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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38EAC6 it is the complementary color #C71539. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38EAC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38EAC6 shade: #3DEAC1, #4EFCD4, #5FFFE7, #70FFFA and #81FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38EAC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38EAC6 shade: #38EAC6, #27D8B3, #16C6A0, #05B48D and #00A27A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38EAC6 shade: #38EAC6, #38EA96, #38EA66, #3AEA38 and #6AEA38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38EAC6 shade: #38EAC6, #38DEEA, #38AEEA, #387EEA and #384EEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38EAC6 shade matches the following richer shades: #38EAC6 and #26FBD0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38EAC6 shade: #38EAC6, #4AD8BB, #5CC6B1, #6DB4A6 and #7FA39B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38EAC6 shade: #38EA64, #38EA94, #38EAC3, #38E1EA and #38B1EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38EAC6 shade: #13BC9A, #17E1B8, #38EAC6, #5DEED0 and #83F2DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38EAC6 shade: #38EAC6, #383BEA and #EA7C38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38EAC6 shade: #38EAC6, #C338EA and #EAC338

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38EAC6 shade: #38EAC6, #383BEA, #EA385F and #EAE738

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38EAC6 shade: #38EAC6, #6A38EA, #EA385F and #B7EA38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 15 / 8

HEX #38EAC6

RGB 56 234 198

HSL 167.87, 0.81%, 0.57%

LAB 83.84, -51.81, 4.99

 

Complementary color

CMYK 0 / 89 / 71 / 22

HEX #C71539

RGB 199 21 57

HSL 347.87, 0.81%, 0.43%

LAB 42.72, 65.35, 29.25

 

CMYK 74 / 0 / 18 / 8

HEX #3DEAC1

RGB 61 234 193

HSL 165.78, 0.8%, 0.58%

LAB 83.8, -52.48, 7.57

 

CMYK 69 / 0 / 16 / 1

HEX #4EFCD4

RGB 78 252 212

HSL 166.21, 0.97%, 0.65%

LAB 89.86, -53.09, 6.41

 

CMYK 63 / 0 / 9 / 0

HEX #5FFFE7

RGB 95 255 231

HSL 171, 1%, 0.69%

LAB 91.56, -47.21, -0.92

 

CMYK 56 / 0 / 2 / 0

HEX #70FFFA

RGB 112 255 250

HSL 177.9, 1%, 0.72%

LAB 92.52, -39.55, -9.3

 

CMYK 49 / 0 / 0 / 0

HEX #81FFFF

RGB 129 255 255

HSL 180, 1%, 0.75%

LAB 93.19, -35.02, -10.82

 

CMYK 76 / 0 / 15 / 8

HEX #38EAC6

RGB 56 234 198

HSL 167.87, 0.81%, 0.57%

LAB 83.84, -51.81, 4.99

 

CMYK 82 / 0 / 17 / 15

HEX #27D8B3

RGB 39 216 179

HSL 167.46, 0.69%, 0.5%

LAB 77.76, -50.83, 6.25

 

CMYK 89 / 0 / 19 / 22

HEX #16C6A0

RGB 22 198 160

HSL 167.05, 0.8%, 0.43%

LAB 71.62, -49.52, 7.64

 

CMYK 97 / 0 / 22 / 29

HEX #05B48D

RGB 5 180 141

HSL 166.63, 0.95%, 0.36%

LAB 65.43, -47.82, 9.17

 

CMYK 100 / 0 / 25 / 36

HEX #00A27A

RGB 0 162 122

HSL 165.19, 1%, 0.32%

LAB 59.2, -45.6, 10.88

 

CMYK 76 / 0 / 15 / 8

HEX #38EAC6

RGB 56 234 198

HSL 167.87, 0.81%, 0.57%

LAB 83.84, -51.81, 4.99

 

CMYK 76 / 0 / 36 / 8

HEX #38EA96

RGB 56 234 150

HSL 151.69, 0.81%, 0.57%

LAB 82.85, -62.47, 28.56

 

CMYK 76 / 0 / 56 / 8

HEX #38EA66

RGB 56 234 102

HSL 135.51, 0.81%, 0.57%

LAB 82.19, -70.2, 51.02

 

CMYK 75 / 0 / 76 / 8

HEX #3AEA38

RGB 58 234 56

HSL 119.33, 0.81%, 0.57%

LAB 81.85, -74.38, 68.62

 

CMYK 55 / 0 / 76 / 8

HEX #6AEA38

RGB 106 234 56

HSL 103.15, 0.81%, 0.57%

LAB 83.02, -64.77, 70.15

 

CMYK 76 / 0 / 15 / 8

HEX #38EAC6

RGB 56 234 198

HSL 167.87, 0.81%, 0.57%

LAB 83.84, -51.81, 4.99

 

CMYK 76 / 5 / 0 / 8

HEX #38DEEA

RGB 56 222 234

HSL 184.04, 0.81%, 0.57%

LAB 81.3, -36.76, -17.81

 

CMYK 76 / 26 / 0 / 8

HEX #38AEEA

RGB 56 174 234

HSL 200.22, 0.81%, 0.57%

LAB 67.32, -12.68, -39.29

 

CMYK 76 / 46 / 0 / 8

HEX #387EEA

RGB 56 126 234

HSL 216.4, 0.81%, 0.57%

LAB 53.71, 15.3, -60.86

 

CMYK 76 / 67 / 0 / 8

HEX #384EEA

RGB 56 78 234

HSL 232.58, 0.81%, 0.57%

LAB 41.58, 45.22, -80.58

 

CMYK 76 / 0 / 15 / 8

HEX #38EAC6

RGB 56 234 198

HSL 167.87, 0.81%, 0.57%

LAB 83.84, -51.81, 4.99

 

CMYK 85 / 0 / 17 / 2

HEX #26FBD0

RGB 38 251 208

HSL 167.89, 0.96%, 0.57%

LAB 88.9, -57.68, 7.04

 

CMYK 76 / 0 / 15 / 8

HEX #38EAC6

RGB 56 234 198

HSL 167.87, 0.81%, 0.57%

LAB 83.84, -51.81, 4.99

 

CMYK 66 / 0 / 13 / 15

HEX #4AD8BB

RGB 74 216 187

HSL 167.75, 0.65%, 0.57%

LAB 78.55, -44.62, 3.21

 

CMYK 54 / 0 / 11 / 22

HEX #5CC6B1

RGB 92 198 177

HSL 168.11, 0.48%, 0.57%

LAB 73.44, -35.72, 1.23

 

CMYK 39 / 0 / 8 / 29

HEX #6DB4A6

RGB 109 180 166

HSL 168.17, 0.32%, 0.57%

LAB 68.49, -25.63, 0.11

 

CMYK 22 / 0 / 5 / 36

HEX #7FA39B

RGB 127 163 155

HSL 166.67, 0.16%, 0.57%

LAB 64.22, -14.01, 0.1

 

CMYK 76 / 0 / 57 / 8

HEX #38EA64

RGB 56 234 100

HSL 134.83, 0.81%, 0.57%

LAB 82.17, -70.46, 51.9

 

CMYK 76 / 0 / 37 / 8

HEX #38EA94

RGB 56 234 148

HSL 151.01, 0.81%, 0.57%

LAB 82.82, -62.85, 29.53

 

CMYK 76 / 0 / 17 / 8

HEX #38EAC3

RGB 56 234 195

HSL 166.85, 0.81%, 0.57%

LAB 83.77, -52.55, 6.47

 

CMYK 76 / 4 / 0 / 8

HEX #38E1EA

RGB 56 225 234

HSL 183.03, 0.81%, 0.57%

LAB 82.18, -38.15, -16.49

 

CMYK 76 / 24 / 0 / 8

HEX #38B1EA

RGB 56 177 234

HSL 199.21, 0.81%, 0.57%

LAB 68.19, -14.3, -37.93

 

CMYK 90 / 0 / 18 / 26

HEX #13BC9A

RGB 19 188 154

HSL 167.93, 0.82%, 0.41%

LAB 68.34, -47.14, 6.2

 

CMYK 90 / 0 / 18 / 12

HEX #17E1B8

RGB 23 225 184

HSL 167.82, 0.81%, 0.49%

LAB 80.46, -54.23, 7.46

 

CMYK 76 / 0 / 15 / 8

HEX #38EAC6

RGB 56 234 198

HSL 167.87, 0.81%, 0.57%

LAB 83.84, -51.81, 4.99

 

CMYK 61 / 0 / 13 / 7

HEX #5DEED0

RGB 93 238 208

HSL 167.59, 0.81%, 0.65%

LAB 86.02, -45.84, 2.99

 

CMYK 46 / 0 / 10 / 5

HEX #83F2DB

RGB 131 242 219

HSL 167.57, 0.81%, 0.73%

LAB 88.66, -37.26, 1.22

 

CMYK 76 / 0 / 15 / 8

HEX #38EAC6

RGB 56 234 198

HSL 167.87, 0.81%, 0.57%

LAB 83.84, -51.81, 4.99

 

CMYK 76 / 75 / 0 / 8

HEX #383BEA

RGB 56 59 234

HSL 238.99, 0.81%, 0.57%

LAB 37.68, 56, -87.02

 

CMYK 0 / 47 / 76 / 8

HEX #EA7C38

RGB 234 124 56

HSL 22.92, 0.81%, 0.57%

LAB 63.5, 37.71, 54.19

 

CMYK 76 / 0 / 15 / 8

HEX #38EAC6

RGB 56 234 198

HSL 167.87, 0.81%, 0.57%

LAB 83.84, -51.81, 4.99

 

CMYK 17 / 76 / 0 / 8

HEX #C338EA

RGB 195 56 234

HSL 286.85, 0.81%, 0.57%

LAB 52.25, 76.62, -62.59

 

CMYK 0 / 17 / 76 / 8

HEX #EAC338

RGB 234 195 56

HSL 46.85, 0.81%, 0.57%

LAB 80.07, 0.42, 70.15

 

CMYK 76 / 0 / 15 / 8

HEX #38EAC6

RGB 56 234 198

HSL 167.87, 0.81%, 0.57%

LAB 83.84, -51.81, 4.99

 

CMYK 76 / 75 / 0 / 8

HEX #383BEA

RGB 56 59 234

HSL 238.99, 0.81%, 0.57%

LAB 37.68, 56, -87.02

 

CMYK 0 / 76 / 59 / 8

HEX #EA385F

RGB 234 56 95

HSL 346.85, 0.81%, 0.57%

LAB 53.11, 68.54, 20.83

 

CMYK 0 / 1 / 76 / 8

HEX #EAE738

RGB 234 231 56

HSL 58.99, 0.81%, 0.57%

LAB 89.36, -17.68, 78.66

 

CMYK 76 / 0 / 15 / 8

HEX #38EAC6

RGB 56 234 198

HSL 167.87, 0.81%, 0.57%

LAB 83.84, -51.81, 4.99

 

CMYK 55 / 76 / 0 / 8

HEX #6A38EA

RGB 106 56 234

HSL 256.85, 0.81%, 0.57%

LAB 40.95, 62.49, -81.49

 

CMYK 0 / 76 / 59 / 8

HEX #EA385F

RGB 234 56 95

HSL 346.85, 0.81%, 0.57%

LAB 53.11, 68.54, 20.83

 

CMYK 22 / 0 / 76 / 8

HEX #B7EA38

RGB 183 234 56

HSL 77.19, 0.81%, 0.57%

LAB 86.6, -39.53, 74.81

 

Description

Color code: HEX #38EAC6 | qconv.com Color code: HEX #38EAC6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 234 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 234 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 15 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 15% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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