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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2ECB3A it is the complementary color #D134C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2ECB3A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2ECB3A shade: #33CB35, #44DD48, #55EF5B, #66FF6E and #77FF81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2ECB3A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2ECB3A shade: #2ECB3A, #1DB927, #0CA714, #009501 and #008300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2ECB3A shade: #2ECB3A, #4CCB2E, #77CB2E, #A1CB2E and #CBCB2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2ECB3A shade: #2ECB3A, #2ECB64, #2ECB8F, #2ECBB9 and #2EB3CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2ECB3A shade matches the following richer shades: #2ECB3A, #1ADF29 and #05F418

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2ECB3A shade: #2ECB3A, #42B74B, #56A35C, #6A8F6D and #7F7A7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2ECB3A shade: #77CB2E, #4DCB2E, #2ECB38, #2ECB62 and #2ECB8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2ECB3A shade: #1E8827, #26AA30, #2ECB3A, #4CD657 and #6EDE76

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2ECB3A shade: #2ECB3A, #2EA1CB and #CB2E62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2ECB3A shade: #2ECB3A, #382ECB and #CB382E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2ECB3A shade: #2ECB3A, #2EA1CB, #CB2EC1 and #CB582E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2ECB3A shade: #2ECB3A, #2E72CB, #CB2EC1 and #CB872E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 71 / 20

HEX #2ECB3A

RGB 46 203 58

HSL 124.59, 0.63%, 0.49%

LAB 71.96, -66.45, 57.96

 

Complementary color

CMYK 0 / 75 / 6 / 18

HEX #D134C5

RGB 209 52 197

HSL 304.59, 0.63%, 0.51%

LAB 51.89, 74.44, -41.96

 

CMYK 75 / 0 / 74 / 20

HEX #33CB35

RGB 51 203 53

HSL 120.79, 0.6%, 0.5%

LAB 72.01, -66.14, 59.83

 

CMYK 69 / 0 / 67 / 13

HEX #44DD48

RGB 68 221 72

HSL 121.57, 0.69%, 0.57%

LAB 78.12, -67.49, 59.23

 

CMYK 64 / 0 / 62 / 6

HEX #55EF5B

RGB 85 239 91

HSL 122.34, 0.83%, 0.64%

LAB 84.18, -68.39, 58.27

 

CMYK 60 / 0 / 57 / 0

HEX #66FF6E

RGB 102 255 110

HSL 123.14, 1%, 0.7%

LAB 89.61, -68.28, 56.44

 

CMYK 53 / 0 / 49 / 0

HEX #77FF81

RGB 119 255 129

HSL 124.41, 1%, 0.73%

LAB 90.33, -62.02, 48.8

 

CMYK 77 / 0 / 71 / 20

HEX #2ECB3A

RGB 46 203 58

HSL 124.59, 0.63%, 0.49%

LAB 71.96, -66.45, 57.96

 

CMYK 84 / 0 / 79 / 27

HEX #1DB927

RGB 29 185 39

HSL 123.85, 0.73%, 0.42%

LAB 65.83, -64.41, 58.26

 

CMYK 93 / 0 / 88 / 35

HEX #0CA714

RGB 12 167 20

HSL 123.1, 0.87%, 0.35%

LAB 59.68, -61.53, 57.55

 

CMYK 100 / 0 / 99 / 42

HEX #009501

RGB 0 149 1

HSL 120.4, 1%, 0.29%

LAB 53.49, -57.7, 55.55

 

CMYK 100 / 0 / 100 / 49

HEX #008300

RGB 0 131 0

HSL 120, 1%, 0.26%

LAB 47.28, -52.57, 50.74

 

CMYK 77 / 0 / 71 / 20

HEX #2ECB3A

RGB 46 203 58

HSL 124.59, 0.63%, 0.49%

LAB 71.96, -66.45, 57.96

 

CMYK 63 / 0 / 77 / 20

HEX #4CCB2E

RGB 76 203 46

HSL 108.54, 0.63%, 0.49%

LAB 72.53, -61.95, 62.83

 

CMYK 41 / 0 / 77 / 20

HEX #77CB2E

RGB 119 203 46

HSL 92.1, 0.63%, 0.49%

LAB 74.08, -49.92, 64.86

 

CMYK 21 / 0 / 77 / 20

HEX #A1CB2E

RGB 161 203 46

HSL 76.05, 0.63%, 0.49%

LAB 76.37, -34.55, 67.82

 

CMYK 0 / 0 / 77 / 20

HEX #CBCB2E

RGB 203 203 46

HSL 60, 0.63%, 0.49%

LAB 79.39, -17.24, 71.69

 

CMYK 77 / 0 / 71 / 20

HEX #2ECB3A

RGB 46 203 58

HSL 124.59, 0.63%, 0.49%

LAB 71.96, -66.45, 57.96

 

CMYK 77 / 0 / 51 / 20

HEX #2ECB64

RGB 46 203 100

HSL 140.64, 0.63%, 0.49%

LAB 72.37, -61.48, 40.05

 

CMYK 77 / 0 / 30 / 20

HEX #2ECB8F

RGB 46 203 143

HSL 157.07, 0.63%, 0.49%

LAB 73.07, -53.47, 18.85

 

CMYK 77 / 0 / 9 / 20

HEX #2ECBB9

RGB 46 203 185

HSL 173.12, 0.63%, 0.49%

LAB 74.06, -43.13, -2.33

 

CMYK 77 / 12 / 0 / 20

HEX #2EB3CB

RGB 46 179 203

HSL 189.17, 0.63%, 0.49%

LAB 67.38, -26.58, -22.19

 

CMYK 77 / 0 / 71 / 20

HEX #2ECB3A

RGB 46 203 58

HSL 124.59, 0.63%, 0.49%

LAB 71.96, -66.45, 57.96

 

CMYK 88 / 0 / 82 / 13

HEX #1ADF29

RGB 26 223 41

HSL 124.57, 0.79%, 0.49%

LAB 77.97, -75.48, 69.08

 

CMYK 98 / 0 / 90 / 4

HEX #05F418

RGB 5 244 24

HSL 124.77, 0.96%, 0.49%

LAB 84.38, -82.76, 78.11

 

CMYK 77 / 0 / 71 / 20

HEX #2ECB3A

RGB 46 203 58

HSL 124.59, 0.63%, 0.49%

LAB 71.96, -66.45, 57.96

 

CMYK 64 / 0 / 59 / 28

HEX #42B74B

RGB 66 183 75

HSL 124.62, 0.47%, 0.49%

LAB 66.16, -54.54, 44.62

 

CMYK 47 / 0 / 44 / 36

HEX #56A35C

RGB 86 163 92

HSL 124.68, 0.31%, 0.49%

LAB 60.73, -39.08, 29.66

 

CMYK 26 / 0 / 24 / 44

HEX #6A8F6D

RGB 106 143 109

HSL 124.86, 0.15%, 0.49%

LAB 55.9, -20.01, 14.02

 

CMYK 0 / 4 / 1 / 50

HEX #7F7A7E

RGB 127 122 126

HSL 312, 0.02%, 0.49%

LAB 51.77, 2.69, -1.51

 

CMYK 41 / 0 / 77 / 20

HEX #77CB2E

RGB 119 203 46

HSL 92.1, 0.63%, 0.49%

LAB 74.08, -49.92, 64.86

 

CMYK 62 / 0 / 77 / 20

HEX #4DCB2E

RGB 77 203 46

HSL 108.15, 0.63%, 0.49%

LAB 72.55, -61.72, 62.87

 

CMYK 77 / 0 / 72 / 20

HEX #2ECB38

RGB 46 203 56

HSL 123.82, 0.63%, 0.49%

LAB 71.95, -66.61, 58.68

 

CMYK 77 / 0 / 52 / 20

HEX #2ECB62

RGB 46 203 98

HSL 139.87, 0.63%, 0.49%

LAB 72.35, -61.78, 40.99

 

CMYK 77 / 0 / 31 / 20

HEX #2ECB8C

RGB 46 203 140

HSL 155.92, 0.63%, 0.49%

LAB 73.01, -54.12, 20.36

 

CMYK 78 / 0 / 71 / 47

HEX #1E8827

RGB 30 136 39

HSL 125.09, 0.64%, 0.33%

LAB 49.53, -48.77, 41.91

 

CMYK 78 / 0 / 72 / 33

HEX #26AA30

RGB 38 170 48

HSL 124.55, 0.63%, 0.41%

LAB 61.11, -57.99, 50.46

 

CMYK 77 / 0 / 71 / 20

HEX #2ECB3A

RGB 46 203 58

HSL 124.59, 0.63%, 0.49%

LAB 71.96, -66.45, 57.96

 

CMYK 64 / 0 / 59 / 16

HEX #4CD657

RGB 76 214 87

HSL 124.78, 0.63%, 0.57%

LAB 76.26, -62.06, 50.93

 

CMYK 50 / 0 / 47 / 13

HEX #6EDE76

RGB 110 222 118

HSL 124.29, 0.63%, 0.65%

LAB 80.1, -53.08, 41.26

 

CMYK 77 / 0 / 71 / 20

HEX #2ECB3A

RGB 46 203 58

HSL 124.59, 0.63%, 0.49%

LAB 71.96, -66.45, 57.96

 

CMYK 77 / 21 / 0 / 20

HEX #2EA1CB

RGB 46 161 203

HSL 196.05, 0.63%, 0.49%

LAB 61.98, -17.27, -30.48

 

CMYK 0 / 77 / 52 / 20

HEX #CB2E62

RGB 203 46 98

HSL 340.13, 0.63%, 0.49%

LAB 46.35, 63.17, 8.81

 

CMYK 77 / 0 / 71 / 20

HEX #2ECB3A

RGB 46 203 58

HSL 124.59, 0.63%, 0.49%

LAB 71.96, -66.45, 57.96

 

CMYK 72 / 77 / 0 / 20

HEX #382ECB

RGB 56 46 203

HSL 243.82, 0.63%, 0.49%

LAB 32.05, 53.04, -78.5

 

CMYK 0 / 72 / 77 / 20

HEX #CB382E

RGB 203 56 46

HSL 3.82, 0.63%, 0.49%

LAB 46.61, 56.93, 40.26

 

CMYK 77 / 0 / 71 / 20

HEX #2ECB3A

RGB 46 203 58

HSL 124.59, 0.63%, 0.49%

LAB 71.96, -66.45, 57.96

 

CMYK 77 / 21 / 0 / 20

HEX #2EA1CB

RGB 46 161 203

HSL 196.05, 0.63%, 0.49%

LAB 61.98, -17.27, -30.48

 

CMYK 0 / 77 / 5 / 20

HEX #CB2EC1

RGB 203 46 193

HSL 303.82, 0.63%, 0.49%

LAB 50.1, 74.26, -42.54

 

CMYK 0 / 57 / 77 / 20

HEX #CB582E

RGB 203 88 46

HSL 16.05, 0.63%, 0.49%

LAB 51.69, 43.31, 45.51

 

CMYK 77 / 0 / 71 / 20

HEX #2ECB3A

RGB 46 203 58

HSL 124.59, 0.63%, 0.49%

LAB 71.96, -66.45, 57.96

 

CMYK 77 / 44 / 0 / 20

HEX #2E72CB

RGB 46 114 203

HSL 214.01, 0.63%, 0.49%

LAB 48.17, 10.14, -52.25

 

CMYK 0 / 77 / 5 / 20

HEX #CB2EC1

RGB 203 46 193

HSL 303.82, 0.63%, 0.49%

LAB 50.1, 74.26, -42.54

 

CMYK 0 / 33 / 77 / 20

HEX #CB872E

RGB 203 135 46

HSL 34.01, 0.63%, 0.49%

LAB 61.85, 18.65, 55.5

 

Description

Color code: HEX #2ECB3A | qconv.com Color code: HEX #2ECB3A | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 203 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 203 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 71 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 71% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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