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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33A050 it is the complementary color #CC5FAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33A050. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33A050 shade: #38A04B, #49B25E, #5AC471, #6BD684 and #7CE897

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33A050. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33A050 shade: #33A050, #228E3D, #117C2A, #006A17 and #005804

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33A050 shade: #329E4F, #329E32, #4F9E32, #6D9E32 and #8A9E32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33A050 shade: #329E4F, #329E6C, #329E89, #32969E and #32799E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33A050 shade matches the following richer shades: #329E4F, #21AF47 and #10C03F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33A050 shade: #329E4F, #438D57, #547D5E, #646C66 and #755B6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33A050 shade: #509E32, #339E32, #329E4D, #329E6A and #329E87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33A050 shade: #1E602F, #287F3F, #329E4F, #3CBE5E and #59CA77

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33A050 shade: #33A050, #326D9E and #9E3242

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33A050 shade: #33A050, #4D329E and #9E4D32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33A050 shade: #33A050, #326D9E, #9E3283 and #9E6332

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33A050 shade: #33A050, #324D9E, #9E3283 and #9E8332

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 50 / 37

HEX #33A050

RGB 51 160 80

HSL 135.96, 0.52%, 0.41%

LAB 58.44, -48.37, 32.78

 

Complementary color

CMYK 0 / 53 / 14 / 20

HEX #CC5FAF

RGB 204 95 175

HSL 315.96, 0.52%, 0.59%

LAB 56.2, 52.97, -22.56

 

CMYK 65 / 0 / 53 / 37

HEX #38A04B

RGB 56 160 75

HSL 130.96, 0.48%, 0.42%

LAB 58.5, -48.11, 35.43

 

CMYK 59 / 0 / 47 / 30

HEX #49B25E

RGB 73 178 94

HSL 132, 0.42%, 0.49%

LAB 65.01, -48.43, 33.98

 

CMYK 54 / 0 / 42 / 23

HEX #5AC471

RGB 90 196 113

HSL 133.02, 0.47%, 0.56%

LAB 71.45, -48.51, 32.58

 

CMYK 50 / 0 / 38 / 16

HEX #6BD684

RGB 107 214 132

HSL 134.02, 0.57%, 0.63%

LAB 77.81, -48.45, 31.26

 

CMYK 47 / 0 / 35 / 9

HEX #7CE897

RGB 124 232 151

HSL 135, 0.7%, 0.7%

LAB 84.09, -48.3, 30.02

 

CMYK 68 / 0 / 50 / 37

HEX #33A050

RGB 51 160 80

HSL 135.96, 0.52%, 0.41%

LAB 58.44, -48.37, 32.78

 

CMYK 76 / 0 / 57 / 44

HEX #228E3D

RGB 34 142 61

HSL 135, 0.61%, 0.35%

LAB 51.86, -47.57, 34.33

 

CMYK 86 / 0 / 66 / 51

HEX #117C2A

RGB 17 124 42

HSL 134.02, 0.76%, 0.28%

LAB 45.22, -46.08, 35.83

 

CMYK 100 / 0 / 78 / 58

HEX #006A17

RGB 0 106 23

HSL 133.02, 1%, 0.21%

LAB 38.5, -43.78, 36.87

 

CMYK 100 / 0 / 95 / 65

HEX #005804

RGB 0 88 4

HSL 122.73, 1%, 0.17%

LAB 31.78, -39.42, 36.92

 

CMYK 68 / 0 / 50 / 38

HEX #329E4F

RGB 50 158 79

HSL 136.11, 0.52%, 0.41%

LAB 57.75, -47.96, 32.42

 

CMYK 68 / 0 / 68 / 38

HEX #329E32

RGB 50 158 50

HSL 120, 0.52%, 0.41%

LAB 57.43, -51.7, 45.84

 

CMYK 50 / 0 / 68 / 38

HEX #4F9E32

RGB 79 158 50

HSL 103.89, 0.52%, 0.41%

LAB 58.36, -44.3, 47.12

 

CMYK 31 / 0 / 68 / 38

HEX #6D9E32

RGB 109 158 50

HSL 87.22, 0.52%, 0.41%

LAB 59.83, -33.94, 49.11

 

CMYK 13 / 0 / 68 / 38

HEX #8A9E32

RGB 138 158 50

HSL 71.11, 0.52%, 0.41%

LAB 61.73, -22.19, 51.68

 

CMYK 68 / 0 / 50 / 38

HEX #329E4F

RGB 50 158 79

HSL 136.11, 0.52%, 0.41%

LAB 57.75, -47.96, 32.42

 

CMYK 68 / 0 / 32 / 38

HEX #329E6C

RGB 50 158 108

HSL 152.22, 0.52%, 0.41%

LAB 58.24, -42.5, 17.45

 

CMYK 68 / 0 / 13 / 38

HEX #329E89

RGB 50 158 137

HSL 168.33, 0.52%, 0.41%

LAB 58.92, -35.48, 2.11

 

CMYK 68 / 5 / 0 / 38

HEX #32969E

RGB 50 150 158

HSL 184.44, 0.52%, 0.41%

LAB 57.04, -25.6, -12.62

 

CMYK 68 / 23 / 0 / 38

HEX #32799E

RGB 50 121 158

HSL 200.56, 0.52%, 0.41%

LAB 48.03, -9.93, -26.39

 

CMYK 68 / 0 / 50 / 38

HEX #329E4F

RGB 50 158 79

HSL 136.11, 0.52%, 0.41%

LAB 57.75, -47.96, 32.42

 

CMYK 81 / 0 / 59 / 31

HEX #21AF47

RGB 33 175 71

HSL 136.06, 0.68%, 0.41%

LAB 62.88, -57.75, 42.48

 

CMYK 92 / 0 / 67 / 25

HEX #10C03F

RGB 16 192 63

HSL 136.02, 0.85%, 0.41%

LAB 68.14, -65.49, 51.88

 

CMYK 68 / 0 / 50 / 38

HEX #329E4F

RGB 50 158 79

HSL 136.11, 0.52%, 0.41%

LAB 57.75, -47.96, 32.42

 

CMYK 52 / 0 / 38 / 45

HEX #438D57

RGB 67 141 87

HSL 136.22, 0.36%, 0.41%

LAB 52.87, -35.61, 21.96

 

CMYK 33 / 0 / 25 / 51

HEX #547D5E

RGB 84 125 94

HSL 134.63, 0.2%, 0.41%

LAB 48.71, -21.24, 12.45

 

CMYK 7 / 0 / 6 / 58

HEX #646C66

RGB 100 108 102

HSL 135, 0.04%, 0.41%

LAB 44.79, -4.31, 2.3

 

CMYK 0 / 22 / 6 / 54

HEX #755B6E

RGB 117 91 110

HSL 316.15, 0.13%, 0.41%

LAB 41.83, 14.11, -6.73

 

CMYK 49 / 0 / 68 / 38

HEX #509E32

RGB 80 158 50

HSL 103.33, 0.52%, 0.41%

LAB 58.4, -44, 47.18

 

CMYK 68 / 0 / 68 / 38

HEX #339E32

RGB 51 158 50

HSL 119.44, 0.52%, 0.41%

LAB 57.45, -51.49, 45.87

 

CMYK 68 / 0 / 51 / 38

HEX #329E4D

RGB 50 158 77

HSL 135, 0.52%, 0.41%

LAB 57.72, -48.27, 33.42

 

CMYK 68 / 0 / 33 / 38

HEX #329E6A

RGB 50 158 106

HSL 151.11, 0.52%, 0.41%

LAB 58.2, -42.93, 18.5

 

CMYK 68 / 0 / 15 / 38

HEX #329E87

RGB 50 158 135

HSL 167.22, 0.52%, 0.41%

LAB 58.86, -36.01, 3.17

 

CMYK 69 / 0 / 51 / 62

HEX #1E602F

RGB 30 96 47

HSL 135.45, 0.52%, 0.25%

LAB 35.69, -32.6, 21.97

 

CMYK 69 / 0 / 50 / 50

HEX #287F3F

RGB 40 127 63

HSL 135.86, 0.52%, 0.33%

LAB 46.96, -40.47, 27.32

 

CMYK 68 / 0 / 50 / 38

HEX #329E4F

RGB 50 158 79

HSL 136.11, 0.52%, 0.41%

LAB 57.75, -47.96, 32.42

 

CMYK 68 / 0 / 51 / 25

HEX #3CBE5E

RGB 60 190 94

HSL 135.69, 0.52%, 0.49%

LAB 68.46, -55.67, 38.21

 

CMYK 56 / 0 / 41 / 21

HEX #59CA77

RGB 89 202 119

HSL 135.93, 0.52%, 0.57%

LAB 73.35, -50.19, 31.96

 

CMYK 68 / 0 / 50 / 37

HEX #33A050

RGB 51 160 80

HSL 135.96, 0.52%, 0.41%

LAB 58.44, -48.37, 32.78

 

CMYK 68 / 31 / 0 / 38

HEX #326D9E

RGB 50 109 158

HSL 207.22, 0.52%, 0.41%

LAB 44.35, -2.82, -32.14

 

CMYK 0 / 68 / 58 / 38

HEX #9E3242

RGB 158 50 66

HSL 351.11, 0.52%, 0.41%

LAB 37.74, 45.72, 15.64

 

CMYK 68 / 0 / 50 / 37

HEX #33A050

RGB 51 160 80

HSL 135.96, 0.52%, 0.41%

LAB 58.44, -48.37, 32.78

 

CMYK 51 / 68 / 0 / 38

HEX #4D329E

RGB 77 50 158

HSL 255, 0.52%, 0.41%

LAB 30.22, 39.7, -54.68

 

CMYK 0 / 51 / 68 / 38

HEX #9E4D32

RGB 158 77 50

HSL 15, 0.52%, 0.41%

LAB 42.47, 31.49, 31.28

 

CMYK 68 / 0 / 50 / 37

HEX #33A050

RGB 51 160 80

HSL 135.96, 0.52%, 0.41%

LAB 58.44, -48.37, 32.78

 

CMYK 68 / 31 / 0 / 38

HEX #326D9E

RGB 50 109 158

HSL 207.22, 0.52%, 0.41%

LAB 44.35, -2.82, -32.14

 

CMYK 0 / 68 / 17 / 38

HEX #9E3283

RGB 158 50 131

HSL 315, 0.52%, 0.41%

LAB 39.9, 53.14, -22.07

 

CMYK 0 / 37 / 68 / 38

HEX #9E6332

RGB 158 99 50

HSL 27.22, 0.52%, 0.41%

LAB 47.52, 19.25, 37.06

 

CMYK 68 / 0 / 50 / 37

HEX #33A050

RGB 51 160 80

HSL 135.96, 0.52%, 0.41%

LAB 58.44, -48.37, 32.78

 

CMYK 68 / 51 / 0 / 38

HEX #324D9E

RGB 50 77 158

HSL 225, 0.52%, 0.41%

LAB 34.91, 17.7, -47.16

 

CMYK 0 / 68 / 17 / 38

HEX #9E3283

RGB 158 50 131

HSL 315, 0.52%, 0.41%

LAB 39.9, 53.14, -22.07

 

CMYK 0 / 17 / 68 / 38

HEX #9E8332

RGB 158 131 50

HSL 45, 0.52%, 0.41%

LAB 55.82, 1.08, 46.07

 

Description

Color code: HEX #33A050 | qconv.com Color code: HEX #33A050 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 160 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 160 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 50 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 50% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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