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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38E07B it is the complementary color #C71F84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38E07B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38E07B shade: #3DE076, #4EF289, #5FFF9C, #70FFAF and #81FFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38E07B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38E07B shade: #38E07B, #27CE68, #16BC55, #05AA42 and #00982F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38E07B shade: #38E07B, #38E04E, #50E038, #7DE038 and #AAE038

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38E07B shade: #38E07B, #38E0A8, #38E0D5, #38BDE0 and #3890E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38E07B shade matches the following richer shades: #38E07B and #25F277

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38E07B shade: #38E07B, #4BCD7F, #5DBA82, #70A886 and #82958A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38E07B shade: #51E038, #38E04C, #38E078, #38E0A5 and #38E0D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38E07B shade: #1AAB54, #20CE65, #38E07B, #5CE592 and #7FEBAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38E07B shade: #38E07B, #387EE0 and #E0383B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38E07B shade: #38E07B, #7838E0 and #E07838

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38E07B shade: #38E07B, #387EE0, #E0389F and #E09A38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38E07B shade: #38E07B, #384CE0, #E0389F and #E0CC38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 45 / 12

HEX #38E07B

RGB 56 224 123

HSL 143.93, 0.73%, 0.55%

LAB 79.38, -63.77, 37.58

 

Complementary color

CMYK 0 / 84 / 34 / 22

HEX #C71F84

RGB 199 31 132

HSL 323.93, 0.73%, 0.45%

LAB 45.34, 69.11, -13.69

 

CMYK 73 / 0 / 47 / 12

HEX #3DE076

RGB 61 224 118

HSL 140.98, 0.72%, 0.56%

LAB 79.39, -63.88, 40.08

 

CMYK 68 / 0 / 43 / 5

HEX #4EF289

RGB 78 242 137

HSL 141.59, 0.86%, 0.63%

LAB 85.47, -64.52, 38.59

 

CMYK 63 / 0 / 39 / 0

HEX #5FFF9C

RGB 95 255 156

HSL 142.88, 1%, 0.69%

LAB 90.02, -63.07, 35.23

 

CMYK 56 / 0 / 31 / 0

HEX #70FFAF

RGB 112 255 175

HSL 146.43, 1%, 0.72%

LAB 90.81, -56.27, 26.84

 

CMYK 49 / 0 / 24 / 0

HEX #81FFC2

RGB 129 255 194

HSL 150.95, 1%, 0.75%

LAB 91.72, -48.8, 18.52

 

CMYK 75 / 0 / 45 / 12

HEX #38E07B

RGB 56 224 123

HSL 143.93, 0.73%, 0.55%

LAB 79.38, -63.77, 37.58

 

CMYK 81 / 0 / 50 / 19

HEX #27CE68

RGB 39 206 104

HSL 143.35, 0.68%, 0.48%

LAB 73.27, -62.69, 39.18

 

CMYK 88 / 0 / 55 / 26

HEX #16BC55

RGB 22 188 85

HSL 142.77, 0.79%, 0.41%

LAB 67.12, -61.12, 40.84

 

CMYK 97 / 0 / 61 / 33

HEX #05AA42

RGB 5 170 66

HSL 142.18, 0.94%, 0.34%

LAB 60.94, -58.92, 42.49

 

CMYK 100 / 0 / 69 / 40

HEX #00982F

RGB 0 152 47

HSL 138.55, 1%, 0.3%

LAB 54.72, -55.82, 43.99

 

CMYK 75 / 0 / 45 / 12

HEX #38E07B

RGB 56 224 123

HSL 143.93, 0.73%, 0.55%

LAB 79.38, -63.77, 37.58

 

CMYK 75 / 0 / 65 / 12

HEX #38E04E

RGB 56 224 78

HSL 127.86, 0.73%, 0.55%

LAB 78.87, -69.77, 57.58

 

CMYK 64 / 0 / 75 / 12

HEX #50E038

RGB 80 224 56

HSL 111.43, 0.73%, 0.55%

LAB 79.22, -67.43, 66.19

 

CMYK 44 / 0 / 75 / 12

HEX #7DE038

RGB 125 224 56

HSL 95.36, 0.73%, 0.55%

LAB 80.71, -55.69, 68.17

 

CMYK 24 / 0 / 75 / 12

HEX #AAE038

RGB 170 224 56

HSL 79.29, 0.73%, 0.55%

LAB 82.99, -40.04, 71.14

 

CMYK 75 / 0 / 45 / 12

HEX #38E07B

RGB 56 224 123

HSL 143.93, 0.73%, 0.55%

LAB 79.38, -63.77, 37.58

 

CMYK 75 / 0 / 25 / 12

HEX #38E0A8

RGB 56 224 168

HSL 160, 0.73%, 0.55%

LAB 80.17, -54.93, 15.54

 

CMYK 75 / 0 / 5 / 12

HEX #38E0D5

RGB 56 224 213

HSL 176.07, 0.73%, 0.55%

LAB 81.27, -43.64, -6.71

 

CMYK 75 / 16 / 0 / 12

HEX #38BDE0

RGB 56 189 224

HSL 192.5, 0.73%, 0.55%

LAB 71.29, -23.85, -27.67

 

CMYK 75 / 36 / 0 / 12

HEX #3890E0

RGB 56 144 224

HSL 208.57, 0.73%, 0.55%

LAB 58.2, 0.79, -48.11

 

CMYK 75 / 0 / 45 / 12

HEX #38E07B

RGB 56 224 123

HSL 143.93, 0.73%, 0.55%

LAB 79.38, -63.77, 37.58

 

CMYK 85 / 0 / 51 / 5

HEX #25F277

RGB 37 242 119

HSL 144, 0.89%, 0.55%

LAB 84.6, -72.39, 46.04

 

CMYK 75 / 0 / 45 / 12

HEX #38E07B

RGB 56 224 123

HSL 143.93, 0.73%, 0.55%

LAB 79.38, -63.77, 37.58

 

CMYK 63 / 0 / 38 / 20

HEX #4BCD7F

RGB 75 205 127

HSL 144, 0.57%, 0.55%

LAB 73.99, -52.98, 28.61

 

CMYK 50 / 0 / 30 / 27

HEX #5DBA82

RGB 93 186 130

HSL 143.87, 0.4%, 0.55%

LAB 68.79, -40.48, 20.11

 

CMYK 33 / 0 / 20 / 34

HEX #70A886

RGB 112 168 134

HSL 143.57, 0.24%, 0.55%

LAB 64.3, -25.81, 11.81

 

CMYK 13 / 0 / 7 / 42

HEX #82958A

RGB 130 149 138

HSL 145.26, 0.08%, 0.55%

LAB 59.96, -9.02, 3.52

 

CMYK 64 / 0 / 75 / 12

HEX #51E038

RGB 81 224 56

HSL 111.07, 0.73%, 0.55%

LAB 79.24, -67.22, 66.23

 

CMYK 75 / 0 / 66 / 12

HEX #38E04C

RGB 56 224 76

HSL 127.14, 0.73%, 0.55%

LAB 78.85, -69.97, 58.37

 

CMYK 75 / 0 / 46 / 12

HEX #38E078

RGB 56 224 120

HSL 142.86, 0.73%, 0.55%

LAB 79.33, -64.26, 39.01

 

CMYK 75 / 0 / 26 / 12

HEX #38E0A5

RGB 56 224 165

HSL 158.93, 0.73%, 0.55%

LAB 80.11, -55.6, 17.03

 

CMYK 75 / 0 / 6 / 12

HEX #38E0D2

RGB 56 224 210

HSL 175, 0.73%, 0.55%

LAB 81.18, -44.46, -5.23

 

CMYK 85 / 0 / 51 / 33

HEX #1AAB54

RGB 26 171 84

HSL 144, 0.74%, 0.39%

LAB 61.64, -55.24, 34.63

 

CMYK 84 / 0 / 51 / 19

HEX #20CE65

RGB 32 206 101

HSL 143.79, 0.73%, 0.47%

LAB 73.15, -63.83, 40.48

 

CMYK 75 / 0 / 45 / 12

HEX #38E07B

RGB 56 224 123

HSL 143.93, 0.73%, 0.55%

LAB 79.38, -63.77, 37.58

 

CMYK 60 / 0 / 36 / 10

HEX #5CE592

RGB 92 229 146

HSL 143.65, 0.72%, 0.63%

LAB 82.05, -55.51, 29.65

 

CMYK 46 / 0 / 28 / 8

HEX #7FEBAA

RGB 127 235 170

HSL 143.89, 0.73%, 0.71%

LAB 85.42, -45.39, 22.1

 

CMYK 75 / 0 / 45 / 12

HEX #38E07B

RGB 56 224 123

HSL 143.93, 0.73%, 0.55%

LAB 79.38, -63.77, 37.58

 

CMYK 75 / 44 / 0 / 12

HEX #387EE0

RGB 56 126 224

HSL 215, 0.73%, 0.55%

LAB 53.11, 11.64, -56.23

 

CMYK 0 / 75 / 74 / 12

HEX #E0383B

RGB 224 56 59

HSL 358.93, 0.73%, 0.55%

LAB 50.68, 63.82, 38.57

 

CMYK 75 / 0 / 45 / 12

HEX #38E07B

RGB 56 224 123

HSL 143.93, 0.73%, 0.55%

LAB 79.38, -63.77, 37.58

 

CMYK 46 / 75 / 0 / 12

HEX #7838E0

RGB 120 56 224

HSL 262.86, 0.73%, 0.55%

LAB 41.54, 61.82, -74.79

 

CMYK 0 / 46 / 75 / 12

HEX #E07838

RGB 224 120 56

HSL 22.86, 0.73%, 0.55%

LAB 61.28, 35.8, 51.49

 

CMYK 75 / 0 / 45 / 12

HEX #38E07B

RGB 56 224 123

HSL 143.93, 0.73%, 0.55%

LAB 79.38, -63.77, 37.58

 

CMYK 75 / 44 / 0 / 12

HEX #387EE0

RGB 56 126 224

HSL 215, 0.73%, 0.55%

LAB 53.11, 11.64, -56.23

 

CMYK 0 / 75 / 29 / 12

HEX #E0389F

RGB 224 56 159

HSL 323.21, 0.73%, 0.55%

LAB 53.14, 71.63, -17.61

 

CMYK 0 / 31 / 75 / 12

HEX #E09A38

RGB 224 154 56

HSL 35, 0.73%, 0.55%

LAB 68.93, 17.8, 59.15

 

CMYK 75 / 0 / 45 / 12

HEX #38E07B

RGB 56 224 123

HSL 143.93, 0.73%, 0.55%

LAB 79.38, -63.77, 37.58

 

CMYK 75 / 66 / 0 / 12

HEX #384CE0

RGB 56 76 224

HSL 232.86, 0.73%, 0.55%

LAB 40.23, 42.99, -77.12

 

CMYK 0 / 75 / 29 / 12

HEX #E0389F

RGB 224 56 159

HSL 323.21, 0.73%, 0.55%

LAB 53.14, 71.63, -17.61

 

CMYK 0 / 9 / 75 / 12

HEX #E0CC38

RGB 224 204 56

HSL 52.86, 0.73%, 0.55%

LAB 81.47, -8.45, 71.12

 

Description

Color code: HEX #38E07B | qconv.com Color code: HEX #38E07B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 224 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 224 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 45 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 45% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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