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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34D4A4 it is the complementary color #CB2B5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34D4A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34D4A4 shade: #39D49F, #4AE6B2, #5BF8C5, #6CFFD8 and #7DFFEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34D4A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34D4A4 shade: #34D4A4, #23C291, #12B07E, #019E6B and #008C58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34D4A4 shade: #35D4A4, #35D479, #35D44E, #46D435 and #71D435

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34D4A4 shade: #35D4A4, #35D4CF, #35AED4, #3583D4 and #3558D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34D4A4 shade matches the following richer shades: #35D4A4, #21E7AC and #0DFBB4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34D4A4 shade: #35D4A4, #48C09C, #5CAC94, #70988C and #848484

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34D4A4 shade: #35D44F, #35D479, #35D4A4, #35D4CE and #35AFD4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34D4A4 shade: #1F9673, #27B88D, #35D4A4, #57DBB3 and #79E2C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34D4A4 shade: #34D4A4, #3544D4 and #D46435

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34D4A4 shade: #34D4A4, #A435D4 and #D4A435

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34D4A4 shade: #34D4A4, #3544D4, #D43564 and #D4C435

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34D4A4 shade: #34D4A4, #5435D4, #D43564 and #B4D435

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 23 / 17

HEX #34D4A4

RGB 52 212 164

HSL 162, 0.65%, 0.52%

LAB 76.37, -51.56, 12.3

 

Complementary color

CMYK 0 / 79 / 55 / 20

HEX #CB2B5B

RGB 203 43 91

HSL 342, 0.65%, 0.48%

LAB 45.88, 63.5, 12.47

 

CMYK 73 / 0 / 25 / 17

HEX #39D49F

RGB 57 212 159

HSL 159.48, 0.64%, 0.53%

LAB 76.35, -52.09, 14.94

 

CMYK 68 / 0 / 23 / 10

HEX #4AE6B2

RGB 74 230 178

HSL 160, 0.76%, 0.6%

LAB 82.52, -52.61, 13.65

 

CMYK 63 / 0 / 21 / 3

HEX #5BF8C5

RGB 91 248 197

HSL 160.51, 0.92%, 0.66%

LAB 88.63, -52.95, 12.47

 

CMYK 58 / 0 / 15 / 0

HEX #6CFFD8

RGB 108 255 216

HSL 164.08, 1%, 0.71%

LAB 91.53, -48.53, 6.85

 

CMYK 51 / 0 / 8 / 0

HEX #7DFFEB

RGB 125 255 235

HSL 170.77, 1%, 0.75%

LAB 92.52, -40.73, -1.48

 

CMYK 75 / 0 / 23 / 17

HEX #34D4A4

RGB 52 212 164

HSL 162, 0.65%, 0.52%

LAB 76.37, -51.56, 12.3

 

CMYK 82 / 0 / 25 / 24

HEX #23C291

RGB 35 194 145

HSL 161.51, 0.69%, 0.45%

LAB 70.17, -50.64, 13.71

 

CMYK 90 / 0 / 28 / 31

HEX #12B07E

RGB 18 176 126

HSL 161.01, 0.81%, 0.38%

LAB 63.91, -49.32, 15.27

 

CMYK 99 / 0 / 32 / 38

HEX #019E6B

RGB 1 158 107

HSL 160.51, 0.99%, 0.31%

LAB 57.58, -47.6, 16.99

 

CMYK 100 / 0 / 37 / 45

HEX #008C58

RGB 0 140 88

HSL 157.71, 1%, 0.27%

LAB 51.22, -45.06, 18.95

 

CMYK 75 / 0 / 23 / 17

HEX #35D4A4

RGB 53 212 164

HSL 161.89, 0.65%, 0.52%

LAB 76.39, -51.44, 12.33

 

CMYK 75 / 0 / 43 / 17

HEX #35D479

RGB 53 212 121

HSL 145.66, 0.65%, 0.52%

LAB 75.59, -60.27, 33.69

 

CMYK 75 / 0 / 63 / 17

HEX #35D44E

RGB 53 212 78

HSL 129.43, 0.65%, 0.52%

LAB 75.07, -66.38, 53.37

 

CMYK 67 / 0 / 75 / 17

HEX #46D435

RGB 70 212 53

HSL 113.58, 0.65%, 0.52%

LAB 75.23, -65.72, 63.17

 

CMYK 47 / 0 / 75 / 17

HEX #71D435

RGB 113 212 53

HSL 97.36, 0.65%, 0.52%

LAB 76.59, -54.94, 64.96

 

CMYK 75 / 0 / 23 / 17

HEX #35D4A4

RGB 53 212 164

HSL 161.89, 0.65%, 0.52%

LAB 76.39, -51.44, 12.33

 

CMYK 75 / 0 / 2 / 17

HEX #35D4CF

RGB 53 212 207

HSL 178.11, 0.65%, 0.52%

LAB 77.49, -40.29, -9.11

 

CMYK 75 / 18 / 0 / 17

HEX #35AED4

RGB 53 174 212

HSL 194.34, 0.65%, 0.52%

LAB 66.35, -20.36, -28.71

 

CMYK 75 / 38 / 0 / 17

HEX #3583D4

RGB 53 131 212

HSL 210.57, 0.65%, 0.52%

LAB 53.75, 3.84, -48.44

 

CMYK 75 / 58 / 0 / 17

HEX #3558D4

RGB 53 88 212

HSL 226.79, 0.65%, 0.52%

LAB 41.98, 30.9, -67.4

 

CMYK 75 / 0 / 23 / 17

HEX #35D4A4

RGB 53 212 164

HSL 161.89, 0.65%, 0.52%

LAB 76.39, -51.44, 12.33

 

CMYK 86 / 0 / 26 / 9

HEX #21E7AC

RGB 33 231 172

HSL 162.12, 0.8%, 0.52%

LAB 82.08, -58.85, 16.09

 

CMYK 95 / 0 / 28 / 2

HEX #0DFBB4

RGB 13 251 180

HSL 162.1, 0.97%, 0.52%

LAB 88.15, -65.37, 20.39

 

CMYK 75 / 0 / 23 / 17

HEX #35D4A4

RGB 53 212 164

HSL 161.89, 0.65%, 0.52%

LAB 76.39, -51.44, 12.33

 

CMYK 63 / 0 / 19 / 25

HEX #48C09C

RGB 72 192 156

HSL 162, 0.49%, 0.52%

LAB 70.51, -42.09, 8.33

 

CMYK 47 / 0 / 14 / 33

HEX #5CAC94

RGB 92 172 148

HSL 162, 0.33%, 0.52%

LAB 64.9, -30.44, 4.77

 

CMYK 26 / 0 / 8 / 40

HEX #70988C

RGB 112 152 140

HSL 162, 0.16%, 0.52%

LAB 59.7, -16.34, 1.87

 

CMYK 0 / 0 / 0 / 48

HEX #848484

RGB 132 132 132

HSL 0, 0%, 0.52%

LAB 55.15, 0, -0.01

 

CMYK 75 / 0 / 63 / 17

HEX #35D44F

RGB 53 212 79

HSL 129.81, 0.65%, 0.52%

LAB 75.08, -66.27, 52.95

 

CMYK 75 / 0 / 43 / 17

HEX #35D479

RGB 53 212 121

HSL 145.66, 0.65%, 0.52%

LAB 75.59, -60.27, 33.69

 

CMYK 75 / 0 / 23 / 17

HEX #35D4A4

RGB 53 212 164

HSL 161.89, 0.65%, 0.52%

LAB 76.39, -51.44, 12.33

 

CMYK 75 / 0 / 3 / 17

HEX #35D4CE

RGB 53 212 206

HSL 177.74, 0.65%, 0.52%

LAB 77.46, -40.57, -8.62

 

CMYK 75 / 17 / 0 / 17

HEX #35AFD4

RGB 53 175 212

HSL 193.96, 0.65%, 0.52%

LAB 66.65, -20.88, -28.25

 

CMYK 79 / 0 / 23 / 41

HEX #1F9673

RGB 31 150 115

HSL 162.35, 0.66%, 0.35%

LAB 55.42, -40.29, 9.53

 

CMYK 79 / 0 / 23 / 28

HEX #27B88D

RGB 39 184 141

HSL 162.21, 0.65%, 0.44%

LAB 67, -47.17, 11.44

 

CMYK 75 / 0 / 23 / 17

HEX #35D4A4

RGB 53 212 164

HSL 161.89, 0.65%, 0.52%

LAB 76.39, -51.44, 12.33

 

CMYK 60 / 0 / 18 / 14

HEX #57DBB3

RGB 87 219 179

HSL 161.82, 0.65%, 0.6%

LAB 79.58, -45.6, 8.99

 

CMYK 46 / 0 / 14 / 11

HEX #79E2C2

RGB 121 226 194

HSL 161.71, 0.64%, 0.68%

LAB 83.1, -37.98, 6.25

 

CMYK 75 / 0 / 23 / 17

HEX #34D4A4

RGB 52 212 164

HSL 162, 0.65%, 0.52%

LAB 76.37, -51.56, 12.3

 

CMYK 75 / 68 / 0 / 17

HEX #3544D4

RGB 53 68 212

HSL 234.34, 0.65%, 0.52%

LAB 37.2, 43.4, -75.23

 

CMYK 0 / 53 / 75 / 17

HEX #D46435

RGB 212 100 53

HSL 17.74, 0.65%, 0.52%

LAB 55.45, 41.13, 46.35

 

CMYK 75 / 0 / 23 / 17

HEX #34D4A4

RGB 52 212 164

HSL 162, 0.65%, 0.52%

LAB 76.37, -51.56, 12.3

 

CMYK 23 / 75 / 0 / 17

HEX #A435D4

RGB 164 53 212

HSL 281.89, 0.65%, 0.52%

LAB 45.9, 67.74, -60.57

 

CMYK 0 / 23 / 75 / 17

HEX #D4A435

RGB 212 164 53

HSL 41.89, 0.65%, 0.52%

LAB 70.04, 7.15, 60.97

 

CMYK 75 / 0 / 23 / 17

HEX #34D4A4

RGB 52 212 164

HSL 162, 0.65%, 0.52%

LAB 76.37, -51.56, 12.3

 

CMYK 75 / 68 / 0 / 17

HEX #3544D4

RGB 53 68 212

HSL 234.34, 0.65%, 0.52%

LAB 37.2, 43.4, -75.23

 

CMYK 0 / 75 / 53 / 17

HEX #D43564

RGB 212 53 100

HSL 342.26, 0.65%, 0.52%

LAB 48.84, 63.68, 11.31

 

CMYK 0 / 8 / 75 / 17

HEX #D4C435

RGB 212 196 53

HSL 53.96, 0.65%, 0.52%

LAB 78.31, -9.61, 68.79

 

CMYK 75 / 0 / 23 / 17

HEX #34D4A4

RGB 52 212 164

HSL 162, 0.65%, 0.52%

LAB 76.37, -51.56, 12.3

 

CMYK 60 / 75 / 0 / 17

HEX #5435D4

RGB 84 53 212

HSL 251.7, 0.65%, 0.52%

LAB 36.34, 55.08, -76.57

 

CMYK 0 / 75 / 53 / 17

HEX #D43564

RGB 212 53 100

HSL 342.26, 0.65%, 0.52%

LAB 48.84, 63.68, 11.31

 

CMYK 15 / 0 / 75 / 17

HEX #B4D435

RGB 180 212 53

HSL 72.08, 0.65%, 0.52%

LAB 80.21, -30.82, 69.68

 

Description

Color code: HEX #34D4A4 | qconv.com Color code: HEX #34D4A4 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 212 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 212 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 23 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 23% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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