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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56 234 148 it is the complementary color RGB 199 21 107. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56 234 148. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 56 234 148 shade: RGB 61 234 143, RGB 78 252 162, RGB 95 255 181, RGB 112 255 200 and RGB 129 255 219

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56 234 148. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 56 234 148 shade: RGB 56 234 148, RGB 39 216 129, RGB 22 198 110, RGB 5 180 91 and RGB 0 162 72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 56 234 148 shade: RGB 56 234 148, RGB 56 234 100, RGB 60 234 56, RGB 108 234 56 and RGB 156 234 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 56 234 148 shade: RGB 56 234 148, RGB 56 234 196, RGB 56 224 234, RGB 56 176 234 and RGB 56 128 234

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 56 234 148 shade matches the following richer shades: RGB 56 234 148 and RGB 38 251 148

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 56 234 148 shade: RGB 56 234 148, RGB 74 216 147, RGB 92 198 147, RGB 109 180 146 and RGB 127 163 145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 56 234 148 shade: RGB 59 234 56, RGB 56 234 100, RGB 56 234 148, RGB 56 234 195 and RGB 56 225 234

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 56 234 148 shade: RGB 19 188 106, RGB 23 225 128, RGB 56 234 148, RGB 93 238 168 and RGB 131 242 188

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 56 234 148 shade: RGB 56 234 148, RGB 56 106 234 and RGB 234 77 56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 56 234 148 shade: RGB 56 234 148, RGB 148 56 234 and RGB 234 148 56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 56 234 148 shade: RGB 56 234 148, RGB 56 106 234, RGB 234 56 142 and RGB 234 183 56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 56 234 148 shade: RGB 56 234 148, RGB 59 56 234, RGB 234 56 142 and RGB 231 234 56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 37 / 8

HEX #38EA94

RGB 56 234 148

HSL 151.01, 0.81%, 0.57%

LAB 82.82, -62.85, 29.53

 

Complementary color

CMYK 0 / 89 / 46 / 22

HEX #C7156B

RGB 199 21 107

HSL 331.01, 0.81%, 0.43%

LAB 43.86, 68.53, -0.47

 

CMYK 74 / 0 / 39 / 8

HEX #3DEA8F

RGB 61 234 143

HSL 148.44, 0.8%, 0.58%

LAB 82.82, -63.16, 32.07

 

CMYK 69 / 0 / 36 / 1

HEX #4EFCA2

RGB 78 252 162

HSL 148.97, 0.97%, 0.65%

LAB 88.85, -63.77, 30.61

 

CMYK 63 / 0 / 29 / 0

HEX #5FFFB5

RGB 95 255 181

HSL 152.25, 1%, 0.69%

LAB 90.45, -58.43, 23.24

 

CMYK 56 / 0 / 22 / 0

HEX #70FFC8

RGB 112 255 200

HSL 156.92, 1%, 0.72%

LAB 91.3, -51.28, 14.77

 

CMYK 49 / 0 / 14 / 0

HEX #81FFDB

RGB 129 255 219

HSL 162.86, 1%, 0.75%

LAB 92.27, -43.54, 6.44

 

CMYK 76 / 0 / 37 / 8

HEX #38EA94

RGB 56 234 148

HSL 151.01, 0.81%, 0.57%

LAB 82.82, -62.85, 29.53

 

CMYK 82 / 0 / 40 / 15

HEX #27D881

RGB 39 216 129

HSL 150.51, 0.69%, 0.5%

LAB 76.76, -61.84, 31.11

 

CMYK 89 / 0 / 44 / 22

HEX #16C66E

RGB 22 198 110

HSL 150, 0.8%, 0.43%

LAB 70.65, -60.4, 32.82

 

CMYK 97 / 0 / 49 / 29

HEX #05B45B

RGB 5 180 91

HSL 149.49, 0.95%, 0.36%

LAB 64.51, -58.44, 34.63

 

CMYK 100 / 0 / 56 / 36

HEX #00A248

RGB 0 162 72

HSL 146.67, 1%, 0.32%

LAB 58.33, -55.76, 36.54

 

CMYK 76 / 0 / 37 / 8

HEX #38EA94

RGB 56 234 148

HSL 151.01, 0.81%, 0.57%

LAB 82.82, -62.85, 29.53

 

CMYK 76 / 0 / 57 / 8

HEX #38EA64

RGB 56 234 100

HSL 134.83, 0.81%, 0.57%

LAB 82.17, -70.46, 51.9

 

CMYK 74 / 0 / 76 / 8

HEX #3CEA38

RGB 60 234 56

HSL 118.65, 0.81%, 0.57%

LAB 81.89, -74.1, 68.67

 

CMYK 54 / 0 / 76 / 8

HEX #6CEA38

RGB 108 234 56

HSL 102.47, 0.81%, 0.57%

LAB 83.08, -64.25, 70.23

 

CMYK 33 / 0 / 76 / 8

HEX #9CEA38

RGB 156 234 56

HSL 86.29, 0.81%, 0.57%

LAB 85.1, -49.43, 72.86

 

CMYK 76 / 0 / 37 / 8

HEX #38EA94

RGB 56 234 148

HSL 151.01, 0.81%, 0.57%

LAB 82.82, -62.85, 29.53

 

CMYK 76 / 0 / 16 / 8

HEX #38EAC4

RGB 56 234 196

HSL 167.19, 0.81%, 0.57%

LAB 83.79, -52.3, 5.98

 

CMYK 76 / 4 / 0 / 8

HEX #38E0EA

RGB 56 224 234

HSL 183.37, 0.81%, 0.57%

LAB 81.89, -37.69, -16.93

 

CMYK 76 / 25 / 0 / 8

HEX #38B0EA

RGB 56 176 234

HSL 199.55, 0.81%, 0.57%

LAB 67.9, -13.76, -38.38

 

CMYK 76 / 45 / 0 / 8

HEX #3880EA

RGB 56 128 234

HSL 215.73, 0.81%, 0.57%

LAB 54.26, 14.07, -59.97

 

CMYK 76 / 0 / 37 / 8

HEX #38EA94

RGB 56 234 148

HSL 151.01, 0.81%, 0.57%

LAB 82.82, -62.85, 29.53

 

CMYK 85 / 0 / 41 / 2

HEX #26FB94

RGB 38 251 148

HSL 150.99, 0.96%, 0.57%

LAB 87.75, -70.51, 36.02

 

CMYK 76 / 0 / 37 / 8

HEX #38EA94

RGB 56 234 148

HSL 151.01, 0.81%, 0.57%

LAB 82.82, -62.85, 29.53

 

CMYK 66 / 0 / 32 / 15

HEX #4AD893

RGB 74 216 147

HSL 150.85, 0.65%, 0.57%

LAB 77.68, -53.64, 23.16

 

CMYK 54 / 0 / 26 / 22

HEX #5CC693

RGB 92 198 147

HSL 151.13, 0.48%, 0.57%

LAB 72.74, -42.55, 16.43

 

CMYK 39 / 0 / 19 / 29

HEX #6DB492

RGB 109 180 146

HSL 151.27, 0.32%, 0.57%

LAB 68, -30.1, 10.4

 

CMYK 22 / 0 / 11 / 36

HEX #7FA391

RGB 127 163 145

HSL 150, 0.16%, 0.57%

LAB 63.96, -16.13, 5.32

 

CMYK 75 / 0 / 76 / 8

HEX #3BEA38

RGB 59 234 56

HSL 118.99, 0.81%, 0.57%

LAB 81.87, -74.24, 68.64

 

CMYK 76 / 0 / 57 / 8

HEX #38EA64

RGB 56 234 100

HSL 134.83, 0.81%, 0.57%

LAB 82.17, -70.46, 51.9

 

CMYK 76 / 0 / 37 / 8

HEX #38EA94

RGB 56 234 148

HSL 151.01, 0.81%, 0.57%

LAB 82.82, -62.85, 29.53

 

CMYK 76 / 0 / 17 / 8

HEX #38EAC3

RGB 56 234 195

HSL 166.85, 0.81%, 0.57%

LAB 83.77, -52.55, 6.47

 

CMYK 76 / 4 / 0 / 8

HEX #38E1EA

RGB 56 225 234

HSL 183.03, 0.81%, 0.57%

LAB 82.18, -38.15, -16.49

 

CMYK 90 / 0 / 44 / 26

HEX #13BC6A

RGB 19 188 106

HSL 150.89, 0.82%, 0.41%

LAB 67.39, -57.86, 30.64

 

CMYK 90 / 0 / 43 / 12

HEX #17E180

RGB 23 225 128

HSL 151.19, 0.81%, 0.49%

LAB 79.38, -66.3, 35.02

 

CMYK 76 / 0 / 37 / 8

HEX #38EA94

RGB 56 234 148

HSL 151.01, 0.81%, 0.57%

LAB 82.82, -62.85, 29.53

 

CMYK 61 / 0 / 29 / 7

HEX #5DEEA8

RGB 93 238 168

HSL 151.03, 0.81%, 0.65%

LAB 85.15, -54.68, 22.58

 

CMYK 46 / 0 / 22 / 5

HEX #83F2BC

RGB 131 242 188

HSL 150.81, 0.81%, 0.73%

LAB 87.95, -43.92, 16.34

 

CMYK 76 / 0 / 37 / 8

HEX #38EA94

RGB 56 234 148

HSL 151.01, 0.81%, 0.57%

LAB 82.82, -62.85, 29.53

 

CMYK 76 / 55 / 0 / 8

HEX #386AEA

RGB 56 106 234

HSL 223.15, 0.81%, 0.57%

LAB 48.37, 27.83, -69.48

 

CMYK 0 / 67 / 76 / 8

HEX #EA4D38

RGB 234 77 56

HSL 7.08, 0.81%, 0.57%

LAB 55.16, 59.34, 45.62

 

CMYK 76 / 0 / 37 / 8

HEX #38EA94

RGB 56 234 148

HSL 151.01, 0.81%, 0.57%

LAB 82.82, -62.85, 29.53

 

CMYK 37 / 76 / 0 / 8

HEX #9438EA

RGB 148 56 234

HSL 271.01, 0.81%, 0.57%

LAB 45.72, 68.53, -73.49

 

CMYK 0 / 37 / 76 / 8

HEX #EA9438

RGB 234 148 56

HSL 31.01, 0.81%, 0.57%

LAB 68.72, 25.2, 59.35

 

CMYK 76 / 0 / 37 / 8

HEX #38EA94

RGB 56 234 148

HSL 151.01, 0.81%, 0.57%

LAB 82.82, -62.85, 29.53

 

CMYK 76 / 55 / 0 / 8

HEX #386AEA

RGB 56 106 234

HSL 223.15, 0.81%, 0.57%

LAB 48.37, 27.83, -69.48

 

CMYK 0 / 76 / 39 / 8

HEX #EA388E

RGB 234 56 142

HSL 331.01, 0.81%, 0.57%

LAB 54.32, 72.32, -5.6

 

CMYK 0 / 22 / 76 / 8

HEX #EAB738

RGB 234 183 56

HSL 42.81, 0.81%, 0.57%

LAB 77.07, 6.68, 67.34

 

CMYK 76 / 0 / 37 / 8

HEX #38EA94

RGB 56 234 148

HSL 151.01, 0.81%, 0.57%

LAB 82.82, -62.85, 29.53

 

CMYK 75 / 76 / 0 / 8

HEX #3B38EA

RGB 59 56 234

HSL 241.01, 0.81%, 0.57%

LAB 37.3, 57.77, -87.64

 

CMYK 0 / 76 / 39 / 8

HEX #EA388E

RGB 234 56 142

HSL 331.01, 0.81%, 0.57%

LAB 54.32, 72.32, -5.6

 

CMYK 1 / 0 / 76 / 8

HEX #E7EA38

RGB 231 234 56

HSL 61.01, 0.81%, 0.57%

LAB 89.92, -20.37, 79.07

 

Description

Color code: RGB 56 234 148 | qconv.com Color code: RGB 56 234 148 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 234 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 234 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 37 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 37% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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