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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #55EF5B it is the complementary color #AA10A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #55EF5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #55EF5B shade: #5AEF56, #6BFF69, #7CFF7C, #8DFF8F and #9EFFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #55EF5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #55EF5B shade: #55EF5B, #44DD48, #33CB35, #22B922 and #11A70F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #55EF5B shade: #57EF5C, #7AEF57, #A3EF57, #CCEF57 and #EFE957

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #55EF5B shade: #57EF5C, #57EF86, #57EFAF, #57EFD8 and #57DDEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #55EF5B shade matches the following richer shades: #57EF5C and #48FE4F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #55EF5B shade: #57EF5C, #65E06A, #74D178, #83C286 and #92B393

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #55EF5B shade: #A3EF57, #7AEF57, #57EF5C, #57EF84 and #57EFAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #55EF5B shade: #14DF1C, #31EB38, #57EF5C, #7CF281 and #A2F6A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #55EF5B shade: #55EF5B, #57CBEF and #EF578E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #55EF5B shade: #55EF5B, #5C57EF and #EF5C57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #55EF5B shade: #55EF5B, #57CBEF, #EF57EA and #EF7A57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #55EF5B shade: #55EF5B, #579EEF, #EF57EA and #EFA857

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 62 / 6

HEX #55EF5B

RGB 85 239 91

HSL 122.34, 0.83%, 0.64%

LAB 84.18, -68.39, 58.27

 

Complementary color

CMYK 0 / 91 / 4 / 33

HEX #AA10A4

RGB 170 16 164

HSL 302.34, 0.83%, 0.36%

LAB 40.57, 69.83, -40.92

 

CMYK 62 / 0 / 64 / 6

HEX #5AEF56

RGB 90 239 86

HSL 118.43, 0.83%, 0.64%

LAB 84.27, -67.88, 60.46

 

CMYK 58 / 0 / 59 / 0

HEX #6BFF69

RGB 107 255 105

HSL 119.2, 1%, 0.71%

LAB 89.7, -67.74, 58.76

 

CMYK 51 / 0 / 51 / 0

HEX #7CFF7C

RGB 124 255 124

HSL 120, 1%, 0.74%

LAB 90.44, -61.43, 51.29

 

CMYK 45 / 0 / 44 / 0

HEX #8DFF8F

RGB 141 255 143

HSL 121.05, 1%, 0.78%

LAB 91.31, -54.38, 43.54

 

CMYK 38 / 0 / 36 / 0

HEX #9EFFA2

RGB 158 255 162

HSL 122.47, 1%, 0.81%

LAB 92.31, -46.73, 35.67

 

CMYK 64 / 0 / 62 / 6

HEX #55EF5B

RGB 85 239 91

HSL 122.34, 0.83%, 0.64%

LAB 84.18, -68.39, 58.27

 

CMYK 69 / 0 / 67 / 13

HEX #44DD48

RGB 68 221 72

HSL 121.57, 0.69%, 0.57%

LAB 78.12, -67.49, 59.23

 

CMYK 75 / 0 / 74 / 20

HEX #33CB35

RGB 51 203 53

HSL 120.79, 0.6%, 0.5%

LAB 72.01, -66.14, 59.83

 

CMYK 82 / 0 / 82 / 27

HEX #22B922

RGB 34 185 34

HSL 120, 0.69%, 0.43%

LAB 65.87, -64.17, 59.78

 

CMYK 90 / 0 / 91 / 35

HEX #11A70F

RGB 17 167 15

HSL 119.21, 0.84%, 0.36%

LAB 59.7, -61.38, 58.56

 

CMYK 64 / 0 / 62 / 6

HEX #57EF5C

RGB 87 239 92

HSL 121.97, 0.83%, 0.64%

LAB 84.24, -67.89, 57.93

 

CMYK 49 / 0 / 64 / 6

HEX #7AEF57

RGB 122 239 87

HSL 106.18, 0.83%, 0.64%

LAB 85.28, -59.96, 61.46

 

CMYK 32 / 0 / 64 / 6

HEX #A3EF57

RGB 163 239 87

HSL 90, 0.83%, 0.64%

LAB 87.1, -47.07, 63.96

 

CMYK 15 / 0 / 64 / 6

HEX #CCEF57

RGB 204 239 87

HSL 73.82, 0.83%, 0.64%

LAB 89.51, -31.95, 67.27

 

CMYK 0 / 3 / 64 / 6

HEX #EFE957

RGB 239 233 87

HSL 57.63, 0.83%, 0.64%

LAB 90.47, -15.13, 69.05

 

CMYK 64 / 0 / 62 / 6

HEX #57EF5C

RGB 87 239 92

HSL 121.97, 0.83%, 0.64%

LAB 84.24, -67.89, 57.93

 

CMYK 64 / 0 / 44 / 6

HEX #57EF86

RGB 87 239 134

HSL 138.55, 0.83%, 0.64%

LAB 84.73, -62.32, 39.15

 

CMYK 64 / 0 / 27 / 6

HEX #57EFAF

RGB 87 239 175

HSL 154.74, 0.83%, 0.64%

LAB 85.43, -54.75, 19.33

 

CMYK 64 / 0 / 10 / 6

HEX #57EFD8

RGB 87 239 216

HSL 170.92, 0.83%, 0.64%

LAB 86.36, -45.3, -0.72

 

CMYK 64 / 8 / 0 / 6

HEX #57DDEF

RGB 87 221 239

HSL 187.11, 0.83%, 0.64%

LAB 81.82, -30.89, -19.62

 

CMYK 64 / 0 / 62 / 6

HEX #57EF5C

RGB 87 239 92

HSL 121.97, 0.83%, 0.64%

LAB 84.24, -67.89, 57.93

 

CMYK 72 / 0 / 69 / 0

HEX #48FE4F

RGB 72 254 79

HSL 122.31, 0.99%, 0.64%

LAB 88.36, -76.64, 67.45

 

CMYK 64 / 0 / 62 / 6

HEX #57EF5C

RGB 87 239 92

HSL 121.97, 0.83%, 0.64%

LAB 84.24, -67.89, 57.93

 

CMYK 55 / 0 / 53 / 12

HEX #65E06A

RGB 101 224 106

HSL 122.44, 0.66%, 0.64%

LAB 80.25, -57.76, 47.11

 

CMYK 44 / 0 / 43 / 18

HEX #74D178

RGB 116 209 120

HSL 122.58, 0.5%, 0.64%

LAB 76.48, -45.8, 35.7

 

CMYK 32 / 0 / 31 / 24

HEX #83C286

RGB 131 194 134

HSL 122.86, 0.34%, 0.64%

LAB 72.98, -32.26, 23.95

 

CMYK 18 / 0 / 18 / 30

HEX #92B393

RGB 146 179 147

HSL 121.82, 0.18%, 0.64%

LAB 69.79, -17.53, 12.69

 

CMYK 32 / 0 / 64 / 6

HEX #A3EF57

RGB 163 239 87

HSL 90, 0.83%, 0.64%

LAB 87.1, -47.07, 63.96

 

CMYK 49 / 0 / 64 / 6

HEX #7AEF57

RGB 122 239 87

HSL 106.18, 0.83%, 0.64%

LAB 85.28, -59.96, 61.46

 

CMYK 64 / 0 / 62 / 6

HEX #57EF5C

RGB 87 239 92

HSL 121.97, 0.83%, 0.64%

LAB 84.24, -67.89, 57.93

 

CMYK 64 / 0 / 45 / 6

HEX #57EF84

RGB 87 239 132

HSL 137.76, 0.83%, 0.64%

LAB 84.7, -62.64, 40.09

 

CMYK 64 / 0 / 28 / 6

HEX #57EFAD

RGB 87 239 173

HSL 153.95, 0.83%, 0.64%

LAB 85.39, -55.17, 20.31

 

CMYK 91 / 0 / 87 / 13

HEX #14DF1C

RGB 20 223 28

HSL 122.36, 0.84%, 0.48%

LAB 77.88, -76.43, 71.89

 

CMYK 79 / 0 / 76 / 8

HEX #31EB38

RGB 49 235 56

HSL 122.26, 0.82%, 0.56%

LAB 82.03, -75.84, 68.75

 

CMYK 64 / 0 / 62 / 6

HEX #57EF5C

RGB 87 239 92

HSL 121.97, 0.83%, 0.64%

LAB 84.24, -67.89, 57.93

 

CMYK 49 / 0 / 47 / 5

HEX #7CF281

RGB 124 242 129

HSL 122.54, 0.82%, 0.72%

LAB 86.69, -55.76, 44.3

 

CMYK 34 / 0 / 33 / 4

HEX #A2F6A5

RGB 162 246 165

HSL 122.14, 0.82%, 0.8%

LAB 90, -41.14, 31.14

 

CMYK 64 / 0 / 62 / 6

HEX #55EF5B

RGB 85 239 91

HSL 122.34, 0.83%, 0.64%

LAB 84.18, -68.39, 58.27

 

CMYK 64 / 15 / 0 / 6

HEX #57CBEF

RGB 87 203 239

HSL 194.21, 0.83%, 0.64%

LAB 76.66, -22.02, -27.48

 

CMYK 0 / 64 / 41 / 6

HEX #EF578E

RGB 239 87 142

HSL 338.29, 0.83%, 0.64%

LAB 59.09, 62.82, 1.5

 

CMYK 64 / 0 / 62 / 6

HEX #55EF5B

RGB 85 239 91

HSL 122.34, 0.83%, 0.64%

LAB 84.18, -68.39, 58.27

 

CMYK 62 / 64 / 0 / 6

HEX #5C57EF

RGB 92 87 239

HSL 241.97, 0.83%, 0.64%

LAB 46.07, 45.82, -75.96

 

CMYK 0 / 62 / 64 / 6

HEX #EF5C57

RGB 239 92 87

HSL 1.97, 0.83%, 0.64%

LAB 58.69, 56.3, 32.88

 

CMYK 64 / 0 / 62 / 6

HEX #55EF5B

RGB 85 239 91

HSL 122.34, 0.83%, 0.64%

LAB 84.18, -68.39, 58.27

 

CMYK 64 / 15 / 0 / 6

HEX #57CBEF

RGB 87 203 239

HSL 194.21, 0.83%, 0.64%

LAB 76.66, -22.02, -27.48

 

CMYK 0 / 64 / 2 / 6

HEX #EF57EA

RGB 239 87 234

HSL 301.97, 0.83%, 0.64%

LAB 62.6, 74.96, -45.71

 

CMYK 0 / 49 / 64 / 6

HEX #EF7A57

RGB 239 122 87

HSL 13.82, 0.83%, 0.64%

LAB 64.13, 42.22, 39.55

 

CMYK 64 / 0 / 62 / 6

HEX #55EF5B

RGB 85 239 91

HSL 122.34, 0.83%, 0.64%

LAB 84.18, -68.39, 58.27

 

CMYK 64 / 34 / 0 / 6

HEX #579EEF

RGB 87 158 239

HSL 211.97, 0.83%, 0.64%

LAB 63.93, 2.37, -47.29

 

CMYK 0 / 64 / 2 / 6

HEX #EF57EA

RGB 239 87 234

HSL 301.97, 0.83%, 0.64%

LAB 62.6, 74.96, -45.71

 

CMYK 0 / 30 / 64 / 6

HEX #EFA857

RGB 239 168 87

HSL 31.97, 0.83%, 0.64%

LAB 74.22, 18.28, 51.36

 

Description

Color code: HEX #55EF5B | qconv.com Color code: HEX #55EF5B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 239 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 239 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 62 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 62% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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