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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 121 226 194 it is the complementary color RGB 134 29 61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 121 226 194. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 121 226 194 shade: RGB 126 226 189, RGB 143 244 208, RGB 160 255 227, RGB 177 255 246 and RGB 194 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 121 226 194. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 121 226 194 shade: RGB 121 226 194, RGB 104 208 175, RGB 87 190 156, RGB 70 172 137 and RGB 53 154 118

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 121 226 194 shade: RGB 121 225 193, RGB 121 225 165, RGB 121 225 137, RGB 133 225 121 and RGB 161 225 121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 121 226 194 shade: RGB 121 225 193, RGB 121 225 221, RGB 121 201 225, RGB 121 172 225 and RGB 121 144 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 121 226 194 shade matches the following richer shades: RGB 121 225 193, RGB 107 238 198 and RGB 94 252 204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 121 226 194 shade: RGB 121 225 193, RGB 134 212 188, RGB 147 199 183, RGB 160 186 178 and RGB 173 172 173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 121 226 194 shade: RGB 121 225 136, RGB 121 225 164, RGB 121 225 192, RGB 121 225 220 and RGB 121 202 225

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 121 226 194 shade: RGB 53 210 162, RGB 87 218 178, RGB 121 225 193, RGB 155 233 209 and RGB 188 240 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 121 226 194 shade: RGB 121 226 194, RGB 121 133 225 and RGB 225 150 121

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 121 226 194 shade: RGB 121 226 194, RGB 192 121 225 and RGB 225 192 121

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 121 226 194 shade: RGB 121 226 194, RGB 121 133 225, RGB 225 121 154 and RGB 225 213 121

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 121 226 194 shade: RGB 121 226 194, RGB 140 121 225, RGB 225 121 154 and RGB 206 225 121

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 14 / 11

HEX #79E2C2

RGB 121 226 194

HSL 161.71, 0.64%, 0.68%

LAB 83.1, -37.98, 6.25

 

Complementary color

CMYK 0 / 78 / 54 / 47

HEX #861D3D

RGB 134 29 61

HSL 341.71, 0.64%, 0.32%

LAB 30.12, 45.71, 7.69

 

CMYK 44 / 0 / 16 / 11

HEX #7EE2BD

RGB 126 226 189

HSL 157.8, 0.63%, 0.69%

LAB 83.18, -37.84, 9.03

 

CMYK 41 / 0 / 15 / 4

HEX #8FF4D0

RGB 143 244 208

HSL 158.61, 0.82%, 0.76%

LAB 89.44, -37.66, 8.14

 

CMYK 37 / 0 / 11 / 0

HEX #A0FFE3

RGB 160 255 227

HSL 162.32, 1%, 0.81%

LAB 93.68, -34.25, 4.52

 

CMYK 31 / 0 / 4 / 0

HEX #B1FFF6

RGB 177 255 246

HSL 173.08, 1%, 0.85%

LAB 94.96, -25.61, -3.33

 

CMYK 24 / 0 / 0 / 0

HEX #C2FFFF

RGB 194 255 255

HSL 180, 1%, 0.88%

LAB 96.08, -18.92, -6.22

 

CMYK 46 / 0 / 14 / 11

HEX #79E2C2

RGB 121 226 194

HSL 161.71, 0.64%, 0.68%

LAB 83.1, -37.98, 6.25

 

CMYK 50 / 0 / 16 / 18

HEX #68D0AF

RGB 104 208 175

HSL 160.96, 0.53%, 0.61%

LAB 76.77, -38.1, 7.17

 

CMYK 54 / 0 / 18 / 25

HEX #57BE9C

RGB 87 190 156

HSL 160.19, 0.44%, 0.54%

LAB 70.35, -38.16, 8.17

 

CMYK 59 / 0 / 20 / 33

HEX #46AC89

RGB 70 172 137

HSL 159.41, 0.42%, 0.47%

LAB 63.85, -38.13, 9.26

 

CMYK 66 / 0 / 23 / 40

HEX #359A76

RGB 53 154 118

HSL 158.61, 0.49%, 0.41%

LAB 57.25, -37.96, 10.48

 

CMYK 46 / 0 / 14 / 12

HEX #79E1C1

RGB 121 225 193

HSL 161.54, 0.63%, 0.68%

LAB 82.79, -37.75, 6.33

 

CMYK 46 / 0 / 27 / 12

HEX #79E1A5

RGB 121 225 165

HSL 145.38, 0.63%, 0.68%

LAB 82.18, -43.56, 20.18

 

CMYK 46 / 0 / 39 / 12

HEX #79E189

RGB 121 225 137

HSL 129.23, 0.63%, 0.68%

LAB 81.69, -48.49, 33.92

 

CMYK 41 / 0 / 46 / 12

HEX #85E179

RGB 133 225 121

HSL 113.08, 0.63%, 0.68%

LAB 81.96, -47.38, 42.31

 

CMYK 28 / 0 / 46 / 12

HEX #A1E179

RGB 161 225 121

HSL 96.92, 0.63%, 0.68%

LAB 83.34, -38.28, 44.34

 

CMYK 46 / 0 / 14 / 12

HEX #79E1C1

RGB 121 225 193

HSL 161.54, 0.63%, 0.68%

LAB 82.79, -37.75, 6.33

 

CMYK 46 / 0 / 2 / 12

HEX #79E1DD

RGB 121 225 221

HSL 177.69, 0.63%, 0.68%

LAB 83.51, -31.15, -7.43

 

CMYK 46 / 11 / 0 / 12

HEX #79C9E1

RGB 121 201 225

HSL 193.85, 0.63%, 0.68%

LAB 76.84, -18.26, -19.56

 

CMYK 46 / 24 / 0 / 12

HEX #79ACE1

RGB 121 172 225

HSL 210.58, 0.63%, 0.68%

LAB 68.76, -2.8, -31.94

 

CMYK 46 / 36 / 0 / 12

HEX #7990E1

RGB 121 144 225

HSL 226.73, 0.63%, 0.68%

LAB 61.17, 13.18, -43.77

 

CMYK 46 / 0 / 14 / 12

HEX #79E1C1

RGB 121 225 193

HSL 161.54, 0.63%, 0.68%

LAB 82.79, -37.75, 6.33

 

CMYK 55 / 0 / 17 / 7

HEX #6BEEC6

RGB 107 238 198

HSL 161.68, 0.79%, 0.68%

LAB 86.18, -45.53, 8.51

 

CMYK 63 / 0 / 19 / 1

HEX #5EFCCC

RGB 94 252 204

HSL 161.77, 0.96%, 0.68%

LAB 90.03, -52.51, 10.84

 

CMYK 46 / 0 / 14 / 12

HEX #79E1C1

RGB 121 225 193

HSL 161.54, 0.63%, 0.68%

LAB 82.79, -37.75, 6.33

 

CMYK 37 / 0 / 11 / 17

HEX #86D4BC

RGB 134 212 188

HSL 161.54, 0.48%, 0.68%

LAB 79.49, -29.4, 4.3

 

CMYK 26 / 0 / 8 / 22

HEX #93C7B7

RGB 147 199 183

HSL 161.54, 0.32%, 0.68%

LAB 76.36, -20.29, 2.52

 

CMYK 14 / 0 / 4 / 27

HEX #A0BAB2

RGB 160 186 178

HSL 161.54, 0.16%, 0.68%

LAB 73.42, -10.45, 1.07

 

CMYK 0 / 1 / 0 / 32

HEX #ADACAD

RGB 173 172 173

HSL 300, 0.01%, 0.68%

LAB 70.46, 0.55, -0.4

 

CMYK 46 / 0 / 40 / 12

HEX #79E188

RGB 121 225 136

HSL 128.65, 0.63%, 0.68%

LAB 81.67, -48.64, 34.4

 

CMYK 46 / 0 / 27 / 12

HEX #79E1A4

RGB 121 225 164

HSL 144.81, 0.63%, 0.68%

LAB 82.16, -43.75, 20.68

 

CMYK 46 / 0 / 15 / 12

HEX #79E1C0

RGB 121 225 192

HSL 160.96, 0.63%, 0.68%

LAB 82.76, -37.97, 6.82

 

CMYK 46 / 0 / 2 / 12

HEX #79E1DC

RGB 121 225 220

HSL 177.12, 0.63%, 0.68%

LAB 83.49, -31.4, -6.94

 

CMYK 46 / 10 / 0 / 12

HEX #79CAE1

RGB 121 202 225

HSL 193.27, 0.63%, 0.68%

LAB 77.13, -18.78, -19.13

 

CMYK 75 / 0 / 23 / 18

HEX #35D2A2

RGB 53 210 162

HSL 161.66, 0.64%, 0.52%

LAB 75.74, -51.1, 12.47

 

CMYK 60 / 0 / 18 / 15

HEX #57DAB2

RGB 87 218 178

HSL 161.68, 0.64%, 0.6%

LAB 79.26, -45.4, 9.07

 

CMYK 46 / 0 / 14 / 12

HEX #79E1C1

RGB 121 225 193

HSL 161.54, 0.63%, 0.68%

LAB 82.79, -37.75, 6.33

 

CMYK 33 / 0 / 10 / 9

HEX #9BE9D1

RGB 155 233 209

HSL 161.54, 0.64%, 0.76%

LAB 86.92, -29.1, 4.06

 

CMYK 22 / 0 / 7 / 6

HEX #BCF0E0

RGB 188 240 224

HSL 161.54, 0.63%, 0.84%

LAB 90.96, -19.72, 2.3

 

CMYK 46 / 0 / 14 / 11

HEX #79E2C2

RGB 121 226 194

HSL 161.71, 0.64%, 0.68%

LAB 83.1, -37.98, 6.25

 

CMYK 46 / 41 / 0 / 12

HEX #7985E1

RGB 121 133 225

HSL 233.08, 0.63%, 0.68%

LAB 58.3, 19.66, -48.32

 

CMYK 0 / 33 / 46 / 12

HEX #E19679

RGB 225 150 121

HSL 16.73, 0.63%, 0.68%

LAB 68.9, 24.94, 26.81

 

CMYK 46 / 0 / 14 / 11

HEX #79E2C2

RGB 121 226 194

HSL 161.71, 0.64%, 0.68%

LAB 83.1, -37.98, 6.25

 

CMYK 15 / 46 / 0 / 12

HEX #C079E1

RGB 192 121 225

HSL 280.96, 0.63%, 0.68%

LAB 61.93, 45.45, -42.17

 

CMYK 0 / 15 / 46 / 12

HEX #E1C079

RGB 225 192 121

HSL 40.96, 0.63%, 0.68%

LAB 79.09, 2.58, 40.01

 

CMYK 46 / 0 / 14 / 11

HEX #79E2C2

RGB 121 226 194

HSL 161.71, 0.64%, 0.68%

LAB 83.1, -37.98, 6.25

 

CMYK 46 / 41 / 0 / 12

HEX #7985E1

RGB 121 133 225

HSL 233.08, 0.63%, 0.68%

LAB 58.3, 19.66, -48.32

 

CMYK 0 / 46 / 32 / 12

HEX #E1799A

RGB 225 121 154

HSL 340.96, 0.63%, 0.68%

LAB 63.36, 43.92, 0.54

 

CMYK 0 / 5 / 46 / 12

HEX #E1D579

RGB 225 213 121

HSL 53.08, 0.63%, 0.68%

LAB 84.47, -8.25, 46.72

 

CMYK 46 / 0 / 14 / 11

HEX #79E2C2

RGB 121 226 194

HSL 161.71, 0.64%, 0.68%

LAB 83.1, -37.98, 6.25

 

CMYK 38 / 46 / 0 / 12

HEX #8C79E1

RGB 140 121 225

HSL 250.96, 0.63%, 0.68%

LAB 56.77, 31.41, -50.66

 

CMYK 0 / 46 / 32 / 12

HEX #E1799A

RGB 225 121 154

HSL 340.96, 0.63%, 0.68%

LAB 63.36, 43.92, 0.54

 

CMYK 8 / 0 / 46 / 12

HEX #CEE179

RGB 206 225 121

HSL 70.96, 0.63%, 0.68%

LAB 86.18, -21.7, 48.48

 

Description

Color code: RGB 121 226 194 | qconv.com Color code: RGB 121 226 194 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 226 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 226 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 14 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 14% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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