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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #336ACC it is the complementary color #CC9533. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #336ACC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #336ACC shade: #386AC7, #497CDA, #5A8EED, #6BA0FF and #7CB2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #336ACC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #336ACC shade: #336ACC, #2258B9, #1146A6, #003493 and #002280

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #336ACC shade: #336ACC, #3340CC, #4E33CC, #7733CC and #A133CC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #336ACC shade: #336ACC, #3340CC and #3333CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #336ACC shade matches the following richer shades: #336ACC, #1E64E0 and #095EF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #336ACC shade: #336ACC, #476FB7, #5C75A2, #707B8E and #858179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #336ACC shade: #33BCCC, #3393CC, #336BCC, #3342CC and #4C33CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #336ACC shade: #224789, #2A58AA, #336ACC, #5482D4 and #759ADC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #336ACC shade: #336ACC, #B233CC and #A8CC33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #336ACC shade: #336ACC, #CC336B and #6BCC33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #336ACC shade: #336ACC, #B233CC, #CC9333 and #4CCC33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #336ACC shade: #336ACC, #CC33B7, #CC9333 and #33CC47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 48 / 0 / 20

HEX #336ACC

RGB 51 106 204

HSL 218.43, 0.6%, 0.5%

LAB 46.14, 16.17, -56.08

 

Complementary color

CMYK 0 / 27 / 75 / 20

HEX #CC9533

RGB 204 149 51

HSL 38.43, 0.6%, 0.5%

LAB 65.41, 11.67, 56.97

 

CMYK 72 / 47 / 0 / 22

HEX #386AC7

RGB 56 106 199

HSL 219.02, 0.56%, 0.5%

LAB 46, 14.97, -53.41

 

CMYK 67 / 43 / 0 / 15

HEX #497CDA

RGB 73 124 218

HSL 218.9, 0.66%, 0.57%

LAB 52.83, 13.11, -53.25

 

CMYK 62 / 40 / 0 / 7

HEX #5A8EED

RGB 90 142 237

HSL 218.78, 0.8%, 0.64%

LAB 59.56, 11.61, -53.1

 

CMYK 58 / 37 / 0 / 0

HEX #6BA0FF

RGB 107 160 255

HSL 218.51, 1%, 0.71%

LAB 66.13, 10.05, -52.5

 

CMYK 51 / 30 / 0 / 0

HEX #7CB2FF

RGB 124 178 255

HSL 215.27, 1%, 0.74%

LAB 71.79, 3.29, -43.53

 

CMYK 75 / 48 / 0 / 20

HEX #336ACC

RGB 51 106 204

HSL 218.43, 0.6%, 0.5%

LAB 46.14, 16.17, -56.08

 

CMYK 82 / 52 / 0 / 27

HEX #2258B9

RGB 34 88 185

HSL 218.54, 0.69%, 0.43%

LAB 39.28, 18.72, -56.17

 

CMYK 90 / 58 / 0 / 35

HEX #1146A6

RGB 17 70 166

HSL 218.66, 0.81%, 0.36%

LAB 32.38, 21.92, -56.14

 

CMYK 100 / 65 / 0 / 42

HEX #003493

RGB 0 52 147

HSL 218.78, 1%, 0.29%

LAB 25.45, 25.75, -55.93

 

CMYK 100 / 73 / 0 / 50

HEX #002280

RGB 0 34 128

HSL 224.06, 1%, 0.25%

LAB 18.81, 30.41, -55

 

CMYK 75 / 48 / 0 / 20

HEX #336ACC

RGB 51 106 204

HSL 218.43, 0.6%, 0.5%

LAB 46.14, 16.17, -56.08

 

CMYK 75 / 69 / 0 / 20

HEX #3340CC

RGB 51 64 204

HSL 234.9, 0.6%, 0.5%

LAB 35.46, 42.86, -73.47

 

CMYK 62 / 75 / 0 / 20

HEX #4E33CC

RGB 78 51 204

HSL 250.59, 0.6%, 0.5%

LAB 34.7, 53.03, -74.66

 

CMYK 42 / 75 / 0 / 20

HEX #7733CC

RGB 119 51 204

HSL 266.67, 0.6%, 0.5%

LAB 38.98, 58.86, -67.46

 

CMYK 21 / 75 / 0 / 20

HEX #A133CC

RGB 161 51 204

HSL 283.14, 0.6%, 0.5%

LAB 44.67, 66.3, -57.97

 

CMYK 75 / 48 / 0 / 20

HEX #336ACC

RGB 51 106 204

HSL 218.43, 0.6%, 0.5%

LAB 46.14, 16.17, -56.08

 

CMYK 75 / 69 / 0 / 20

HEX #3340CC

RGB 51 64 204

HSL 234.9, 0.6%, 0.5%

LAB 35.46, 42.86, -73.47

 

CMYK 75 / 75 / 0 / 20

HEX #3333CC

RGB 51 51 204

HSL 240, 0.6%, 0.5%

LAB 32.77, 50.33, -77.9

 

CMYK 75 / 48 / 0 / 20

HEX #336ACC

RGB 51 106 204

HSL 218.43, 0.6%, 0.5%

LAB 46.14, 16.17, -56.08

 

CMYK 87 / 55 / 0 / 12

HEX #1E64E0

RGB 30 100 224

HSL 218.35, 0.76%, 0.5%

LAB 45.32, 25.7, -68.84

 

CMYK 96 / 62 / 0 / 4

HEX #095EF5

RGB 9 94 245

HSL 218.39, 0.93%, 0.5%

LAB 45.16, 36.71, -80.94

 

CMYK 75 / 48 / 0 / 20

HEX #336ACC

RGB 51 106 204

HSL 218.43, 0.6%, 0.5%

LAB 46.14, 16.17, -56.08

 

CMYK 61 / 39 / 0 / 28

HEX #476FB7

RGB 71 111 183

HSL 218.57, 0.44%, 0.5%

LAB 47.14, 8.61, -42.31

 

CMYK 43 / 28 / 0 / 36

HEX #5C75A2

RGB 92 117 162

HSL 218.57, 0.28%, 0.5%

LAB 49.02, 3.1, -27.05

 

CMYK 21 / 13 / 0 / 44

HEX #707B8E

RGB 112 123 142

HSL 218, 0.12%, 0.5%

LAB 51.34, 0.27, -11.66

 

CMYK 0 / 3 / 9 / 48

HEX #858179

RGB 133 129 121

HSL 40, 0.05%, 0.5%

LAB 54.1, -0, 4.86

 

CMYK 75 / 8 / 0 / 20

HEX #33BCCC

RGB 51 188 204

HSL 186.27, 0.6%, 0.5%

LAB 70.2, -30.17, -18.44

 

CMYK 75 / 28 / 0 / 20

HEX #3393CC

RGB 51 147 204

HSL 202.35, 0.6%, 0.5%

LAB 57.97, -8.63, -37.28

 

CMYK 75 / 48 / 0 / 20

HEX #336BCC

RGB 51 107 204

HSL 218.04, 0.6%, 0.5%

LAB 46.42, 15.53, -55.63

 

CMYK 75 / 68 / 0 / 20

HEX #3342CC

RGB 51 66 204

HSL 234.12, 0.6%, 0.5%

LAB 35.91, 41.65, -72.73

 

CMYK 63 / 75 / 0 / 20

HEX #4C33CC

RGB 76 51 204

HSL 249.8, 0.6%, 0.5%

LAB 34.53, 52.8, -74.94

 

CMYK 75 / 48 / 0 / 46

HEX #224789

RGB 34 71 137

HSL 218.45, 0.6%, 0.34%

LAB 31, 11.17, -40.71

 

CMYK 75 / 48 / 0 / 33

HEX #2A58AA

RGB 42 88 170

HSL 218.44, 0.6%, 0.42%

LAB 38.51, 13.79, -48.56

 

CMYK 75 / 48 / 0 / 20

HEX #336ACC

RGB 51 106 204

HSL 218.43, 0.6%, 0.5%

LAB 46.14, 16.17, -56.08

 

CMYK 60 / 39 / 0 / 17

HEX #5482D4

RGB 84 130 212

HSL 218.44, 0.6%, 0.58%

LAB 54.66, 9.34, -46.93

 

CMYK 47 / 30 / 0 / 14

HEX #759ADC

RGB 117 154 220

HSL 218.45, 0.6%, 0.66%

LAB 63.39, 4.94, -37.54

 

CMYK 75 / 48 / 0 / 20

HEX #336ACC

RGB 51 106 204

HSL 218.43, 0.6%, 0.5%

LAB 46.14, 16.17, -56.08

 

CMYK 13 / 75 / 0 / 20

HEX #B233CC

RGB 178 51 204

HSL 289.8, 0.6%, 0.5%

LAB 47.23, 69.58, -53.72

 

CMYK 18 / 0 / 75 / 20

HEX #A8CC33

RGB 168 204 51

HSL 74.12, 0.6%, 0.5%

LAB 77.13, -31.99, 67.14

 

CMYK 75 / 48 / 0 / 20

HEX #336ACC

RGB 51 106 204

HSL 218.43, 0.6%, 0.5%

LAB 46.14, 16.17, -56.08

 

CMYK 0 / 75 / 48 / 20

HEX #CC336B

RGB 204 51 107

HSL 338.04, 0.6%, 0.5%

LAB 47.32, 62.66, 4.67

 

CMYK 48 / 0 / 75 / 20

HEX #6BCC33

RGB 107 204 51

HSL 98.04, 0.6%, 0.5%

LAB 73.9, -53.81, 62.92

 

CMYK 75 / 48 / 0 / 20

HEX #336ACC

RGB 51 106 204

HSL 218.43, 0.6%, 0.5%

LAB 46.14, 16.17, -56.08

 

CMYK 13 / 75 / 0 / 20

HEX #B233CC

RGB 178 51 204

HSL 289.8, 0.6%, 0.5%

LAB 47.23, 69.58, -53.72

 

CMYK 0 / 28 / 75 / 20

HEX #CC9333

RGB 204 147 51

HSL 37.65, 0.6%, 0.5%

LAB 64.92, 12.75, 56.49

 

CMYK 63 / 0 / 75 / 20

HEX #4CCC33

RGB 76 204 51

HSL 110.2, 0.6%, 0.5%

LAB 72.87, -61.96, 61.55

 

CMYK 75 / 48 / 0 / 20

HEX #336ACC

RGB 51 106 204

HSL 218.43, 0.6%, 0.5%

LAB 46.14, 16.17, -56.08

 

CMYK 0 / 75 / 10 / 20

HEX #CC33B7

RGB 204 51 183

HSL 308.24, 0.6%, 0.5%

LAB 50.24, 71.59, -36.47

 

CMYK 0 / 28 / 75 / 20

HEX #CC9333

RGB 204 147 51

HSL 37.65, 0.6%, 0.5%

LAB 64.92, 12.75, 56.49

 

CMYK 75 / 0 / 65 / 20

HEX #33CC47

RGB 51 204 71

HSL 127.84, 0.6%, 0.5%

LAB 72.46, -64.84, 53.4

 

Description

Color code: HEX #336ACC | qconv.com Color code: HEX #336ACC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 106 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 106 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 48 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 48% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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