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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #66EE68 it is the complementary color #991197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #66EE68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #66EE68 shade: #6BEE63, #7CFF76, #8DFF89, #9EFF9C and #AFFFAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #66EE68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #66EE68 shade: #66EE68, #55DC55, #44CA42, #33B82F and #22A61C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #66EE68 shade: #67EE69, #89EE67, #AEEE67, #D2EE67 and #EEE567

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #66EE68 shade: #67EE69, #67EE8D, #67EEB2, #67EED6 and #67E1EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #66EE68 shade matches the following richer shades: #67EE69 and #59FB5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #66EE68 shade: #67EE69, #75E076, #82D283, #90C591 and #9DB79E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #66EE68 shade: #AFEE67, #8BEE67, #67EE67, #67EE8B and #67EEAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #66EE68 shade: #1DE520, #42EA44, #67EE69, #8CF28E and #B1F6B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #66EE68 shade: #66EE68, #67D3EE and #EE679D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #66EE68 shade: #66EE68, #6767EE and #EE6767

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #66EE68 shade: #66EE68, #67D3EE, #EE67EE and #EE8267

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #66EE68 shade: #66EE68, #67AAEE, #EE67EE and #EEAA67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 56 / 7

HEX #66EE68

RGB 102 238 104

HSL 120.88, 0.8%, 0.67%

LAB 84.47, -62.94, 53.08

 

Complementary color

CMYK 0 / 89 / 1 / 40

HEX #991197

RGB 153 17 151

HSL 300.88, 0.8%, 0.33%

LAB 36.76, 64.56, -39.32

 

CMYK 55 / 0 / 58 / 7

HEX #6BEE63

RGB 107 238 99

HSL 116.55, 0.8%, 0.66%

LAB 84.57, -62.31, 55.45

 

CMYK 51 / 0 / 54 / 0

HEX #7CFF76

RGB 124 255 118

HSL 117.37, 1%, 0.73%

LAB 90.37, -62.16, 53.95

 

CMYK 45 / 0 / 46 / 0

HEX #8DFF89

RGB 141 255 137

HSL 117.97, 1%, 0.77%

LAB 91.23, -55.21, 46.31

 

CMYK 38 / 0 / 39 / 0

HEX #9EFF9C

RGB 158 255 156

HSL 118.79, 1%, 0.81%

LAB 92.22, -47.63, 38.51

 

CMYK 31 / 0 / 31 / 0

HEX #AFFFAF

RGB 175 255 175

HSL 120, 1%, 0.84%

LAB 93.33, -39.56, 30.69

 

CMYK 57 / 0 / 56 / 7

HEX #66EE68

RGB 102 238 104

HSL 120.88, 0.8%, 0.67%

LAB 84.47, -62.94, 53.08

 

CMYK 61 / 0 / 61 / 14

HEX #55DC55

RGB 85 220 85

HSL 120, 0.66%, 0.6%

LAB 78.33, -62.5, 54.23

 

CMYK 66 / 0 / 67 / 21

HEX #44CA42

RGB 68 202 66

HSL 119.12, 0.56%, 0.53%

LAB 72.14, -61.74, 55.2

 

CMYK 72 / 0 / 74 / 28

HEX #33B82F

RGB 51 184 47

HSL 118.25, 0.59%, 0.45%

LAB 65.9, -60.55, 55.79

 

CMYK 80 / 0 / 83 / 35

HEX #22A61C

RGB 34 166 28

HSL 117.39, 0.71%, 0.38%

LAB 59.61, -58.72, 55.64

 

CMYK 57 / 0 / 56 / 7

HEX #67EE69

RGB 103 238 105

HSL 120.89, 0.8%, 0.67%

LAB 84.51, -62.59, 52.68

 

CMYK 42 / 0 / 57 / 7

HEX #89EE67

RGB 137 238 103

HSL 104.89, 0.8%, 0.67%

LAB 85.73, -53.64, 55.31

 

CMYK 27 / 0 / 57 / 7

HEX #AEEE67

RGB 174 238 103

HSL 88.44, 0.8%, 0.67%

LAB 87.55, -41.41, 57.88

 

CMYK 12 / 0 / 57 / 7

HEX #D2EE67

RGB 210 238 103

HSL 72.44, 0.8%, 0.67%

LAB 89.78, -27.98, 61.02

 

CMYK 0 / 4 / 57 / 7

HEX #EEE567

RGB 238 229 103

HSL 56, 0.8%, 0.67%

LAB 89.48, -12.52, 61.25

 

CMYK 57 / 0 / 56 / 7

HEX #67EE69

RGB 103 238 105

HSL 120.89, 0.8%, 0.67%

LAB 84.51, -62.59, 52.68

 

CMYK 57 / 0 / 41 / 7

HEX #67EE8D

RGB 103 238 141

HSL 136.89, 0.8%, 0.67%

LAB 84.97, -57.52, 36.09

 

CMYK 57 / 0 / 25 / 7

HEX #67EEB2

RGB 103 238 178

HSL 153.33, 0.8%, 0.67%

LAB 85.63, -50.67, 18.12

 

CMYK 57 / 0 / 10 / 7

HEX #67EED6

RGB 103 238 214

HSL 169.33, 0.8%, 0.67%

LAB 86.45, -42.57, 0.5

 

CMYK 57 / 5 / 0 / 7

HEX #67E1EE

RGB 103 225 238

HSL 185.78, 0.8%, 0.67%

LAB 83.39, -30.38, -16.68

 

CMYK 57 / 0 / 56 / 7

HEX #67EE69

RGB 103 238 105

HSL 120.89, 0.8%, 0.67%

LAB 84.51, -62.59, 52.68

 

CMYK 65 / 0 / 63 / 2

HEX #59FB5C

RGB 89 251 92

HSL 121.11, 0.95%, 0.67%

LAB 87.92, -71.51, 62.05

 

CMYK 57 / 0 / 56 / 7

HEX #67EE69

RGB 103 238 105

HSL 120.89, 0.8%, 0.67%

LAB 84.51, -62.59, 52.68

 

CMYK 48 / 0 / 47 / 12

HEX #75E076

RGB 117 224 118

HSL 120.56, 0.63%, 0.67%

LAB 80.96, -52, 42.39

 

CMYK 38 / 0 / 38 / 18

HEX #82D283

RGB 130 210 131

HSL 120.75, 0.47%, 0.67%

LAB 77.57, -40.37, 31.63

 

CMYK 27 / 0 / 26 / 23

HEX #90C591

RGB 144 197 145

HSL 121.13, 0.31%, 0.67%

LAB 74.77, -27.54, 20.66

 

CMYK 14 / 0 / 14 / 28

HEX #9DB79E

RGB 157 183 158

HSL 122.31, 0.15%, 0.67%

LAB 71.9, -13.75, 9.76

 

CMYK 26 / 0 / 57 / 7

HEX #AFEE67

RGB 175 238 103

HSL 88, 0.8%, 0.67%

LAB 87.6, -41.06, 57.96

 

CMYK 42 / 0 / 57 / 7

HEX #8BEE67

RGB 139 238 103

HSL 104, 0.8%, 0.67%

LAB 85.81, -53.04, 55.44

 

CMYK 57 / 0 / 57 / 7

HEX #67EE67

RGB 103 238 103

HSL 120, 0.8%, 0.67%

LAB 84.49, -62.82, 53.55

 

CMYK 57 / 0 / 42 / 7

HEX #67EE8B

RGB 103 238 139

HSL 136, 0.8%, 0.67%

LAB 84.94, -57.84, 37.05

 

CMYK 57 / 0 / 26 / 7

HEX #67EEAF

RGB 103 238 175

HSL 152, 0.8%, 0.67%

LAB 85.57, -51.28, 19.59

 

CMYK 87 / 0 / 86 / 10

HEX #1DE520

RGB 29 229 32

HSL 120.9, 0.79%, 0.51%

LAB 79.84, -77.34, 72.85

 

CMYK 72 / 0 / 71 / 8

HEX #42EA44

RGB 66 234 68

HSL 120.71, 0.8%, 0.59%

LAB 82.07, -72.3, 64.86

 

CMYK 57 / 0 / 56 / 7

HEX #67EE69

RGB 103 238 105

HSL 120.89, 0.8%, 0.67%

LAB 84.51, -62.59, 52.68

 

CMYK 42 / 0 / 41 / 5

HEX #8CF28E

RGB 140 242 142

HSL 121.18, 0.8%, 0.75%

LAB 87.5, -49.48, 39.14

 

CMYK 28 / 0 / 28 / 4

HEX #B1F6B2

RGB 177 246 178

HSL 120.87, 0.79%, 0.83%

LAB 91, -34.37, 26.02

 

CMYK 57 / 0 / 56 / 7

HEX #66EE68

RGB 102 238 104

HSL 120.88, 0.8%, 0.67%

LAB 84.47, -62.94, 53.08

 

CMYK 57 / 11 / 0 / 7

HEX #67D3EE

RGB 103 211 238

HSL 192, 0.8%, 0.67%

LAB 79.41, -23.53, -22.7

 

CMYK 0 / 57 / 34 / 7

HEX #EE679D

RGB 238 103 157

HSL 336, 0.8%, 0.67%

LAB 61.92, 57.25, -3.06

 

CMYK 57 / 0 / 56 / 7

HEX #66EE68

RGB 102 238 104

HSL 120.88, 0.8%, 0.67%

LAB 84.47, -62.94, 53.08

 

CMYK 57 / 57 / 0 / 7

HEX #6767EE

RGB 103 103 238

HSL 240, 0.8%, 0.67%

LAB 50.4, 37.85, -68.32

 

CMYK 0 / 57 / 57 / 7

HEX #EE6767

RGB 238 103 103

HSL 0, 0.8%, 0.67%

LAB 60.66, 52.11, 26.28

 

CMYK 57 / 0 / 56 / 7

HEX #66EE68

RGB 102 238 104

HSL 120.88, 0.8%, 0.67%

LAB 84.47, -62.94, 53.08

 

CMYK 57 / 11 / 0 / 7

HEX #67D3EE

RGB 103 211 238

HSL 192, 0.8%, 0.67%

LAB 79.41, -23.53, -22.7

 

CMYK 0 / 57 / 0 / 7

HEX #EE67EE

RGB 238 103 238

HSL 300, 0.8%, 0.67%

LAB 65, 68.87, -44.16

 

CMYK 0 / 45 / 57 / 7

HEX #EE8267

RGB 238 130 103

HSL 12, 0.8%, 0.67%

LAB 65.84, 38.91, 32.99

 

CMYK 57 / 0 / 56 / 7

HEX #66EE68

RGB 102 238 104

HSL 120.88, 0.8%, 0.67%

LAB 84.47, -62.94, 53.08

 

CMYK 57 / 29 / 0 / 7

HEX #67AAEE

RGB 103 170 238

HSL 210.22, 0.8%, 0.67%

LAB 67.88, -1.8, -40.49

 

CMYK 0 / 57 / 0 / 7

HEX #EE67EE

RGB 238 103 238

HSL 300, 0.8%, 0.67%

LAB 65, 68.87, -44.16

 

CMYK 0 / 29 / 57 / 7

HEX #EEAA67

RGB 238 170 103

HSL 29.78, 0.8%, 0.67%

LAB 74.77, 17.93, 44.08

 

Description

Color code: HEX #66EE68 | qconv.com Color code: HEX #66EE68 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 238 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 238 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 56 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 56% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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