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Color name
HEX #D42FEE

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D42FEE it is the complementary color #2BD011. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D42FEE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D42FEE shade: #D92FE9, #EA41FC, #FB53FF, #FF65FF and #FF77FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D42FEE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D42FEE shade: #D42FEE, #C31DDB, #B20BC8, #A100B5 and #9000A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D42FEE shade: #D42FEE, #EE2FD4, #EE2FA1, #EE2F6D and #EE2F3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D42FEE shade: #D42FEE, #A02FEE, #6D2FEE, #392FEE and #2F2FEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D42FEE shade matches the following richer shades: #D42FEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D42FEE shade: #D42FEE, #C641DC, #B953C9, #AC65B7 and #9F78A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D42FEE shade: #6B2FEE, #9E2FEE, #D12FEE, #EE2FD7 and #EE2FA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D42FEE shade: #A40FBB, #C512E2, #D42FEE, #DC55F1 and #E37BF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D42FEE shade: #D42FEE, #EE382F and #2FEE85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D42FEE shade: #D42FEE, #EED12F and #2FEED1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D42FEE shade: #D42FEE, #EE382F, #4CEE2F and #2FE4EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D42FEE shade: #D42FEE, #EE722F, #4CEE2F and #2FABEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 80 / 0 / 7

HEX #D42FEE

RGB 212 47 238

HSL 291.83, 0.85%, 0.56%

LAB 54.24, 82.85, -61.5

 

Complementary color

CMYK 79 / 0 / 92 / 18

HEX #2BD011

RGB 43 208 17

HSL 111.83, 0.85%, 0.44%

LAB 73.33, -70.53, 69.91

 

CMYK 7 / 80 / 0 / 9

HEX #D92FE9

RGB 217 47 233

HSL 294.84, 0.81%, 0.55%

LAB 54.73, 82.92, -57.87

 

CMYK 7 / 74 / 0 / 1

HEX #EA41FC

RGB 234 65 252

HSL 294.22, 0.97%, 0.62%

LAB 60.16, 84.28, -59.63

 

CMYK 2 / 67 / 0 / 0

HEX #FB53FF

RGB 251 83 255

HSL 298.6, 1%, 0.66%

LAB 64.9, 82.43, -53.59

 

CMYK 0 / 60 / 0 / 0

HEX #FF65FF

RGB 255 101 255

HSL 300, 1%, 0.7%

LAB 67.86, 76.64, -48.86

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 11 / 80 / 0 / 7

HEX #D42FEE

RGB 212 47 238

HSL 291.83, 0.85%, 0.56%

LAB 54.24, 82.85, -61.5

 

CMYK 11 / 87 / 0 / 14

HEX #C31DDB

RGB 195 29 219

HSL 292.42, 0.77%, 0.49%

LAB 49, 80.68, -59.33

 

CMYK 11 / 95 / 0 / 22

HEX #B20BC8

RGB 178 11 200

HSL 293.02, 0.9%, 0.41%

LAB 44.05, 77.39, -56.51

 

CMYK 11 / 100 / 0 / 29

HEX #A100B5

RGB 161 0 181

HSL 293.37, 1%, 0.35%

LAB 39.43, 72.81, -52.97

 

CMYK 11 / 100 / 0 / 36

HEX #9000A2

RGB 144 0 162

HSL 293.33, 1%, 0.32%

LAB 35.08, 67.09, -48.78

 

CMYK 11 / 80 / 0 / 7

HEX #D42FEE

RGB 212 47 238

HSL 291.83, 0.85%, 0.56%

LAB 54.24, 82.85, -61.5

 

CMYK 0 / 80 / 11 / 7

HEX #EE2FD4

RGB 238 47 212

HSL 308.17, 0.85%, 0.56%

LAB 57.04, 83.79, -42.1

 

CMYK 0 / 80 / 32 / 7

HEX #EE2FA1

RGB 238 47 161

HSL 324.19, 0.85%, 0.56%

LAB 54.85, 77.59, -15.97

 

CMYK 0 / 80 / 54 / 7

HEX #EE2F6D

RGB 238 47 109

HSL 340.52, 0.85%, 0.56%

LAB 53.29, 72.99, 12.79

 

CMYK 0 / 80 / 76 / 7

HEX #EE2F3A

RGB 238 47 58

HSL 356.54, 0.85%, 0.56%

LAB 52.42, 70.32, 41.8

 

CMYK 11 / 80 / 0 / 7

HEX #D42FEE

RGB 212 47 238

HSL 291.83, 0.85%, 0.56%

LAB 54.24, 82.85, -61.5

 

CMYK 33 / 80 / 0 / 7

HEX #A02FEE

RGB 160 47 238

HSL 275.5, 0.85%, 0.56%

LAB 46.55, 74.36, -74.33

 

CMYK 54 / 80 / 0 / 7

HEX #6D2FEE

RGB 109 47 238

HSL 259.48, 0.85%, 0.56%

LAB 40.34, 67.63, -84.75

 

CMYK 76 / 80 / 0 / 7

HEX #392FEE

RGB 57 47 238

HSL 243.14, 0.85%, 0.56%

LAB 36.13, 63.16, -91.85

 

CMYK 80 / 80 / 0 / 7

HEX #2F2FEE

RGB 47 47 238

HSL 240, 0.85%, 0.56%

LAB 35.62, 62.62, -92.72

 

CMYK 11 / 80 / 0 / 7

HEX #D42FEE

RGB 212 47 238

HSL 291.83, 0.85%, 0.56%

LAB 54.24, 82.85, -61.5

 

CMYK 11 / 80 / 0 / 7

HEX #D42FEE

RGB 212 47 238

HSL 291.83, 0.85%, 0.56%

LAB 54.24, 82.85, -61.5

 

CMYK 10 / 70 / 0 / 14

HEX #C641DC

RGB 198 65 220

HSL 291.48, 0.69%, 0.56%

LAB 52.9, 71.68, -53.61

 

CMYK 8 / 59 / 0 / 21

HEX #B953C9

RGB 185 83 201

HSL 291.86, 0.52%, 0.56%

LAB 52.64, 57.83, -43.3

 

CMYK 6 / 45 / 0 / 28

HEX #AC65B7

RGB 172 101 183

HSL 291.95, 0.36%, 0.56%

LAB 53.49, 41.72, -31.72

 

CMYK 4 / 27 / 0 / 35

HEX #9F78A5

RGB 159 120 165

HSL 292, 0.2%, 0.56%

LAB 55.6, 23.28, -18.18

 

CMYK 55 / 80 / 0 / 7

HEX #6B2FEE

RGB 107 47 238

HSL 258.85, 0.85%, 0.56%

LAB 40.13, 67.4, -85.1

 

CMYK 34 / 80 / 0 / 7

HEX #9E2FEE

RGB 158 47 238

HSL 274.87, 0.85%, 0.56%

LAB 46.28, 74.06, -74.78

 

CMYK 12 / 80 / 0 / 7

HEX #D12FEE

RGB 209 47 238

HSL 290.89, 0.85%, 0.56%

LAB 53.77, 82.33, -62.28

 

CMYK 0 / 80 / 10 / 7

HEX #EE2FD7

RGB 238 47 215

HSL 307.23, 0.85%, 0.56%

LAB 57.19, 84.2, -43.57

 

CMYK 0 / 80 / 31 / 7

HEX #EE2FA5

RGB 238 47 165

HSL 322.93, 0.85%, 0.56%

LAB 55, 78.02, -18.1

 

CMYK 12 / 92 / 0 / 27

HEX #A40FBB

RGB 164 15 187

HSL 291.98, 0.85%, 0.4%

LAB 40.93, 72.6, -54.06

 

CMYK 13 / 92 / 0 / 11

HEX #C512E2

RGB 197 18 226

HSL 291.63, 0.85%, 0.48%

LAB 49.25, 83.75, -62.9

 

CMYK 11 / 80 / 0 / 7

HEX #D42FEE

RGB 212 47 238

HSL 291.83, 0.85%, 0.56%

LAB 54.24, 82.85, -61.5

 

CMYK 9 / 65 / 0 / 5

HEX #DC55F1

RGB 220 85 241

HSL 291.92, 0.85%, 0.64%

LAB 59.95, 72.58, -53.98

 

CMYK 7 / 50 / 0 / 4

HEX #E37BF4

RGB 227 123 244

HSL 291.57, 0.85%, 0.72%

LAB 67.3, 57.84, -43.96

 

CMYK 11 / 80 / 0 / 7

HEX #D42FEE

RGB 212 47 238

HSL 291.83, 0.85%, 0.56%

LAB 54.24, 82.85, -61.5

 

CMYK 0 / 76 / 80 / 7

HEX #EE382F

RGB 238 56 47

HSL 2.83, 0.85%, 0.56%

LAB 53.18, 67.51, 48.51

 

CMYK 80 / 0 / 44 / 7

HEX #2FEE85

RGB 47 238 133

HSL 147.02, 0.85%, 0.56%

LAB 83.68, -67.94, 38.14

 

CMYK 11 / 80 / 0 / 7

HEX #D42FEE

RGB 212 47 238

HSL 291.83, 0.85%, 0.56%

LAB 54.24, 82.85, -61.5

 

CMYK 0 / 12 / 80 / 7

HEX #EED12F

RGB 238 209 47

HSL 50.89, 0.85%, 0.56%

LAB 83.96, -5.36, 76.58

 

CMYK 80 / 0 / 12 / 7

HEX #2FEED1

RGB 47 238 209

HSL 170.89, 0.85%, 0.56%

LAB 85.18, -51.52, 1.14

 

CMYK 11 / 80 / 0 / 7

HEX #D42FEE

RGB 212 47 238

HSL 291.83, 0.85%, 0.56%

LAB 54.24, 82.85, -61.5

 

CMYK 0 / 76 / 80 / 7

HEX #EE382F

RGB 238 56 47

HSL 2.83, 0.85%, 0.56%

LAB 53.18, 67.51, 48.51

 

CMYK 68 / 0 / 80 / 7

HEX #4CEE2F

RGB 76 238 47

HSL 110.89, 0.85%, 0.56%

LAB 83.38, -73.21, 72.79

 

CMYK 80 / 4 / 0 / 7

HEX #2FE4EE

RGB 47 228 238

HSL 183.14, 0.85%, 0.56%

LAB 83.05, -39.15, -17.31

 

CMYK 11 / 80 / 0 / 7

HEX #D42FEE

RGB 212 47 238

HSL 291.83, 0.85%, 0.56%

LAB 54.24, 82.85, -61.5

 

CMYK 0 / 52 / 80 / 7

HEX #EE722F

RGB 238 114 47

HSL 21.05, 0.85%, 0.56%

LAB 62.01, 43.94, 56.91

 

CMYK 68 / 0 / 80 / 7

HEX #4CEE2F

RGB 76 238 47

HSL 110.89, 0.85%, 0.56%

LAB 83.38, -73.21, 72.79

 

CMYK 80 / 28 / 0 / 7

HEX #2FABEE

RGB 47 171 238

HSL 201.05, 0.85%, 0.56%

LAB 66.45, -10.58, -42.85

 

Description

Color code: HEX #D42FEE | qconv.com Color code: HEX #D42FEE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 47 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 47 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 80 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 80% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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