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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2EB834 it is the complementary color #D147CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2EB834. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2EB834 shade: #33B82F, #44CA42, #55DC55, #66EE68 and #77FF7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2EB834. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2EB834 shade: #2EB834, #1DA621, #0C940E, #008200 and #007000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2EB834 shade: #2DB733, #4DB72D, #72B72D, #97B72D and #B7B22D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2EB834 shade: #2DB733, #2DB759, #2DB77E, #2DB7A3 and #2DA6B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2EB834 shade matches the following richer shades: #2DB733, #1BCA22 and #08DC11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2EB834 shade: #2DB733, #40A544, #539255, #657F66 and #786D77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2EB834 shade: #72B72D, #4EB72D, #2DB732, #2DB757 and #2DB77B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2EB834 shade: #1D7521, #25962A, #2DB733, #3FCF45 and #60D765

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2EB834 shade: #2EB834, #2D97B7 and #B72D60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2EB834 shade: #2EB834, #322DB7 and #B7322D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2EB834 shade: #2EB834, #2D97B7, #B72DB3 and #B74E2D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2EB834 shade: #2EB834, #2D6EB7, #B72DB3 and #B7772D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 72 / 28

HEX #2EB834

RGB 46 184 52

HSL 122.61, 0.6%, 0.45%

LAB 65.83, -60.96, 53.87

 

Complementary color

CMYK 0 / 66 / 3 / 18

HEX #D147CB

RGB 209 71 203

HSL 302.61, 0.6%, 0.55%

LAB 54.42, 69.04, -41.4

 

CMYK 72 / 0 / 74 / 28

HEX #33B82F

RGB 51 184 47

HSL 118.25, 0.59%, 0.45%

LAB 65.9, -60.55, 55.79

 

CMYK 66 / 0 / 67 / 21

HEX #44CA42

RGB 68 202 66

HSL 119.12, 0.56%, 0.53%

LAB 72.14, -61.74, 55.2

 

CMYK 61 / 0 / 61 / 14

HEX #55DC55

RGB 85 220 85

HSL 120, 0.66%, 0.6%

LAB 78.33, -62.5, 54.23

 

CMYK 57 / 0 / 56 / 7

HEX #66EE68

RGB 102 238 104

HSL 120.88, 0.8%, 0.67%

LAB 84.47, -62.94, 53.08

 

CMYK 53 / 0 / 52 / 0

HEX #77FF7B

RGB 119 255 123

HSL 121.76, 1%, 0.73%

LAB 90.26, -62.8, 51.49

 

CMYK 75 / 0 / 72 / 28

HEX #2EB834

RGB 46 184 52

HSL 122.61, 0.6%, 0.45%

LAB 65.83, -60.96, 53.87

 

CMYK 83 / 0 / 80 / 35

HEX #1DA621

RGB 29 166 33

HSL 121.75, 0.7%, 0.38%

LAB 59.57, -59.06, 54.12

 

CMYK 92 / 0 / 91 / 42

HEX #0C940E

RGB 12 148 14

HSL 120.88, 0.85%, 0.31%

LAB 53.27, -56.22, 53.19

 

CMYK 100 / 0 / 100 / 49

HEX #008200

RGB 0 130 0

HSL 120, 1%, 0.25%

LAB 46.93, -52.28, 50.46

 

CMYK 100 / 0 / 100 / 56

HEX #007000

RGB 0 112 0

HSL 120, 1%, 0.22%

LAB 40.55, -46.99, 45.35

 

CMYK 75 / 0 / 72 / 28

HEX #2DB733

RGB 45 183 51

HSL 122.61, 0.61%, 0.45%

LAB 65.49, -60.88, 53.89

 

CMYK 58 / 0 / 75 / 28

HEX #4DB72D

RGB 77 183 45

HSL 106.09, 0.61%, 0.45%

LAB 66.24, -54.79, 57.05

 

CMYK 38 / 0 / 75 / 28

HEX #72B72D

RGB 114 183 45

HSL 90, 0.61%, 0.45%

LAB 67.75, -43.45, 59.04

 

CMYK 17 / 0 / 75 / 28

HEX #97B72D

RGB 151 183 45

HSL 73.91, 0.61%, 0.45%

LAB 69.92, -29.27, 61.88

 

CMYK 0 / 3 / 75 / 28

HEX #B7B22D

RGB 183 178 45

HSL 57.83, 0.61%, 0.45%

LAB 70.94, -13.23, 63.7

 

CMYK 75 / 0 / 72 / 28

HEX #2DB733

RGB 45 183 51

HSL 122.61, 0.61%, 0.45%

LAB 65.49, -60.88, 53.89

 

CMYK 75 / 0 / 51 / 28

HEX #2DB759

RGB 45 183 89

HSL 139.13, 0.61%, 0.45%

LAB 65.86, -56.36, 37.41

 

CMYK 75 / 0 / 31 / 28

HEX #2DB77E

RGB 45 183 126

HSL 155.22, 0.61%, 0.45%

LAB 66.47, -49.49, 18.86

 

CMYK 75 / 0 / 11 / 28

HEX #2DB7A3

RGB 45 183 163

HSL 171.3, 0.61%, 0.45%

LAB 67.33, -40.42, -0.17

 

CMYK 75 / 9 / 0 / 28

HEX #2DA6B7

RGB 45 166 183

HSL 187.39, 0.61%, 0.45%

LAB 62.72, -26.53, -18.17

 

CMYK 75 / 0 / 72 / 28

HEX #2DB733

RGB 45 183 51

HSL 122.61, 0.61%, 0.45%

LAB 65.49, -60.88, 53.89

 

CMYK 87 / 0 / 83 / 21

HEX #1BCA22

RGB 27 202 34

HSL 122.4, 0.76%, 0.45%

LAB 71.28, -69.84, 64.72

 

CMYK 96 / 0 / 92 / 14

HEX #08DC11

RGB 8 220 17

HSL 122.55, 0.93%, 0.45%

LAB 76.85, -76.49, 72.74

 

CMYK 75 / 0 / 72 / 28

HEX #2DB733

RGB 45 183 51

HSL 122.61, 0.61%, 0.45%

LAB 65.49, -60.88, 53.89

 

CMYK 61 / 0 / 59 / 35

HEX #40A544

RGB 64 165 68

HSL 122.38, 0.44%, 0.45%

LAB 60.26, -49.17, 41.02

 

CMYK 43 / 0 / 42 / 43

HEX #539255

RGB 83 146 85

HSL 121.9, 0.28%, 0.45%

LAB 55.13, -33.49, 26.14

 

CMYK 20 / 0 / 20 / 50

HEX #657F66

RGB 101 127 102

HSL 122.31, 0.11%, 0.45%

LAB 50.58, -14.65, 10.56

 

CMYK 0 / 9 / 1 / 53

HEX #786D77

RGB 120 109 119

HSL 305.45, 0.05%, 0.45%

LAB 47.32, 6.26, -3.99

 

CMYK 38 / 0 / 75 / 28

HEX #72B72D

RGB 114 183 45

HSL 90, 0.61%, 0.45%

LAB 67.75, -43.45, 59.04

 

CMYK 57 / 0 / 75 / 28

HEX #4EB72D

RGB 78 183 45

HSL 105.65, 0.61%, 0.45%

LAB 66.27, -54.53, 57.09

 

CMYK 75 / 0 / 73 / 28

HEX #2DB732

RGB 45 183 50

HSL 122.17, 0.61%, 0.45%

LAB 65.48, -60.96, 54.25

 

CMYK 75 / 0 / 52 / 28

HEX #2DB757

RGB 45 183 87

HSL 138.26, 0.61%, 0.45%

LAB 65.84, -56.66, 38.37

 

CMYK 75 / 0 / 33 / 28

HEX #2DB77B

RGB 45 183 123

HSL 153.91, 0.61%, 0.45%

LAB 66.41, -50.13, 20.4

 

CMYK 75 / 0 / 72 / 54

HEX #1D7521

RGB 29 117 33

HSL 122.73, 0.6%, 0.29%

LAB 42.9, -42.9, 37.43

 

CMYK 75 / 0 / 72 / 41

HEX #25962A

RGB 37 150 42

HSL 122.65, 0.6%, 0.37%

LAB 54.42, -52.1, 45.85

 

CMYK 75 / 0 / 72 / 28

HEX #2DB733

RGB 45 183 51

HSL 122.61, 0.61%, 0.45%

LAB 65.49, -60.88, 53.89

 

CMYK 70 / 0 / 67 / 19

HEX #3FCF45

RGB 63 207 69

HSL 122.5, 0.6%, 0.53%

LAB 73.62, -64.07, 55.55

 

CMYK 55 / 0 / 53 / 16

HEX #60D765

RGB 96 215 101

HSL 122.52, 0.6%, 0.61%

LAB 77.3, -56.23, 45.87

 

CMYK 75 / 0 / 72 / 28

HEX #2EB834

RGB 46 184 52

HSL 122.61, 0.6%, 0.45%

LAB 65.83, -60.96, 53.87

 

CMYK 75 / 17 / 0 / 28

HEX #2D97B7

RGB 45 151 183

HSL 193.91, 0.61%, 0.45%

LAB 58.14, -18.77, -25.17

 

CMYK 0 / 75 / 48 / 28

HEX #B72D60

RGB 183 45 96

HSL 337.83, 0.61%, 0.45%

LAB 42.44, 57.75, 3.96

 

CMYK 75 / 0 / 72 / 28

HEX #2EB834

RGB 46 184 52

HSL 122.61, 0.6%, 0.45%

LAB 65.83, -60.96, 53.87

 

CMYK 73 / 75 / 0 / 28

HEX #322DB7

RGB 50 45 183

HSL 242.17, 0.61%, 0.45%

LAB 29.35, 46.73, -71.21

 

CMYK 0 / 73 / 75 / 28

HEX #B7322D

RGB 183 50 45

HSL 2.17, 0.61%, 0.45%

LAB 42.06, 52.7, 34.81

 

CMYK 75 / 0 / 72 / 28

HEX #2EB834

RGB 46 184 52

HSL 122.61, 0.6%, 0.45%

LAB 65.83, -60.96, 53.87

 

CMYK 75 / 17 / 0 / 28

HEX #2D97B7

RGB 45 151 183

HSL 193.91, 0.61%, 0.45%

LAB 58.14, -18.77, -25.17

 

CMYK 0 / 75 / 2 / 28

HEX #B72DB3

RGB 183 45 179

HSL 301.74, 0.61%, 0.45%

LAB 45.91, 68.23, -41.21

 

CMYK 0 / 57 / 75 / 28

HEX #B74E2D

RGB 183 78 45

HSL 14.35, 0.61%, 0.45%

LAB 46.59, 40.57, 39.71

 

CMYK 75 / 0 / 72 / 28

HEX #2EB834

RGB 46 184 52

HSL 122.61, 0.6%, 0.45%

LAB 65.83, -60.96, 53.87

 

CMYK 75 / 40 / 0 / 28

HEX #2D6EB7

RGB 45 110 183

HSL 211.74, 0.61%, 0.45%

LAB 45.81, 5.01, -44.49

 

CMYK 0 / 75 / 2 / 28

HEX #B72DB3

RGB 183 45 179

HSL 301.74, 0.61%, 0.45%

LAB 45.91, 68.23, -41.21

 

CMYK 0 / 35 / 75 / 28

HEX #B7772D

RGB 183 119 45

HSL 32.17, 0.61%, 0.45%

LAB 55.53, 18.72, 48.92

 

Description

Color code: HEX #2EB834 | qconv.com Color code: HEX #2EB834 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 184 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 184 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 72 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 72% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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