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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4ED340 it is the complementary color #B12CBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4ED340. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4ED340 shade: #53D33B, #64E54E, #75F761, #86FF74 and #97FF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4ED340. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4ED340 shade: #4ED340, #3DC12D, #2CAF1A, #1B9D07 and #0A8B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4ED340 shade: #4DD33F, #75D33F, #9DD33F, #C5D33F and #D3B93F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4ED340 shade: #4DD33F, #3FD359, #3FD381, #3FD3A9 and #3FD3D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4ED340 shade matches the following richer shades: #4DD33F, #3EE62C and #2FF919

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4ED340 shade: #4DD33F, #5DC052, #6CAD65, #7B9A78 and #8B878B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4ED340 shade: #9DD33F, #75D33F, #4ED33F, #3FD358 and #3FD37F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4ED340 shade: #2F9D23, #39BE2B, #4DD33F, #6DDB61 and #8CE283

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4ED340 shade: #4ED340, #3FC4D3 and #D33F89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4ED340 shade: #4ED340, #3F4ED3 and #D33F4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4ED340 shade: #4ED340, #3FC4D3, #C43FD3 and #D34E3F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4ED340 shade: #4ED340, #3F98D3, #C43FD3 and #D37A3F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 70 / 17

HEX #4ED340

RGB 78 211 64

HSL 114.29, 0.63%, 0.54%

LAB 75.19, -62.91, 59.29

 

Complementary color

CMYK 7 / 77 / 0 / 25

HEX #B12CBF

RGB 177 44 191

HSL 294.29, 0.63%, 0.46%

LAB 45.51, 69.28, -48.93

 

CMYK 61 / 0 / 72 / 17

HEX #53D33B

RGB 83 211 59

HSL 110.53, 0.63%, 0.53%

LAB 75.29, -62.19, 61.27

 

CMYK 56 / 0 / 66 / 10

HEX #64E54E

RGB 100 229 78

HSL 111.26, 0.74%, 0.6%

LAB 81.46, -62.88, 60.7

 

CMYK 53 / 0 / 61 / 3

HEX #75F761

RGB 117 247 97

HSL 112, 0.9%, 0.67%

LAB 87.57, -63.3, 59.81

 

CMYK 47 / 0 / 55 / 0

HEX #86FF74

RGB 134 255 116

HSL 112.23, 1%, 0.73%

LAB 90.71, -59.74, 55.33

 

CMYK 41 / 0 / 47 / 0

HEX #97FF87

RGB 151 255 135

HSL 112, 1%, 0.76%

LAB 91.62, -52.59, 47.83

 

CMYK 63 / 0 / 70 / 17

HEX #4ED340

RGB 78 211 64

HSL 114.29, 0.63%, 0.54%

LAB 75.19, -62.91, 59.29

 

CMYK 68 / 0 / 77 / 24

HEX #3DC12D

RGB 61 193 45

HSL 113.51, 0.62%, 0.47%

LAB 68.98, -61.81, 59.59

 

CMYK 75 / 0 / 85 / 31

HEX #2CAF1A

RGB 44 175 26

HSL 112.75, 0.74%, 0.39%

LAB 62.73, -60.14, 59.05

 

CMYK 83 / 0 / 96 / 38

HEX #1B9D07

RGB 27 157 7

HSL 112, 0.91%, 0.32%

LAB 56.45, -57.69, 57.11

 

CMYK 93 / 0 / 100 / 45

HEX #0A8B00

RGB 10 139 0

HSL 115.68, 1%, 0.27%

LAB 50.13, -54.18, 53.06

 

CMYK 64 / 0 / 70 / 17

HEX #4DD33F

RGB 77 211 63

HSL 114.32, 0.63%, 0.54%

LAB 75.15, -63.21, 59.62

 

CMYK 45 / 0 / 70 / 17

HEX #75D33F

RGB 117 211 63

HSL 98.11, 0.63%, 0.54%

LAB 76.51, -52.66, 61.45

 

CMYK 26 / 0 / 70 / 17

HEX #9DD33F

RGB 157 211 63

HSL 81.89, 0.63%, 0.54%

LAB 78.53, -38.8, 64.15

 

CMYK 7 / 0 / 70 / 17

HEX #C5D33F

RGB 197 211 63

HSL 65.68, 0.63%, 0.54%

LAB 81.19, -22.93, 67.68

 

CMYK 0 / 12 / 70 / 17

HEX #D3B93F

RGB 211 185 63

HSL 49.46, 0.63%, 0.54%

LAB 75.39, -3.92, 62.31

 

CMYK 64 / 0 / 70 / 17

HEX #4DD33F

RGB 77 211 63

HSL 114.32, 0.63%, 0.54%

LAB 75.15, -63.21, 59.62

 

CMYK 70 / 0 / 58 / 17

HEX #3FD359

RGB 63 211 89

HSL 130.54, 0.63%, 0.54%

LAB 75.06, -63.2, 48.55

 

CMYK 70 / 0 / 39 / 17

HEX #3FD381

RGB 63 211 129

HSL 146.76, 0.63%, 0.54%

LAB 75.59, -57.01, 29.65

 

CMYK 70 / 0 / 20 / 17

HEX #3FD3A9

RGB 63 211 169

HSL 162.97, 0.63%, 0.54%

LAB 76.38, -48.54, 9.67

 

CMYK 70 / 0 / 1 / 17

HEX #3FD3D1

RGB 63 211 209

HSL 179.19, 0.63%, 0.54%

LAB 77.43, -38.11, -10.26

 

CMYK 64 / 0 / 70 / 17

HEX #4DD33F

RGB 77 211 63

HSL 114.32, 0.63%, 0.54%

LAB 75.15, -63.21, 59.62

 

CMYK 73 / 0 / 81 / 10

HEX #3EE62C

RGB 62 230 44

HSL 114.19, 0.79%, 0.54%

LAB 80.63, -73.3, 70.92

 

CMYK 81 / 0 / 90 / 2

HEX #2FF919

RGB 47 249 25

HSL 114.11, 0.95%, 0.54%

LAB 86.22, -81.46, 79.63

 

CMYK 64 / 0 / 70 / 17

HEX #4DD33F

RGB 77 211 63

HSL 114.32, 0.63%, 0.54%

LAB 75.15, -63.21, 59.62

 

CMYK 52 / 0 / 57 / 25

HEX #5DC052

RGB 93 192 82

HSL 114, 0.47%, 0.54%

LAB 69.92, -50.47, 45.97

 

CMYK 38 / 0 / 42 / 32

HEX #6CAD65

RGB 108 173 101

HSL 114.17, 0.31%, 0.54%

LAB 64.97, -35.31, 30.58

 

CMYK 20 / 0 / 22 / 40

HEX #7B9A78

RGB 123 154 120

HSL 114.71, 0.14%, 0.54%

LAB 60.5, -17.63, 14.38

 

CMYK 0 / 3 / 0 / 45

HEX #8B878B

RGB 139 135 139

HSL 300, 0.02%, 0.54%

LAB 56.76, 2.27, -1.62

 

CMYK 26 / 0 / 70 / 17

HEX #9DD33F

RGB 157 211 63

HSL 81.89, 0.63%, 0.54%

LAB 78.53, -38.8, 64.15

 

CMYK 45 / 0 / 70 / 17

HEX #75D33F

RGB 117 211 63

HSL 98.11, 0.63%, 0.54%

LAB 76.51, -52.66, 61.45

 

CMYK 63 / 0 / 70 / 17

HEX #4ED33F

RGB 78 211 63

HSL 113.92, 0.63%, 0.54%

LAB 75.18, -62.99, 59.65

 

CMYK 70 / 0 / 58 / 17

HEX #3FD358

RGB 63 211 88

HSL 130.14, 0.63%, 0.54%

LAB 75.05, -63.32, 48.99

 

CMYK 70 / 0 / 40 / 17

HEX #3FD37F

RGB 63 211 127

HSL 145.95, 0.63%, 0.54%

LAB 75.56, -57.38, 30.63

 

CMYK 70 / 0 / 78 / 38

HEX #2F9D23

RGB 47 157 35

HSL 114.1, 0.64%, 0.38%

LAB 56.92, -53.22, 51.03

 

CMYK 70 / 0 / 77 / 25

HEX #39BE2B

RGB 57 190 43

HSL 114.29, 0.63%, 0.46%

LAB 67.93, -61.72, 59.18

 

CMYK 64 / 0 / 70 / 17

HEX #4DD33F

RGB 77 211 63

HSL 114.32, 0.63%, 0.54%

LAB 75.15, -63.21, 59.62

 

CMYK 50 / 0 / 56 / 14

HEX #6DDB61

RGB 109 219 97

HSL 114.1, 0.63%, 0.62%

LAB 78.91, -54.88, 49.76

 

CMYK 38 / 0 / 42 / 11

HEX #8CE283

RGB 140 226 131

HSL 114.32, 0.62%, 0.7%

LAB 82.7, -44.28, 38.4

 

CMYK 63 / 0 / 70 / 17

HEX #4ED340

RGB 78 211 64

HSL 114.29, 0.63%, 0.54%

LAB 75.19, -62.91, 59.29

 

CMYK 70 / 7 / 0 / 17

HEX #3FC4D3

RGB 63 196 211

HSL 186.08, 0.63%, 0.54%

LAB 73.05, -30.48, -17.92

 

CMYK 0 / 70 / 35 / 17

HEX #D33F89

RGB 211 63 137

HSL 330, 0.63%, 0.54%

LAB 50.93, 63.48, -8.08

 

CMYK 63 / 0 / 70 / 17

HEX #4ED340

RGB 78 211 64

HSL 114.29, 0.63%, 0.54%

LAB 75.19, -62.91, 59.29

 

CMYK 70 / 63 / 0 / 17

HEX #3F4ED3

RGB 63 78 211

HSL 233.92, 0.63%, 0.54%

LAB 39.93, 38.03, -70.16

 

CMYK 0 / 70 / 63 / 17

HEX #D33F4E

RGB 211 63 78

HSL 353.92, 0.63%, 0.54%

LAB 49.44, 58.43, 25.41

 

CMYK 63 / 0 / 70 / 17

HEX #4ED340

RGB 78 211 64

HSL 114.29, 0.63%, 0.54%

LAB 75.19, -62.91, 59.29

 

CMYK 70 / 7 / 0 / 17

HEX #3FC4D3

RGB 63 196 211

HSL 186.08, 0.63%, 0.54%

LAB 73.05, -30.48, -17.92

 

CMYK 7 / 70 / 0 / 17

HEX #C43FD3

RGB 196 63 211

HSL 293.92, 0.63%, 0.54%

LAB 51.83, 70.39, -50.21

 

CMYK 0 / 63 / 70 / 17

HEX #D34E3F

RGB 211 78 63

HSL 6.08, 0.63%, 0.54%

LAB 51.45, 51.54, 36.59

 

CMYK 63 / 0 / 70 / 17

HEX #4ED340

RGB 78 211 64

HSL 114.29, 0.63%, 0.54%

LAB 75.19, -62.91, 59.29

 

CMYK 70 / 28 / 0 / 17

HEX #3F98D3

RGB 63 152 211

HSL 203.92, 0.63%, 0.54%

LAB 60.08, -7.43, -37.87

 

CMYK 7 / 70 / 0 / 17

HEX #C43FD3

RGB 196 63 211

HSL 293.92, 0.63%, 0.54%

LAB 51.83, 70.39, -50.21

 

CMYK 0 / 42 / 70 / 17

HEX #D37A3F

RGB 211 122 63

HSL 23.92, 0.63%, 0.54%

LAB 60, 29.83, 46.23

 

Description

Color code: HEX #4ED340 | qconv.com Color code: HEX #4ED340 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 211 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 211 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 70 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 70% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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