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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #365C81 it is the complementary color #C9A37E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #365C81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #365C81 shade: #3B5C7C, #4C6E8F, #5D80A2, #6E92B5 and #7FA4C8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #365C81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #365C81 shade: #365C81, #254A6E, #14385B, #032648 and #001435

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #365C81 shade: #365C81, #364881, #383681, #4C3681 and #613681

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #365C81 shade: #365C81, #364881 and #363681

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #365C81 shade matches the following richer shades: #365C81, #275C90, #185C9F and #095CAD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #365C81 shade: #365C81, #455C72, #535B63, #625B54 and #715B46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #365C81 shade: #36817D, #367181, #365D81, #364881 and #373681

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #365C81 shade: #1D3247, #294764, #365C81, #42719E and #5385B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #365C81 shade: #365C81, #693681 and #7B8136

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #365C81 shade: #365C81, #81365D and #5D8136

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #365C81 shade: #365C81, #693681, #815A36 and #4D8136

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #365C81 shade: #365C81, #803681, #815A36 and #378136

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 29 / 0 / 49

HEX #365C81

RGB 54 92 129

HSL 209.6, 0.41%, 0.36%

LAB 37.88, -1.77, -24.83

 

Complementary color

CMYK 0 / 19 / 37 / 21

HEX #C9A37E

RGB 201 163 126

HSL 29.6, 0.41%, 0.64%

LAB 69.55, 8.87, 24.51

 

CMYK 52 / 26 / 0 / 51

HEX #3B5C7C

RGB 59 92 124

HSL 209.54, 0.36%, 0.36%

LAB 37.91, -2.24, -21.71

 

CMYK 47 / 23 / 0 / 44

HEX #4C6E8F

RGB 76 110 143

HSL 209.55, 0.31%, 0.43%

LAB 45.18, -2.74, -21.86

 

CMYK 43 / 21 / 0 / 36

HEX #5D80A2

RGB 93 128 162

HSL 209.57, 0.27%, 0.5%

LAB 52.26, -3.12, -22.04

 

CMYK 39 / 19 / 0 / 29

HEX #6E92B5

RGB 110 146 181

HSL 209.58, 0.32%, 0.57%

LAB 59.17, -3.43, -22.24

 

CMYK 37 / 18 / 0 / 22

HEX #7FA4C8

RGB 127 164 200

HSL 209.59, 0.4%, 0.64%

LAB 65.93, -3.68, -22.47

 

CMYK 58 / 29 / 0 / 49

HEX #365C81

RGB 54 92 129

HSL 209.6, 0.41%, 0.36%

LAB 37.88, -1.77, -24.83

 

CMYK 66 / 33 / 0 / 57

HEX #254A6E

RGB 37 74 110

HSL 209.59, 0.5%, 0.29%

LAB 30.44, -0.8, -24.75

 

CMYK 78 / 38 / 0 / 64

HEX #14385B

RGB 20 56 91

HSL 209.58, 0.64%, 0.22%

LAB 22.77, 0.68, -24.67

 

CMYK 96 / 47 / 0 / 72

HEX #032648

RGB 3 38 72

HSL 209.57, 0.92%, 0.15%

LAB 14.81, 2.91, -24.61

 

CMYK 100 / 62 / 0 / 79

HEX #001435

RGB 0 20 53

HSL 217.36, 1%, 0.1%

LAB 6.84, 7.04, -24.01

 

CMYK 58 / 29 / 0 / 49

HEX #365C81

RGB 54 92 129

HSL 209.6, 0.41%, 0.36%

LAB 37.88, -1.77, -24.83

 

CMYK 58 / 44 / 0 / 49

HEX #364881

RGB 54 72 129

HSL 225.6, 0.41%, 0.36%

LAB 31.82, 11.19, -34.4

 

CMYK 57 / 58 / 0 / 49

HEX #383681

RGB 56 54 129

HSL 241.6, 0.41%, 0.36%

LAB 26.92, 23.72, -42.26

 

CMYK 41 / 58 / 0 / 49

HEX #4C3681

RGB 76 54 129

HSL 257.6, 0.41%, 0.36%

LAB 28.8, 28.39, -39.13

 

CMYK 25 / 58 / 0 / 49

HEX #613681

RGB 97 54 129

HSL 274.4, 0.41%, 0.36%

LAB 31.27, 33.97, -35.04

 

CMYK 58 / 29 / 0 / 49

HEX #365C81

RGB 54 92 129

HSL 209.6, 0.41%, 0.36%

LAB 37.88, -1.77, -24.83

 

CMYK 58 / 44 / 0 / 49

HEX #364881

RGB 54 72 129

HSL 225.6, 0.41%, 0.36%

LAB 31.82, 11.19, -34.4

 

CMYK 58 / 58 / 0 / 49

HEX #363681

RGB 54 54 129

HSL 240, 0.41%, 0.36%

LAB 26.76, 23.3, -42.52

 

CMYK 58 / 29 / 0 / 49

HEX #365C81

RGB 54 92 129

HSL 209.6, 0.41%, 0.36%

LAB 37.88, -1.77, -24.83

 

CMYK 73 / 36 / 0 / 44

HEX #275C90

RGB 39 92 144

HSL 209.71, 0.57%, 0.36%

LAB 38.02, 0.8, -33.78

 

CMYK 85 / 42 / 0 / 38

HEX #185C9F

RGB 24 92 159

HSL 209.78, 0.74%, 0.36%

LAB 38.47, 4.85, -42.11

 

CMYK 95 / 47 / 0 / 32

HEX #095CAD

RGB 9 92 173

HSL 209.63, 0.9%, 0.36%

LAB 39.12, 9.58, -49.39

 

CMYK 58 / 29 / 0 / 49

HEX #365C81

RGB 54 92 129

HSL 209.6, 0.41%, 0.36%

LAB 37.88, -1.77, -24.83

 

CMYK 39 / 19 / 0 / 55

HEX #455C72

RGB 69 92 114

HSL 209.33, 0.25%, 0.36%

LAB 38.08, -2.56, -15.25

 

CMYK 16 / 8 / 0 / 61

HEX #535B63

RGB 83 91 99

HSL 210, 0.09%, 0.36%

LAB 38.24, -1.25, -5.65

 

CMYK 0 / 7 / 14 / 62

HEX #625B54

RGB 98 91 84

HSL 30, 0.08%, 0.36%

LAB 39.1, 1.47, 5.04

 

CMYK 0 / 19 / 38 / 56

HEX #715B46

RGB 113 91 70

HSL 29.3, 0.23%, 0.36%

LAB 40.3, 5.73, 15.5

 

CMYK 58 / 0 / 3 / 49

HEX #36817D

RGB 54 129 125

HSL 176.8, 0.41%, 0.36%

LAB 49.45, -24.03, -4.83

 

CMYK 58 / 12 / 0 / 49

HEX #367181

RGB 54 113 129

HSL 192.8, 0.41%, 0.36%

LAB 44.49, -14.23, -14.66

 

CMYK 58 / 28 / 0 / 49

HEX #365D81

RGB 54 93 129

HSL 208.8, 0.41%, 0.36%

LAB 38.2, -2.39, -24.35

 

CMYK 58 / 44 / 0 / 49

HEX #364881

RGB 54 72 129

HSL 225.6, 0.41%, 0.36%

LAB 31.82, 11.19, -34.4

 

CMYK 57 / 58 / 0 / 49

HEX #373681

RGB 55 54 129

HSL 240.8, 0.41%, 0.36%

LAB 26.84, 23.51, -42.39

 

CMYK 59 / 30 / 0 / 72

HEX #1D3247

RGB 29 50 71

HSL 210, 0.42%, 0.2%

LAB 20.03, -1.18, -15.61

 

CMYK 59 / 29 / 0 / 61

HEX #294764

RGB 41 71 100

HSL 209.49, 0.42%, 0.28%

LAB 29.15, -1.61, -20.4

 

CMYK 58 / 29 / 0 / 49

HEX #365C81

RGB 54 92 129

HSL 209.6, 0.41%, 0.36%

LAB 37.88, -1.77, -24.83

 

CMYK 58 / 28 / 0 / 38

HEX #42719E

RGB 66 113 158

HSL 209.35, 0.41%, 0.44%

LAB 46.23, -2.14, -29.16

 

CMYK 55 / 27 / 0 / 28

HEX #5385B7

RGB 83 133 183

HSL 210, 0.41%, 0.52%

LAB 54.06, -2.13, -31.39

 

CMYK 58 / 29 / 0 / 49

HEX #365C81

RGB 54 92 129

HSL 209.6, 0.41%, 0.36%

LAB 37.88, -1.77, -24.83

 

CMYK 19 / 58 / 0 / 49

HEX #693681

RGB 105 54 129

HSL 280.8, 0.41%, 0.36%

LAB 32.32, 36.19, -33.3

 

CMYK 5 / 0 / 58 / 49

HEX #7B8136

RGB 123 129 54

HSL 64.8, 0.41%, 0.36%

LAB 52.04, -13.31, 39.12

 

CMYK 58 / 29 / 0 / 49

HEX #365C81

RGB 54 92 129

HSL 209.6, 0.41%, 0.36%

LAB 37.88, -1.77, -24.83

 

CMYK 0 / 58 / 28 / 49

HEX #81365D

RGB 129 54 93

HSL 328.8, 0.41%, 0.36%

LAB 34.18, 36.94, -7.38

 

CMYK 28 / 0 / 58 / 49

HEX #5D8136

RGB 93 129 54

HSL 88.8, 0.41%, 0.36%

LAB 49.85, -26.02, 36.04

 

CMYK 58 / 29 / 0 / 49

HEX #365C81

RGB 54 92 129

HSL 209.6, 0.41%, 0.36%

LAB 37.88, -1.77, -24.83

 

CMYK 19 / 58 / 0 / 49

HEX #693681

RGB 105 54 129

HSL 280.8, 0.41%, 0.36%

LAB 32.32, 36.19, -33.3

 

CMYK 0 / 30 / 58 / 49

HEX #815A36

RGB 129 90 54

HSL 28.8, 0.41%, 0.36%

LAB 41.6, 11.78, 26.99

 

CMYK 40 / 0 / 58 / 49

HEX #4D8136

RGB 77 129 54

HSL 101.6, 0.41%, 0.36%

LAB 48.94, -32.06, 34.75

 

CMYK 58 / 29 / 0 / 49

HEX #365C81

RGB 54 92 129

HSL 209.6, 0.41%, 0.36%

LAB 37.88, -1.77, -24.83

 

CMYK 1 / 58 / 0 / 49

HEX #803681

RGB 128 54 129

HSL 299.2, 0.41%, 0.36%

LAB 35.62, 42.7, -27.86

 

CMYK 0 / 30 / 58 / 49

HEX #815A36

RGB 129 90 54

HSL 28.8, 0.41%, 0.36%

LAB 41.6, 11.78, 26.99

 

CMYK 57 / 0 / 58 / 49

HEX #378136

RGB 55 129 54

HSL 119.2, 0.41%, 0.36%

LAB 47.98, -39.02, 33.38

 

Description

Color code: HEX #365C81 | qconv.com Color code: HEX #365C81 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 92 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 92 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 29 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 29% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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