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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #973480 it is the complementary color #68CB7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #973480. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #973480 shade: #9C347B, #AD468E, #BE58A1, #CF6AB4 and #E07CC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #973480. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #973480 shade: #973480, #86226D, #75105A, #640047 and #530034

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #973480 shade: #973480, #973465, #97344A and #973434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #973480 shade: #973480, #943497, #793497, #5E3497 and #433497

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #973480 shade matches the following richer shades: #973480, #A82389, #B81392 and #C9029B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #973480 shade: #973480, #874477, #76556F, #666566 and #55765D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #973480 shade: #783497, #923497, #973482, #973467 and #97344D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #973480 shade: #5A1E4C, #792966, #973480, #B63E9A and #C658AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #973480 shade: #973480, #975D34 and #349785

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #973480 shade: #973480, #829734 and #348297

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #973480 shade: #973480, #975D34, #349749 and #346E97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #973480 shade: #973480, #977B34, #349749 and #345097

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 15 / 41

HEX #973480

RGB 151 52 128

HSL 313.94, 0.49%, 0.4%

LAB 38.89, 49.94, -21.87

 

Complementary color

CMYK 49 / 0 / 37 / 20

HEX #68CB7F

RGB 104 203 127

HSL 133.94, 0.49%, 0.6%

LAB 74.31, -45.48, 29.19

 

CMYK 0 / 67 / 21 / 39

HEX #9C347B

RGB 156 52 123

HSL 319.04, 0.5%, 0.41%

LAB 39.5, 50.6, -17.76

 

CMYK 0 / 60 / 18 / 32

HEX #AD468E

RGB 173 70 142

HSL 318.06, 0.42%, 0.48%

LAB 45.93, 50.43, -19.26

 

CMYK 0 / 54 / 15 / 25

HEX #BE58A1

RGB 190 88 161

HSL 317.06, 0.44%, 0.55%

LAB 52.4, 49.94, -20.41

 

CMYK 0 / 49 / 13 / 19

HEX #CF6AB4

RGB 207 106 180

HSL 316.04, 0.51%, 0.61%

LAB 58.85, 49.3, -21.34

 

CMYK 0 / 45 / 11 / 12

HEX #E07CC7

RGB 224 124 199

HSL 315, 0.62%, 0.68%

LAB 65.27, 48.59, -22.13

 

CMYK 0 / 66 / 15 / 41

HEX #973480

RGB 151 52 128

HSL 313.94, 0.49%, 0.4%

LAB 38.89, 49.94, -21.87

 

CMYK 0 / 75 / 19 / 47

HEX #86226D

RGB 134 34 109

HSL 315, 0.6%, 0.33%

LAB 32.52, 49.57, -20.07

 

CMYK 0 / 86 / 23 / 54

HEX #75105A

RGB 117 16 90

HSL 316.04, 0.76%, 0.26%

LAB 26.42, 48.1, -17.46

 

CMYK 0 / 100 / 29 / 61

HEX #640047

RGB 100 0 71

HSL 317.4, 1%, 0.2%

LAB 20.69, 45.19, -13.83

 

CMYK 0 / 100 / 37 / 67

HEX #530034

RGB 83 0 52

HSL 322.41, 1%, 0.16%

LAB 15.94, 38.93, -8.11

 

CMYK 0 / 66 / 15 / 41

HEX #973480

RGB 151 52 128

HSL 313.94, 0.49%, 0.4%

LAB 38.89, 49.94, -21.87

 

CMYK 0 / 66 / 33 / 41

HEX #973465

RGB 151 52 101

HSL 330.3, 0.49%, 0.4%

LAB 37.8, 46.13, -6.67

 

CMYK 0 / 66 / 51 / 41

HEX #97344A

RGB 151 52 74

HSL 346.67, 0.49%, 0.4%

LAB 36.98, 43.17, 9.31

 

CMYK 0 / 66 / 66 / 41

HEX #973434

RGB 151 52 52

HSL 0, 0.49%, 0.4%

LAB 36.52, 41.44, 22.61

 

CMYK 0 / 66 / 15 / 41

HEX #973480

RGB 151 52 128

HSL 313.94, 0.49%, 0.4%

LAB 38.89, 49.94, -21.87

 

CMYK 2 / 66 / 0 / 41

HEX #943497

RGB 148 52 151

HSL 298.18, 0.49%, 0.4%

LAB 39.56, 53.02, -34.92

 

CMYK 20 / 66 / 0 / 41

HEX #793497

RGB 121 52 151

HSL 281.82, 0.49%, 0.4%

LAB 35.51, 46.36, -41.61

 

CMYK 38 / 66 / 0 / 41

HEX #5E3497

RGB 94 52 151

HSL 265.45, 0.49%, 0.4%

LAB 31.97, 40.05, -47.5

 

CMYK 56 / 66 / 0 / 41

HEX #433497

RGB 67 52 151

HSL 249.09, 0.49%, 0.4%

LAB 29.12, 34.51, -52.26

 

CMYK 0 / 66 / 15 / 41

HEX #973480

RGB 151 52 128

HSL 313.94, 0.49%, 0.4%

LAB 38.89, 49.94, -21.87

 

CMYK 0 / 79 / 18 / 34

HEX #A82389

RGB 168 35 137

HSL 313.98, 0.66%, 0.4%

LAB 40.14, 61.57, -25.25

 

CMYK 0 / 90 / 21 / 28

HEX #B81392

RGB 184 19 146

HSL 313.82, 0.81%, 0.4%

LAB 42.36, 69.63, -27.06

 

CMYK 0 / 99 / 23 / 21

HEX #C9029B

RGB 201 2 155

HSL 313.87, 0.98%, 0.4%

LAB 45.4, 75.89, -27.52

 

CMYK 0 / 66 / 15 / 41

HEX #973480

RGB 151 52 128

HSL 313.94, 0.49%, 0.4%

LAB 38.89, 49.94, -21.87

 

CMYK 0 / 50 / 12 / 47

HEX #874477

RGB 135 68 119

HSL 314.33, 0.33%, 0.4%

LAB 38.93, 35.76, -16.45

 

CMYK 0 / 28 / 6 / 54

HEX #76556F

RGB 118 85 111

HSL 312.73, 0.16%, 0.4%

LAB 40.4, 18.33, -9.47

 

CMYK 0 / 1 / 0 / 60

HEX #666566

RGB 102 101 102

HSL 300, 0%, 0.4%

LAB 42.9, 0.6, -0.43

 

CMYK 28 / 0 / 21 / 54

HEX #55765D

RGB 85 118 93

HSL 134.55, 0.16%, 0.4%

LAB 46.55, -17.39, 10.03

 

CMYK 21 / 66 / 0 / 41

HEX #783497

RGB 120 52 151

HSL 281.21, 0.49%, 0.4%

LAB 35.37, 46.12, -41.85

 

CMYK 3 / 66 / 0 / 41

HEX #923497

RGB 146 52 151

HSL 296.97, 0.49%, 0.4%

LAB 39.24, 52.52, -35.44

 

CMYK 0 / 66 / 14 / 41

HEX #973482

RGB 151 52 130

HSL 312.73, 0.49%, 0.4%

LAB 38.98, 50.26, -22.96

 

CMYK 0 / 66 / 32 / 41

HEX #973467

RGB 151 52 103

HSL 329.09, 0.49%, 0.4%

LAB 37.87, 46.39, -7.82

 

CMYK 0 / 66 / 49 / 41

HEX #97344D

RGB 151 52 77

HSL 344.85, 0.49%, 0.4%

LAB 37.06, 43.46, 7.51

 

CMYK 0 / 67 / 16 / 65

HEX #5A1E4C

RGB 90 30 76

HSL 314, 0.5%, 0.24%

LAB 22.39, 33.46, -14.77

 

CMYK 0 / 66 / 16 / 53

HEX #792966

RGB 121 41 102

HSL 314.25, 0.49%, 0.32%

LAB 30.9, 42.06, -18.27

 

CMYK 0 / 66 / 15 / 41

HEX #973480

RGB 151 52 128

HSL 313.94, 0.49%, 0.4%

LAB 38.89, 49.94, -21.87

 

CMYK 0 / 66 / 15 / 29

HEX #B63E9A

RGB 182 62 154

HSL 314, 0.49%, 0.48%

LAB 46.61, 58.19, -25.29

 

CMYK 0 / 56 / 13 / 22

HEX #C658AC

RGB 198 88 172

HSL 314.18, 0.49%, 0.56%

LAB 53.99, 54.04, -24.3

 

CMYK 0 / 66 / 15 / 41

HEX #973480

RGB 151 52 128

HSL 313.94, 0.49%, 0.4%

LAB 38.89, 49.94, -21.87

 

CMYK 0 / 38 / 66 / 41

HEX #975D34

RGB 151 93 52

HSL 24.85, 0.49%, 0.4%

LAB 45.16, 19.72, 33.04

 

CMYK 66 / 0 / 12 / 41

HEX #349785

RGB 52 151 133

HSL 169.09, 0.49%, 0.4%

LAB 56.64, -32.97, 1.09

 

CMYK 0 / 66 / 15 / 41

HEX #973480

RGB 151 52 128

HSL 313.94, 0.49%, 0.4%

LAB 38.89, 49.94, -21.87

 

CMYK 14 / 0 / 66 / 41

HEX #829734

RGB 130 151 52

HSL 72.73, 0.49%, 0.4%

LAB 59.09, -21.92, 47.91

 

CMYK 66 / 14 / 0 / 41

HEX #348297

RGB 52 130 151

HSL 192.73, 0.49%, 0.4%

LAB 50.6, -16.98, -18.33

 

CMYK 0 / 66 / 15 / 41

HEX #973480

RGB 151 52 128

HSL 313.94, 0.49%, 0.4%

LAB 38.89, 49.94, -21.87

 

CMYK 0 / 38 / 66 / 41

HEX #975D34

RGB 151 93 52

HSL 24.85, 0.49%, 0.4%

LAB 45.16, 19.72, 33.04

 

CMYK 66 / 0 / 52 / 41

HEX #349749

RGB 52 151 73

HSL 132.73, 0.49%, 0.4%

LAB 55.43, -45.8, 32.65

 

CMYK 66 / 27 / 0 / 41

HEX #346E97

RGB 52 110 151

HSL 204.85, 0.49%, 0.4%

LAB 44.4, -5.54, -27.91

 

CMYK 0 / 66 / 15 / 41

HEX #973480

RGB 151 52 128

HSL 313.94, 0.49%, 0.4%

LAB 38.89, 49.94, -21.87

 

CMYK 0 / 19 / 66 / 41

HEX #977B34

RGB 151 123 52

HSL 43.03, 0.49%, 0.4%

LAB 52.94, 2.52, 41.83

 

CMYK 66 / 0 / 52 / 41

HEX #349749

RGB 52 151 73

HSL 132.73, 0.49%, 0.4%

LAB 55.43, -45.8, 32.65

 

CMYK 66 / 47 / 0 / 41

HEX #345097

RGB 52 80 151

HSL 223.03, 0.49%, 0.4%

LAB 35.4, 13.45, -42.14

 

Description

Color code: HEX #973480 | qconv.com Color code: HEX #973480 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 52 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 52 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 15 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 15% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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