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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #36C8A3 it is the complementary color #C9375C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #36C8A3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #36C8A3 shade: #3BC89E, #4CDAB1, #5DECC4, #6EFED7 and #7FFFEA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #36C8A3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #36C8A3 shade: #36C8A3, #25B690, #14A47D, #03926A and #008057

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #36C8A3 shade: #36C8A3, #36C87C, #36C854, #3FC836 and #67C836

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #36C8A3 shade: #36C8A3, #36C5C8, #369EC8, #3677C8 and #3650C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #36C8A3 shade matches the following richer shades: #36C8A3, #22DCAD and #0DF1B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #36C8A3 shade: #36C8A3, #4BB399, #609E8E, #748A84 and #89757A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #36C8A3 shade: #36C853, #36C87A, #36C8A1, #36C8C8 and #36A1C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #36C8A3 shade: #25876E, #2DA788, #36C8A3, #57D1B2 and #77D9C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #36C8A3 shade: #36C8A3, #3640C8 and #C86736

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #36C8A3 shade: #36C8A3, #A136C8 and #C8A136

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #36C8A3 shade: #36C8A3, #3640C8, #C8365D and #C8BE36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #36C8A3 shade: #36C8A3, #5836C8, #C8365D and #A6C836

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 19 / 22

HEX #36C8A3

RGB 54 200 163

HSL 164.79, 0.57%, 0.5%

LAB 72.72, -46.63, 7.64

 

Complementary color

CMYK 0 / 73 / 54 / 21

HEX #C9375C

RGB 201 55 92

HSL 344.79, 0.57%, 0.5%

LAB 46.87, 59.24, 13.17

 

CMYK 71 / 0 / 21 / 22

HEX #3BC89E

RGB 59 200 158

HSL 162.13, 0.56%, 0.51%

LAB 72.7, -47.15, 10.33

 

CMYK 65 / 0 / 19 / 15

HEX #4CDAB1

RGB 76 218 177

HSL 162.68, 0.66%, 0.58%

LAB 78.96, -47.57, 9.12

 

CMYK 61 / 0 / 17 / 7

HEX #5DECC4

RGB 93 236 196

HSL 163.22, 0.79%, 0.65%

LAB 85.15, -47.82, 8.03

 

CMYK 57 / 0 / 15 / 0

HEX #6EFED7

RGB 110 254 215

HSL 163.75, 0.99%, 0.71%

LAB 91.28, -47.95, 7.01

 

CMYK 50 / 0 / 8 / 0

HEX #7FFFEA

RGB 127 255 234

HSL 170.16, 1%, 0.75%

LAB 92.56, -40.55, -0.89

 

CMYK 73 / 0 / 19 / 22

HEX #36C8A3

RGB 54 200 163

HSL 164.79, 0.57%, 0.5%

LAB 72.72, -46.63, 7.64

 

CMYK 80 / 0 / 21 / 29

HEX #25B690

RGB 37 182 144

HSL 164.28, 0.66%, 0.43%

LAB 66.41, -45.82, 8.96

 

CMYK 88 / 0 / 24 / 36

HEX #14A47D

RGB 20 164 125

HSL 163.75, 0.78%, 0.36%

LAB 60.05, -44.63, 10.43

 

CMYK 98 / 0 / 27 / 43

HEX #03926A

RGB 3 146 106

HSL 163.22, 0.96%, 0.29%

LAB 53.62, -43.01, 12.07

 

CMYK 100 / 0 / 32 / 50

HEX #008057

RGB 0 128 87

HSL 160.78, 1%, 0.25%

LAB 47.14, -40.61, 13.96

 

CMYK 73 / 0 / 19 / 22

HEX #36C8A3

RGB 54 200 163

HSL 164.79, 0.57%, 0.5%

LAB 72.72, -46.63, 7.64

 

CMYK 73 / 0 / 38 / 22

HEX #36C87C

RGB 54 200 124

HSL 148.77, 0.57%, 0.5%

LAB 71.93, -55.19, 27.33

 

CMYK 73 / 0 / 58 / 22

HEX #36C854

RGB 54 200 84

HSL 132.33, 0.57%, 0.5%

LAB 71.37, -61.57, 46.48

 

CMYK 69 / 0 / 73 / 22

HEX #3FC836

RGB 63 200 54

HSL 116.3, 0.57%, 0.5%

LAB 71.3, -63.07, 58.85

 

CMYK 49 / 0 / 73 / 22

HEX #67C836

RGB 103 200 54

HSL 99.86, 0.57%, 0.5%

LAB 72.53, -53.28, 60.49

 

CMYK 73 / 0 / 19 / 22

HEX #36C8A3

RGB 54 200 163

HSL 164.79, 0.57%, 0.5%

LAB 72.72, -46.63, 7.64

 

CMYK 73 / 1 / 0 / 22

HEX #36C5C8

RGB 54 197 200

HSL 181.23, 0.57%, 0.5%

LAB 72.82, -35.31, -12.3

 

CMYK 73 / 21 / 0 / 22

HEX #369EC8

RGB 54 158 200

HSL 197.26, 0.57%, 0.5%

LAB 61.14, -15.71, -30.09

 

CMYK 73 / 41 / 0 / 22

HEX #3677C8

RGB 54 119 200

HSL 213.29, 0.57%, 0.5%

LAB 49.68, 6.91, -48.12

 

CMYK 73 / 60 / 0 / 22

HEX #3650C8

RGB 54 80 200

HSL 229.32, 0.57%, 0.5%

LAB 39.06, 31.78, -65.25

 

CMYK 73 / 0 / 19 / 22

HEX #36C8A3

RGB 54 200 163

HSL 164.79, 0.57%, 0.5%

LAB 72.72, -46.63, 7.64

 

CMYK 85 / 0 / 21 / 14

HEX #22DCAD

RGB 34 220 173

HSL 164.84, 0.73%, 0.5%

LAB 78.78, -54.3, 10.9

 

CMYK 95 / 0 / 24 / 5

HEX #0DF1B7

RGB 13 241 183

HSL 164.74, 0.9%, 0.5%

LAB 85.21, -61.02, 14.73

 

CMYK 73 / 0 / 19 / 22

HEX #36C8A3

RGB 54 200 163

HSL 164.79, 0.57%, 0.5%

LAB 72.72, -46.63, 7.64

 

CMYK 58 / 0 / 15 / 30

HEX #4BB399

RGB 75 179 153

HSL 165, 0.41%, 0.5%

LAB 66.55, -36.43, 4.3

 

CMYK 39 / 0 / 10 / 38

HEX #609E8E

RGB 96 158 142

HSL 164.52, 0.24%, 0.5%

LAB 60.69, -23.87, 2.06

 

CMYK 16 / 0 / 4 / 46

HEX #748A84

RGB 116 138 132

HSL 163.64, 0.09%, 0.5%

LAB 55.64, -9.16, 0.56

 

CMYK 0 / 15 / 11 / 46

HEX #89757A

RGB 137 117 122

HSL 345, 0.08%, 0.5%

LAB 51.21, 8.66, 0.13

 

CMYK 73 / 0 / 59 / 22

HEX #36C853

RGB 54 200 83

HSL 131.92, 0.57%, 0.5%

LAB 71.36, -61.69, 46.93

 

CMYK 73 / 0 / 39 / 22

HEX #36C87A

RGB 54 200 122

HSL 147.95, 0.57%, 0.5%

LAB 71.89, -55.57, 28.33

 

CMYK 73 / 0 / 20 / 22

HEX #36C8A1

RGB 54 200 161

HSL 163.97, 0.57%, 0.5%

LAB 72.67, -47.12, 8.66

 

CMYK 73 / 0 / 0 / 22

HEX #36C8C8

RGB 54 200 200

HSL 180, 0.57%, 0.5%

LAB 73.72, -36.71, -10.96

 

CMYK 73 / 20 / 0 / 22

HEX #36A1C8

RGB 54 161 200

HSL 196.03, 0.57%, 0.5%

LAB 62.04, -17.32, -28.71

 

CMYK 73 / 0 / 19 / 47

HEX #25876E

RGB 37 135 110

HSL 164.69, 0.57%, 0.34%

LAB 50.51, -34.17, 5.42

 

CMYK 73 / 0 / 19 / 35

HEX #2DA788

RGB 45 167 136

HSL 164.75, 0.58%, 0.42%

LAB 61.63, -40.5, 6.57

 

CMYK 73 / 0 / 19 / 22

HEX #36C8A3

RGB 54 200 163

HSL 164.79, 0.57%, 0.5%

LAB 72.72, -46.63, 7.64

 

CMYK 58 / 0 / 15 / 18

HEX #57D1B2

RGB 87 209 178

HSL 164.75, 0.57%, 0.58%

LAB 76.58, -41.48, 5.22

 

CMYK 45 / 0 / 12 / 15

HEX #77D9C0

RGB 119 217 192

HSL 164.69, 0.56%, 0.66%

LAB 80.38, -34.78, 3.37

 

CMYK 73 / 0 / 19 / 22

HEX #36C8A3

RGB 54 200 163

HSL 164.79, 0.57%, 0.5%

LAB 72.72, -46.63, 7.64

 

CMYK 73 / 68 / 0 / 22

HEX #3640C8

RGB 54 64 200

HSL 235.89, 0.57%, 0.5%

LAB 35.24, 41.79, -71.49

 

CMYK 0 / 49 / 73 / 22

HEX #C86736

RGB 200 103 54

HSL 20.14, 0.57%, 0.5%

LAB 54.29, 34.94, 44.08

 

CMYK 73 / 0 / 19 / 22

HEX #36C8A3

RGB 54 200 163

HSL 164.79, 0.57%, 0.5%

LAB 72.72, -46.63, 7.64

 

CMYK 20 / 73 / 0 / 22

HEX #A136C8

RGB 161 54 200

HSL 283.97, 0.57%, 0.5%

LAB 44.78, 64.42, -55.47

 

CMYK 0 / 20 / 73 / 22

HEX #C8A136

RGB 200 161 54

HSL 43.97, 0.57%, 0.5%

LAB 68.05, 3.57, 58.21

 

CMYK 73 / 0 / 19 / 22

HEX #36C8A3

RGB 54 200 163

HSL 164.79, 0.57%, 0.5%

LAB 72.72, -46.63, 7.64

 

CMYK 73 / 68 / 0 / 22

HEX #3640C8

RGB 54 64 200

HSL 235.89, 0.57%, 0.5%

LAB 35.24, 41.79, -71.49

 

CMYK 0 / 73 / 54 / 22

HEX #C8365D

RGB 200 54 93

HSL 343.97, 0.57%, 0.5%

LAB 46.59, 59.37, 12.13

 

CMYK 0 / 5 / 73 / 22

HEX #C8BE36

RGB 200 190 54

HSL 55.89, 0.57%, 0.5%

LAB 75.68, -11.65, 65.61

 

CMYK 73 / 0 / 19 / 22

HEX #36C8A3

RGB 54 200 163

HSL 164.79, 0.57%, 0.5%

LAB 72.72, -46.63, 7.64

 

CMYK 56 / 73 / 0 / 22

HEX #5836C8

RGB 88 54 200

HSL 253.97, 0.57%, 0.5%

LAB 35.76, 51.65, -70.55

 

CMYK 0 / 73 / 54 / 22

HEX #C8365D

RGB 200 54 93

HSL 343.97, 0.57%, 0.5%

LAB 46.59, 59.37, 12.13

 

CMYK 17 / 0 / 73 / 22

HEX #A6C836

RGB 166 200 54

HSL 73.97, 0.57%, 0.5%

LAB 75.87, -30.77, 64.9

 

Description

Color code: HEX #36C8A3 | qconv.com Color code: HEX #36C8A3 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 200 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 200 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 19 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 19% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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