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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38E0D5 it is the complementary color #C71F2A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38E0D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38E0D5 shade: #3DE0D0, #4EF2E3, #5FFFF6, #70FFFF and #81FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38E0D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38E0D5 shade: #38E0D5, #27CEC2, #16BCAF, #05AA9C and #009889

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38E0D5 shade: #38E0D5, #38E0A7, #38E07A, #38E04D and #50E038

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38E0D5 shade: #38E0D5, #38BDE0, #3890E0, #3863E0 and #3838E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38E0D5 shade matches the following richer shades: #38E0D5 and #25F2E5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38E0D5 shade: #38E0D5, #4BCDC4, #5DBAB4, #70A8A4 and #829594

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38E0D5 shade: #38E07B, #38E0A8, #38E0D4, #38BEE0 and #3891E0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38E0D5 shade: #1AABA1, #20CEC3, #38E0D5, #5CE5DC and #7FEBE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38E0D5 shade: #38E0D5, #4E38E0 and #E09138

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38E0D5 shade: #38E0D5, #D438E0 and #E0D438

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38E0D5 shade: #38E0D5, #4E38E0, #E03843 and #C9E038

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38E0D5 shade: #38E0D5, #8138E0, #E03843 and #97E038

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 5 / 12

HEX #38E0D5

RGB 56 224 213

HSL 176.07, 0.73%, 0.55%

LAB 81.27, -43.64, -6.71

 

Complementary color

CMYK 0 / 84 / 79 / 22

HEX #C71F2A

RGB 199 31 42

HSL 356.07, 0.73%, 0.45%

LAB 43.2, 62.89, 38.67

 

CMYK 73 / 0 / 7 / 12

HEX #3DE0D0

RGB 61 224 208

HSL 174.11, 0.72%, 0.56%

LAB 81.21, -44.44, -4.12

 

CMYK 68 / 0 / 6 / 5

HEX #4EF2E3

RGB 78 242 227

HSL 174.51, 0.86%, 0.63%

LAB 87.32, -45.1, -5.1

 

CMYK 63 / 0 / 4 / 0

HEX #5FFFF6

RGB 95 255 246

HSL 176.63, 1%, 0.69%

LAB 91.96, -43.4, -8.1

 

CMYK 56 / 0 / 0 / 0

HEX #70FFFF

RGB 112 255 255

HSL 180, 1%, 0.72%

LAB 92.66, -38.26, -11.68

 

CMYK 49 / 0 / 0 / 0

HEX #81FFFF

RGB 129 255 255

HSL 180, 1%, 0.75%

LAB 93.19, -35.02, -10.82

 

CMYK 75 / 0 / 5 / 12

HEX #38E0D5

RGB 56 224 213

HSL 176.07, 0.73%, 0.55%

LAB 81.27, -43.64, -6.71

 

CMYK 81 / 0 / 6 / 19

HEX #27CEC2

RGB 39 206 194

HSL 175.69, 0.68%, 0.48%

LAB 75.12, -42.6, -5.65

 

CMYK 88 / 0 / 7 / 26

HEX #16BCAF

RGB 22 188 175

HSL 175.3, 0.79%, 0.41%

LAB 68.92, -41.24, -4.48

 

CMYK 97 / 0 / 8 / 33

HEX #05AA9C

RGB 5 170 156

HSL 174.91, 0.94%, 0.34%

LAB 62.66, -39.51, -3.18

 

CMYK 100 / 0 / 10 / 40

HEX #009889

RGB 0 152 137

HSL 174.08, 1%, 0.3%

LAB 56.35, -37.26, -1.71

 

CMYK 75 / 0 / 5 / 12

HEX #38E0D5

RGB 56 224 213

HSL 176.07, 0.73%, 0.55%

LAB 81.27, -43.64, -6.71

 

CMYK 75 / 0 / 25 / 12

HEX #38E0A7

RGB 56 224 167

HSL 159.64, 0.73%, 0.55%

LAB 80.15, -55.15, 16.04

 

CMYK 75 / 0 / 46 / 12

HEX #38E07A

RGB 56 224 122

HSL 143.57, 0.73%, 0.55%

LAB 79.36, -63.93, 38.06

 

CMYK 75 / 0 / 66 / 12

HEX #38E04D

RGB 56 224 77

HSL 127.5, 0.73%, 0.55%

LAB 78.86, -69.87, 57.98

 

CMYK 64 / 0 / 75 / 12

HEX #50E038

RGB 80 224 56

HSL 111.43, 0.73%, 0.55%

LAB 79.22, -67.43, 66.19

 

CMYK 75 / 0 / 5 / 12

HEX #38E0D5

RGB 56 224 213

HSL 176.07, 0.73%, 0.55%

LAB 81.27, -43.64, -6.71

 

CMYK 75 / 16 / 0 / 12

HEX #38BDE0

RGB 56 189 224

HSL 192.5, 0.73%, 0.55%

LAB 71.29, -23.85, -27.67

 

CMYK 75 / 36 / 0 / 12

HEX #3890E0

RGB 56 144 224

HSL 208.57, 0.73%, 0.55%

LAB 58.2, 0.79, -48.11

 

CMYK 75 / 56 / 0 / 12

HEX #3863E0

RGB 56 99 224

HSL 224.64, 0.73%, 0.55%

LAB 45.83, 28.61, -67.97

 

CMYK 75 / 75 / 0 / 12

HEX #3838E0

RGB 56 56 224

HSL 240, 0.73%, 0.55%

LAB 36.08, 54.43, -83.96

 

CMYK 75 / 0 / 5 / 12

HEX #38E0D5

RGB 56 224 213

HSL 176.07, 0.73%, 0.55%

LAB 81.27, -43.64, -6.71

 

CMYK 85 / 0 / 5 / 5

HEX #25F2E5

RGB 37 242 229

HSL 176.2, 0.89%, 0.55%

LAB 86.78, -48.58, -7.02

 

CMYK 75 / 0 / 5 / 12

HEX #38E0D5

RGB 56 224 213

HSL 176.07, 0.73%, 0.55%

LAB 81.27, -43.64, -6.71

 

CMYK 63 / 0 / 4 / 20

HEX #4BCDC4

RGB 75 205 196

HSL 175.85, 0.57%, 0.55%

LAB 75.54, -37.23, -6.03

 

CMYK 50 / 0 / 3 / 27

HEX #5DBAB4

RGB 93 186 180

HSL 176.13, 0.4%, 0.55%

LAB 69.99, -29.06, -5.46

 

CMYK 33 / 0 / 2 / 34

HEX #70A8A4

RGB 112 168 164

HSL 175.71, 0.24%, 0.55%

LAB 65.07, -19.18, -3.79

 

CMYK 13 / 0 / 1 / 42

HEX #829594

RGB 130 149 148

HSL 176.84, 0.08%, 0.55%

LAB 60.23, -6.95, -1.76

 

CMYK 75 / 0 / 45 / 12

HEX #38E07B

RGB 56 224 123

HSL 143.93, 0.73%, 0.55%

LAB 79.38, -63.77, 37.58

 

CMYK 75 / 0 / 25 / 12

HEX #38E0A8

RGB 56 224 168

HSL 160, 0.73%, 0.55%

LAB 80.17, -54.93, 15.54

 

CMYK 75 / 0 / 5 / 12

HEX #38E0D4

RGB 56 224 212

HSL 175.71, 0.73%, 0.55%

LAB 81.24, -43.91, -6.22

 

CMYK 75 / 15 / 0 / 12

HEX #38BEE0

RGB 56 190 224

HSL 192.14, 0.73%, 0.55%

LAB 71.59, -24.35, -27.22

 

CMYK 75 / 35 / 0 / 12

HEX #3891E0

RGB 56 145 224

HSL 208.21, 0.73%, 0.55%

LAB 58.48, 0.21, -47.66

 

CMYK 85 / 0 / 6 / 33

HEX #1AABA1

RGB 26 171 161

HSL 175.86, 0.74%, 0.39%

LAB 63.28, -37.42, -5.05

 

CMYK 84 / 0 / 5 / 19

HEX #20CEC3

RGB 32 206 195

HSL 176.21, 0.73%, 0.47%

LAB 75.07, -42.84, -6.27

 

CMYK 75 / 0 / 5 / 12

HEX #38E0D5

RGB 56 224 213

HSL 176.07, 0.73%, 0.55%

LAB 81.27, -43.64, -6.71

 

CMYK 60 / 0 / 4 / 10

HEX #5CE5DC

RGB 92 229 220

HSL 176.06, 0.72%, 0.63%

LAB 83.69, -39.01, -6.74

 

CMYK 46 / 0 / 3 / 8

HEX #7FEBE4

RGB 127 235 228

HSL 176.11, 0.73%, 0.71%

LAB 86.77, -32.8, -6.29

 

CMYK 75 / 0 / 5 / 12

HEX #38E0D5

RGB 56 224 213

HSL 176.07, 0.73%, 0.55%

LAB 81.27, -43.64, -6.71

 

CMYK 65 / 75 / 0 / 12

HEX #4E38E0

RGB 78 56 224

HSL 247.86, 0.73%, 0.55%

LAB 37.54, 56.43, -81.51

 

CMYK 0 / 35 / 75 / 12

HEX #E09138

RGB 224 145 56

HSL 31.79, 0.73%, 0.55%

LAB 66.81, 22.62, 57.06

 

CMYK 75 / 0 / 5 / 12

HEX #38E0D5

RGB 56 224 213

HSL 176.07, 0.73%, 0.55%

LAB 81.27, -43.64, -6.71

 

CMYK 5 / 75 / 0 / 12

HEX #D438E0

RGB 212 56 224

HSL 295.71, 0.73%, 0.55%

LAB 54.25, 78.11, -53.61

 

CMYK 0 / 5 / 75 / 12

HEX #E0D438

RGB 224 212 56

HSL 55.71, 0.73%, 0.55%

LAB 83.56, -12.48, 73.05

 

CMYK 75 / 0 / 5 / 12

HEX #38E0D5

RGB 56 224 213

HSL 176.07, 0.73%, 0.55%

LAB 81.27, -43.64, -6.71

 

CMYK 65 / 75 / 0 / 12

HEX #4E38E0

RGB 78 56 224

HSL 247.86, 0.73%, 0.55%

LAB 37.54, 56.43, -81.51

 

CMYK 0 / 75 / 70 / 12

HEX #E03843

RGB 224 56 67

HSL 356.07, 0.73%, 0.55%

LAB 50.78, 64.16, 34.1

 

CMYK 10 / 0 / 75 / 12

HEX #C9E038

RGB 201 224 56

HSL 68.21, 0.73%, 0.55%

LAB 85, -27.85, 73.75

 

CMYK 75 / 0 / 5 / 12

HEX #38E0D5

RGB 56 224 213

HSL 176.07, 0.73%, 0.55%

LAB 81.27, -43.64, -6.71

 

CMYK 42 / 75 / 0 / 12

HEX #8138E0

RGB 129 56 224

HSL 266.07, 0.73%, 0.55%

LAB 42.58, 63.2, -73.04

 

CMYK 0 / 75 / 70 / 12

HEX #E03843

RGB 224 56 67

HSL 356.07, 0.73%, 0.55%

LAB 50.78, 64.16, 34.1

 

CMYK 33 / 0 / 75 / 12

HEX #97E038

RGB 151 224 56

HSL 86.07, 0.73%, 0.55%

LAB 81.93, -47.02, 69.76

 

Description

Color code: HEX #38E0D5 | qconv.com Color code: HEX #38E0D5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 224 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 224 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 5 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 5% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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