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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FAB66 it is the complementary color #D05499. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FAB66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2FAB66 shade: #34AB61, #45BD74, #56CF87, #67E19A and #78F3AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FAB66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2FAB66 shade: #2FAB66, #1E9953, #0D8740, #00752D and #00631A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2FAB66 shade: #2FAC66, #2FAC44, #3BAC2F, #5CAC2F and #7EAC2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2FAB66 shade: #2FAC66, #2FAC88, #2FACAA, #2F8CAC and #2F6AAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2FAB66 shade matches the following richer shades: #2FAC66, #1DBD64 and #0BCF62

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2FAB66 shade: #2FAC66, #409A68, #52886A, #64766C and #76656E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2FAB66 shade: #3BAC2F, #2FAC43, #2FAC65, #2FAC86 and #2FACA7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2FAB66 shade: #1D6B3F, #268B53, #2FAC66, #3BC97A and #5BD290

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2FAB66 shade: #2FAB66, #2F5CAC and #AC332F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2FAB66 shade: #2FAB66, #652FAC and #AC652F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2FAB66 shade: #2FAB66, #2F5CAC, #AC2F75 and #AC7E2F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2FAB66 shade: #2FAB66, #2F37AC, #AC2F75 and #ACA32F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 40 / 33

HEX #2FAB66

RGB 47 171 102

HSL 146.61, 0.57%, 0.43%

LAB 62.24, -49.42, 26.09

 

Complementary color

CMYK 0 / 60 / 26 / 18

HEX #D05499

RGB 208 84 153

HSL 326.61, 0.57%, 0.57%

LAB 54.08, 56.08, -12.9

 

CMYK 70 / 0 / 43 / 33

HEX #34AB61

RGB 52 171 97

HSL 142.69, 0.53%, 0.44%

LAB 62.27, -49.51, 28.79

 

CMYK 63 / 0 / 39 / 26

HEX #45BD74

RGB 69 189 116

HSL 143.5, 0.48%, 0.51%

LAB 68.69, -49.89, 27.29

 

CMYK 58 / 0 / 35 / 19

HEX #56CF87

RGB 86 207 135

HSL 144.3, 0.56%, 0.57%

LAB 75.05, -50.04, 25.91

 

CMYK 54 / 0 / 32 / 12

HEX #67E19A

RGB 103 225 154

HSL 145.08, 0.67%, 0.64%

LAB 81.33, -50.04, 24.63

 

CMYK 51 / 0 / 29 / 5

HEX #78F3AD

RGB 120 243 173

HSL 145.85, 0.84%, 0.71%

LAB 87.54, -49.95, 23.43

 

CMYK 73 / 0 / 40 / 33

HEX #2FAB66

RGB 47 171 102

HSL 146.61, 0.57%, 0.43%

LAB 62.24, -49.42, 26.09

 

CMYK 80 / 0 / 46 / 40

HEX #1E9953

RGB 30 153 83

HSL 145.85, 0.67%, 0.36%

LAB 55.77, -48.55, 27.73

 

CMYK 90 / 0 / 53 / 47

HEX #0D8740

RGB 13 135 64

HSL 145.08, 0.82%, 0.29%

LAB 49.23, -47.07, 29.52

 

CMYK 100 / 0 / 62 / 54

HEX #00752D

RGB 0 117 45

HSL 143.08, 1%, 0.23%

LAB 42.63, -44.79, 31.36

 

CMYK 100 / 0 / 74 / 61

HEX #00631A

RGB 0 99 26

HSL 135.76, 1%, 0.19%

LAB 35.98, -41.21, 33.01

 

CMYK 73 / 0 / 41 / 33

HEX #2FAC66

RGB 47 172 102

HSL 146.4, 0.57%, 0.43%

LAB 62.57, -49.81, 26.51

 

CMYK 73 / 0 / 60 / 33

HEX #2FAC44

RGB 47 172 68

HSL 130.08, 0.57%, 0.43%

LAB 62.11, -55.13, 43.05

 

CMYK 66 / 0 / 73 / 33

HEX #3BAC2F

RGB 59 172 47

HSL 114.24, 0.57%, 0.43%

LAB 62.2, -54.99, 52.11

 

CMYK 47 / 0 / 73 / 33

HEX #5CAC2F

RGB 92 172 47

HSL 98.4, 0.57%, 0.43%

LAB 63.33, -46.15, 53.62

 

CMYK 27 / 0 / 73 / 33

HEX #7EAC2F

RGB 126 172 47

HSL 82.08, 0.57%, 0.43%

LAB 65.08, -34.02, 55.95

 

CMYK 73 / 0 / 41 / 33

HEX #2FAC66

RGB 47 172 102

HSL 146.4, 0.57%, 0.43%

LAB 62.57, -49.81, 26.51

 

CMYK 73 / 0 / 21 / 33

HEX #2FAC88

RGB 47 172 136

HSL 162.72, 0.57%, 0.43%

LAB 63.25, -42.38, 8.89

 

CMYK 73 / 0 / 1 / 33

HEX #2FACAA

RGB 47 172 170

HSL 179.04, 0.57%, 0.43%

LAB 64.17, -33.17, -8.71

 

CMYK 73 / 19 / 0 / 33

HEX #2F8CAC

RGB 47 140 172

HSL 195.36, 0.57%, 0.43%

LAB 54.38, -16.27, -24.69

 

CMYK 73 / 38 / 0 / 33

HEX #2F6AAC

RGB 47 106 172

HSL 211.68, 0.57%, 0.43%

LAB 44.08, 3.67, -40.83

 

CMYK 73 / 0 / 41 / 33

HEX #2FAC66

RGB 47 172 102

HSL 146.4, 0.57%, 0.43%

LAB 62.57, -49.81, 26.51

 

CMYK 85 / 0 / 47 / 26

HEX #1DBD64

RGB 29 189 100

HSL 146.63, 0.73%, 0.43%

LAB 67.71, -58.51, 34.15

 

CMYK 95 / 0 / 53 / 19

HEX #0BCF62

RGB 11 207 98

HSL 146.63, 0.9%, 0.43%

LAB 73.27, -65.91, 42.05

 

CMYK 73 / 0 / 41 / 33

HEX #2FAC66

RGB 47 172 102

HSL 146.4, 0.57%, 0.43%

LAB 62.57, -49.81, 26.51

 

CMYK 58 / 0 / 32 / 40

HEX #409A68

RGB 64 154 104

HSL 146.67, 0.41%, 0.43%

LAB 57.27, -38.78, 18.4

 

CMYK 40 / 0 / 22 / 47

HEX #52886A

RGB 82 136 106

HSL 146.67, 0.25%, 0.43%

LAB 52.33, -25.03, 10.55

 

CMYK 15 / 0 / 8 / 54

HEX #64766C

RGB 100 118 108

HSL 146.67, 0.08%, 0.43%

LAB 47.94, -8.81, 3.28

 

CMYK 0 / 14 / 7 / 54

HEX #76656E

RGB 118 101 110

HSL 328.24, 0.08%, 0.43%

LAB 44.64, 8.46, -2.55

 

CMYK 66 / 0 / 73 / 33

HEX #3BAC2F

RGB 59 172 47

HSL 114.24, 0.57%, 0.43%

LAB 62.2, -54.99, 52.11

 

CMYK 73 / 0 / 61 / 33

HEX #2FAC43

RGB 47 172 67

HSL 129.6, 0.57%, 0.43%

LAB 62.1, -55.25, 43.5

 

CMYK 73 / 0 / 41 / 33

HEX #2FAC65

RGB 47 172 101

HSL 145.92, 0.57%, 0.43%

LAB 62.55, -49.99, 27.02

 

CMYK 73 / 0 / 22 / 33

HEX #2FAC86

RGB 47 172 134

HSL 161.76, 0.57%, 0.43%

LAB 63.2, -42.87, 9.93

 

CMYK 73 / 0 / 3 / 33

HEX #2FACA7

RGB 47 172 167

HSL 177.6, 0.57%, 0.43%

LAB 64.08, -34.04, -7.18

 

CMYK 73 / 0 / 41 / 58

HEX #1D6B3F

RGB 29 107 63

HSL 146.15, 0.57%, 0.27%

LAB 39.81, -34.4, 18.05

 

CMYK 73 / 0 / 40 / 45

HEX #268B53

RGB 38 139 83

HSL 146.73, 0.57%, 0.35%

LAB 51.27, -41.99, 21.89

 

CMYK 73 / 0 / 41 / 33

HEX #2FAC66

RGB 47 172 102

HSL 146.4, 0.57%, 0.43%

LAB 62.57, -49.81, 26.51

 

CMYK 71 / 0 / 39 / 21

HEX #3BC97A

RGB 59 201 122

HSL 146.62, 0.57%, 0.51%

LAB 72.3, -55.19, 28.89

 

CMYK 57 / 0 / 31 / 18

HEX #5BD290

RGB 91 210 144

HSL 146.72, 0.57%, 0.59%

LAB 76.27, -48.46, 22.88

 

CMYK 73 / 0 / 40 / 33

HEX #2FAB66

RGB 47 171 102

HSL 146.61, 0.57%, 0.43%

LAB 62.24, -49.42, 26.09

 

CMYK 73 / 47 / 0 / 33

HEX #2F5CAC

RGB 47 92 172

HSL 218.4, 0.57%, 0.43%

LAB 39.98, 12.62, -47.37

 

CMYK 0 / 70 / 73 / 33

HEX #AC332F

RGB 172 51 47

HSL 1.92, 0.57%, 0.43%

LAB 40.15, 48.82, 30.93

 

CMYK 73 / 0 / 40 / 33

HEX #2FAB66

RGB 47 171 102

HSL 146.61, 0.57%, 0.43%

LAB 62.24, -49.42, 26.09

 

CMYK 41 / 73 / 0 / 33

HEX #652FAC

RGB 101 47 172

HSL 265.92, 0.57%, 0.43%

LAB 33.52, 49.55, -57.63

 

CMYK 0 / 41 / 73 / 33

HEX #AC652F

RGB 172 101 47

HSL 25.92, 0.57%, 0.43%

LAB 49.84, 24.05, 41.66

 

CMYK 73 / 0 / 40 / 33

HEX #2FAB66

RGB 47 171 102

HSL 146.61, 0.57%, 0.43%

LAB 62.24, -49.42, 26.09

 

CMYK 73 / 47 / 0 / 33

HEX #2F5CAC

RGB 47 92 172

HSL 218.4, 0.57%, 0.43%

LAB 39.98, 12.62, -47.37

 

CMYK 0 / 73 / 32 / 33

HEX #AC2F75

RGB 172 47 117

HSL 326.4, 0.57%, 0.43%

LAB 41.36, 56.2, -10.96

 

CMYK 0 / 27 / 73 / 33

HEX #AC7E2F

RGB 172 126 47

HSL 37.92, 0.57%, 0.43%

LAB 55.99, 10.02, 48.07

 

CMYK 73 / 0 / 40 / 33

HEX #2FAB66

RGB 47 171 102

HSL 146.61, 0.57%, 0.43%

LAB 62.24, -49.42, 26.09

 

CMYK 73 / 68 / 0 / 33

HEX #2F37AC

RGB 47 55 172

HSL 236.16, 0.57%, 0.43%

LAB 30.19, 36.81, -63.26

 

CMYK 0 / 73 / 32 / 33

HEX #AC2F75

RGB 172 47 117

HSL 326.4, 0.57%, 0.43%

LAB 41.36, 56.2, -10.96

 

CMYK 0 / 5 / 73 / 33

HEX #ACA32F

RGB 172 163 47

HSL 55.68, 0.57%, 0.43%

LAB 65.88, -10.16, 57.89

 

Description

Color code: HEX #2FAB66 | qconv.com Color code: HEX #2FAB66 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 171 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 171 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 40 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 40% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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