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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 51 110 122 it is the complementary color RGB 204 145 133. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 51 110 122. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 51 110 122 shade: RGB 56 110 117, RGB 73 128 136, RGB 90 146 155, RGB 107 164 174 and RGB 124 182 193

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 51 110 122. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 51 110 122 shade: RGB 51 110 122, RGB 34 92 103, RGB 17 74 84, RGB 0 56 65 and RGB 0 38 46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 51 110 122 shade: RGB 51 110 122, RGB 51 91 122, RGB 51 71 122, RGB 51 52 122 and RGB 68 51 122

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 51 110 122 shade: RGB 51 110 122, RGB 51 91 122, RGB 51 71 122, RGB 51 52 122 and RGB 51 51 122

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 51 110 122 shade matches the following richer shades: RGB 51 110 122, RGB 37 119 136, RGB 23 128 150 and RGB 9 138 164

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 51 110 122 shade: RGB 51 110 122, RGB 65 100 108, RGB 79 91 94, RGB 93 82 80 and RGB 107 73 66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 51 110 122 shade: RGB 51 122 96, RGB 51 122 115, RGB 51 110 122, RGB 51 91 122 and RGB 51 72 122

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 51 110 122 shade: RGB 26 57 64, RGB 38 84 93, RGB 51 110 122, RGB 63 136 151 and RGB 75 162 180

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 51 110 122 shade: RGB 51 110 122, RGB 77 51 122 and RGB 122 105 51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 51 110 122 shade: RGB 51 110 122, RGB 122 51 110 and RGB 110 122 51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 51 110 122 shade: RGB 51 110 122, RGB 77 51 122, RGB 122 63 51 and RGB 96 122 51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 51 110 122 shade: RGB 51 110 122, RGB 98 51 122, RGB 122 63 51 and RGB 74 122 51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 10 / 0 / 52

HEX #336E7A

RGB 51 110 122

HSL 190.14, 0.41%, 0.34%

LAB 43.15, -15.41, -12.49

 

Complementary color

CMYK 0 / 29 / 35 / 20

HEX #CC9185

RGB 204 145 133

HSL 10.14, 0.41%, 0.66%

LAB 65.58, 20.74, 15.26

 

CMYK 52 / 6 / 0 / 54

HEX #386E75

RGB 56 110 117

HSL 186.89, 0.35%, 0.34%

LAB 43.18, -15.79, -9.42

 

CMYK 46 / 6 / 0 / 47

HEX #498088

RGB 73 128 136

HSL 187.62, 0.3%, 0.41%

LAB 50.25, -15.91, -10.01

 

CMYK 42 / 6 / 0 / 39

HEX #5A929B

RGB 90 146 155

HSL 188.31, 0.27%, 0.48%

LAB 57.17, -15.97, -10.56

 

CMYK 39 / 6 / 0 / 32

HEX #6BA4AE

RGB 107 164 174

HSL 188.96, 0.29%, 0.55%

LAB 63.94, -15.99, -11.08

 

CMYK 36 / 6 / 0 / 24

HEX #7CB6C1

RGB 124 182 193

HSL 189.57, 0.36%, 0.62%

LAB 70.59, -15.99, -11.57

 

CMYK 58 / 10 / 0 / 52

HEX #336E7A

RGB 51 110 122

HSL 190.14, 0.41%, 0.34%

LAB 43.15, -15.41, -12.49

 

CMYK 67 / 11 / 0 / 60

HEX #225C67

RGB 34 92 103

HSL 189.57, 0.5%, 0.27%

LAB 35.93, -14.92, -11.88

 

CMYK 80 / 12 / 0 / 67

HEX #114A54

RGB 17 74 84

HSL 188.96, 0.66%, 0.2%

LAB 28.53, -14.05, -11.16

 

CMYK 100 / 14 / 0 / 75

HEX #003841

RGB 0 56 65

HSL 188.31, 1%, 0.13%

LAB 20.87, -12.87, -10.35

 

CMYK 100 / 17 / 0 / 82

HEX #00262E

RGB 0 38 46

HSL 190.43, 1%, 0.09%

LAB 13.13, -9.58, -9.01

 

CMYK 58 / 10 / 0 / 52

HEX #336E7A

RGB 51 110 122

HSL 190.14, 0.41%, 0.34%

LAB 43.15, -15.41, -12.49

 

CMYK 58 / 25 / 0 / 52

HEX #335B7A

RGB 51 91 122

HSL 206.2, 0.41%, 0.34%

LAB 37.1, -4.24, -21.78

 

CMYK 58 / 42 / 0 / 52

HEX #33477A

RGB 51 71 122

HSL 223.1, 0.41%, 0.34%

LAB 30.91, 8.67, -31.49

 

CMYK 58 / 57 / 0 / 52

HEX #33347A

RGB 51 52 122

HSL 239.15, 0.41%, 0.34%

LAB 25.46, 21.56, -40.23

 

CMYK 44 / 58 / 0 / 52

HEX #44337A

RGB 68 51 122

HSL 254.37, 0.41%, 0.34%

LAB 26.74, 26.16, -38.08

 

CMYK 58 / 10 / 0 / 52

HEX #336E7A

RGB 51 110 122

HSL 190.14, 0.41%, 0.34%

LAB 43.15, -15.41, -12.49

 

CMYK 58 / 25 / 0 / 52

HEX #335B7A

RGB 51 91 122

HSL 206.2, 0.41%, 0.34%

LAB 37.1, -4.24, -21.78

 

CMYK 58 / 42 / 0 / 52

HEX #33477A

RGB 51 71 122

HSL 223.1, 0.41%, 0.34%

LAB 30.91, 8.67, -31.49

 

CMYK 58 / 57 / 0 / 52

HEX #33347A

RGB 51 52 122

HSL 239.15, 0.41%, 0.34%

LAB 25.46, 21.56, -40.23

 

CMYK 58 / 58 / 0 / 52

HEX #33337A

RGB 51 51 122

HSL 240, 0.41%, 0.34%

LAB 25.19, 22.23, -40.66

 

CMYK 58 / 10 / 0 / 52

HEX #336E7A

RGB 51 110 122

HSL 190.14, 0.41%, 0.34%

LAB 43.15, -15.41, -12.49

 

CMYK 73 / 13 / 0 / 47

HEX #257788

RGB 37 119 136

HSL 190.3, 0.57%, 0.34%

LAB 46.13, -18.34, -16.38

 

CMYK 85 / 15 / 0 / 41

HEX #178096

RGB 23 128 150

HSL 190.39, 0.73%, 0.34%

LAB 49.28, -20, -19.83

 

CMYK 95 / 16 / 0 / 36

HEX #098AA4

RGB 9 138 164

HSL 190.06, 0.9%, 0.34%

LAB 52.86, -21.28, -22.49

 

CMYK 58 / 10 / 0 / 52

HEX #336E7A

RGB 51 110 122

HSL 190.14, 0.41%, 0.34%

LAB 43.15, -15.41, -12.49

 

CMYK 40 / 7 / 0 / 58

HEX #41646C

RGB 65 100 108

HSL 191.16, 0.25%, 0.34%

LAB 40.12, -10.29, -8.51

 

CMYK 16 / 3 / 0 / 63

HEX #4F5B5E

RGB 79 91 94

HSL 192, 0.09%, 0.34%

LAB 37.76, -3.93, -3.3

 

CMYK 0 / 12 / 14 / 64

HEX #5D5250

RGB 93 82 80

HSL 9.23, 0.08%, 0.34%

LAB 35.87, 4.14, 2.82

 

CMYK 0 / 32 / 38 / 58

HEX #6B4942

RGB 107 73 66

HSL 10.24, 0.24%, 0.34%

LAB 34.57, 13.5, 10.01

 

CMYK 58 / 0 / 21 / 52

HEX #337A60

RGB 51 122 96

HSL 158.03, 0.41%, 0.34%

LAB 46.27, -28.97, 7.62

 

CMYK 58 / 0 / 6 / 52

HEX #337A73

RGB 51 122 115

HSL 174.08, 0.41%, 0.34%

LAB 46.79, -23.93, -2.87

 

CMYK 58 / 10 / 0 / 52

HEX #336E7A

RGB 51 110 122

HSL 190.14, 0.41%, 0.34%

LAB 43.15, -15.41, -12.49

 

CMYK 58 / 25 / 0 / 52

HEX #335B7A

RGB 51 91 122

HSL 206.2, 0.41%, 0.34%

LAB 37.1, -4.24, -21.78

 

CMYK 58 / 41 / 0 / 52

HEX #33487A

RGB 51 72 122

HSL 222.25, 0.41%, 0.34%

LAB 31.22, 8, -31.01

 

CMYK 59 / 11 / 0 / 75

HEX #1A3940

RGB 26 57 64

HSL 191.05, 0.42%, 0.18%

LAB 22, -9.11, -7.87

 

CMYK 59 / 10 / 0 / 64

HEX #26545D

RGB 38 84 93

HSL 189.82, 0.42%, 0.26%

LAB 33.01, -12.78, -10.03

 

CMYK 58 / 10 / 0 / 52

HEX #336E7A

RGB 51 110 122

HSL 190.14, 0.41%, 0.34%

LAB 43.15, -15.41, -12.49

 

CMYK 58 / 10 / 0 / 41

HEX #3F8897

RGB 63 136 151

HSL 190.23, 0.41%, 0.42%

LAB 52.84, -18.14, -14.9

 

CMYK 58 / 10 / 0 / 29

HEX #4BA2B4

RGB 75 162 180

HSL 190.29, 0.41%, 0.5%

LAB 62.2, -20.76, -17.21

 

CMYK 58 / 10 / 0 / 52

HEX #336E7A

RGB 51 110 122

HSL 190.14, 0.41%, 0.34%

LAB 43.15, -15.41, -12.49

 

CMYK 37 / 58 / 0 / 52

HEX #4D337A

RGB 77 51 122

HSL 261.97, 0.41%, 0.34%

LAB 27.71, 28.47, -36.47

 

CMYK 0 / 14 / 58 / 52

HEX #7A6933

RGB 122 105 51

HSL 45.63, 0.41%, 0.34%

LAB 44.91, -0.56, 32.43

 

CMYK 58 / 10 / 0 / 52

HEX #336E7A

RGB 51 110 122

HSL 190.14, 0.41%, 0.34%

LAB 43.15, -15.41, -12.49

 

CMYK 0 / 58 / 10 / 52

HEX #7A336E

RGB 122 51 110

HSL 310.14, 0.41%, 0.34%

LAB 33.2, 38.92, -19.8

 

CMYK 10 / 0 / 58 / 52

HEX #6E7A33

RGB 110 122 51

HSL 70.14, 0.41%, 0.34%

LAB 48.85, -15.55, 36.7

 

CMYK 58 / 10 / 0 / 52

HEX #336E7A

RGB 51 110 122

HSL 190.14, 0.41%, 0.34%

LAB 43.15, -15.41, -12.49

 

CMYK 37 / 58 / 0 / 52

HEX #4D337A

RGB 77 51 122

HSL 261.97, 0.41%, 0.34%

LAB 27.71, 28.47, -36.47

 

CMYK 0 / 48 / 58 / 52

HEX #7A3F33

RGB 122 63 51

HSL 10.14, 0.41%, 0.34%

LAB 33.84, 24.33, 18.82

 

CMYK 21 / 0 / 58 / 52

HEX #607A33

RGB 96 122 51

HSL 81.97, 0.41%, 0.34%

LAB 47.81, -21.58, 35.23

 

CMYK 58 / 10 / 0 / 52

HEX #336E7A

RGB 51 110 122

HSL 190.14, 0.41%, 0.34%

LAB 43.15, -15.41, -12.49

 

CMYK 20 / 58 / 0 / 52

HEX #62337A

RGB 98 51 122

HSL 279.72, 0.41%, 0.34%

LAB 30.33, 34.25, -32.14

 

CMYK 0 / 48 / 58 / 52

HEX #7A3F33

RGB 122 63 51

HSL 10.14, 0.41%, 0.34%

LAB 33.84, 24.33, 18.82

 

CMYK 39 / 0 / 58 / 52

HEX #4A7A33

RGB 74 122 51

HSL 100.56, 0.41%, 0.34%

LAB 46.46, -30.24, 33.33

 

Description

Color code: RGB 51 110 122 | qconv.com Color code: RGB 51 110 122 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 110 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 110 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 10 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 10% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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