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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33A77F it is the complementary color #CC5880. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33A77F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33A77F shade: #38A77A, #49B98D, #5ACBA0, #6BDDB3 and #7CEFC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33A77F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33A77F shade: #33A77F, #22956C, #118359, #007146 and #005F33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33A77F shade: #33A77F, #33A760, #33A740, #45A733 and #64A733

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33A77F shade: #33A77F, #33A79F, #3391A7, #3371A7 and #3352A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33A77F shade matches the following richer shades: #33A77F, #21B985 and #10CB8A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33A77F shade: #33A77F, #45967A, #578474, #68726F and #7A6069

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33A77F shade: #33A741, #33A760, #33A77F, #33A79E and #3392A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33A77F shade: #20684F, #298867, #33A77F, #40C496 and #5FCEA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33A77F shade: #33A77F, #3344A7 and #A75033

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33A77F shade: #33A77F, #7F33A7 and #A77F33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33A77F shade: #33A77F, #3344A7, #A7335C and #A79633

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33A77F shade: #33A77F, #4433A7, #A7335C and #96A733

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 24 / 35

HEX #33A77F

RGB 51 167 127

HSL 159.31, 0.53%, 0.43%

LAB 61.54, -41.82, 11.49

 

Complementary color

CMYK 0 / 57 / 37 / 20

HEX #CC5880

RGB 204 88 128

HSL 339.31, 0.53%, 0.57%

LAB 53.36, 49.92, 0.74

 

CMYK 66 / 0 / 27 / 35

HEX #38A77A

RGB 56 167 122

HSL 155.68, 0.5%, 0.44%

LAB 61.55, -42.12, 14.29

 

CMYK 61 / 0 / 24 / 27

HEX #49B98D

RGB 73 185 141

HSL 156.43, 0.44%, 0.51%

LAB 68.05, -42.33, 13.02

 

CMYK 56 / 0 / 21 / 20

HEX #5ACBA0

RGB 90 203 160

HSL 157.17, 0.52%, 0.57%

LAB 74.46, -42.38, 11.86

 

CMYK 52 / 0 / 19 / 13

HEX #6BDDB3

RGB 107 221 179

HSL 157.89, 0.63%, 0.64%

LAB 80.79, -42.33, 10.8

 

CMYK 48 / 0 / 17 / 6

HEX #7CEFC6

RGB 124 239 198

HSL 158.61, 0.78%, 0.71%

LAB 87.04, -42.22, 9.82

 

CMYK 69 / 0 / 24 / 35

HEX #33A77F

RGB 51 167 127

HSL 159.31, 0.53%, 0.43%

LAB 61.54, -41.82, 11.49

 

CMYK 77 / 0 / 28 / 42

HEX #22956C

RGB 34 149 108

HSL 158.61, 0.63%, 0.36%

LAB 54.99, -41.21, 12.9

 

CMYK 87 / 0 / 32 / 49

HEX #118359

RGB 17 131 89

HSL 157.89, 0.77%, 0.29%

LAB 48.35, -40.16, 14.5

 

CMYK 100 / 0 / 38 / 56

HEX #007146

RGB 0 113 70

HSL 157.17, 1%, 0.22%

LAB 41.61, -38.65, 16.31

 

CMYK 100 / 0 / 46 / 63

HEX #005F33

RGB 0 95 51

HSL 152.21, 1%, 0.19%

LAB 34.85, -35.79, 18.47

 

CMYK 69 / 0 / 24 / 35

HEX #33A77F

RGB 51 167 127

HSL 159.31, 0.53%, 0.43%

LAB 61.54, -41.82, 11.49

 

CMYK 69 / 0 / 43 / 35

HEX #33A760

RGB 51 167 96

HSL 143.28, 0.53%, 0.43%

LAB 60.95, -48.33, 27.59

 

CMYK 69 / 0 / 62 / 35

HEX #33A740

RGB 51 167 64

HSL 126.72, 0.53%, 0.43%

LAB 60.53, -53.15, 43.1

 

CMYK 59 / 0 / 69 / 35

HEX #45A733

RGB 69 167 51

HSL 110.69, 0.53%, 0.43%

LAB 60.91, -50.5, 49.29

 

CMYK 40 / 0 / 69 / 35

HEX #64A733

RGB 100 167 51

HSL 94.66, 0.53%, 0.43%

LAB 62.16, -41.12, 50.99

 

CMYK 69 / 0 / 24 / 35

HEX #33A77F

RGB 51 167 127

HSL 159.31, 0.53%, 0.43%

LAB 61.54, -41.82, 11.49

 

CMYK 69 / 0 / 5 / 35

HEX #33A79F

RGB 51 167 159

HSL 175.86, 0.53%, 0.43%

LAB 62.38, -33.45, -5.21

 

CMYK 69 / 13 / 0 / 35

HEX #3391A7

RGB 51 145 167

HSL 191.38, 0.53%, 0.43%

LAB 55.83, -20.03, -19.59

 

CMYK 69 / 32 / 0 / 35

HEX #3371A7

RGB 51 113 167

HSL 207.93, 0.53%, 0.43%

LAB 46.05, -1.86, -34.77

 

CMYK 69 / 51 / 0 / 35

HEX #3352A7

RGB 51 82 167

HSL 223.97, 0.53%, 0.43%

LAB 36.98, 17.9, -49.21

 

CMYK 69 / 0 / 24 / 35

HEX #33A77F

RGB 51 167 127

HSL 159.31, 0.53%, 0.43%

LAB 61.54, -41.82, 11.49

 

CMYK 82 / 0 / 28 / 27

HEX #21B985

RGB 33 185 133

HSL 159.47, 0.7%, 0.43%

LAB 67.06, -50.06, 15.87

 

CMYK 92 / 0 / 32 / 20

HEX #10CB8A

RGB 16 203 138

HSL 159.14, 0.85%, 0.43%

LAB 72.67, -56.95, 20.9

 

CMYK 69 / 0 / 24 / 35

HEX #33A77F

RGB 51 167 127

HSL 159.31, 0.53%, 0.43%

LAB 61.54, -41.82, 11.49

 

CMYK 54 / 0 / 19 / 41

HEX #45967A

RGB 69 150 122

HSL 159.26, 0.37%, 0.43%

LAB 56.57, -31.78, 7.32

 

CMYK 34 / 0 / 12 / 48

HEX #578474

RGB 87 132 116

HSL 158.67, 0.21%, 0.43%

LAB 51.6, -19.18, 3.75

 

CMYK 9 / 0 / 3 / 55

HEX #68726F

RGB 104 114 111

HSL 162, 0.05%, 0.43%

LAB 47.14, -4.4, 0.36

 

CMYK 0 / 21 / 14 / 52

HEX #7A6069

RGB 122 96 105

HSL 339.23, 0.12%, 0.43%

LAB 43.54, 12.1, -1.09

 

CMYK 69 / 0 / 61 / 35

HEX #33A741

RGB 51 167 65

HSL 127.24, 0.53%, 0.43%

LAB 60.54, -53.03, 42.65

 

CMYK 69 / 0 / 43 / 35

HEX #33A760

RGB 51 167 96

HSL 143.28, 0.53%, 0.43%

LAB 60.95, -48.33, 27.59

 

CMYK 69 / 0 / 24 / 35

HEX #33A77F

RGB 51 167 127

HSL 159.31, 0.53%, 0.43%

LAB 61.54, -41.82, 11.49

 

CMYK 69 / 0 / 5 / 35

HEX #33A79E

RGB 51 167 158

HSL 175.34, 0.53%, 0.43%

LAB 62.35, -33.73, -4.7

 

CMYK 69 / 13 / 0 / 35

HEX #3392A7

RGB 51 146 167

HSL 190.86, 0.53%, 0.43%

LAB 56.14, -20.56, -19.12

 

CMYK 69 / 0 / 24 / 59

HEX #20684F

RGB 32 104 79

HSL 159.17, 0.53%, 0.27%

LAB 39.19, -28.75, 7.69

 

CMYK 70 / 0 / 24 / 47

HEX #298867

RGB 41 136 103

HSL 159.16, 0.54%, 0.35%

LAB 50.76, -35.75, 9.84

 

CMYK 69 / 0 / 24 / 35

HEX #33A77F

RGB 51 167 127

HSL 159.31, 0.53%, 0.43%

LAB 61.54, -41.82, 11.49

 

CMYK 67 / 0 / 23 / 23

HEX #40C496

RGB 64 196 150

HSL 159.09, 0.53%, 0.51%

LAB 71.4, -46.59, 12.82

 

CMYK 54 / 0 / 18 / 19

HEX #5FCEA8

RGB 95 206 168

HSL 159.46, 0.53%, 0.59%

LAB 75.7, -40.82, 9.35

 

CMYK 69 / 0 / 24 / 35

HEX #33A77F

RGB 51 167 127

HSL 159.31, 0.53%, 0.43%

LAB 61.54, -41.82, 11.49

 

CMYK 69 / 59 / 0 / 35

HEX #3344A7

RGB 51 68 167

HSL 231.21, 0.53%, 0.43%

LAB 33.2, 27.15, -55.35

 

CMYK 0 / 52 / 69 / 35

HEX #A75033

RGB 167 80 51

HSL 15, 0.53%, 0.43%

LAB 44.51, 33.6, 33.43

 

CMYK 69 / 0 / 24 / 35

HEX #33A77F

RGB 51 167 127

HSL 159.31, 0.53%, 0.43%

LAB 61.54, -41.82, 11.49

 

CMYK 24 / 69 / 0 / 35

HEX #7F33A7

RGB 127 51 167

HSL 279.31, 0.53%, 0.43%

LAB 37.24, 51.73, -48.44

 

CMYK 0 / 24 / 69 / 35

HEX #A77F33

RGB 167 127 51

HSL 39.31, 0.53%, 0.43%

LAB 55.72, 7.44, 45.8

 

CMYK 69 / 0 / 24 / 35

HEX #33A77F

RGB 51 167 127

HSL 159.31, 0.53%, 0.43%

LAB 61.54, -41.82, 11.49

 

CMYK 69 / 59 / 0 / 35

HEX #3344A7

RGB 51 68 167

HSL 231.21, 0.53%, 0.43%

LAB 33.2, 27.15, -55.35

 

CMYK 0 / 69 / 45 / 35

HEX #A7335C

RGB 167 51 92

HSL 338.79, 0.53%, 0.43%

LAB 40.17, 50.49, 2.83

 

CMYK 0 / 10 / 69 / 35

HEX #A79633

RGB 167 150 51

HSL 51.21, 0.53%, 0.43%

LAB 61.88, -5.25, 52.2

 

CMYK 69 / 0 / 24 / 35

HEX #33A77F

RGB 51 167 127

HSL 159.31, 0.53%, 0.43%

LAB 61.54, -41.82, 11.49

 

CMYK 59 / 69 / 0 / 35

HEX #4433A7

RGB 68 51 167

HSL 248.79, 0.53%, 0.43%

LAB 30.37, 40.38, -59.92

 

CMYK 0 / 69 / 45 / 35

HEX #A7335C

RGB 167 51 92

HSL 338.79, 0.53%, 0.43%

LAB 40.17, 50.49, 2.83

 

CMYK 10 / 0 / 69 / 35

HEX #96A733

RGB 150 167 51

HSL 68.79, 0.53%, 0.43%

LAB 65.25, -21.55, 55.14

 

Description

Color code: HEX #33A77F | qconv.com Color code: HEX #33A77F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 167 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 167 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 24 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 24% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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