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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 50 142 234 it is the complementary color RGB 205 113 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 50 142 234. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 50 142 234 shade: RGB 55 142 229, RGB 72 160 248, RGB 89 178 255, RGB 106 196 255 and RGB 123 214 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 50 142 234. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 50 142 234 shade: RGB 50 142 234, RGB 33 124 215, RGB 16 106 196, RGB 0 88 177 and RGB 0 70 158

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 50 142 234 shade: RGB 51 142 233, RGB 51 93 233, RGB 59 51 233, RGB 108 51 233 and RGB 157 51 233

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 50 142 234 shade: RGB 51 142 233, RGB 51 93 233 and RGB 51 51 233

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 50 142 234 shade matches the following richer shades: RGB 51 142 233 and RGB 33 142 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 50 142 234 shade: RGB 51 142 233, RGB 70 142 215, RGB 88 142 197, RGB 106 142 179 and RGB 124 142 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 50 142 234 shade: RGB 51 233 227, RGB 51 191 233, RGB 51 142 233, RGB 51 94 233 and RGB 57 51 233

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 50 142 234 shade: RGB 19 101 183, RGB 23 122 221, RGB 51 142 233, RGB 89 163 237 and RGB 126 184 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 50 142 234 shade: RGB 50 142 234, RGB 179 51 233 and RGB 215 233 51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 50 142 234 shade: RGB 50 142 234, RGB 233 51 142 and RGB 142 233 51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 50 142 234 shade: RGB 50 142 234, RGB 179 51 233, RGB 233 142 51 and RGB 106 233 51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 50 142 234 shade: RGB 50 142 234, RGB 233 51 233, RGB 233 142 51 and RGB 51 233 51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 39 / 0 / 8

HEX #328EEA

RGB 50 142 234

HSL 210, 0.81%, 0.56%

LAB 58, 4.93, -53.99

 

Complementary color

CMYK 0 / 45 / 90 / 20

HEX #CD7115

RGB 205 113 21

HSL 30, 0.81%, 0.44%

LAB 56.92, 30.65, 60.03

 

CMYK 76 / 38 / 0 / 10

HEX #378EE5

RGB 55 142 229

HSL 210, 0.77%, 0.56%

LAB 57.86, 3.65, -51.43

 

CMYK 71 / 35 / 0 / 3

HEX #48A0F8

RGB 72 160 248

HSL 210, 0.93%, 0.63%

LAB 64.4, 1.96, -51.5

 

CMYK 65 / 30 / 0 / 0

HEX #59B2FF

RGB 89 178 255

HSL 207.83, 1%, 0.67%

LAB 70.31, -3.37, -45.96

 

CMYK 58 / 23 / 0 / 0

HEX #6AC4FF

RGB 106 196 255

HSL 203.76, 1%, 0.71%

LAB 75.92, -10.22, -37.14

 

CMYK 52 / 16 / 0 / 0

HEX #7BD6FF

RGB 123 214 255

HSL 198.64, 1%, 0.74%

LAB 81.58, -16.26, -28.38

 

CMYK 79 / 39 / 0 / 8

HEX #328EEA

RGB 50 142 234

HSL 210, 0.81%, 0.56%

LAB 58, 4.93, -53.99

 

CMYK 85 / 42 / 0 / 16

HEX #217CD7

RGB 33 124 215

HSL 210, 0.73%, 0.49%

LAB 51.43, 7.23, -53.87

 

CMYK 92 / 46 / 0 / 23

HEX #106AC4

RGB 16 106 196

HSL 210, 0.85%, 0.42%

LAB 44.81, 10.08, -53.66

 

CMYK 100 / 50 / 0 / 31

HEX #0058B1

RGB 0 88 177

HSL 210.17, 1%, 0.35%

LAB 38.12, 13.5, -53.38

 

CMYK 100 / 56 / 0 / 38

HEX #00469E

RGB 0 70 158

HSL 213.42, 1%, 0.31%

LAB 31.46, 17.81, -52.82

 

CMYK 78 / 39 / 0 / 9

HEX #338EE9

RGB 51 142 233

HSL 210, 0.81%, 0.56%

LAB 57.97, 4.66, -53.48

 

CMYK 78 / 60 / 0 / 9

HEX #335DE9

RGB 51 93 233

HSL 226.15, 0.81%, 0.56%

LAB 44.82, 35.16, -74.71

 

CMYK 75 / 78 / 0 / 9

HEX #3B33E9

RGB 59 51 233

HSL 242.64, 0.81%, 0.56%

LAB 36.33, 59.94, -88.68

 

CMYK 54 / 78 / 0 / 9

HEX #6C33E9

RGB 108 51 233

HSL 258.79, 0.81%, 0.56%

LAB 40.31, 64.63, -81.97

 

CMYK 33 / 78 / 0 / 9

HEX #9D33E9

RGB 157 51 233

HSL 274.95, 0.81%, 0.56%

LAB 46.2, 71.55, -72.09

 

CMYK 78 / 39 / 0 / 9

HEX #338EE9

RGB 51 142 233

HSL 210, 0.81%, 0.56%

LAB 57.97, 4.66, -53.48

 

CMYK 78 / 60 / 0 / 9

HEX #335DE9

RGB 51 93 233

HSL 226.15, 0.81%, 0.56%

LAB 44.82, 35.16, -74.71

 

CMYK 78 / 78 / 0 / 9

HEX #3333E9

RGB 51 51 233

HSL 240, 0.81%, 0.56%

LAB 35.9, 59.43, -89.41

 

CMYK 78 / 39 / 0 / 9

HEX #338EE9

RGB 51 142 233

HSL 210, 0.81%, 0.56%

LAB 57.97, 4.66, -53.48

 

CMYK 87 / 43 / 0 / 2

HEX #218EFB

RGB 33 142 251

HSL 210, 0.96%, 0.56%

LAB 58.63, 9.85, -62.4

 

CMYK 78 / 39 / 0 / 9

HEX #338EE9

RGB 51 142 233

HSL 210, 0.81%, 0.56%

LAB 57.97, 4.66, -53.48

 

CMYK 67 / 34 / 0 / 16

HEX #468ED7

RGB 70 142 215

HSL 210.21, 0.64%, 0.56%

LAB 57.61, 0.76, -43.98

 

CMYK 55 / 28 / 0 / 23

HEX #588EC5

RGB 88 142 197

HSL 210.28, 0.48%, 0.56%

LAB 57.51, -1.83, -33.95

 

CMYK 41 / 21 / 0 / 30

HEX #6A8EB3

RGB 106 142 179

HSL 210.41, 0.32%, 0.56%

LAB 57.72, -2.8, -23.35

 

CMYK 23 / 12 / 0 / 37

HEX #7C8EA1

RGB 124 142 161

HSL 210.81, 0.16%, 0.56%

LAB 58.23, -2.1, -12.19

 

CMYK 78 / 0 / 3 / 9

HEX #33E9E3

RGB 51 233 227

HSL 178.02, 0.81%, 0.56%

LAB 84.24, -44.2, -9.72

 

CMYK 78 / 18 / 0 / 9

HEX #33BFE9

RGB 51 191 233

HSL 193.85, 0.81%, 0.56%

LAB 72.13, -22.49, -31.29

 

CMYK 78 / 39 / 0 / 9

HEX #338EE9

RGB 51 142 233

HSL 210, 0.81%, 0.56%

LAB 57.97, 4.66, -53.48

 

CMYK 78 / 60 / 0 / 9

HEX #335EE9

RGB 51 94 233

HSL 225.82, 0.81%, 0.56%

LAB 45.07, 34.53, -74.31

 

CMYK 76 / 78 / 0 / 9

HEX #3933E9

RGB 57 51 233

HSL 241.98, 0.81%, 0.56%

LAB 36.22, 59.81, -88.87

 

CMYK 90 / 45 / 0 / 28

HEX #1365B7

RGB 19 101 183

HSL 210, 0.81%, 0.4%

LAB 42.56, 8.27, -49.73

 

CMYK 90 / 45 / 0 / 13

HEX #177ADD

RGB 23 122 221

HSL 210, 0.81%, 0.48%

LAB 51.06, 10.13, -57.86

 

CMYK 78 / 39 / 0 / 9

HEX #338EE9

RGB 51 142 233

HSL 210, 0.81%, 0.56%

LAB 57.97, 4.66, -53.48

 

CMYK 62 / 31 / 0 / 7

HEX #59A3ED

RGB 89 163 237

HSL 210, 0.8%, 0.64%

LAB 65.3, -0.8, -44.01

 

CMYK 48 / 24 / 0 / 5

HEX #7EB8F1

RGB 126 184 241

HSL 209.74, 0.8%, 0.72%

LAB 72.94, -3.65, -34.17

 

CMYK 79 / 39 / 0 / 8

HEX #328EEA

RGB 50 142 234

HSL 210, 0.81%, 0.56%

LAB 58, 4.93, -53.99

 

CMYK 23 / 78 / 0 / 9

HEX #B333E9

RGB 179 51 233

HSL 282.2, 0.81%, 0.56%

LAB 49.29, 75.16, -66.92

 

CMYK 8 / 0 / 78 / 9

HEX #D7E933

RGB 215 233 51

HSL 65.93, 0.81%, 0.56%

LAB 88.43, -26.62, 78.7

 

CMYK 79 / 39 / 0 / 8

HEX #328EEA

RGB 50 142 234

HSL 210, 0.81%, 0.56%

LAB 58, 4.93, -53.99

 

CMYK 0 / 78 / 39 / 9

HEX #E9338E

RGB 233 51 142

HSL 330, 0.81%, 0.56%

LAB 53.65, 73.46, -6.61

 

CMYK 39 / 0 / 78 / 9

HEX #8EE933

RGB 142 233 51

HSL 90, 0.81%, 0.56%

LAB 84.1, -54.03, 73.16

 

CMYK 79 / 39 / 0 / 8

HEX #328EEA

RGB 50 142 234

HSL 210, 0.81%, 0.56%

LAB 58, 4.93, -53.99

 

CMYK 23 / 78 / 0 / 9

HEX #B333E9

RGB 179 51 233

HSL 282.2, 0.81%, 0.56%

LAB 49.29, 75.16, -66.92

 

CMYK 0 / 39 / 78 / 9

HEX #E98E33

RGB 233 142 51

HSL 30, 0.81%, 0.56%

LAB 67.21, 27.77, 59.89

 

CMYK 55 / 0 / 78 / 9

HEX #6AE933

RGB 106 233 51

HSL 101.87, 0.81%, 0.56%

LAB 82.69, -64.7, 71.33

 

CMYK 79 / 39 / 0 / 8

HEX #328EEA

RGB 50 142 234

HSL 210, 0.81%, 0.56%

LAB 58, 4.93, -53.99

 

CMYK 0 / 78 / 0 / 9

HEX #E933E9

RGB 233 51 233

HSL 300, 0.81%, 0.56%

LAB 57.63, 84.89, -53.08

 

CMYK 0 / 39 / 78 / 9

HEX #E98E33

RGB 233 142 51

HSL 30, 0.81%, 0.56%

LAB 67.21, 27.77, 59.89

 

CMYK 78 / 0 / 78 / 9

HEX #33E933

RGB 51 233 51

HSL 120, 0.81%, 0.56%

LAB 81.41, -75.33, 69.66

 

Description

Color code: RGB 50 142 234 | qconv.com Color code: RGB 50 142 234 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 142 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 142 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 39 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 39% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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