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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9E6332 it is the complementary color #619CCD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9E6332. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9E6332 shade: #A3632D, #B47540, #C58753, #D69966 and #E7AB79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9E6332. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9E6332 shade: #9E6332, #8D511F, #7C3F0C, #6B2D00 and #5A1B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9E6332 shade: #9E6332, #9E4632 and #9E3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9E6332 shade: #9E6332, #9E8032, #9E9E32, #829E32 and #659E32

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9E6332 shade matches the following richer shades: #9E6332, #AF6121 and #C06010

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9E6332 shade: #9E6332, #8D6543, #7D6654, #6C6864 and #5B6975

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9E6332 shade: #9E323B, #9E4632, #9E6332, #9E8032 and #9E9D32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9E6332 shade: #603C1E, #7F4F28, #9E6332, #BE773C and #CA8C59

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9E6332 shade: #9E6332, #589E32 and #37329E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9E6332 shade: #9E6332, #329E63 and #63329E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9E6332 shade: #9E6332, #589E32, #326D9E and #78329E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9E6332 shade: #9E6332, #379E32, #326D9E and #99329E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 68 / 38

HEX #9E6332

RGB 158 99 50

HSL 27.22, 0.52%, 0.41%

LAB 47.52, 19.25, 37.06

 

Complementary color

CMYK 53 / 24 / 0 / 20

HEX #619CCD

RGB 97 156 205

HSL 207.22, 0.52%, 0.59%

LAB 62.28, -5.35, -31.01

 

CMYK 0 / 39 / 72 / 36

HEX #A3632D

RGB 163 99 45

HSL 27.46, 0.57%, 0.41%

LAB 48.13, 21.16, 40.47

 

CMYK 0 / 35 / 64 / 29

HEX #B47540

RGB 180 117 64

HSL 27.41, 0.48%, 0.48%

LAB 54.86, 19.59, 38.85

 

CMYK 0 / 31 / 58 / 23

HEX #C58753

RGB 197 135 83

HSL 27.37, 0.5%, 0.55%

LAB 61.5, 18.26, 37.24

 

CMYK 0 / 29 / 52 / 16

HEX #D69966

RGB 214 153 102

HSL 27.32, 0.58%, 0.62%

LAB 68.05, 17.11, 35.71

 

CMYK 0 / 26 / 48 / 9

HEX #E7AB79

RGB 231 171 121

HSL 27.27, 0.7%, 0.69%

LAB 74.51, 16.11, 34.28

 

CMYK 0 / 37 / 68 / 38

HEX #9E6332

RGB 158 99 50

HSL 27.22, 0.52%, 0.41%

LAB 47.52, 19.25, 37.06

 

CMYK 0 / 43 / 78 / 45

HEX #8D511F

RGB 141 81 31

HSL 27.27, 0.64%, 0.34%

LAB 40.65, 20.97, 38.66

 

CMYK 0 / 49 / 90 / 51

HEX #7C3F0C

RGB 124 63 12

HSL 27.32, 0.82%, 0.27%

LAB 33.7, 23.02, 39.62

 

CMYK 0 / 58 / 100 / 58

HEX #6B2D00

RGB 107 45 0

HSL 25.23, 1%, 0.21%

LAB 26.74, 25.37, 37.57

 

CMYK 0 / 70 / 100 / 65

HEX #5A1B00

RGB 90 27 0

HSL 18, 1%, 0.18%

LAB 19.87, 27.7, 29.57

 

CMYK 0 / 37 / 68 / 38

HEX #9E6332

RGB 158 99 50

HSL 27.22, 0.52%, 0.41%

LAB 47.52, 19.25, 37.06

 

CMYK 0 / 56 / 68 / 38

HEX #9E4632

RGB 158 70 50

HSL 11.11, 0.52%, 0.41%

LAB 41.02, 35.18, 29.57

 

CMYK 0 / 68 / 68 / 38

HEX #9E3232

RGB 158 50 50

HSL 0, 0.52%, 0.41%

LAB 37.45, 44.65, 25.27

 

CMYK 0 / 37 / 68 / 38

HEX #9E6332

RGB 158 99 50

HSL 27.22, 0.52%, 0.41%

LAB 47.52, 19.25, 37.06

 

CMYK 0 / 19 / 68 / 38

HEX #9E8032

RGB 158 128 50

HSL 43.33, 0.52%, 0.41%

LAB 55.01, 2.75, 45.22

 

CMYK 0 / 0 / 68 / 38

HEX #9E9E32

RGB 158 158 50

HSL 60, 0.52%, 0.41%

LAB 63.3, -13.54, 53.78

 

CMYK 18 / 0 / 68 / 38

HEX #829E32

RGB 130 158 50

HSL 75.56, 0.52%, 0.41%

LAB 61.16, -25.55, 50.91

 

CMYK 36 / 0 / 68 / 38

HEX #659E32

RGB 101 158 50

HSL 91.67, 0.52%, 0.41%

LAB 59.39, -36.92, 48.52

 

CMYK 0 / 37 / 68 / 38

HEX #9E6332

RGB 158 99 50

HSL 27.22, 0.52%, 0.41%

LAB 47.52, 19.25, 37.06

 

CMYK 0 / 45 / 81 / 31

HEX #AF6121

RGB 175 97 33

HSL 27.04, 0.68%, 0.41%

LAB 49.22, 26.93, 47.68

 

CMYK 0 / 50 / 92 / 25

HEX #C06010

RGB 192 96 16

HSL 27.27, 0.85%, 0.41%

LAB 51.39, 34.15, 56.44

 

CMYK 0 / 37 / 68 / 38

HEX #9E6332

RGB 158 99 50

HSL 27.22, 0.52%, 0.41%

LAB 47.52, 19.25, 37.06

 

CMYK 0 / 28 / 52 / 45

HEX #8D6543

RGB 141 101 67

HSL 27.57, 0.36%, 0.41%

LAB 46.14, 11.91, 25.53

 

CMYK 0 / 18 / 33 / 51

HEX #7D6654

RGB 125 102 84

HSL 26.34, 0.2%, 0.41%

LAB 44.95, 6.35, 13.64

 

CMYK 0 / 4 / 7 / 58

HEX #6C6864

RGB 108 104 100

HSL 30, 0.04%, 0.41%

LAB 44.25, 0.78, 2.8

 

CMYK 22 / 10 / 0 / 54

HEX #5B6975

RGB 91 105 117

HSL 207.69, 0.13%, 0.41%

LAB 43.67, -2.41, -8.48

 

CMYK 0 / 68 / 63 / 38

HEX #9E323B

RGB 158 50 59

HSL 355, 0.52%, 0.41%

LAB 37.6, 45.21, 19.87

 

CMYK 0 / 56 / 68 / 38

HEX #9E4632

RGB 158 70 50

HSL 11.11, 0.52%, 0.41%

LAB 41.02, 35.18, 29.57

 

CMYK 0 / 37 / 68 / 38

HEX #9E6332

RGB 158 99 50

HSL 27.22, 0.52%, 0.41%

LAB 47.52, 19.25, 37.06

 

CMYK 0 / 19 / 68 / 38

HEX #9E8032

RGB 158 128 50

HSL 43.33, 0.52%, 0.41%

LAB 55.01, 2.75, 45.22

 

CMYK 0 / 1 / 68 / 38

HEX #9E9D32

RGB 158 157 50

HSL 59.44, 0.52%, 0.41%

LAB 63.02, -13.01, 53.5

 

CMYK 0 / 38 / 69 / 62

HEX #603C1E

RGB 96 60 30

HSL 27.27, 0.52%, 0.25%

LAB 28.93, 12.6, 24.72

 

CMYK 0 / 38 / 69 / 50

HEX #7F4F28

RGB 127 79 40

HSL 26.9, 0.52%, 0.33%

LAB 38.3, 16.3, 30.9

 

CMYK 0 / 37 / 68 / 38

HEX #9E6332

RGB 158 99 50

HSL 27.22, 0.52%, 0.41%

LAB 47.52, 19.25, 37.06

 

CMYK 0 / 37 / 68 / 25

HEX #BE773C

RGB 190 119 60

HSL 27.23, 0.52%, 0.49%

LAB 56.55, 22.51, 43.15

 

CMYK 0 / 31 / 56 / 21

HEX #CA8C59

RGB 202 140 89

HSL 27.08, 0.52%, 0.57%

LAB 63.37, 18.09, 36.48

 

CMYK 0 / 37 / 68 / 38

HEX #9E6332

RGB 158 99 50

HSL 27.22, 0.52%, 0.41%

LAB 47.52, 19.25, 37.06

 

CMYK 44 / 0 / 68 / 38

HEX #589E32

RGB 88 158 50

HSL 98.89, 0.52%, 0.41%

LAB 58.75, -41.45, 47.65

 

CMYK 65 / 68 / 0 / 38

HEX #37329E

RGB 55 50 158

HSL 242.78, 0.52%, 0.41%

LAB 28.28, 36.08, -57.93

 

CMYK 0 / 37 / 68 / 38

HEX #9E6332

RGB 158 99 50

HSL 27.22, 0.52%, 0.41%

LAB 47.52, 19.25, 37.06

 

CMYK 68 / 0 / 37 / 38

HEX #329E63

RGB 50 158 99

HSL 147.22, 0.52%, 0.41%

LAB 58.07, -44.37, 22.17

 

CMYK 37 / 68 / 0 / 38

HEX #63329E

RGB 99 50 158

HSL 267.22, 0.52%, 0.41%

LAB 32.71, 44.04, -50.53

 

CMYK 0 / 37 / 68 / 38

HEX #9E6332

RGB 158 99 50

HSL 27.22, 0.52%, 0.41%

LAB 47.52, 19.25, 37.06

 

CMYK 44 / 0 / 68 / 38

HEX #589E32

RGB 88 158 50

HSL 98.89, 0.52%, 0.41%

LAB 58.75, -41.45, 47.65

 

CMYK 68 / 31 / 0 / 38

HEX #326D9E

RGB 50 109 158

HSL 207.22, 0.52%, 0.41%

LAB 44.35, -2.82, -32.14

 

CMYK 24 / 68 / 0 / 38

HEX #78329E

RGB 120 50 158

HSL 278.89, 0.52%, 0.41%

LAB 35.48, 48.63, -45.9

 

CMYK 0 / 37 / 68 / 38

HEX #9E6332

RGB 158 99 50

HSL 27.22, 0.52%, 0.41%

LAB 47.52, 19.25, 37.06

 

CMYK 65 / 0 / 68 / 38

HEX #379E32

RGB 55 158 50

HSL 117.22, 0.52%, 0.41%

LAB 57.56, -50.64, 46.01

 

CMYK 68 / 31 / 0 / 38

HEX #326D9E

RGB 50 109 158

HSL 207.22, 0.52%, 0.41%

LAB 44.35, -2.82, -32.14

 

CMYK 3 / 68 / 0 / 38

HEX #99329E

RGB 153 50 158

HSL 297.22, 0.52%, 0.41%

LAB 40.45, 56.3, -37.69

 

Description

Color code: HEX #9E6332 | qconv.com Color code: HEX #9E6332 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 99 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 99 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 68 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 68% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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