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Color name
RGB 93 128 162

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 93 128 162 it is the complementary color RGB 162 127 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 93 128 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 93 128 162 shade: RGB 98 128 157, RGB 115 146 176, RGB 132 164 195, RGB 149 182 214 and RGB 166 200 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 93 128 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 93 128 162 shade: RGB 93 128 162, RGB 76 110 143, RGB 59 92 124, RGB 42 74 105 and RGB 25 56 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 93 128 162 shade: RGB 93 127 161, RGB 93 109 161, RGB 95 93 161, RGB 113 93 161 and RGB 132 93 161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 93 128 162 shade: RGB 93 127 161, RGB 93 109 161 and RGB 93 93 161

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 93 128 162 shade matches the following richer shades: RGB 93 127 161, RGB 72 128 182, RGB 51 128 203, RGB 31 128 223 and RGB 10 129 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 93 128 162 shade: RGB 93 127 161, RGB 113 127 141, RGB 134 127 120, RGB 154 127 100 and RGB 175 126 79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 93 128 162 shade: RGB 93 161 158, RGB 93 147 161, RGB 93 128 161, RGB 93 110 161 and RGB 94 93 161

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 93 128 162 shade: RGB 62 86 109, RGB 78 107 135, RGB 93 127 161, RGB 119 148 176 and RGB 145 169 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 93 128 162 shade: RGB 93 128 162, RGB 140 93 161 and RGB 156 161 93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 93 128 162 shade: RGB 93 128 162, RGB 161 93 128 and RGB 128 161 93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 93 128 162 shade: RGB 93 128 162, RGB 140 93 161, RGB 161 126 93 and RGB 114 161 93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 93 128 162 shade: RGB 93 128 162, RGB 160 93 161, RGB 161 126 93 and RGB 94 161 93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 21 / 0 / 36

HEX #5D80A2

RGB 93 128 162

HSL 209.57, 0.27%, 0.5%

LAB 52.26, -3.12, -22.04

 

Complementary color

CMYK 0 / 22 / 43 / 36

HEX #A27F5D

RGB 162 127 93

HSL 29.57, 0.27%, 0.5%

LAB 55.74, 8.85, 23.63

 

CMYK 38 / 18 / 0 / 38

HEX #62809D

RGB 98 128 157

HSL 209.49, 0.23%, 0.5%

LAB 52.36, -3.13, -18.95

 

CMYK 35 / 17 / 0 / 31

HEX #7392B0

RGB 115 146 176

HSL 209.51, 0.28%, 0.57%

LAB 59.29, -3.35, -19.2

 

CMYK 32 / 16 / 0 / 24

HEX #84A4C3

RGB 132 164 195

HSL 209.52, 0.34%, 0.64%

LAB 66.06, -3.55, -19.47

 

CMYK 30 / 15 / 0 / 16

HEX #95B6D6

RGB 149 182 214

HSL 209.54, 0.44%, 0.71%

LAB 72.69, -3.71, -19.75

 

CMYK 29 / 14 / 0 / 9

HEX #A6C8E9

RGB 166 200 233

HSL 209.55, 0.6%, 0.78%

LAB 79.21, -3.87, -20.05

 

CMYK 43 / 21 / 0 / 36

HEX #5D80A2

RGB 93 128 162

HSL 209.57, 0.27%, 0.5%

LAB 52.26, -3.12, -22.04

 

CMYK 47 / 23 / 0 / 44

HEX #4C6E8F

RGB 76 110 143

HSL 209.55, 0.31%, 0.43%

LAB 45.18, -2.74, -21.86

 

CMYK 52 / 26 / 0 / 51

HEX #3B5C7C

RGB 59 92 124

HSL 209.54, 0.36%, 0.36%

LAB 37.91, -2.24, -21.71

 

CMYK 60 / 30 / 0 / 59

HEX #2A4A69

RGB 42 74 105

HSL 209.52, 0.43%, 0.29%

LAB 30.42, -1.53, -21.59

 

CMYK 71 / 35 / 0 / 66

HEX #193856

RGB 25 56 86

HSL 209.51, 0.55%, 0.22%

LAB 22.68, -0.45, -21.5

 

CMYK 42 / 21 / 0 / 37

HEX #5D7FA1

RGB 93 127 161

HSL 210, 0.27%, 0.5%

LAB 51.93, -2.83, -21.97

 

CMYK 42 / 32 / 0 / 37

HEX #5D6DA1

RGB 93 109 161

HSL 225.88, 0.27%, 0.5%

LAB 46.76, 7.93, -29.97

 

CMYK 41 / 42 / 0 / 37

HEX #5F5DA1

RGB 95 93 161

HSL 241.76, 0.27%, 0.5%

LAB 42.51, 18.39, -36.64

 

CMYK 30 / 42 / 0 / 37

HEX #715DA1

RGB 113 93 161

HSL 257.65, 0.27%, 0.5%

LAB 44.11, 23.5, -34.02

 

CMYK 18 / 42 / 0 / 37

HEX #845DA1

RGB 132 93 161

HSL 274.41, 0.27%, 0.5%

LAB 46.05, 29.25, -30.83

 

CMYK 42 / 21 / 0 / 37

HEX #5D7FA1

RGB 93 127 161

HSL 210, 0.27%, 0.5%

LAB 51.93, -2.83, -21.97

 

CMYK 42 / 32 / 0 / 37

HEX #5D6DA1

RGB 93 109 161

HSL 225.88, 0.27%, 0.5%

LAB 46.76, 7.93, -29.97

 

CMYK 42 / 42 / 0 / 37

HEX #5D5DA1

RGB 93 93 161

HSL 240, 0.27%, 0.5%

LAB 42.35, 17.85, -36.91

 

CMYK 42 / 21 / 0 / 37

HEX #5D7FA1

RGB 93 127 161

HSL 210, 0.27%, 0.5%

LAB 51.93, -2.83, -21.97

 

CMYK 60 / 30 / 0 / 29

HEX #4880B6

RGB 72 128 182

HSL 209.45, 0.43%, 0.5%

LAB 52.06, -1.84, -33.99

 

CMYK 75 / 37 / 0 / 20

HEX #3380CB

RGB 51 128 203

HSL 209.61, 0.6%, 0.5%

LAB 52.35, 2.12, -45.58

 

CMYK 86 / 43 / 0 / 13

HEX #1F80DF

RGB 31 128 223

HSL 209.69, 0.76%, 0.5%

LAB 53.01, 7.67, -55.85

 

CMYK 96 / 47 / 0 / 4

HEX #0A81F4

RGB 10 129 244

HSL 209.49, 0.92%, 0.5%

LAB 54.34, 14.17, -65.45

 

CMYK 42 / 21 / 0 / 37

HEX #5D7FA1

RGB 93 127 161

HSL 210, 0.27%, 0.5%

LAB 51.93, -2.83, -21.97

 

CMYK 20 / 10 / 0 / 45

HEX #717F8D

RGB 113 127 141

HSL 210, 0.11%, 0.5%

LAB 52.52, -1.94, -9.29

 

CMYK 0 / 5 / 10 / 47

HEX #867F78

RGB 134 127 120

HSL 30, 0.06%, 0.5%

LAB 53.6, 1.35, 4.74

 

CMYK 0 / 18 / 35 / 40

HEX #9A7F64

RGB 154 127 100

HSL 30, 0.21%, 0.5%

LAB 55.04, 6.34, 18.58

 

CMYK 0 / 28 / 55 / 31

HEX #AF7E4F

RGB 175 126 79

HSL 29.38, 0.38%, 0.5%

LAB 56.68, 13.56, 32.89

RGB 175 126 79

CMYK 42 / 0 / 2 / 37

HEX #5DA19E

RGB 93 161 158

HSL 177.35, 0.27%, 0.5%

LAB 61.9, -22.26, -5.2

 

CMYK 42 / 9 / 0 / 37

HEX #5D93A1

RGB 93 147 161

HSL 192.35, 0.27%, 0.5%

LAB 57.82, -14.08, -13

 

CMYK 42 / 20 / 0 / 37

HEX #5D80A1

RGB 93 128 161

HSL 209.12, 0.27%, 0.5%

LAB 52.22, -3.41, -21.52

 

CMYK 42 / 32 / 0 / 37

HEX #5D6EA1

RGB 93 110 161

HSL 225, 0.27%, 0.5%

LAB 47.04, 7.32, -29.53

 

CMYK 42 / 42 / 0 / 37

HEX #5E5DA1

RGB 94 93 161

HSL 240.88, 0.27%, 0.5%

LAB 42.43, 18.12, -36.77

 

CMYK 43 / 21 / 0 / 57

HEX #3E566D

RGB 62 86 109

HSL 209.36, 0.27%, 0.34%

LAB 35.56, -2.46, -16.06

 

CMYK 42 / 21 / 0 / 47

HEX #4E6B87

RGB 78 107 135

HSL 209.47, 0.27%, 0.42%

LAB 44.07, -2.8, -18.79

 

CMYK 42 / 21 / 0 / 37

HEX #5D7FA1

RGB 93 127 161

HSL 210, 0.27%, 0.5%

LAB 51.93, -2.83, -21.97

 

CMYK 32 / 16 / 0 / 31

HEX #7794B0

RGB 119 148 176

HSL 209.47, 0.27%, 0.58%

LAB 60.1, -3.31, -17.93

 

CMYK 24 / 12 / 0 / 25

HEX #91A9C0

RGB 145 169 192

HSL 209.36, 0.27%, 0.66%

LAB 68.17, -3.12, -14.53

 

CMYK 43 / 21 / 0 / 36

HEX #5D80A2

RGB 93 128 162

HSL 209.57, 0.27%, 0.5%

LAB 52.26, -3.12, -22.04

 

CMYK 13 / 42 / 0 / 37

HEX #8C5DA1

RGB 140 93 161

HSL 281.47, 0.27%, 0.5%

LAB 46.94, 31.74, -29.37

 

CMYK 3 / 0 / 42 / 37

HEX #9CA15D

RGB 156 161 93

HSL 64.41, 0.27%, 0.5%

LAB 64.44, -12.34, 34.73

 

CMYK 43 / 21 / 0 / 36

HEX #5D80A2

RGB 93 128 162

HSL 209.57, 0.27%, 0.5%

LAB 52.26, -3.12, -22.04

 

CMYK 0 / 42 / 20 / 37

HEX #A15D80

RGB 161 93 128

HSL 329.12, 0.27%, 0.5%

LAB 48.21, 32.55, -7.54

 

CMYK 20 / 0 / 42 / 37

HEX #80A15D

RGB 128 161 93

HSL 89.12, 0.27%, 0.5%

LAB 62.4, -23.55, 31.72

 

CMYK 43 / 21 / 0 / 36

HEX #5D80A2

RGB 93 128 162

HSL 209.57, 0.27%, 0.5%

LAB 52.26, -3.12, -22.04

 

CMYK 13 / 42 / 0 / 37

HEX #8C5DA1

RGB 140 93 161

HSL 281.47, 0.27%, 0.5%

LAB 46.94, 31.74, -29.37

 

CMYK 0 / 22 / 42 / 37

HEX #A17E5D

RGB 161 126 93

HSL 29.12, 0.27%, 0.5%

LAB 55.37, 8.99, 23.13

 

CMYK 29 / 0 / 42 / 37

HEX #72A15D

RGB 114 161 93

HSL 101.47, 0.27%, 0.5%

LAB 61.53, -28.78, 30.43

 

CMYK 43 / 21 / 0 / 36

HEX #5D80A2

RGB 93 128 162

HSL 209.57, 0.27%, 0.5%

LAB 52.26, -3.12, -22.04

 

CMYK 1 / 42 / 0 / 37

HEX #A05DA1

RGB 160 93 161

HSL 299.12, 0.27%, 0.5%

LAB 49.34, 38.04, -25.45

 

CMYK 0 / 22 / 42 / 37

HEX #A17E5D

RGB 161 126 93

HSL 29.12, 0.27%, 0.5%

LAB 55.37, 8.99, 23.13

 

CMYK 42 / 0 / 42 / 37

HEX #5EA15D

RGB 94 161 93

HSL 119.12, 0.27%, 0.5%

LAB 60.48, -35.59, 28.87

 

Description

Color code: RGB 93 128 162 | qconv.com Color code: RGB 93 128 162 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 128 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 128 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 21 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 21% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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