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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2EEED7 it is the complementary color #D11128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2EEED7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2EEED7 shade: #33EED2, #44FFE5, #55FFF8, #66FFFF and #77FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2EEED7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2EEED7 shade: #2EEED7, #1DDCC4, #0CCAB1, #00B89E and #00A68B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2EEED7 shade: #2FEED7, #2FEEA3, #2FEE70, #2FEE3D and #55EE2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2EEED7 shade: #2FEED7, #2FD1EE, #2F9EEE, #2F6AEE and #2F37EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2EEED7 shade matches the following richer shades: #2FEED7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2EEED7 shade: #2FEED7, #41DCC9, #53C9BB, #65B7AD and #78A5A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2EEED7 shade: #2FEE6F, #2FEEA1, #2FEED4, #2FD4EE and #2FA1EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2EEED7 shade: #0FBBA7, #12E2C9, #2FEED7, #55F1DE and #7BF4E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2EEED7 shade: #2EEED7, #3C2FEE and #EE882F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2EEED7 shade: #2EEED7, #D42FEE and #EED42F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2EEED7 shade: #2EEED7, #3C2FEE, #EE2F48 and #E1EE2F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2EEED7 shade: #2EEED7, #752FEE, #EE2F48 and #A8EE2F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 10 / 7

HEX #2EEED7

RGB 46 238 215

HSL 172.81, 0.85%, 0.56%

LAB 85.32, -50.03, -1.81

 

Complementary color

CMYK 0 / 92 / 81 / 18

HEX #D11128

RGB 209 17 40

HSL 352.81, 0.85%, 0.44%

LAB 44.39, 67.89, 41.67

 

CMYK 79 / 0 / 12 / 7

HEX #33EED2

RGB 51 238 210

HSL 171.02, 0.85%, 0.57%

LAB 85.25, -50.91, 0.73

 

CMYK 73 / 0 / 10 / 0

HEX #44FFE5

RGB 68 255 229

HSL 171.66, 1%, 0.63%

LAB 90.96, -51.37, -0.81

 

CMYK 67 / 0 / 3 / 0

HEX #55FFF8

RGB 85 255 248

HSL 177.53, 1%, 0.67%

LAB 91.79, -44.32, -9.42

 

CMYK 60 / 0 / 0 / 0

HEX #66FFFF

RGB 102 255 255

HSL 180, 1%, 0.7%

LAB 92.38, -39.95, -12.11

 

CMYK 53 / 0 / 0 / 0

HEX #77FFFF

RGB 119 255 255

HSL 180, 1%, 0.73%

LAB 92.87, -36.98, -11.34

 

CMYK 81 / 0 / 10 / 7

HEX #2EEED7

RGB 46 238 215

HSL 172.81, 0.85%, 0.56%

LAB 85.32, -50.03, -1.81

 

CMYK 87 / 0 / 11 / 14

HEX #1DDCC4

RGB 29 220 196

HSL 172.46, 0.77%, 0.49%

LAB 79.29, -48.76, -0.6

 

CMYK 94 / 0 / 12 / 21

HEX #0CCAB1

RGB 12 202 177

HSL 172.11, 0.89%, 0.42%

LAB 73.22, -47.14, 0.73

 

CMYK 100 / 0 / 14 / 28

HEX #00B89E

RGB 0 184 158

HSL 171.52, 1%, 0.36%

LAB 67.09, -45.16, 2.18

 

CMYK 100 / 0 / 16 / 35

HEX #00A68B

RGB 0 166 139

HSL 170.24, 1%, 0.33%

LAB 60.9, -42.77, 3.78

 

CMYK 80 / 0 / 10 / 7

HEX #2FEED7

RGB 47 238 215

HSL 172.77, 0.85%, 0.56%

LAB 85.33, -49.95, -1.79

 

CMYK 80 / 0 / 32 / 7

HEX #2FEEA3

RGB 47 238 163

HSL 156.44, 0.85%, 0.56%

LAB 84.17, -62.28, 23.67

 

CMYK 80 / 0 / 53 / 7

HEX #2FEE70

RGB 47 238 112

HSL 140.42, 0.85%, 0.56%

LAB 83.4, -71.2, 47.87

 

CMYK 80 / 0 / 74 / 7

HEX #2FEE3D

RGB 47 238 61

HSL 124.4, 0.85%, 0.56%

LAB 82.96, -76.6, 68.06

 

CMYK 64 / 0 / 80 / 7

HEX #55EE2F

RGB 85 238 47

HSL 108.06, 0.85%, 0.56%

LAB 83.59, -71.46, 73.06

 

CMYK 80 / 0 / 10 / 7

HEX #2FEED7

RGB 47 238 215

HSL 172.77, 0.85%, 0.56%

LAB 85.33, -49.95, -1.79

 

CMYK 80 / 12 / 0 / 7

HEX #2FD1EE

RGB 47 209 238

HSL 189.11, 0.85%, 0.56%

LAB 77.51, -30.22, -25.73

 

CMYK 80 / 34 / 0 / 7

HEX #2F9EEE

RGB 47 158 238

HSL 205.13, 0.85%, 0.56%

LAB 62.7, -3.28, -48.75

 

CMYK 80 / 55 / 0 / 7

HEX #2F6AEE

RGB 47 106 238

HSL 221.47, 0.85%, 0.56%

LAB 48.37, 28.42, -71.75

 

CMYK 80 / 77 / 0 / 7

HEX #2F37EE

RGB 47 55 238

HSL 237.49, 0.85%, 0.56%

LAB 36.95, 58.75, -90.51

 

CMYK 80 / 0 / 10 / 7

HEX #2FEED7

RGB 47 238 215

HSL 172.77, 0.85%, 0.56%

LAB 85.33, -49.95, -1.79

 

CMYK 80 / 0 / 10 / 7

HEX #2FEED7

RGB 47 238 215

HSL 172.77, 0.85%, 0.56%

LAB 85.33, -49.95, -1.79

 

CMYK 70 / 0 / 9 / 14

HEX #41DCC9

RGB 65 220 201

HSL 172.65, 0.69%, 0.56%

LAB 79.91, -44.06, -2.3

 

CMYK 59 / 0 / 7 / 21

HEX #53C9BB

RGB 83 201 187

HSL 172.88, 0.52%, 0.56%

LAB 74.32, -36.38, -2.94

 

CMYK 45 / 0 / 5 / 28

HEX #65B7AD

RGB 101 183 173

HSL 172.68, 0.36%, 0.56%

LAB 69.22, -27.49, -2.72

 

CMYK 27 / 0 / 3 / 35

HEX #78A5A0

RGB 120 165 160

HSL 173.33, 0.2%, 0.56%

LAB 64.52, -16.17, -2.31

 

CMYK 80 / 0 / 53 / 7

HEX #2FEE6F

RGB 47 238 111

HSL 140.1, 0.85%, 0.56%

LAB 83.39, -71.34, 48.32

 

CMYK 80 / 0 / 32 / 7

HEX #2FEEA1

RGB 47 238 161

HSL 155.81, 0.85%, 0.56%

LAB 84.14, -62.7, 24.65

 

CMYK 80 / 0 / 11 / 7

HEX #2FEED4

RGB 47 238 212

HSL 171.83, 0.85%, 0.56%

LAB 85.25, -50.74, -0.33

 

CMYK 80 / 11 / 0 / 7

HEX #2FD4EE

RGB 47 212 238

HSL 188.17, 0.85%, 0.56%

LAB 78.38, -31.66, -24.39

 

CMYK 80 / 32 / 0 / 7

HEX #2FA1EE

RGB 47 161 238

HSL 204.19, 0.85%, 0.56%

LAB 63.56, -4.99, -47.39

 

CMYK 92 / 0 / 11 / 27

HEX #0FBBA7

RGB 15 187 167

HSL 173.02, 0.85%, 0.4%

LAB 68.34, -43.41, -0.94

 

CMYK 92 / 0 / 11 / 11

HEX #12E2C9

RGB 18 226 201

HSL 172.79, 0.85%, 0.48%

LAB 81.15, -50.43, -0.55

 

CMYK 80 / 0 / 10 / 7

HEX #2FEED7

RGB 47 238 215

HSL 172.77, 0.85%, 0.56%

LAB 85.33, -49.95, -1.79

 

CMYK 65 / 0 / 8 / 5

HEX #55F1DE

RGB 85 241 222

HSL 172.69, 0.85%, 0.64%

LAB 87.05, -44.96, -2.86

 

CMYK 50 / 0 / 6 / 4

HEX #7BF4E5

RGB 123 244 229

HSL 172.56, 0.85%, 0.72%

LAB 89.19, -37.61, -3.25

 

CMYK 81 / 0 / 10 / 7

HEX #2EEED7

RGB 46 238 215

HSL 172.81, 0.85%, 0.56%

LAB 85.32, -50.03, -1.81

 

CMYK 75 / 80 / 0 / 7

HEX #3C2FEE

RGB 60 47 238

HSL 244.08, 0.85%, 0.56%

LAB 36.3, 63.34, -91.56

 

CMYK 0 / 43 / 80 / 7

HEX #EE882F

RGB 238 136 47

HSL 27.96, 0.85%, 0.56%

LAB 66.51, 32.81, 61.06

 

CMYK 81 / 0 / 10 / 7

HEX #2EEED7

RGB 46 238 215

HSL 172.81, 0.85%, 0.56%

LAB 85.32, -50.03, -1.81

 

CMYK 11 / 80 / 0 / 7

HEX #D42FEE

RGB 212 47 238

HSL 291.83, 0.85%, 0.56%

LAB 54.24, 82.85, -61.5

 

CMYK 0 / 11 / 80 / 7

HEX #EED42F

RGB 238 212 47

HSL 51.83, 0.85%, 0.56%

LAB 84.73, -6.88, 77.25

 

CMYK 81 / 0 / 10 / 7

HEX #2EEED7

RGB 46 238 215

HSL 172.81, 0.85%, 0.56%

LAB 85.32, -50.03, -1.81

 

CMYK 75 / 80 / 0 / 7

HEX #3C2FEE

RGB 60 47 238

HSL 244.08, 0.85%, 0.56%

LAB 36.3, 63.34, -91.56

 

CMYK 0 / 80 / 70 / 7

HEX #EE2F48

RGB 238 47 72

HSL 352.15, 0.85%, 0.56%

LAB 52.6, 70.87, 33.99

 

CMYK 5 / 0 / 80 / 7

HEX #E1EE2F

RGB 225 238 47

HSL 64.08, 0.85%, 0.56%

LAB 90.49, -25.04, 81.83

 

CMYK 81 / 0 / 10 / 7

HEX #2EEED7

RGB 46 238 215

HSL 172.81, 0.85%, 0.56%

LAB 85.32, -50.03, -1.81

 

CMYK 51 / 80 / 0 / 7

HEX #752FEE

RGB 117 47 238

HSL 261.99, 0.85%, 0.56%

LAB 41.2, 68.55, -83.31

 

CMYK 0 / 80 / 70 / 7

HEX #EE2F48

RGB 238 47 72

HSL 352.15, 0.85%, 0.56%

LAB 52.6, 70.87, 33.99

 

CMYK 29 / 0 / 80 / 7

HEX #A8EE2F

RGB 168 238 47

HSL 81.99, 0.85%, 0.56%

LAB 86.84, -47.22, 77.21

 

Description

Color code: HEX #2EEED7 | qconv.com Color code: HEX #2EEED7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 238 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 238 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 10 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 10% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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