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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 45 122 50 it is the complementary color RGB 210 133 205. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 45 122 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 45 122 50 shade: RGB 50 122 45, RGB 67 140 64, RGB 84 158 83, RGB 101 176 102 and RGB 118 194 121

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 45 122 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 45 122 50 shade: RGB 45 122 50, RGB 28 104 31, RGB 11 86 12, RGB 0 68 0 and RGB 0 50 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 45 122 50 shade: RGB 45 122 50, RGB 61 122 45, RGB 82 122 45, RGB 103 122 45 and RGB 122 121 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 45 122 50 shade: RGB 45 122 50, RGB 45 122 71, RGB 45 122 92, RGB 45 122 113 and RGB 45 111 122

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 45 122 50 shade matches the following richer shades: RGB 45 122 50, RGB 31 136 38, RGB 18 150 26 and RGB 4 163 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 45 122 50 shade: RGB 45 122 50, RGB 59 109 62, RGB 72 95 74, RGB 86 82 86 and RGB 99 68 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 45 122 50 shade: RGB 82 122 45, RGB 62 122 45, RGB 45 122 49, RGB 45 122 69 and RGB 45 122 90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 45 122 50 shade: RGB 23 62 25, RGB 34 92 38, RGB 45 122 50, RGB 56 152 62 and RGB 67 183 75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 45 122 50 shade: RGB 45 122 50, RGB 45 103 122 and RGB 122 45 72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 45 122 50 shade: RGB 45 122 50, RGB 49 45 122 and RGB 122 49 45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 45 122 50 shade: RGB 45 122 50, RGB 45 103 122, RGB 122 45 118 and RGB 122 64 45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 45 122 50 shade: RGB 45 122 50, RGB 45 80 122, RGB 122 45 118 and RGB 122 88 45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 59 / 52

HEX #2D7A32

RGB 45 122 50

HSL 123.9, 0.46%, 0.33%

LAB 45.23, -39.3, 32.08

 

Complementary color

CMYK 0 / 37 / 2 / 18

HEX #D285CD

RGB 210 133 205

HSL 303.9, 0.46%, 0.67%

LAB 65.66, 40.54, -25.04

 

CMYK 59 / 0 / 63 / 52

HEX #327A2D

RGB 50 122 45

HSL 116.1, 0.46%, 0.33%

LAB 45.34, -38.64, 34.74

 

CMYK 52 / 0 / 54 / 45

HEX #438C40

RGB 67 140 64

HSL 117.63, 0.37%, 0.4%

LAB 52.2, -38.88, 33.44

 

CMYK 47 / 0 / 47 / 38

HEX #549E53

RGB 84 158 83

HSL 119.2, 0.31%, 0.47%

LAB 58.94, -38.87, 32.09

 

CMYK 43 / 0 / 42 / 31

HEX #65B066

RGB 101 176 102

HSL 120.8, 0.32%, 0.54%

LAB 65.57, -38.73, 30.77

 

CMYK 39 / 0 / 38 / 24

HEX #76C279

RGB 118 194 121

HSL 122.37, 0.38%, 0.61%

LAB 72.11, -38.52, 29.51

 

CMYK 63 / 0 / 59 / 52

HEX #2D7A32

RGB 45 122 50

HSL 123.9, 0.46%, 0.33%

LAB 45.23, -39.3, 32.08

 

CMYK 73 / 0 / 70 / 59

HEX #1C681F

RGB 28 104 31

HSL 122.37, 0.58%, 0.26%

LAB 38.28, -38.53, 33.35

 

CMYK 87 / 0 / 86 / 66

HEX #0B560C

RGB 11 86 12

HSL 120.8, 0.77%, 0.19%

LAB 31.24, -36.76, 33.87

 

CMYK 100 / 0 / 100 / 73

HEX #004400

RGB 0 68 0

HSL 120, 1%, 0.13%

LAB 24.11, -33.32, 31.71

 

CMYK 100 / 0 / 100 / 80

HEX #003200

RGB 0 50 0

HSL 120, 1%, 0.1%

LAB 16.9, -27.33, 23.7

 

CMYK 63 / 0 / 59 / 52

HEX #2D7A32

RGB 45 122 50

HSL 123.9, 0.46%, 0.33%

LAB 45.23, -39.3, 32.08

 

CMYK 50 / 0 / 63 / 52

HEX #3D7A2D

RGB 61 122 45

HSL 107.53, 0.46%, 0.33%

LAB 45.77, -35.38, 35.34

 

CMYK 33 / 0 / 63 / 52

HEX #527A2D

RGB 82 122 45

HSL 91.17, 0.46%, 0.33%

LAB 46.85, -27.87, 36.85

 

CMYK 16 / 0 / 63 / 52

HEX #677A2D

RGB 103 122 45

HSL 74.81, 0.46%, 0.33%

LAB 48.25, -19.15, 38.8

 

CMYK 0 / 1 / 63 / 52

HEX #7A792D

RGB 122 121 45

HSL 59.22, 0.46%, 0.33%

LAB 49.5, -10.11, 40.6

 

CMYK 63 / 0 / 59 / 52

HEX #2D7A32

RGB 45 122 50

HSL 123.9, 0.46%, 0.33%

LAB 45.23, -39.3, 32.08

 

CMYK 63 / 0 / 42 / 52

HEX #2D7A47

RGB 45 122 71

HSL 140.26, 0.46%, 0.33%

LAB 45.54, -35.86, 21.1

 

CMYK 63 / 0 / 25 / 52

HEX #2D7A5C

RGB 45 122 92

HSL 156.62, 0.46%, 0.33%

LAB 45.97, -31.3, 9.54

 

CMYK 63 / 0 / 7 / 52

HEX #2D7A71

RGB 45 122 113

HSL 172.99, 0.46%, 0.33%

LAB 46.54, -25.73, -2.08

 

CMYK 63 / 9 / 0 / 52

HEX #2D6F7A

RGB 45 111 122

HSL 188.57, 0.46%, 0.33%

LAB 43.26, -17.21, -12.35

 

CMYK 63 / 0 / 59 / 52

HEX #2D7A32

RGB 45 122 50

HSL 123.9, 0.46%, 0.33%

LAB 45.23, -39.3, 32.08

 

CMYK 77 / 0 / 72 / 47

HEX #1F8826

RGB 31 136 38

HSL 124, 0.63%, 0.33%

LAB 49.54, -48.71, 42.34

 

CMYK 88 / 0 / 83 / 41

HEX #12961A

RGB 18 150 26

HSL 123.64, 0.79%, 0.33%

LAB 54.04, -55.75, 50.96

 

CMYK 98 / 0 / 91 / 36

HEX #04A30E

RGB 4 163 14

HSL 123.77, 0.95%, 0.33%

LAB 58.28, -61.05, 57.48

 

CMYK 63 / 0 / 59 / 52

HEX #2D7A32

RGB 45 122 50

HSL 123.9, 0.46%, 0.33%

LAB 45.23, -39.3, 32.08

 

CMYK 46 / 0 / 43 / 57

HEX #3B6D3E

RGB 59 109 62

HSL 123.6, 0.3%, 0.33%

LAB 41.56, -27.68, 21.12

 

CMYK 24 / 0 / 22 / 63

HEX #485F4A

RGB 72 95 74

HSL 125.22, 0.14%, 0.33%

LAB 37.94, -13.39, 9.25

 

CMYK 0 / 5 / 0 / 66

HEX #565256

RGB 86 82 86

HSL 300, 0.02%, 0.33%

LAB 35.37, 2.48, -1.76

 

CMYK 0 / 31 / 2 / 61

HEX #634461

RGB 99 68 97

HSL 303.87, 0.19%, 0.33%

LAB 33.24, 18.73, -11.76

 

CMYK 33 / 0 / 63 / 52

HEX #527A2D

RGB 82 122 45

HSL 91.17, 0.46%, 0.33%

LAB 46.85, -27.87, 36.85

 

CMYK 49 / 0 / 63 / 52

HEX #3E7A2D

RGB 62 122 45

HSL 106.75, 0.46%, 0.33%

LAB 45.82, -35.06, 35.4

 

CMYK 63 / 0 / 60 / 52

HEX #2D7A31

RGB 45 122 49

HSL 123.12, 0.46%, 0.33%

LAB 45.22, -39.44, 32.57

 

CMYK 63 / 0 / 43 / 52

HEX #2D7A45

RGB 45 122 69

HSL 138.7, 0.46%, 0.33%

LAB 45.51, -36.24, 22.18

 

CMYK 63 / 0 / 26 / 52

HEX #2D7A5A

RGB 45 122 90

HSL 155.06, 0.46%, 0.33%

LAB 45.93, -31.78, 10.65

 

CMYK 63 / 0 / 60 / 76

HEX #173E19

RGB 23 62 25

HSL 123.08, 0.46%, 0.17%

LAB 22.65, -22.98, 18.53

 

CMYK 63 / 0 / 59 / 64

HEX #225C26

RGB 34 92 38

HSL 124.14, 0.46%, 0.25%

LAB 34.26, -31.36, 25.27

 

CMYK 63 / 0 / 59 / 52

HEX #2D7A32

RGB 45 122 50

HSL 123.9, 0.46%, 0.33%

LAB 45.23, -39.3, 32.08

 

CMYK 63 / 0 / 59 / 40

HEX #38983E

RGB 56 152 62

HSL 123.75, 0.46%, 0.41%

LAB 55.73, -46.84, 38.54

 

CMYK 63 / 0 / 59 / 28

HEX #43B74B

RGB 67 183 75

HSL 124.14, 0.46%, 0.49%

LAB 66.19, -54.32, 44.66

 

CMYK 63 / 0 / 59 / 52

HEX #2D7A32

RGB 45 122 50

HSL 123.9, 0.46%, 0.33%

LAB 45.23, -39.3, 32.08

 

CMYK 63 / 16 / 0 / 52

HEX #2D677A

RGB 45 103 122

HSL 194.81, 0.46%, 0.33%

LAB 40.68, -12.7, -16.29

 

CMYK 0 / 63 / 41 / 52

HEX #7A2D48

RGB 122 45 72

HSL 338.96, 0.46%, 0.33%

LAB 30.6, 36.24, 0.81

 

CMYK 63 / 0 / 59 / 52

HEX #2D7A32

RGB 45 122 50

HSL 123.9, 0.46%, 0.33%

LAB 45.23, -39.3, 32.08

 

CMYK 60 / 63 / 0 / 52

HEX #312D7A

RGB 49 45 122

HSL 243.12, 0.46%, 0.33%

LAB 23.45, 25.85, -43.48

 

CMYK 0 / 60 / 63 / 52

HEX #7A312D

RGB 122 49 45

HSL 3.12, 0.46%, 0.33%

LAB 30.7, 31.56, 18.56

 

CMYK 63 / 0 / 59 / 52

HEX #2D7A32

RGB 45 122 50

HSL 123.9, 0.46%, 0.33%

LAB 45.23, -39.3, 32.08

 

CMYK 63 / 16 / 0 / 52

HEX #2D677A

RGB 45 103 122

HSL 194.81, 0.46%, 0.33%

LAB 40.68, -12.7, -16.29

 

CMYK 0 / 63 / 3 / 52

HEX #7A2D76

RGB 122 45 118

HSL 303.12, 0.46%, 0.33%

LAB 32.53, 43.28, -25.91

 

CMYK 0 / 48 / 63 / 52

HEX #7A402D

RGB 122 64 45

HSL 14.81, 0.46%, 0.33%

LAB 33.97, 23.25, 22.68

 

CMYK 63 / 0 / 59 / 52

HEX #2D7A32

RGB 45 122 50

HSL 123.9, 0.46%, 0.33%

LAB 45.23, -39.3, 32.08

 

CMYK 63 / 34 / 0 / 52

HEX #2D507A

RGB 45 80 122

HSL 212.73, 0.46%, 0.33%

LAB 33.35, 1.39, -27.66

 

CMYK 0 / 63 / 3 / 52

HEX #7A2D76

RGB 122 45 118

HSL 303.12, 0.46%, 0.33%

LAB 32.53, 43.28, -25.91

 

CMYK 0 / 28 / 63 / 52

HEX #7A582D

RGB 122 88 45

HSL 33.51, 0.46%, 0.33%

LAB 40.09, 8.98, 30.04

 

Description

Color code: RGB 45 122 50 | qconv.com Color code: RGB 45 122 50 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 122 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 122 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 59 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 59% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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