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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #35EB37 it is the complementary color #CA14C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #35EB37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #35EB37 shade: #3AEB32, #4BFD45, #5CFF58, #6DFF6B and #7EFF7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #35EB37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #35EB37 shade: #35EB37, #24D924, #13C711, #02B500 and #00A300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #35EB37 shade: #32EA34, #62EA32, #94EA32, #C5EA32 and #EADE32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #35EB37 shade: #32EA34, #32EA66, #32EA98, #32EAC9 and #32DAEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #35EB37 shade matches the following richer shades: #32EA34 and #20FC23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #35EB37 shade: #32EA34, #44D846, #57C658, #69B46A and #7BA27B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #35EB37 shade: #94EA32, #63EA32, #32EA32, #32EA63 and #32EA94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #35EB37 shade: #12B814, #15DE18, #32EA34, #58EE59 and #7DF27F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #35EB37 shade: #35EB37, #32C6EA and #EA327C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #35EB37 shade: #35EB37, #3232EA and #EA3232

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #35EB37 shade: #35EB37, #32C6EA, #EA32EA and #EA5732

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #35EB37 shade: #35EB37, #328EEA, #EA32EA and #EA8E32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 77 / 8

HEX #35EB37

RGB 53 235 55

HSL 120.66, 0.82%, 0.56%

LAB 82.08, -75.42, 69.13

 

Complementary color

CMYK 0 / 90 / 1 / 21

HEX #CA14C8

RGB 202 20 200

HSL 300.66, 0.82%, 0.44%

LAB 48.54, 80.28, -49.07

 

CMYK 75 / 0 / 79 / 8

HEX #3AEB32

RGB 58 235 50

HSL 117.41, 0.82%, 0.56%

LAB 82.13, -75.05, 70.67

 

CMYK 70 / 0 / 73 / 1

HEX #4BFD45

RGB 75 253 69

HSL 118.04, 0.98%, 0.63%

LAB 88.05, -76.64, 70.66

 

CMYK 64 / 0 / 65 / 0

HEX #5CFF58

RGB 92 255 88

HSL 118.56, 1%, 0.67%

LAB 89.16, -72.63, 65.02

 

CMYK 57 / 0 / 58 / 0

HEX #6DFF6B

RGB 109 255 107

HSL 119.19, 1%, 0.71%

LAB 89.78, -67.07, 58

 

CMYK 51 / 0 / 51 / 0

HEX #7EFF7E

RGB 126 255 126

HSL 120, 1%, 0.75%

LAB 90.53, -60.67, 50.49

 

CMYK 77 / 0 / 77 / 8

HEX #35EB37

RGB 53 235 55

HSL 120.66, 0.82%, 0.56%

LAB 82.08, -75.42, 69.13

 

CMYK 83 / 0 / 83 / 15

HEX #24D924

RGB 36 217 36

HSL 120, 0.72%, 0.5%

LAB 76.15, -73.2, 68.69

 

CMYK 90 / 0 / 91 / 22

HEX #13C711

RGB 19 199 17

HSL 119.34, 0.84%, 0.42%

LAB 70.19, -70.25, 67.16

 

CMYK 99 / 0 / 100 / 29

HEX #02B500

RGB 2 181 0

HSL 119.34, 1%, 0.35%

LAB 64.21, -66.53, 64.32

 

CMYK 100 / 0 / 100 / 36

HEX #00A300

RGB 0 163 0

HSL 120, 1%, 0.32%

LAB 58.22, -61.66, 59.51

 

CMYK 79 / 0 / 78 / 8

HEX #32EA34

RGB 50 234 52

HSL 120.65, 0.81%, 0.56%

LAB 81.71, -75.69, 69.65

 

CMYK 58 / 0 / 79 / 8

HEX #62EA32

RGB 98 234 50

HSL 104.35, 0.81%, 0.56%

LAB 82.74, -67.1, 71.57

 

CMYK 37 / 0 / 79 / 8

HEX #94EA32

RGB 148 234 50

HSL 88.04, 0.81%, 0.56%

LAB 84.67, -52.47, 74.07

 

CMYK 16 / 0 / 79 / 8

HEX #C5EA32

RGB 197 234 50

HSL 72.07, 0.81%, 0.56%

LAB 87.46, -34.34, 77.63

 

CMYK 0 / 5 / 79 / 8

HEX #EADE32

RGB 234 222 50

HSL 56.09, 0.81%, 0.56%

LAB 86.98, -13.47, 78.25

 

CMYK 79 / 0 / 78 / 8

HEX #32EA34

RGB 50 234 52

HSL 120.65, 0.81%, 0.56%

LAB 81.71, -75.69, 69.65

 

CMYK 79 / 0 / 56 / 8

HEX #32EA66

RGB 50 234 102

HSL 136.96, 0.81%, 0.56%

LAB 82.1, -70.94, 50.9

 

CMYK 79 / 0 / 35 / 8

HEX #32EA98

RGB 50 234 152

HSL 153.26, 0.81%, 0.56%

LAB 82.8, -62.75, 27.45

 

CMYK 79 / 0 / 14 / 8

HEX #32EAC9

RGB 50 234 201

HSL 169.24, 0.81%, 0.56%

LAB 83.83, -51.65, 3.39

 

CMYK 79 / 7 / 0 / 8

HEX #32DAEA

RGB 50 218 234

HSL 185.22, 0.81%, 0.56%

LAB 80.05, -35.47, -19.73

 

CMYK 79 / 0 / 78 / 8

HEX #32EA34

RGB 50 234 52

HSL 120.65, 0.81%, 0.56%

LAB 81.71, -75.69, 69.65

 

CMYK 87 / 0 / 86 / 1

HEX #20FC23

RGB 32 252 35

HSL 120.82, 0.97%, 0.56%

LAB 87.02, -83.27, 78.57

 

CMYK 79 / 0 / 78 / 8

HEX #32EA34

RGB 50 234 52

HSL 120.65, 0.81%, 0.56%

LAB 81.71, -75.69, 69.65

 

CMYK 69 / 0 / 68 / 15

HEX #44D846

RGB 68 216 70

HSL 120.81, 0.65%, 0.56%

LAB 76.55, -66.04, 58.34

 

CMYK 56 / 0 / 56 / 22

HEX #57C658

RGB 87 198 88

HSL 120.54, 0.49%, 0.56%

LAB 71.64, -53.64, 45.14

 

CMYK 42 / 0 / 41 / 29

HEX #69B46A

RGB 105 180 106

HSL 120.8, 0.33%, 0.56%

LAB 67.04, -38.65, 30.61

 

CMYK 24 / 0 / 24 / 36

HEX #7BA27B

RGB 123 162 123

HSL 120, 0.17%, 0.56%

LAB 62.91, -21.22, 16.06

 

CMYK 37 / 0 / 79 / 8

HEX #94EA32

RGB 148 234 50

HSL 88.04, 0.81%, 0.56%

LAB 84.67, -52.47, 74.07

 

CMYK 58 / 0 / 79 / 8

HEX #63EA32

RGB 99 234 50

HSL 104.02, 0.81%, 0.56%

LAB 82.77, -66.85, 71.61

 

CMYK 79 / 0 / 79 / 8

HEX #32EA32

RGB 50 234 50

HSL 120, 0.81%, 0.56%

LAB 81.7, -75.81, 70.22

 

CMYK 79 / 0 / 58 / 8

HEX #32EA63

RGB 50 234 99

HSL 135.98, 0.81%, 0.56%

LAB 82.07, -71.32, 52.21

 

CMYK 79 / 0 / 37 / 8

HEX #32EA94

RGB 50 234 148

HSL 151.96, 0.81%, 0.56%

LAB 82.73, -63.53, 29.4

 

CMYK 90 / 0 / 89 / 28

HEX #12B814

RGB 18 184 20

HSL 120.72, 0.82%, 0.4%

LAB 65.33, -66.01, 62.5

 

CMYK 91 / 0 / 89 / 13

HEX #15DE18

RGB 21 222 24

HSL 120.9, 0.83%, 0.48%

LAB 77.56, -76.24, 72.33

 

CMYK 79 / 0 / 78 / 8

HEX #32EA34

RGB 50 234 52

HSL 120.65, 0.81%, 0.56%

LAB 81.71, -75.69, 69.65

 

CMYK 63 / 0 / 63 / 7

HEX #58EE59

RGB 88 238 89

HSL 120.4, 0.82%, 0.64%

LAB 83.94, -67.66, 58.85

 

CMYK 48 / 0 / 48 / 5

HEX #7DF27F

RGB 125 242 127

HSL 121.03, 0.82%, 0.72%

LAB 86.7, -55.76, 45.28

 

CMYK 77 / 0 / 77 / 8

HEX #35EB37

RGB 53 235 55

HSL 120.66, 0.82%, 0.56%

LAB 82.08, -75.42, 69.13

 

CMYK 79 / 15 / 0 / 8

HEX #32C6EA

RGB 50 198 234

HSL 191.74, 0.81%, 0.56%

LAB 74.19, -25.8, -28.65

 

CMYK 0 / 79 / 47 / 8

HEX #EA327C

RGB 234 50 124

HSL 335.87, 0.81%, 0.56%

LAB 53.2, 72.35, 3.52

 

CMYK 77 / 0 / 77 / 8

HEX #35EB37

RGB 53 235 55

HSL 120.66, 0.82%, 0.56%

LAB 82.08, -75.42, 69.13

 

CMYK 79 / 79 / 0 / 8

HEX #3232EA

RGB 50 50 234

HSL 240, 0.81%, 0.56%

LAB 35.79, 60.16, -90.15

 

CMYK 0 / 79 / 79 / 8

HEX #EA3232

RGB 234 50 50

HSL 0, 0.81%, 0.56%

LAB 51.84, 68.16, 45.35

 

CMYK 77 / 0 / 77 / 8

HEX #35EB37

RGB 53 235 55

HSL 120.66, 0.82%, 0.56%

LAB 82.08, -75.42, 69.13

 

CMYK 79 / 15 / 0 / 8

HEX #32C6EA

RGB 50 198 234

HSL 191.74, 0.81%, 0.56%

LAB 74.19, -25.8, -28.65

 

CMYK 0 / 79 / 0 / 8

HEX #EA32EA

RGB 234 50 234

HSL 300, 0.81%, 0.56%

LAB 57.76, 85.47, -53.42

 

CMYK 0 / 63 / 79 / 8

HEX #EA5732

RGB 234 87 50

HSL 12.07, 0.81%, 0.56%

LAB 56.62, 55.04, 50.15

 

CMYK 77 / 0 / 77 / 8

HEX #35EB37

RGB 53 235 55

HSL 120.66, 0.82%, 0.56%

LAB 82.08, -75.42, 69.13

 

CMYK 79 / 39 / 0 / 8

HEX #328EEA

RGB 50 142 234

HSL 210, 0.81%, 0.56%

LAB 58, 4.93, -53.99

 

CMYK 0 / 79 / 0 / 8

HEX #EA32EA

RGB 234 50 234

HSL 300, 0.81%, 0.56%

LAB 57.76, 85.47, -53.42

 

CMYK 0 / 39 / 79 / 8

HEX #EA8E32

RGB 234 142 50

HSL 30, 0.81%, 0.56%

LAB 67.33, 28.14, 60.45

 

Description

Color code: HEX #35EB37 | qconv.com Color code: HEX #35EB37 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 235 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 235 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 77 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 77% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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