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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38E226 it is the complementary color #C71DD9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38E226. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38E226 shade: #3DE221, #4EF434, #5FFF47, #70FF5A and #81FF6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38E226. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38E226 shade: #38E226, #27D013, #16BE00, #05AC00 and #009A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38E226 shade: #39E127, #6BE127, #9DE127, #CFE127 and #E1C127

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38E226 shade: #39E127, #27E147, #27E17A, #27E1AC and #27E1DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38E226 shade matches the following richer shades: #39E127 and #29F513

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38E226 shade: #39E127, #49CD3B, #59BA4F, #69A662 and #799276

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38E226 shade: #9DE127, #6BE127, #3AE127, #27E146 and #27E178

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38E226 shade: #23A015, #2BC51A, #39E127, #5AE64B and #7BEB70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38E226 shade: #38E226, #27CFE1 and #E12784

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38E226 shade: #38E226, #273AE1 and #E1273A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38E226 shade: #38E226, #27CFE1, #CF27E1 and #E13A27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38E226 shade: #38E226, #2797E1, #CF27E1 and #E17127

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 83 / 11

HEX #38E226

RGB 56 226 38

HSL 114.26, 0.76%, 0.52%

LAB 79.26, -73.29, 71.13

 

Complementary color

CMYK 8 / 87 / 0 / 15

HEX #C71DD9

RGB 199 29 217

HSL 294.26, 0.76%, 0.48%

LAB 49.53, 81.02, -57.29

 

CMYK 73 / 0 / 85 / 11

HEX #3DE221

RGB 61 226 33

HSL 111.3, 0.77%, 0.51%

LAB 79.33, -72.76, 72.35

 

CMYK 68 / 0 / 79 / 4

HEX #4EF434

RGB 78 244 52

HSL 111.88, 0.9%, 0.58%

LAB 85.29, -74.44, 73.22

 

CMYK 63 / 0 / 72 / 0

HEX #5FFF47

RGB 95 255 71

HSL 112.17, 1%, 0.64%

LAB 89.11, -73.41, 71.2

 

CMYK 56 / 0 / 65 / 0

HEX #70FF5A

RGB 112 255 90

HSL 112, 1%, 0.68%

LAB 89.72, -68.06, 65.01

 

CMYK 49 / 0 / 57 / 0

HEX #81FF6D

RGB 129 255 109

HSL 111.78, 1%, 0.71%

LAB 90.46, -61.87, 58.08

 

CMYK 75 / 0 / 83 / 11

HEX #38E226

RGB 56 226 38

HSL 114.26, 0.76%, 0.52%

LAB 79.26, -73.29, 71.13

 

CMYK 81 / 0 / 91 / 18

HEX #27D013

RGB 39 208 19

HSL 113.65, 0.83%, 0.45%

LAB 73.28, -70.96, 69.55

 

CMYK 88 / 0 / 100 / 25

HEX #16BE00

RGB 22 190 0

HSL 113.05, 1%, 0.37%

LAB 67.28, -67.91, 66.83

 

CMYK 97 / 0 / 100 / 33

HEX #05AC00

RGB 5 172 0

HSL 118.26, 1%, 0.34%

LAB 61.25, -63.9, 61.96

 

CMYK 100 / 0 / 100 / 40

HEX #009A00

RGB 0 154 0

HSL 120, 1%, 0.3%

LAB 55.19, -59.14, 57.08

 

CMYK 75 / 0 / 83 / 12

HEX #39E127

RGB 57 225 39

HSL 114.19, 0.76%, 0.52%

LAB 78.96, -72.8, 70.63

 

CMYK 52 / 0 / 83 / 12

HEX #6BE127

RGB 107 225 39

HSL 98.06, 0.76%, 0.52%

LAB 80.25, -62.19, 72.27

 

CMYK 30 / 0 / 83 / 12

HEX #9DE127

RGB 157 225 39

HSL 81.94, 0.76%, 0.52%

LAB 82.47, -46.04, 75.08

 

CMYK 8 / 0 / 83 / 12

HEX #CFE127

RGB 207 225 39

HSL 65.81, 0.76%, 0.52%

LAB 85.64, -26.48, 79.06

 

CMYK 0 / 14 / 83 / 12

HEX #E1C127

RGB 225 193 39

HSL 49.68, 0.76%, 0.52%

LAB 78.63, -2.97, 73.72

 

CMYK 75 / 0 / 83 / 12

HEX #39E127

RGB 57 225 39

HSL 114.19, 0.76%, 0.52%

LAB 78.96, -72.8, 70.63

 

CMYK 83 / 0 / 68 / 12

HEX #27E147

RGB 39 225 71

HSL 130.32, 0.76%, 0.52%

LAB 78.89, -72.79, 60.3

 

CMYK 83 / 0 / 46 / 12

HEX #27E17A

RGB 39 225 122

HSL 146.77, 0.76%, 0.52%

LAB 79.44, -66.17, 38.1

 

CMYK 83 / 0 / 24 / 12

HEX #27E1AC

RGB 39 225 172

HSL 162.9, 0.76%, 0.52%

LAB 80.33, -56.11, 13.63

 

CMYK 83 / 0 / 1 / 12

HEX #27E1DE

RGB 39 225 222

HSL 179.03, 0.76%, 0.52%

LAB 81.6, -43.05, -11.02

 

CMYK 75 / 0 / 83 / 12

HEX #39E127

RGB 57 225 39

HSL 114.19, 0.76%, 0.52%

LAB 78.96, -72.8, 70.63

 

CMYK 83 / 0 / 92 / 4

HEX #29F513

RGB 41 245 19

HSL 114.16, 0.92%, 0.52%

LAB 84.91, -81.11, 79.31

 

CMYK 75 / 0 / 83 / 12

HEX #39E127

RGB 57 225 39

HSL 114.19, 0.76%, 0.52%

LAB 78.96, -72.8, 70.63

 

CMYK 64 / 0 / 71 / 20

HEX #49CD3B

RGB 73 205 59

HSL 114.25, 0.59%, 0.52%

LAB 73.15, -62.35, 59

 

CMYK 52 / 0 / 58 / 27

HEX #59BA4F

RGB 89 186 79

HSL 114.39, 0.44%, 0.52%

LAB 67.88, -49.56, 44.94

 

CMYK 37 / 0 / 41 / 35

HEX #69A662

RGB 105 166 98

HSL 113.82, 0.28%, 0.52%

LAB 62.64, -33.53, 29.12

 

CMYK 17 / 0 / 19 / 43

HEX #799276

RGB 121 146 118

HSL 113.57, 0.11%, 0.52%

LAB 57.97, -14.5, 11.96

 

CMYK 30 / 0 / 83 / 12

HEX #9DE127

RGB 157 225 39

HSL 81.94, 0.76%, 0.52%

LAB 82.47, -46.04, 75.08

 

CMYK 52 / 0 / 83 / 12

HEX #6BE127

RGB 107 225 39

HSL 98.06, 0.76%, 0.52%

LAB 80.25, -62.19, 72.27

 

CMYK 74 / 0 / 83 / 12

HEX #3AE127

RGB 58 225 39

HSL 113.87, 0.76%, 0.52%

LAB 78.98, -72.66, 70.66

 

CMYK 83 / 0 / 69 / 12

HEX #27E146

RGB 39 225 70

HSL 130, 0.76%, 0.52%

LAB 78.88, -72.88, 60.67

 

CMYK 83 / 0 / 47 / 12

HEX #27E178

RGB 39 225 120

HSL 146.13, 0.76%, 0.52%

LAB 79.41, -66.5, 39.05

 

CMYK 78 / 0 / 87 / 37

HEX #23A015

RGB 35 160 21

HSL 113.96, 0.77%, 0.35%

LAB 57.61, -57.06, 55.6

 

CMYK 78 / 0 / 87 / 23

HEX #2BC51A

RGB 43 197 26

HSL 114.04, 0.77%, 0.44%

LAB 69.84, -67.01, 65.35

 

CMYK 75 / 0 / 83 / 12

HEX #39E127

RGB 57 225 39

HSL 114.19, 0.76%, 0.52%

LAB 78.96, -72.8, 70.63

 

CMYK 61 / 0 / 67 / 10

HEX #5AE64B

RGB 90 230 75

HSL 114.19, 0.76%, 0.6%

LAB 81.44, -65.83, 61.77

 

CMYK 48 / 0 / 52 / 8

HEX #7BEB70

RGB 123 235 112

HSL 114.63, 0.75%, 0.68%

LAB 84.38, -55.49, 49.49

 

CMYK 75 / 0 / 83 / 11

HEX #38E226

RGB 56 226 38

HSL 114.26, 0.76%, 0.52%

LAB 79.26, -73.29, 71.13

 

CMYK 83 / 8 / 0 / 12

HEX #27CFE1

RGB 39 207 225

HSL 185.81, 0.76%, 0.52%

LAB 76.37, -33.93, -20.49

 

CMYK 0 / 83 / 41 / 12

HEX #E12784

RGB 225 39 132

HSL 330, 0.76%, 0.52%

LAB 50.83, 73.5, -4.96

 

CMYK 75 / 0 / 83 / 11

HEX #38E226

RGB 56 226 38

HSL 114.26, 0.76%, 0.52%

LAB 79.26, -73.29, 71.13

 

CMYK 83 / 74 / 0 / 12

HEX #273AE1

RGB 39 58 225

HSL 233.87, 0.76%, 0.52%

LAB 35.78, 52.55, -85.06

 

CMYK 0 / 83 / 74 / 12

HEX #E1273A

RGB 225 39 58

HSL 353.87, 0.76%, 0.52%

LAB 49.21, 68.71, 37.54

 

CMYK 75 / 0 / 83 / 11

HEX #38E226

RGB 56 226 38

HSL 114.26, 0.76%, 0.52%

LAB 79.26, -73.29, 71.13

 

CMYK 83 / 8 / 0 / 12

HEX #27CFE1

RGB 39 207 225

HSL 185.81, 0.76%, 0.52%

LAB 76.37, -33.93, -20.49

 

CMYK 8 / 83 / 0 / 12

HEX #CF27E1

RGB 207 39 225

HSL 294.19, 0.76%, 0.52%

LAB 52.01, 81.7, -57.8

 

CMYK 0 / 74 / 83 / 12

HEX #E13A27

RGB 225 58 39

HSL 6.13, 0.76%, 0.52%

LAB 50.9, 62.82, 49.49

 

CMYK 75 / 0 / 83 / 11

HEX #38E226

RGB 56 226 38

HSL 114.26, 0.76%, 0.52%

LAB 79.26, -73.29, 71.13

 

CMYK 83 / 33 / 0 / 12

HEX #2797E1

RGB 39 151 225

HSL 203.87, 0.76%, 0.52%

LAB 59.89, -4.65, -46.02

 

CMYK 8 / 83 / 0 / 12

HEX #CF27E1

RGB 207 39 225

HSL 294.19, 0.76%, 0.52%

LAB 52.01, 81.7, -57.8

 

CMYK 0 / 50 / 83 / 12

HEX #E17127

RGB 225 113 39

HSL 23.87, 0.76%, 0.52%

LAB 59.86, 39.17, 57.53

 

Description

Color code: HEX #38E226 | qconv.com Color code: HEX #38E226 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 226 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 226 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 83 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 83% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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