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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #335A79 it is the complementary color #CCA586. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #335A79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #335A79 shade: #385A74, #496C87, #5A7E9A, #6B90AD and #7CA2C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #335A79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #335A79 shade: #335A79, #224866, #113653, #002440 and #00122D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #335A79 shade: #335A7A, #33477A, #33347A, #45337A and #58337A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #335A79 shade: #335A7A, #33477A, #33347A and #33337A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #335A79 shade matches the following richer shades: #335A7A, #255C88, #175D96 and #095FA4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #335A79 shade: #335A7A, #41596C, #4F575E, #5D5550 and #6B5442

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #335A79 shade: #337A73, #336E7A, #335B7A, #33487A and #33357A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #335A79 shade: #1A2F40, #26455D, #335A7A, #3F7097 and #4B85B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #335A79 shade: #335A79, #60337A and #777A33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #335A79 shade: #335A79, #7A335B and #5B7A33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #335A79 shade: #335A79, #60337A, #7A5133 and #4D7A33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #335A79 shade: #335A79, #75337A, #7A5133 and #377A33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 26 / 0 / 53

HEX #335A79

RGB 51 90 121

HSL 206.57, 0.41%, 0.34%

LAB 36.74, -3.96, -21.72

 

Complementary color

CMYK 0 / 19 / 34 / 20

HEX #CCA586

RGB 204 165 134

HSL 26.57, 0.41%, 0.66%

LAB 70.5, 9.96, 21.49

 

CMYK 52 / 22 / 0 / 55

HEX #385A74

RGB 56 90 116

HSL 206, 0.35%, 0.34%

LAB 36.77, -4.39, -18.57

 

CMYK 46 / 20 / 0 / 47

HEX #496C87

RGB 73 108 135

HSL 206.13, 0.3%, 0.41%

LAB 44.08, -4.79, -18.8

 

CMYK 42 / 18 / 0 / 40

HEX #5A7E9A

RGB 90 126 154

HSL 206.25, 0.26%, 0.48%

LAB 51.18, -5.09, -19.05

 

CMYK 38 / 17 / 0 / 32

HEX #6B90AD

RGB 107 144 173

HSL 206.36, 0.29%, 0.55%

LAB 58.12, -5.32, -19.31

 

CMYK 35 / 16 / 0 / 25

HEX #7CA2C0

RGB 124 162 192

HSL 206.47, 0.35%, 0.62%

LAB 64.91, -5.51, -19.59

 

CMYK 58 / 26 / 0 / 53

HEX #335A79

RGB 51 90 121

HSL 206.57, 0.41%, 0.34%

LAB 36.74, -3.96, -21.72

 

CMYK 67 / 29 / 0 / 60

HEX #224866

RGB 34 72 102

HSL 206.47, 0.5%, 0.27%

LAB 29.25, -3.1, -21.55

 

CMYK 80 / 35 / 0 / 67

HEX #113653

RGB 17 54 83

HSL 206.36, 0.66%, 0.2%

LAB 21.51, -1.74, -21.37

 

CMYK 100 / 44 / 0 / 75

HEX #002440

RGB 0 36 64

HSL 206.25, 1%, 0.13%

LAB 13.42, 0.14, -21.29

 

CMYK 100 / 60 / 0 / 82

HEX #00122D

RGB 0 18 45

HSL 216, 1%, 0.09%

LAB 5.62, 4.04, -20.07

 

CMYK 58 / 26 / 0 / 52

HEX #335A7A

RGB 51 90 122

HSL 207.04, 0.41%, 0.34%

LAB 36.78, -3.62, -22.27

 

CMYK 58 / 42 / 0 / 52

HEX #33477A

RGB 51 71 122

HSL 223.1, 0.41%, 0.34%

LAB 30.91, 8.67, -31.49

 

CMYK 58 / 57 / 0 / 52

HEX #33347A

RGB 51 52 122

HSL 239.15, 0.41%, 0.34%

LAB 25.46, 21.56, -40.23

 

CMYK 43 / 58 / 0 / 52

HEX #45337A

RGB 69 51 122

HSL 255.21, 0.41%, 0.34%

LAB 26.84, 26.41, -37.91

 

CMYK 28 / 58 / 0 / 52

HEX #58337A

RGB 88 51 122

HSL 271.27, 0.41%, 0.34%

LAB 29.02, 31.45, -34.29

 

CMYK 58 / 26 / 0 / 52

HEX #335A7A

RGB 51 90 122

HSL 207.04, 0.41%, 0.34%

LAB 36.78, -3.62, -22.27

 

CMYK 58 / 42 / 0 / 52

HEX #33477A

RGB 51 71 122

HSL 223.1, 0.41%, 0.34%

LAB 30.91, 8.67, -31.49

 

CMYK 58 / 57 / 0 / 52

HEX #33347A

RGB 51 52 122

HSL 239.15, 0.41%, 0.34%

LAB 25.46, 21.56, -40.23

 

CMYK 58 / 58 / 0 / 52

HEX #33337A

RGB 51 51 122

HSL 240, 0.41%, 0.34%

LAB 25.19, 22.23, -40.66

 

CMYK 58 / 26 / 0 / 52

HEX #335A7A

RGB 51 90 122

HSL 207.04, 0.41%, 0.34%

LAB 36.78, -3.62, -22.27

 

CMYK 73 / 32 / 0 / 47

HEX #255C88

RGB 37 92 136

HSL 206.67, 0.57%, 0.34%

LAB 37.53, -2.54, -29.71

 

CMYK 85 / 38 / 0 / 41

HEX #175D96

RGB 23 93 150

HSL 206.93, 0.73%, 0.34%

LAB 38.22, 0.53, -37.1

 

CMYK 95 / 42 / 0 / 36

HEX #095FA4

RGB 9 95 164

HSL 206.71, 0.9%, 0.34%

LAB 39.45, 3.95, -43.53

 

CMYK 58 / 26 / 0 / 52

HEX #335A7A

RGB 51 90 122

HSL 207.04, 0.41%, 0.34%

LAB 36.78, -3.62, -22.27

 

CMYK 40 / 18 / 0 / 58

HEX #41596C

RGB 65 89 108

HSL 206.51, 0.25%, 0.34%

LAB 36.65, -3.71, -13.75

 

CMYK 16 / 7 / 0 / 63

HEX #4F575E

RGB 79 87 94

HSL 208, 0.09%, 0.34%

LAB 36.53, -1.5, -5.12

 

CMYK 0 / 9 / 14 / 64

HEX #5D5550

RGB 93 85 80

HSL 23.08, 0.08%, 0.34%

LAB 36.75, 2.29, 4.09

 

CMYK 0 / 21 / 38 / 58

HEX #6B5442

RGB 107 84 66

HSL 26.34, 0.24%, 0.34%

LAB 37.59, 6.75, 14.15

 

CMYK 58 / 0 / 6 / 52

HEX #337A73

RGB 51 122 115

HSL 174.08, 0.41%, 0.34%

LAB 46.79, -23.93, -2.87

 

CMYK 58 / 10 / 0 / 52

HEX #336E7A

RGB 51 110 122

HSL 190.14, 0.41%, 0.34%

LAB 43.15, -15.41, -12.49

 

CMYK 58 / 25 / 0 / 52

HEX #335B7A

RGB 51 91 122

HSL 206.2, 0.41%, 0.34%

LAB 37.1, -4.24, -21.78

 

CMYK 58 / 41 / 0 / 52

HEX #33487A

RGB 51 72 122

HSL 222.25, 0.41%, 0.34%

LAB 31.22, 8, -31.01

 

CMYK 58 / 57 / 0 / 52

HEX #33357A

RGB 51 53 122

HSL 238.31, 0.41%, 0.34%

LAB 25.73, 20.88, -39.79

 

CMYK 59 / 27 / 0 / 75

HEX #1A2F40

RGB 26 47 64

HSL 206.84, 0.42%, 0.18%

LAB 18.47, -2.53, -13.29

 

CMYK 59 / 26 / 0 / 64

HEX #26455D

RGB 38 69 93

HSL 206.18, 0.42%, 0.26%

LAB 28, -3.54, -17.7

 

CMYK 58 / 26 / 0 / 52

HEX #335A7A

RGB 51 90 122

HSL 207.04, 0.41%, 0.34%

LAB 36.78, -3.62, -22.27

 

CMYK 58 / 26 / 0 / 41

HEX #3F7097

RGB 63 112 151

HSL 206.59, 0.41%, 0.42%

LAB 45.47, -4.53, -26.21

 

CMYK 58 / 26 / 0 / 29

HEX #4B85B4

RGB 75 133 180

HSL 206.86, 0.41%, 0.5%

LAB 53.56, -4.81, -30.47

 

CMYK 58 / 26 / 0 / 53

HEX #335A79

RGB 51 90 121

HSL 206.57, 0.41%, 0.34%

LAB 36.74, -3.96, -21.72

 

CMYK 21 / 58 / 0 / 52

HEX #60337A

RGB 96 51 122

HSL 278.03, 0.41%, 0.34%

LAB 30.06, 33.68, -32.58

 

CMYK 2 / 0 / 58 / 52

HEX #777A33

RGB 119 122 51

HSL 62.54, 0.41%, 0.34%

LAB 49.59, -11.54, 37.74

 

CMYK 58 / 26 / 0 / 53

HEX #335A79

RGB 51 90 121

HSL 206.57, 0.41%, 0.34%

LAB 36.74, -3.96, -21.72

 

CMYK 0 / 58 / 25 / 52

HEX #7A335B

RGB 122 51 91

HSL 326.2, 0.41%, 0.34%

LAB 32.39, 35.8, -8.9

 

CMYK 25 / 0 / 58 / 52

HEX #5B7A33

RGB 91 122 51

HSL 86.2, 0.41%, 0.34%

LAB 47.47, -23.65, 34.76

 

CMYK 58 / 26 / 0 / 53

HEX #335A79

RGB 51 90 121

HSL 206.57, 0.41%, 0.34%

LAB 36.74, -3.96, -21.72

 

CMYK 21 / 58 / 0 / 52

HEX #60337A

RGB 96 51 122

HSL 278.03, 0.41%, 0.34%

LAB 30.06, 33.68, -32.58

 

CMYK 0 / 34 / 58 / 52

HEX #7A5133

RGB 122 81 51

HSL 25.35, 0.41%, 0.34%

LAB 38.31, 13.69, 24.47

 

CMYK 37 / 0 / 58 / 52

HEX #4D7A33

RGB 77 122 51

HSL 98.03, 0.41%, 0.34%

LAB 46.63, -29.13, 33.56

 

CMYK 58 / 26 / 0 / 53

HEX #335A79

RGB 51 90 121

HSL 206.57, 0.41%, 0.34%

LAB 36.74, -3.96, -21.72

 

CMYK 4 / 58 / 0 / 52

HEX #75337A

RGB 117 51 122

HSL 295.77, 0.41%, 0.34%

LAB 33.04, 39.69, -27.68

 

CMYK 0 / 34 / 58 / 52

HEX #7A5133

RGB 122 81 51

HSL 25.35, 0.41%, 0.34%

LAB 38.31, 13.69, 24.47

 

CMYK 55 / 0 / 58 / 52

HEX #377A33

RGB 55 122 51

HSL 116.62, 0.41%, 0.34%

LAB 45.59, -36.48, 32.08

 

Description

Color code: HEX #335A79 | qconv.com Color code: HEX #335A79 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 90 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 90 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 26 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 26% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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