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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #347E96 it is the complementary color #CB8169. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #347E96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #347E96 shade: #397E91, #4A90A4, #5BA2B7, #6CB4CA and #7DC6DD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #347E96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #347E96 shade: #347E96, #236C83, #125A70, #01485D and #00364A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #347E96 shade: #347F97, #346497, #344997, #393497 and #543497

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #347E96 shade: #347F97, #346497, #344997 and #343497

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #347E96 shade matches the following richer shades: #347F97, #2387A8, #1390B8 and #0298C9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #347E96 shade: #347F97, #447787, #556E76, #656666 and #765D55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #347E96 shade: #349779, #349794, #348097, #346697 and #344B97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #347E96 shade: #1E4B5A, #296579, #347F97, #3E99B6 and #58ABC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #347E96 shade: #347E96, #5F3497 and #978734

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #347E96 shade: #347E96, #973480 and #809734

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #347E96 shade: #347E96, #5F3497, #974B34 and #6C9734

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #347E96 shade: #347E96, #7D3497, #974B34 and #4E9734

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 16 / 0 / 41

HEX #347E96

RGB 52 126 150

HSL 194.69, 0.49%, 0.4%

LAB 49.32, -15.11, -19.72

 

Complementary color

CMYK 0 / 36 / 48 / 20

HEX #CB8169

RGB 203 129 105

HSL 14.69, 0.49%, 0.6%

LAB 61.15, 25.95, 24.91

 

CMYK 61 / 13 / 0 / 43

HEX #397E91

RGB 57 126 145

HSL 192.95, 0.44%, 0.4%

LAB 49.3, -15.77, -16.8

 

CMYK 55 / 12 / 0 / 36

HEX #4A90A4

RGB 74 144 164

HSL 193.33, 0.38%, 0.47%

LAB 56.17, -16.19, -17.29

 

CMYK 50 / 11 / 0 / 28

HEX #5BA2B7

RGB 91 162 183

HSL 193.7, 0.39%, 0.54%

LAB 62.91, -16.48, -17.74

 

CMYK 47 / 11 / 0 / 21

HEX #6CB4CA

RGB 108 180 202

HSL 194.04, 0.47%, 0.61%

LAB 69.54, -16.68, -18.18

 

CMYK 43 / 10 / 0 / 13

HEX #7DC6DD

RGB 125 198 221

HSL 194.38, 0.59%, 0.68%

LAB 76.05, -16.83, -18.59

 

CMYK 65 / 16 / 0 / 41

HEX #347E96

RGB 52 126 150

HSL 194.69, 0.49%, 0.4%

LAB 49.32, -15.11, -19.72

 

CMYK 73 / 18 / 0 / 49

HEX #236C83

RGB 35 108 131

HSL 194.38, 0.58%, 0.33%

LAB 42.34, -14.23, -19.2

 

CMYK 84 / 20 / 0 / 56

HEX #125A70

RGB 18 90 112

HSL 194.04, 0.72%, 0.25%

LAB 35.22, -12.92, -18.59

 

CMYK 99 / 23 / 0 / 64

HEX #01485D

RGB 1 72 93

HSL 193.7, 0.98%, 0.18%

LAB 27.93, -11.12, -17.9

 

CMYK 100 / 27 / 0 / 71

HEX #00364A

RGB 0 54 74

HSL 196.22, 1%, 0.15%

LAB 20.57, -7.84, -16.88

 

CMYK 66 / 16 / 0 / 41

HEX #347F97

RGB 52 127 151

HSL 194.55, 0.49%, 0.4%

LAB 49.67, -15.33, -19.76

 

CMYK 66 / 34 / 0 / 41

HEX #346497

RGB 52 100 151

HSL 210.91, 0.49%, 0.4%

LAB 41.34, 0.56, -32.71

 

CMYK 66 / 52 / 0 / 41

HEX #344997

RGB 52 73 151

HSL 227.27, 0.49%, 0.4%

LAB 33.41, 18.11, -45.34

 

CMYK 62 / 66 / 0 / 41

HEX #393497

RGB 57 52 151

HSL 243.03, 0.49%, 0.4%

LAB 28.27, 32.77, -53.67

 

CMYK 44 / 66 / 0 / 41

HEX #543497

RGB 84 52 151

HSL 259.39, 0.49%, 0.4%

LAB 30.82, 37.88, -49.41

 

CMYK 66 / 16 / 0 / 41

HEX #347F97

RGB 52 127 151

HSL 194.55, 0.49%, 0.4%

LAB 49.67, -15.33, -19.76

 

CMYK 66 / 34 / 0 / 41

HEX #346497

RGB 52 100 151

HSL 210.91, 0.49%, 0.4%

LAB 41.34, 0.56, -32.71

 

CMYK 66 / 52 / 0 / 41

HEX #344997

RGB 52 73 151

HSL 227.27, 0.49%, 0.4%

LAB 33.41, 18.11, -45.34

 

CMYK 66 / 66 / 0 / 41

HEX #343497

RGB 52 52 151

HSL 240, 0.49%, 0.4%

LAB 27.9, 31.98, -54.29

 

CMYK 66 / 16 / 0 / 41

HEX #347F97

RGB 52 127 151

HSL 194.55, 0.49%, 0.4%

LAB 49.67, -15.33, -19.76

 

CMYK 79 / 20 / 0 / 34

HEX #2387A8

RGB 35 135 168

HSL 194.89, 0.66%, 0.4%

LAB 52.41, -16.38, -25.45

 

CMYK 90 / 22 / 0 / 28

HEX #1390B8

RGB 19 144 184

HSL 194.55, 0.81%, 0.4%

LAB 55.63, -16.94, -29.66

 

CMYK 99 / 24 / 0 / 21

HEX #0298C9

RGB 2 152 201

HSL 194.77, 0.98%, 0.4%

LAB 58.68, -15.87, -34.53

 

CMYK 66 / 16 / 0 / 41

HEX #347F97

RGB 52 127 151

HSL 194.55, 0.49%, 0.4%

LAB 49.67, -15.33, -19.76

 

CMYK 50 / 12 / 0 / 47

HEX #447787

RGB 68 119 135

HSL 194.33, 0.33%, 0.4%

LAB 47.2, -12.48, -14.06

 

CMYK 28 / 7 / 0 / 54

HEX #556E76

RGB 85 110 118

HSL 194.55, 0.16%, 0.4%

LAB 44.79, -7.13, -7.45

 

CMYK 1 / 0 / 0 / 60

HEX #656666

RGB 101 102 102

HSL 180, 0%, 0.4%

LAB 43.11, -0.39, -0.14

 

CMYK 0 / 21 / 28 / 54

HEX #765D55

RGB 118 93 85

HSL 14.55, 0.16%, 0.4%

LAB 41.75, 8.88, 8.46

 

CMYK 66 / 0 / 20 / 41

HEX #349779

RGB 52 151 121

HSL 161.82, 0.49%, 0.4%

LAB 56.33, -36.07, 7.48

 

CMYK 66 / 0 / 2 / 41

HEX #349794

RGB 52 151 148

HSL 178.18, 0.49%, 0.4%

LAB 57.08, -28.77, -6.84

 

CMYK 66 / 15 / 0 / 41

HEX #348097

RGB 52 128 151

HSL 193.94, 0.49%, 0.4%

LAB 49.98, -15.88, -19.29

 

CMYK 66 / 32 / 0 / 41

HEX #346697

RGB 52 102 151

HSL 209.7, 0.49%, 0.4%

LAB 41.95, -0.68, -31.75

 

CMYK 66 / 50 / 0 / 41

HEX #344B97

RGB 52 75 151

HSL 226.06, 0.49%, 0.4%

LAB 33.98, 16.78, -44.44

 

CMYK 67 / 17 / 0 / 65

HEX #1E4B5A

RGB 30 75 90

HSL 195, 0.5%, 0.24%

LAB 29.53, -10.19, -13.45

 

CMYK 66 / 17 / 0 / 53

HEX #296579

RGB 41 101 121

HSL 195, 0.49%, 0.32%

LAB 39.85, -12.66, -16.96

 

CMYK 66 / 16 / 0 / 41

HEX #347F97

RGB 52 127 151

HSL 194.55, 0.49%, 0.4%

LAB 49.67, -15.33, -19.76

 

CMYK 66 / 16 / 0 / 29

HEX #3E99B6

RGB 62 153 182

HSL 194.5, 0.49%, 0.48%

LAB 59.14, -17.74, -23.03

 

CMYK 56 / 14 / 0 / 22

HEX #58ABC6

RGB 88 171 198

HSL 194.73, 0.49%, 0.56%

LAB 65.96, -17.54, -21.47

 

CMYK 65 / 16 / 0 / 41

HEX #347E96

RGB 52 126 150

HSL 194.69, 0.49%, 0.4%

LAB 49.32, -15.11, -19.72

 

CMYK 37 / 66 / 0 / 41

HEX #5F3497

RGB 95 52 151

HSL 266.06, 0.49%, 0.4%

LAB 32.09, 40.27, -47.3

 

CMYK 0 / 11 / 66 / 41

HEX #978734

RGB 151 135 52

HSL 50.3, 0.49%, 0.4%

LAB 56.24, -4.18, 45.4

 

CMYK 65 / 16 / 0 / 41

HEX #347E96

RGB 52 126 150

HSL 194.69, 0.49%, 0.4%

LAB 49.32, -15.11, -19.72

 

CMYK 0 / 66 / 15 / 41

HEX #973480

RGB 151 52 128

HSL 313.94, 0.49%, 0.4%

LAB 38.89, 49.94, -21.87

 

CMYK 15 / 0 / 66 / 41

HEX #809734

RGB 128 151 52

HSL 73.94, 0.49%, 0.4%

LAB 58.95, -22.76, 47.71

 

CMYK 65 / 16 / 0 / 41

HEX #347E96

RGB 52 126 150

HSL 194.69, 0.49%, 0.4%

LAB 49.32, -15.11, -19.72

 

CMYK 37 / 66 / 0 / 41

HEX #5F3497

RGB 95 52 151

HSL 266.06, 0.49%, 0.4%

LAB 32.09, 40.27, -47.3

 

CMYK 0 / 50 / 66 / 41

HEX #974B34

RGB 151 75 52

HSL 13.94, 0.49%, 0.4%

LAB 40.99, 29.84, 28.1

 

CMYK 28 / 0 / 66 / 41

HEX #6C9734

RGB 108 151 52

HSL 86.06, 0.49%, 0.4%

LAB 57.63, -30.91, 45.91

 

CMYK 65 / 16 / 0 / 41

HEX #347E96

RGB 52 126 150

HSL 194.69, 0.49%, 0.4%

LAB 49.32, -15.11, -19.72

 

CMYK 17 / 66 / 0 / 41

HEX #7D3497

RGB 125 52 151

HSL 284.24, 0.49%, 0.4%

LAB 36.08, 47.33, -40.66

 

CMYK 0 / 50 / 66 / 41

HEX #974B34

RGB 151 75 52

HSL 13.94, 0.49%, 0.4%

LAB 40.99, 29.84, 28.1

 

CMYK 48 / 0 / 66 / 41

HEX #4E9734

RGB 78 151 52

HSL 104.24, 0.49%, 0.4%

LAB 56.09, -41.56, 43.79

 

Description

Color code: HEX #347E96 | qconv.com Color code: HEX #347E96 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 126 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 126 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 16 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 16% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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