

HEX #61BF2B

RGB 97 191 43

HSL 98.11, 0.63%, 0.46%

LAB 69.45, -52.32, 61.07

 

CMYK 70 / 0 / 77 / 25

HEX #3ABF2B

RGB 58 191 43

HSL 113.92, 0.63%, 0.46%

LAB 68.27, -61.86, 59.52

 

CMYK 77 / 0 / 64 / 25

HEX #2BBF44

RGB 43 191 68

HSL 130.14, 0.63%, 0.46%

LAB 68.16, -62.09, 49.89

 

CMYK 77 / 0 / 44 / 25

HEX #2BBF6B

RGB 43 191 107

HSL 145.95, 0.63%, 0.46%

LAB 68.63, -56.5, 31.79

 

CMYK 70 / 0 / 77 / 52

HEX #257B1C

RGB 37 123 28

HSL 114.32, 0.63%, 0.3%

LAB 45.14, -43.91, 41.82

 

CMYK 70 / 0 / 78 / 38

HEX #2F9D23

RGB 47 157 35

HSL 114.1, 0.64%, 0.38%

LAB 56.92, -53.22, 51.03

 

CMYK 70 / 0 / 77 / 25

HEX #39BF2B

RGB 57 191 43

HSL 114.32, 0.63%, 0.46%

LAB 68.25, -62.04, 59.49

 

CMYK 63 / 0 / 70 / 17

HEX #4ED340

RGB 78 211 64

HSL 114.29, 0.63%, 0.54%

LAB 75.19, -62.91, 59.29

 

CMYK 50 / 0 / 56 / 14

HEX #6DDB61

RGB 109 219 97

HSL 114.1, 0.63%, 0.62%

LAB 78.91, -54.88, 49.76

 

CMYK 70 / 0 / 77 / 25

HEX #39BE2B

RGB 57 190 43

HSL 114.29, 0.63%, 0.46%

LAB 67.93, -61.72, 59.18

 

CMYK 77 / 8 / 0 / 25

HEX #2BB0BF

RGB 43 176 191

HSL 186.08, 0.63%, 0.46%

LAB 66, -29.19, -17.65

 

CMYK 0 / 77 / 39 / 25

HEX #BF2B75

RGB 191 43 117

HSL 330, 0.63%, 0.46%

LAB 44.36, 62.57, -6.11

 

CMYK 70 / 0 / 77 / 25

HEX #39BE2B

RGB 57 190 43

HSL 114.29, 0.63%, 0.46%

LAB 67.93, -61.72, 59.18

 

CMYK 77 / 70 / 0 / 25

HEX #2B3ABF

RGB 43 58 191

HSL 233.92, 0.63%, 0.46%

LAB 32.48, 41.25, -70.78

 

CMYK 0 / 77 / 70 / 25

HEX #BF2B3A

RGB 191 43 58

HSL 353.92, 0.63%, 0.46%

LAB 42.93, 58.09, 28.51

 

CMYK 70 / 0 / 77 / 25

HEX #39BE2B

RGB 57 190 43

HSL 114.29, 0.63%, 0.46%

LAB 67.93, -61.72, 59.18

 

CMYK 77 / 8 / 0 / 25

HEX #2BB0BF

RGB 43 176 191

HSL 186.08, 0.63%, 0.46%

LAB 66, -29.19, -17.65

 

CMYK 8 / 77 / 0 / 25

HEX #B02BBF

RGB 176 43 191

HSL 293.92, 0.63%, 0.46%

LAB 45.25, 69.38, -49.36

 

CMYK 0 / 70 / 77 / 25

HEX #BF3A2B

RGB 191 58 43

HSL 6.08, 0.63%, 0.46%

LAB 44.63, 52.2, 39.14

 

CMYK 70 / 0 / 77 / 25

HEX #39BE2B

RGB 57 190 43

HSL 114.29, 0.63%, 0.46%

LAB 67.93, -61.72, 59.18

 

CMYK 77 / 31 / 0 / 25

HEX #2B84BF

RGB 43 132 191

HSL 203.92, 0.63%, 0.46%

LAB 52.71, -5.59, -38.19

 

CMYK 8 / 77 / 0 / 25

HEX #B02BBF

RGB 176 43 191

HSL 293.92, 0.63%, 0.46%

LAB 45.25, 69.38, -49.36

 

CMYK 0 / 47 / 77 / 25

HEX #BF662B

RGB 191 102 43

HSL 23.92, 0.63%, 0.46%

LAB 52.68, 31.32, 47.34

 

Description

Color code: HEX #39BE2B | qconv.com Color code: HEX #39BE2B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 190 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 190 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 77 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 77% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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