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Color name
HEX #2E3BEA

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2E3BEA it is the complementary color #D1C415. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2E3BEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2E3BEA shade: #333BE5, #444DF8, #555FFF, #6671FF and #7783FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2E3BEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2E3BEA shade: #2E3BEA, #1D29D7, #0C17C4, #0005B1 and #00009E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2E3BEA shade: #2E3BEA, #532EEA, #862EEA, #B92EEA and #EA2EE8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2E3BEA shade: #2E3BEA and #2E2EEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2E3BEA shade matches the following richer shades: #2E3BEA and #1B2BFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2E3BEA shade: #2E3BEA, #404BD7, #535BC5, #656BB2 and #787BA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2E3BEA shade: #2EA2EA, #2E70EA, #2E3DEA, #502EEA and #822EEA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2E3BEA shade: #111DB4, #1523D9, #2E3BEA, #535EEE and #7981F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2E3BEA shade: #2E3BEA, #EA2ED4 and #89EA2E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2E3BEA shade: #2E3BEA, #EA2E3D and #3DEA2E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2E3BEA shade: #2E3BEA, #EA2ED4, #EADA2E and #2EEA44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2E3BEA shade: #2E3BEA, #EA2E9B, #EADA2E and #2EEA7C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 75 / 0 / 8

HEX #2E3BEA

RGB 46 59 234

HSL 235.85, 0.82%, 0.55%

LAB 37.21, 55.34, -87.81

 

Complementary color

CMYK 0 / 6 / 90 / 18

HEX #D1C415

RGB 209 196 21

HSL 55.85, 0.82%, 0.45%

LAB 77.93, -11.81, 76.39

 

CMYK 78 / 74 / 0 / 10

HEX #333BE5

RGB 51 59 229

HSL 237.3, 0.77%, 0.55%

LAB 36.91, 54.05, -85.45

 

CMYK 73 / 69 / 0 / 3

HEX #444DF8

RGB 68 77 248

HSL 237, 0.93%, 0.62%

LAB 43.23, 51.59, -85.72

 

CMYK 67 / 63 / 0 / 0

HEX #555FFF

RGB 85 95 255

HSL 236.47, 1%, 0.67%

LAB 48.68, 45.32, -80.65

 

CMYK 60 / 56 / 0 / 0

HEX #6671FF

RGB 102 113 255

HSL 235.69, 1%, 0.7%

LAB 53.87, 37.1, -72.15

 

CMYK 53 / 49 / 0 / 0

HEX #7783FF

RGB 119 131 255

HSL 234.71, 1%, 0.73%

LAB 59.32, 29.5, -63.31

 

CMYK 80 / 75 / 0 / 8

HEX #2E3BEA

RGB 46 59 234

HSL 235.85, 0.82%, 0.55%

LAB 37.21, 55.34, -87.81

 

CMYK 87 / 81 / 0 / 16

HEX #1D29D7

RGB 29 41 215

HSL 236.13, 0.76%, 0.48%

LAB 31.24, 57.68, -86.85

 

CMYK 94 / 88 / 0 / 23

HEX #0C17C4

RGB 12 23 196

HSL 236.41, 0.88%, 0.41%

LAB 25.79, 59.18, -84.85

 

CMYK 100 / 97 / 0 / 31

HEX #0005B1

RGB 0 5 177

HSL 238.31, 1%, 0.35%

LAB 21.14, 58.93, -81.33

 

CMYK 100 / 100 / 0 / 38

HEX #00009E

RGB 0 0 158

HSL 240, 1%, 0.31%

LAB 17.78, 55.38, -75.42

 

CMYK 80 / 75 / 0 / 8

HEX #2E3BEA

RGB 46 59 234

HSL 235.85, 0.82%, 0.55%

LAB 37.21, 55.34, -87.81

 

CMYK 65 / 80 / 0 / 8

HEX #532EEA

RGB 83 46 234

HSL 251.81, 0.82%, 0.55%

LAB 37.36, 64.37, -87.49

 

CMYK 43 / 80 / 0 / 8

HEX #862EEA

RGB 134 46 234

HSL 268.09, 0.82%, 0.55%

LAB 42.71, 70.1, -78.49

 

CMYK 21 / 80 / 0 / 8

HEX #B92EEA

RGB 185 46 234

HSL 284.36, 0.82%, 0.55%

LAB 49.75, 77.81, -66.71

 

CMYK 0 / 80 / 1 / 8

HEX #EA2EE8

RGB 234 46 232

HSL 300.64, 0.82%, 0.55%

LAB 57.34, 86.09, -52.97

 

CMYK 80 / 75 / 0 / 8

HEX #2E3BEA

RGB 46 59 234

HSL 235.85, 0.82%, 0.55%

LAB 37.21, 55.34, -87.81

 

CMYK 80 / 80 / 0 / 8

HEX #2E2EEA

RGB 46 46 234

HSL 240, 0.82%, 0.55%

LAB 34.95, 61.84, -91.55

 

CMYK 80 / 75 / 0 / 8

HEX #2E3BEA

RGB 46 59 234

HSL 235.85, 0.82%, 0.55%

LAB 37.21, 55.34, -87.81

 

CMYK 89 / 83 / 0 / 1

HEX #1B2BFC

RGB 27 43 252

HSL 235.73, 0.97%, 0.55%

LAB 35.96, 67.79, -100.06

 

CMYK 80 / 75 / 0 / 8

HEX #2E3BEA

RGB 46 59 234

HSL 235.85, 0.82%, 0.55%

LAB 37.21, 55.34, -87.81

 

CMYK 70 / 65 / 0 / 16

HEX #404BD7

RGB 64 75 215

HSL 235.63, 0.65%, 0.55%

LAB 39.63, 41.36, -72.95

 

CMYK 58 / 54 / 0 / 23

HEX #535BC5

RGB 83 91 197

HSL 235.79, 0.5%, 0.55%

LAB 43.29, 28.27, -56.56

 

CMYK 43 / 40 / 0 / 30

HEX #656BB2

RGB 101 107 178

HSL 235.32, 0.33%, 0.55%

LAB 47.62, 16.38, -38.53

 

CMYK 25 / 23 / 0 / 37

HEX #787BA0

RGB 120 123 160

HSL 235.5, 0.17%, 0.55%

LAB 52.62, 7.34, -20.17

 

CMYK 80 / 31 / 0 / 8

HEX #2EA2EA

RGB 46 162 234

HSL 202.98, 0.82%, 0.55%

LAB 63.64, -7.07, -45.07

 

CMYK 80 / 52 / 0 / 8

HEX #2E70EA

RGB 46 112 234

HSL 218.94, 0.82%, 0.55%

LAB 49.63, 23.05, -67.46

 

CMYK 80 / 74 / 0 / 8

HEX #2E3DEA

RGB 46 61 234

HSL 235.21, 0.82%, 0.55%

LAB 37.59, 54.26, -87.18

 

CMYK 66 / 80 / 0 / 8

HEX #502EEA

RGB 80 46 234

HSL 250.85, 0.82%, 0.55%

LAB 37.11, 64.11, -87.9

 

CMYK 44 / 80 / 0 / 8

HEX #822EEA

RGB 130 46 234

HSL 266.81, 0.82%, 0.55%

LAB 42.22, 69.57, -79.31

 

CMYK 91 / 84 / 0 / 29

HEX #111DB4

RGB 17 29 180

HSL 235.58, 0.83%, 0.39%

LAB 24.62, 52.05, -77.31

 

CMYK 90 / 84 / 0 / 15

HEX #1523D9

RGB 21 35 217

HSL 235.71, 0.82%, 0.47%

LAB 30.33, 60.76, -89.52

 

CMYK 80 / 75 / 0 / 8

HEX #2E3BEA

RGB 46 59 234

HSL 235.85, 0.82%, 0.55%

LAB 37.21, 55.34, -87.81

 

CMYK 65 / 61 / 0 / 7

HEX #535EEE

RGB 83 94 238

HSL 235.74, 0.82%, 0.63%

LAB 47, 40.05, -73.91

 

CMYK 50 / 46 / 0 / 5

HEX #7981F1

RGB 121 129 241

HSL 236, 0.81%, 0.71%

LAB 58.15, 26.83, -57.46

 

CMYK 80 / 75 / 0 / 8

HEX #2E3BEA

RGB 46 59 234

HSL 235.85, 0.82%, 0.55%

LAB 37.21, 55.34, -87.81

 

CMYK 0 / 80 / 9 / 8

HEX #EA2ED4

RGB 234 46 212

HSL 307.02, 0.82%, 0.55%

LAB 56.29, 83.22, -43.33

 

CMYK 41 / 0 / 80 / 8

HEX #89EA2E

RGB 137 234 46

HSL 90.96, 0.82%, 0.55%

LAB 84.15, -56.28, 74.48

 

CMYK 80 / 75 / 0 / 8

HEX #2E3BEA

RGB 46 59 234

HSL 235.85, 0.82%, 0.55%

LAB 37.21, 55.34, -87.81

 

CMYK 0 / 80 / 74 / 8

HEX #EA2E3D

RGB 234 46 61

HSL 355.21, 0.82%, 0.55%

LAB 51.59, 69.59, 38.98

 

CMYK 74 / 0 / 80 / 8

HEX #3DEA2E

RGB 61 234 46

HSL 115.21, 0.82%, 0.55%

LAB 81.86, -74.54, 71.53

 

CMYK 80 / 75 / 0 / 8

HEX #2E3BEA

RGB 46 59 234

HSL 235.85, 0.82%, 0.55%

LAB 37.21, 55.34, -87.81

 

CMYK 0 / 80 / 9 / 8

HEX #EA2ED4

RGB 234 46 212

HSL 307.02, 0.82%, 0.55%

LAB 56.29, 83.22, -43.33

 

CMYK 0 / 7 / 80 / 8

HEX #EADA2E

RGB 234 218 46

HSL 54.89, 0.82%, 0.55%

LAB 85.92, -11.61, 78.42

 

CMYK 80 / 0 / 71 / 8

HEX #2EEA44

RGB 46 234 68

HSL 127.02, 0.82%, 0.55%

LAB 81.75, -75, 64.44

 

CMYK 80 / 75 / 0 / 8

HEX #2E3BEA

RGB 46 59 234

HSL 235.85, 0.82%, 0.55%

LAB 37.21, 55.34, -87.81

 

CMYK 0 / 80 / 34 / 8

HEX #EA2E9B

RGB 234 46 155

HSL 325.21, 0.82%, 0.55%

LAB 53.83, 76.27, -14.04

 

CMYK 0 / 7 / 80 / 8

HEX #EADA2E

RGB 234 218 46

HSL 54.89, 0.82%, 0.55%

LAB 85.92, -11.61, 78.42

 

CMYK 80 / 0 / 47 / 8

HEX #2EEA7C

RGB 46 234 124

HSL 144.89, 0.82%, 0.55%

LAB 82.32, -68.18, 40.8

 

Description

Color code: HEX #2E3BEA | qconv.com Color code: HEX #2E3BEA | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 59 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 59 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 75 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 75% 0% 8% C M Y K

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Provide designers and agencies with accurate color values.

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