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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 51 51 204 it is the complementary color RGB 204 204 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 51 51 204. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 51 51 204 shade: RGB 56 51 199, RGB 73 69 218, RGB 90 87 237, RGB 107 105 255 and RGB 124 123 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 51 51 204. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 51 51 204 shade: RGB 51 51 204, RGB 34 33 185, RGB 17 15 166, RGB 0 0 147 and RGB 0 0 128

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 51 51 204 shade: RGB 51 51 204, RGB 92 51 204, RGB 133 51 204, RGB 174 51 204 and RGB 204 51 191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 51 51 204 shade: RGB 51 51 204

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 51 51 204 shade matches the following richer shades: RGB 51 51 204, RGB 30 30 224 and RGB 9 9 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 51 51 204 shade: RGB 51 51 204, RGB 71 71 183, RGB 92 92 162, RGB 112 112 142 and RGB 133 133 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 51 51 204 shade: RGB 51 132 204, RGB 51 91 204, RGB 51 51 204, RGB 91 51 204 and RGB 132 51 204

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 51 51 204 shade: RGB 34 34 137, RGB 42 42 170, RGB 51 51 204, RGB 84 84 212 and RGB 117 117 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 51 51 204 shade: RGB 51 51 204, RGB 204 51 173 and RGB 112 204 51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 51 51 204 shade: RGB 51 51 204, RGB 204 51 51 and RGB 51 204 51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 51 51 204 shade: RGB 51 51 204, RGB 204 51 173, RGB 204 204 51 and RGB 51 204 81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 51 51 204 shade: RGB 51 51 204, RGB 204 51 127, RGB 204 204 51 and RGB 51 204 127

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 75 / 0 / 20

HEX #3333CC

RGB 51 51 204

HSL 240, 0.6%, 0.5%

LAB 32.77, 50.33, -77.9

 

Complementary color

CMYK 0 / 0 / 75 / 20

HEX #CCCC33

RGB 204 204 51

HSL 60, 0.6%, 0.5%

LAB 79.76, -17.12, 70.54

 

CMYK 72 / 74 / 0 / 22

HEX #3833C7

RGB 56 51 199

HSL 242.03, 0.59%, 0.49%

LAB 32.55, 49.16, -75.34

 

CMYK 67 / 68 / 0 / 15

HEX #4945DA

RGB 73 69 218

HSL 241.61, 0.67%, 0.56%

LAB 39.13, 46.99, -75.46

 

CMYK 62 / 63 / 0 / 7

HEX #5A57ED

RGB 90 87 237

HSL 241.2, 0.81%, 0.64%

LAB 45.78, 44.89, -75.32

 

CMYK 58 / 59 / 0 / 0

HEX #6B69FF

RGB 107 105 255

HSL 240.8, 1%, 0.71%

LAB 52.34, 42.67, -74.62

 

CMYK 51 / 52 / 0 / 0

HEX #7C7BFF

RGB 124 123 255

HSL 240.45, 1%, 0.74%

LAB 57.72, 35.22, -65.86

 

CMYK 75 / 75 / 0 / 20

HEX #3333CC

RGB 51 51 204

HSL 240, 0.6%, 0.5%

LAB 32.77, 50.33, -77.9

 

CMYK 82 / 82 / 0 / 27

HEX #2221B9

RGB 34 33 185

HSL 240.39, 0.7%, 0.43%

LAB 26.54, 52.39, -77.09

 

CMYK 90 / 91 / 0 / 35

HEX #110FA6

RGB 17 15 166

HSL 240.79, 0.83%, 0.35%

LAB 20.88, 53.42, -75.11

 

CMYK 100 / 100 / 0 / 42

HEX #000093

RGB 0 0 147

HSL 240, 1%, 0.29%

LAB 16.04, 52.53, -71.54

 

CMYK 100 / 100 / 0 / 50

HEX #000080

RGB 0 0 128

HSL 240, 1%, 0.25%

LAB 12.98, 47.51, -64.7

 

CMYK 75 / 75 / 0 / 20

HEX #3333CC

RGB 51 51 204

HSL 240, 0.6%, 0.5%

LAB 32.77, 50.33, -77.9

 

CMYK 55 / 75 / 0 / 20

HEX #5C33CC

RGB 92 51 204

HSL 256.08, 0.6%, 0.5%

LAB 35.99, 54.81, -72.48

 

CMYK 35 / 75 / 0 / 20

HEX #8533CC

RGB 133 51 204

HSL 272.16, 0.6%, 0.5%

LAB 40.76, 61.21, -64.49

 

CMYK 15 / 75 / 0 / 20

HEX #AE33CC

RGB 174 51 204

HSL 288.24, 0.6%, 0.5%

LAB 46.61, 68.79, -54.73

 

CMYK 0 / 75 / 6 / 20

HEX #CC33BF

RGB 204 51 191

HSL 305.1, 0.6%, 0.5%

LAB 50.65, 72.77, -40.49

 

CMYK 75 / 75 / 0 / 20

HEX #3333CC

RGB 51 51 204

HSL 240, 0.6%, 0.5%

LAB 32.77, 50.33, -77.9

 

CMYK 75 / 75 / 0 / 20

HEX #3333CC

RGB 51 51 204

HSL 240, 0.6%, 0.5%

LAB 32.77, 50.33, -77.9

 

CMYK 87 / 87 / 0 / 12

HEX #1E1EE0

RGB 30 30 224

HSL 240, 0.76%, 0.5%

LAB 30.85, 64.96, -92.69

 

CMYK 96 / 96 / 0 / 4

HEX #0909F5

RGB 9 9 245

HSL 240, 0.93%, 0.5%

LAB 31.45, 75.46, -103.65

 

CMYK 75 / 75 / 0 / 20

HEX #3333CC

RGB 51 51 204

HSL 240, 0.6%, 0.5%

LAB 32.77, 50.33, -77.9

 

CMYK 61 / 61 / 0 / 28

HEX #4747B7

RGB 71 71 183

HSL 240, 0.44%, 0.5%

LAB 36.49, 33.98, -59.44

 

CMYK 43 / 43 / 0 / 36

HEX #5C5CA2

RGB 92 92 162

HSL 240, 0.28%, 0.5%

LAB 42.06, 18.51, -37.97

 

CMYK 21 / 21 / 0 / 44

HEX #70708E

RGB 112 112 142

HSL 240, 0.12%, 0.5%

LAB 48.24, 6.77, -16.35

 

CMYK 0 / 0 / 9 / 48

HEX #858579

RGB 133 133 121

HSL 60, 0.05%, 0.5%

LAB 55.22, -2.27, 6.47

 

CMYK 75 / 35 / 0 / 20

HEX #3384CC

RGB 51 132 204

HSL 208.24, 0.6%, 0.5%

LAB 53.56, 0.09, -44.22

 

CMYK 75 / 55 / 0 / 20

HEX #335BCC

RGB 51 91 204

HSL 224.31, 0.6%, 0.5%

LAB 42.07, 25.8, -62.66

 

CMYK 75 / 75 / 0 / 20

HEX #3333CC

RGB 51 51 204

HSL 240, 0.6%, 0.5%

LAB 32.77, 50.33, -77.9

 

CMYK 55 / 75 / 0 / 20

HEX #5B33CC

RGB 91 51 204

HSL 255.69, 0.6%, 0.5%

LAB 35.89, 54.68, -72.65

 

CMYK 35 / 75 / 0 / 20

HEX #8433CC

RGB 132 51 204

HSL 271.76, 0.6%, 0.5%

LAB 40.63, 61.04, -64.71

 

CMYK 75 / 75 / 0 / 46

HEX #222289

RGB 34 34 137

HSL 240, 0.6%, 0.34%

LAB 21.17, 36.03, -56.72

 

CMYK 75 / 75 / 0 / 33

HEX #2A2AAA

RGB 42 42 170

HSL 240, 0.6%, 0.42%

LAB 26.88, 43.4, -67.53

 

CMYK 75 / 75 / 0 / 20

HEX #3333CC

RGB 51 51 204

HSL 240, 0.6%, 0.5%

LAB 32.77, 50.33, -77.9

 

CMYK 60 / 60 / 0 / 17

HEX #5454D4

RGB 84 84 212

HSL 240, 0.6%, 0.58%

LAB 42.73, 37.71, -66.1

 

CMYK 47 / 47 / 0 / 14

HEX #7575DC

RGB 117 117 220

HSL 240, 0.6%, 0.66%

LAB 53.68, 26.78, -52.88

 

CMYK 75 / 75 / 0 / 20

HEX #3333CC

RGB 51 51 204

HSL 240, 0.6%, 0.5%

LAB 32.77, 50.33, -77.9

 

CMYK 0 / 75 / 15 / 20

HEX #CC33AD

RGB 204 51 173

HSL 312.16, 0.6%, 0.5%

LAB 49.76, 70.17, -31.36

 

CMYK 45 / 0 / 75 / 20

HEX #70CC33

RGB 112 204 51

HSL 96.08, 0.6%, 0.5%

LAB 74.11, -52.28, 63.19

 

CMYK 75 / 75 / 0 / 20

HEX #3333CC

RGB 51 51 204

HSL 240, 0.6%, 0.5%

LAB 32.77, 50.33, -77.9

 

CMYK 0 / 75 / 75 / 20

HEX #CC3333

RGB 204 51 51

HSL 0, 0.6%, 0.5%

LAB 46.24, 59.13, 37.11

 

CMYK 75 / 0 / 75 / 20

HEX #33CC33

RGB 51 204 51

HSL 120, 0.6%, 0.5%

LAB 72.31, -66.6, 60.82

 

CMYK 75 / 75 / 0 / 20

HEX #3333CC

RGB 51 51 204

HSL 240, 0.6%, 0.5%

LAB 32.77, 50.33, -77.9

 

CMYK 0 / 75 / 15 / 20

HEX #CC33AD

RGB 204 51 173

HSL 312.16, 0.6%, 0.5%

LAB 49.76, 70.17, -31.36

 

CMYK 0 / 0 / 75 / 20

HEX #CCCC33

RGB 204 204 51

HSL 60, 0.6%, 0.5%

LAB 79.76, -17.12, 70.54

 

CMYK 75 / 0 / 60 / 20

HEX #33CC51

RGB 51 204 81

HSL 131.76, 0.6%, 0.5%

LAB 72.55, -63.72, 49.19

 

CMYK 75 / 75 / 0 / 20

HEX #3333CC

RGB 51 51 204

HSL 240, 0.6%, 0.5%

LAB 32.77, 50.33, -77.9

 

CMYK 0 / 75 / 38 / 20

HEX #CC337F

RGB 204 51 127

HSL 330.2, 0.6%, 0.5%

LAB 47.93, 64.57, -6.66

 

CMYK 0 / 0 / 75 / 20

HEX #CCCC33

RGB 204 204 51

HSL 60, 0.6%, 0.5%

LAB 79.76, -17.12, 70.54

 

CMYK 75 / 0 / 38 / 20

HEX #33CC7F

RGB 51 204 127

HSL 149.8, 0.6%, 0.5%

LAB 73.17, -56.52, 27.42

 

Description

Color code: RGB 51 51 204 | qconv.com Color code: RGB 51 51 204 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 51 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 51 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 75 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 75% 0% 20% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

54% - Newgle
Link: http://pcgamenext.blog34.fc2.com

88% - とある市大生のページ
Link: http://www.ex.media.osaka-cu.ac.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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