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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 47 172 136 it is the complementary color RGB 208 83 119. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 47 172 136. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 47 172 136 shade: RGB 52 172 131, RGB 69 190 150, RGB 86 208 169, RGB 103 226 188 and RGB 120 244 207

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 47 172 136. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 47 172 136 shade: RGB 47 172 136, RGB 30 154 117, RGB 13 136 98, RGB 0 118 79 and RGB 0 100 60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 47 172 136 shade: RGB 47 172 136, RGB 47 172 102, RGB 47 172 68, RGB 59 172 47 and RGB 92 172 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 47 172 136 shade: RGB 47 172 136, RGB 47 172 169, RGB 47 140 172, RGB 47 107 172 and RGB 47 73 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 47 172 136 shade matches the following richer shades: RGB 47 172 136, RGB 29 189 143 and RGB 11 207 151

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 47 172 136 shade: RGB 47 172 136, RGB 64 154 128, RGB 82 136 121, RGB 100 118 113 and RGB 118 101 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 47 172 136 shade: RGB 47 172 67, RGB 47 172 101, RGB 47 172 134, RGB 47 172 167 and RGB 47 142 172

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 47 172 136 shade: RGB 29 107 84, RGB 38 139 110, RGB 47 172 136, RGB 59 201 160 and RGB 91 210 176

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 47 172 136 shade: RGB 47 172 136, RGB 47 59 172 and RGB 172 84 47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 47 172 136 shade: RGB 47 172 136, RGB 134 47 172 and RGB 172 134 47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 47 172 136 shade: RGB 47 172 136, RGB 47 59 172, RGB 172 47 84 and RGB 172 159 47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 47 172 136 shade: RGB 47 172 136, RGB 72 47 172, RGB 172 47 84 and RGB 147 172 47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 21 / 33

HEX #2FAC88

RGB 47 172 136

HSL 162.72, 0.57%, 0.43%

LAB 63.25, -42.38, 8.89

 

Complementary color

CMYK 0 / 60 / 43 / 18

HEX #D05377

RGB 208 83 119

HSL 342.72, 0.57%, 0.57%

LAB 52.87, 52.55, 5.47

 

CMYK 70 / 0 / 24 / 33

HEX #34AC83

RGB 52 172 131

HSL 159.5, 0.54%, 0.44%

LAB 63.24, -42.84, 11.66

 

CMYK 64 / 0 / 21 / 25

HEX #45BE96

RGB 69 190 150

HSL 160.17, 0.48%, 0.51%

LAB 69.68, -43.19, 10.4

 

CMYK 59 / 0 / 19 / 18

HEX #56D0A9

RGB 86 208 169

HSL 160.82, 0.56%, 0.58%

LAB 76.04, -43.35, 9.27

 

CMYK 54 / 0 / 17 / 11

HEX #67E2BC

RGB 103 226 188

HSL 161.46, 0.68%, 0.65%

LAB 82.33, -43.4, 8.22

 

CMYK 51 / 0 / 15 / 4

HEX #78F4CF

RGB 120 244 207

HSL 162.1, 0.85%, 0.71%

LAB 88.54, -43.36, 7.26

 

CMYK 73 / 0 / 21 / 33

HEX #2FAC88

RGB 47 172 136

HSL 162.72, 0.57%, 0.43%

LAB 63.25, -42.38, 8.89

 

CMYK 81 / 0 / 24 / 40

HEX #1E9A75

RGB 30 154 117

HSL 162.1, 0.67%, 0.36%

LAB 56.75, -41.59, 10.28

 

CMYK 90 / 0 / 28 / 47

HEX #0D8862

RGB 13 136 98

HSL 161.46, 0.83%, 0.29%

LAB 50.19, -40.34, 11.86

 

CMYK 100 / 0 / 33 / 54

HEX #00764F

RGB 0 118 79

HSL 160.17, 1%, 0.23%

LAB 43.54, -38.52, 13.66

 

CMYK 100 / 0 / 40 / 61

HEX #00643C

RGB 0 100 60

HSL 156, 1%, 0.2%

LAB 36.82, -35.78, 15.75

 

CMYK 73 / 0 / 21 / 33

HEX #2FAC88

RGB 47 172 136

HSL 162.72, 0.57%, 0.43%

LAB 63.25, -42.38, 8.89

 

CMYK 73 / 0 / 41 / 33

HEX #2FAC66

RGB 47 172 102

HSL 146.4, 0.57%, 0.43%

LAB 62.57, -49.81, 26.51

 

CMYK 73 / 0 / 60 / 33

HEX #2FAC44

RGB 47 172 68

HSL 130.08, 0.57%, 0.43%

LAB 62.11, -55.13, 43.05

 

CMYK 66 / 0 / 73 / 33

HEX #3BAC2F

RGB 59 172 47

HSL 114.24, 0.57%, 0.43%

LAB 62.2, -54.99, 52.11

 

CMYK 47 / 0 / 73 / 33

HEX #5CAC2F

RGB 92 172 47

HSL 98.4, 0.57%, 0.43%

LAB 63.33, -46.15, 53.62

 

CMYK 73 / 0 / 21 / 33

HEX #2FAC88

RGB 47 172 136

HSL 162.72, 0.57%, 0.43%

LAB 63.25, -42.38, 8.89

 

CMYK 73 / 0 / 2 / 33

HEX #2FACA9

RGB 47 172 169

HSL 178.56, 0.57%, 0.43%

LAB 64.14, -33.46, -8.2

 

CMYK 73 / 19 / 0 / 33

HEX #2F8CAC

RGB 47 140 172

HSL 195.36, 0.57%, 0.43%

LAB 54.38, -16.27, -24.69

 

CMYK 73 / 38 / 0 / 33

HEX #2F6BAC

RGB 47 107 172

HSL 211.2, 0.57%, 0.43%

LAB 44.37, 3.05, -40.35

 

CMYK 73 / 58 / 0 / 33

HEX #2F49AC

RGB 47 73 172

HSL 227.52, 0.57%, 0.43%

LAB 34.7, 25.15, -55.9

 

CMYK 73 / 0 / 21 / 33

HEX #2FAC88

RGB 47 172 136

HSL 162.72, 0.57%, 0.43%

LAB 63.25, -42.38, 8.89

 

CMYK 85 / 0 / 24 / 26

HEX #1DBD8F

RGB 29 189 143

HSL 162.75, 0.73%, 0.43%

LAB 68.49, -49.64, 12.43

 

CMYK 95 / 0 / 27 / 19

HEX #0BCF97

RGB 11 207 151

HSL 162.86, 0.9%, 0.43%

LAB 74.15, -55.72, 16.04

 

CMYK 73 / 0 / 21 / 33

HEX #2FAC88

RGB 47 172 136

HSL 162.72, 0.57%, 0.43%

LAB 63.25, -42.38, 8.89

 

CMYK 58 / 0 / 17 / 40

HEX #409A80

RGB 64 154 128

HSL 162.67, 0.41%, 0.43%

LAB 57.81, -33.33, 5.66

 

CMYK 40 / 0 / 11 / 47

HEX #528879

RGB 82 136 121

HSL 163.33, 0.25%, 0.43%

LAB 52.71, -21.62, 2.42

 

CMYK 15 / 0 / 4 / 54

HEX #647671

RGB 100 118 113

HSL 163.33, 0.08%, 0.43%

LAB 48.08, -7.74, 0.51

 

CMYK 0 / 14 / 10 / 54

HEX #76656A

RGB 118 101 106

HSL 342.35, 0.08%, 0.43%

LAB 44.52, 7.7, -0.31

 

CMYK 73 / 0 / 61 / 33

HEX #2FAC43

RGB 47 172 67

HSL 129.6, 0.57%, 0.43%

LAB 62.1, -55.25, 43.5

 

CMYK 73 / 0 / 41 / 33

HEX #2FAC65

RGB 47 172 101

HSL 145.92, 0.57%, 0.43%

LAB 62.55, -49.99, 27.02

 

CMYK 73 / 0 / 22 / 33

HEX #2FAC86

RGB 47 172 134

HSL 161.76, 0.57%, 0.43%

LAB 63.2, -42.87, 9.93

 

CMYK 73 / 0 / 3 / 33

HEX #2FACA7

RGB 47 172 167

HSL 177.6, 0.57%, 0.43%

LAB 64.08, -34.04, -7.18

 

CMYK 73 / 17 / 0 / 33

HEX #2F8EAC

RGB 47 142 172

HSL 194.4, 0.57%, 0.43%

LAB 55, -17.36, -23.74

 

CMYK 73 / 0 / 21 / 58

HEX #1D6B54

RGB 29 107 84

HSL 162.31, 0.57%, 0.27%

LAB 40.27, -29.4, 6.18

 

CMYK 73 / 0 / 21 / 45

HEX #268B6E

RGB 38 139 110

HSL 162.77, 0.57%, 0.35%

LAB 51.84, -35.82, 7.33

 

CMYK 73 / 0 / 21 / 33

HEX #2FAC88

RGB 47 172 136

HSL 162.72, 0.57%, 0.43%

LAB 63.25, -42.38, 8.89

 

CMYK 71 / 0 / 20 / 21

HEX #3BC9A0

RGB 59 201 160

HSL 162.68, 0.57%, 0.51%

LAB 73.05, -47.09, 9.75

 

CMYK 57 / 0 / 16 / 18

HEX #5BD2B0

RGB 91 210 176

HSL 162.86, 0.57%, 0.59%

LAB 76.95, -41.6, 6.84

 

CMYK 73 / 0 / 21 / 33

HEX #2FAC88

RGB 47 172 136

HSL 162.72, 0.57%, 0.43%

LAB 63.25, -42.38, 8.89

 

CMYK 73 / 66 / 0 / 33

HEX #2F3BAC

RGB 47 59 172

HSL 234.24, 0.57%, 0.43%

LAB 31.14, 34.28, -61.71

 

CMYK 0 / 51 / 73 / 33

HEX #AC542F

RGB 172 84 47

HSL 17.76, 0.57%, 0.43%

LAB 46.06, 33.29, 37.58

 

CMYK 73 / 0 / 21 / 33

HEX #2FAC88

RGB 47 172 136

HSL 162.72, 0.57%, 0.43%

LAB 63.25, -42.38, 8.89

 

CMYK 22 / 73 / 0 / 33

HEX #862FAC

RGB 134 47 172

HSL 281.76, 0.57%, 0.43%

LAB 37.99, 55.99, -50.17

 

CMYK 0 / 22 / 73 / 33

HEX #AC862F

RGB 172 134 47

HSL 41.76, 0.57%, 0.43%

LAB 58.06, 5.56, 50.17

 

CMYK 73 / 0 / 21 / 33

HEX #2FAC88

RGB 47 172 136

HSL 162.72, 0.57%, 0.43%

LAB 63.25, -42.38, 8.89

 

CMYK 73 / 66 / 0 / 33

HEX #2F3BAC

RGB 47 59 172

HSL 234.24, 0.57%, 0.43%

LAB 31.14, 34.28, -61.71

 

CMYK 0 / 73 / 51 / 33

HEX #AC2F54

RGB 172 47 84

HSL 342.24, 0.57%, 0.43%

LAB 40.32, 52.8, 8.2

 

CMYK 0 / 8 / 73 / 33

HEX #AC9F2F

RGB 172 159 47

HSL 53.76, 0.57%, 0.43%

LAB 64.78, -8.05, 56.82

 

CMYK 73 / 0 / 21 / 33

HEX #2FAC88

RGB 47 172 136

HSL 162.72, 0.57%, 0.43%

LAB 63.25, -42.38, 8.89

 

CMYK 58 / 73 / 0 / 33

HEX #482FAC

RGB 72 47 172

HSL 252, 0.57%, 0.43%

LAB 30.37, 44.77, -62.9

 

CMYK 0 / 73 / 51 / 33

HEX #AC2F54

RGB 172 47 84

HSL 342.24, 0.57%, 0.43%

LAB 40.32, 52.8, 8.2

 

CMYK 15 / 0 / 73 / 33

HEX #93AC2F

RGB 147 172 47

HSL 72, 0.57%, 0.43%

LAB 66.45, -25.51, 57.76

 

Description

Color code: RGB 47 172 136 | qconv.com Color code: RGB 47 172 136 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 172 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 172 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 21 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 21% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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