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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38973E it is the complementary color #C768C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38973E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38973E shade: #3D9739, #4EA94C, #5FBB5F, #70CD72 and #81DF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38973E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38973E shade: #38973E, #27852B, #167318, #056105 and #004F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38973E shade: #38983E, #4C9838, #669838, #809838 and #989738

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38973E shade: #38983E, #389858, #389872, #38988C and #388B98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38973E shade matches the following richer shades: #38983E, #27A92F, #16BA20 and #05CB12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38973E shade: #38983E, #49874D, #5A765C, #6B656A and #7C5479

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38973E shade: #669838, #4D9838, #38983D, #389856 and #389870

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38973E shade: #225C25, #2D7A32, #38983E, #43B64A and #5FC465

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38973E shade: #38973E, #388098 and #98385A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38973E shade: #38973E, #3D3898 and #983D38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38973E shade: #38973E, #388098, #983893 and #985038

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38973E shade: #38973E, #386398, #983893 and #986D38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 59 / 41

HEX #38973E

RGB 56 151 62

HSL 123.79, 0.46%, 0.41%

LAB 55.4, -46.46, 38.16

 

Complementary color

CMYK 0 / 48 / 3 / 22

HEX #C768C1

RGB 199 104 193

HSL 303.79, 0.46%, 0.59%

LAB 57.94, 50.07, -30.29

 

CMYK 60 / 0 / 62 / 41

HEX #3D9739

RGB 61 151 57

HSL 117.45, 0.45%, 0.41%

LAB 55.5, -45.86, 40.69

 

CMYK 54 / 0 / 55 / 34

HEX #4EA94C

RGB 78 169 76

HSL 118.71, 0.38%, 0.48%

LAB 62.1, -46.16, 39.44

 

CMYK 49 / 0 / 49 / 27

HEX #5FBB5F

RGB 95 187 95

HSL 120, 0.4%, 0.55%

LAB 68.61, -46.23, 38.13

 

CMYK 45 / 0 / 44 / 20

HEX #70CD72

RGB 112 205 114

HSL 121.29, 0.48%, 0.62%

LAB 75.03, -46.16, 36.83

 

CMYK 42 / 0 / 40 / 13

HEX #81DF85

RGB 129 223 133

HSL 122.55, 0.59%, 0.69%

LAB 81.37, -46.01, 35.58

 

CMYK 63 / 0 / 59 / 41

HEX #38973E

RGB 56 151 62

HSL 123.79, 0.46%, 0.41%

LAB 55.4, -46.46, 38.16

 

CMYK 71 / 0 / 68 / 48

HEX #27852B

RGB 39 133 43

HSL 122.55, 0.55%, 0.34%

LAB 48.74, -45.7, 39.37

 

CMYK 81 / 0 / 79 / 55

HEX #167318

RGB 22 115 24

HSL 121.29, 0.68%, 0.27%

LAB 42, -44.2, 40.08

 

CMYK 95 / 0 / 95 / 62

HEX #056105

RGB 5 97 5

HSL 120, 0.9%, 0.2%

LAB 35.19, -41.59, 39.55

 

CMYK 100 / 0 / 100 / 69

HEX #004F00

RGB 0 79 0

HSL 120, 1%, 0.15%

LAB 28.36, -36.85, 35.56

 

CMYK 63 / 0 / 59 / 40

HEX #38983E

RGB 56 152 62

HSL 123.75, 0.46%, 0.41%

LAB 55.73, -46.84, 38.54

 

CMYK 50 / 0 / 63 / 40

HEX #4C9838

RGB 76 152 56

HSL 107.5, 0.46%, 0.41%

LAB 56.37, -42.19, 42.27

 

CMYK 33 / 0 / 63 / 40

HEX #669838

RGB 102 152 56

HSL 91.25, 0.46%, 0.41%

LAB 57.62, -33.32, 44.02

 

CMYK 16 / 0 / 63 / 40

HEX #809838

RGB 128 152 56

HSL 75, 0.46%, 0.41%

LAB 59.28, -22.96, 46.31

 

CMYK 0 / 1 / 63 / 40

HEX #989738

RGB 152 151 56

HSL 59.38, 0.46%, 0.41%

LAB 60.86, -12.11, 48.57

 

CMYK 63 / 0 / 59 / 40

HEX #38983E

RGB 56 152 62

HSL 123.75, 0.46%, 0.41%

LAB 55.73, -46.84, 38.54

 

CMYK 63 / 0 / 42 / 40

HEX #389858

RGB 56 152 88

HSL 140, 0.46%, 0.41%

LAB 56.09, -42.83, 25.57

 

CMYK 63 / 0 / 25 / 40

HEX #389872

RGB 56 152 114

HSL 156.25, 0.46%, 0.41%

LAB 56.6, -37.44, 11.83

 

CMYK 63 / 0 / 8 / 40

HEX #38988C

RGB 56 152 140

HSL 172.5, 0.46%, 0.41%

LAB 57.26, -30.83, -1.99

 

CMYK 63 / 9 / 0 / 40

HEX #388B98

RGB 56 139 152

HSL 188.13, 0.46%, 0.41%

LAB 53.57, -20.78, -14.39

 

CMYK 63 / 0 / 59 / 40

HEX #38983E

RGB 56 152 62

HSL 123.75, 0.46%, 0.41%

LAB 55.73, -46.84, 38.54

 

CMYK 77 / 0 / 72 / 34

HEX #27A92F

RGB 39 169 47

HSL 123.69, 0.63%, 0.41%

LAB 60.79, -57.61, 50.52

 

CMYK 88 / 0 / 83 / 27

HEX #16BA20

RGB 22 186 32

HSL 123.66, 0.79%, 0.41%

LAB 66.05, -65.75, 60.44

 

CMYK 98 / 0 / 91 / 20

HEX #05CB12

RGB 5 203 18

HSL 123.94, 0.95%, 0.41%

LAB 71.41, -71.99, 68.01

 

CMYK 63 / 0 / 59 / 40

HEX #38983E

RGB 56 152 62

HSL 123.75, 0.46%, 0.41%

LAB 55.73, -46.84, 38.54

 

CMYK 46 / 0 / 43 / 47

HEX #49874D

RGB 73 135 77

HSL 123.87, 0.3%, 0.41%

LAB 51.01, -32.89, 25.09

 

CMYK 24 / 0 / 22 / 54

HEX #5A765C

RGB 90 118 92

HSL 124.29, 0.13%, 0.41%

LAB 46.85, -15.77, 11.08

 

CMYK 0 / 6 / 1 / 58

HEX #6B656A

RGB 107 101 106

HSL 310, 0.03%, 0.41%

LAB 43.47, 3.37, -1.97

 

CMYK 0 / 32 / 2 / 51

HEX #7C5479

RGB 124 84 121

HSL 304.5, 0.19%, 0.41%

LAB 41.23, 23.14, -14.3

 

CMYK 33 / 0 / 63 / 40

HEX #669838

RGB 102 152 56

HSL 91.25, 0.46%, 0.41%

LAB 57.62, -33.32, 44.02

 

CMYK 49 / 0 / 63 / 40

HEX #4D9838

RGB 77 152 56

HSL 106.88, 0.46%, 0.41%

LAB 56.41, -41.88, 42.33

 

CMYK 63 / 0 / 60 / 40

HEX #38983D

RGB 56 152 61

HSL 123.13, 0.46%, 0.41%

LAB 55.72, -46.97, 39.01

 

CMYK 63 / 0 / 43 / 40

HEX #389856

RGB 56 152 86

HSL 138.75, 0.46%, 0.41%

LAB 56.06, -43.19, 26.61

 

CMYK 63 / 0 / 26 / 40

HEX #389870

RGB 56 152 112

HSL 155, 0.46%, 0.41%

LAB 56.55, -37.9, 12.9

 

CMYK 63 / 0 / 60 / 64

HEX #225C25

RGB 34 92 37

HSL 123.1, 0.46%, 0.25%

LAB 34.25, -31.5, 25.79

 

CMYK 63 / 0 / 59 / 52

HEX #2D7A32

RGB 45 122 50

HSL 123.9, 0.46%, 0.33%

LAB 45.23, -39.3, 32.08

 

CMYK 63 / 0 / 59 / 40

HEX #38983E

RGB 56 152 62

HSL 123.75, 0.46%, 0.41%

LAB 55.73, -46.84, 38.54

 

CMYK 63 / 0 / 59 / 29

HEX #43B64A

RGB 67 182 74

HSL 123.65, 0.46%, 0.49%

LAB 65.86, -54.08, 44.74

 

CMYK 52 / 0 / 48 / 23

HEX #5FC465

RGB 95 196 101

HSL 123.56, 0.46%, 0.57%

LAB 71.45, -49.06, 38.69

 

CMYK 63 / 0 / 59 / 41

HEX #38973E

RGB 56 151 62

HSL 123.79, 0.46%, 0.41%

LAB 55.4, -46.46, 38.16

 

CMYK 63 / 16 / 0 / 40

HEX #388098

RGB 56 128 152

HSL 195, 0.46%, 0.41%

LAB 50.15, -14.83, -19.6

 

CMYK 0 / 63 / 41 / 40

HEX #98385A

RGB 152 56 90

HSL 338.75, 0.46%, 0.41%

LAB 38.27, 43.34, 1.01

 

CMYK 63 / 0 / 59 / 41

HEX #38973E

RGB 56 151 62

HSL 123.79, 0.46%, 0.41%

LAB 55.4, -46.46, 38.16

 

CMYK 60 / 63 / 0 / 40

HEX #3D3898

RGB 61 56 152

HSL 243.13, 0.46%, 0.41%

LAB 29.63, 31.26, -52.05

 

CMYK 0 / 60 / 63 / 40

HEX #983D38

RGB 152 61 56

HSL 3.13, 0.46%, 0.41%

LAB 38.37, 37.81, 22.5

 

CMYK 63 / 0 / 59 / 41

HEX #38973E

RGB 56 151 62

HSL 123.79, 0.46%, 0.41%

LAB 55.4, -46.46, 38.16

 

CMYK 63 / 16 / 0 / 40

HEX #388098

RGB 56 128 152

HSL 195, 0.46%, 0.41%

LAB 50.15, -14.83, -19.6

 

CMYK 0 / 63 / 3 / 40

HEX #983893

RGB 152 56 147

HSL 303.13, 0.46%, 0.41%

LAB 40.59, 51.63, -30.83

 

CMYK 0 / 47 / 63 / 40

HEX #985038

RGB 152 80 56

HSL 15, 0.46%, 0.41%

LAB 42.31, 27.79, 27.4

 

CMYK 63 / 0 / 59 / 41

HEX #38973E

RGB 56 151 62

HSL 123.79, 0.46%, 0.41%

LAB 55.4, -46.46, 38.16

 

CMYK 63 / 35 / 0 / 40

HEX #386398

RGB 56 99 152

HSL 213.13, 0.46%, 0.41%

LAB 41.27, 2.31, -33.41

 

CMYK 0 / 63 / 3 / 40

HEX #983893

RGB 152 56 147

HSL 303.13, 0.46%, 0.41%

LAB 40.59, 51.63, -30.83

 

CMYK 0 / 28 / 63 / 40

HEX #986D38

RGB 152 109 56

HSL 33.13, 0.46%, 0.41%

LAB 49.37, 11.25, 35.82

 

Description

Color code: HEX #38973E | qconv.com Color code: HEX #38973E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 151 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 151 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 59 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 59% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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