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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #333BE5 it is the complementary color #CCC41A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #333BE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #333BE5 shade: #383BE0, #494DF3, #5A5FFF, #6B71FF and #7C83FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #333BE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #333BE5 shade: #333BE5, #2229D2, #1117BF, #0005AC and #000099

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #333BE5 shade: #333BE4, #5B33E4, #8B33E4, #BA33E4 and #E433DE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #333BE5 shade: #333BE4 and #3333E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #333BE5 shade matches the following richer shades: #333BE4 and #212AF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #333BE5 shade: #333BE4, #464CD2, #595DBF, #6B6EAC and #7E7F9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #333BE5 shade: #339AE4, #336BE4, #333CE4, #5A33E4 and #8933E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #333BE5 shade: #161DAF, #1B23D3, #333BE4, #585EE9 and #7C82EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #333BE5 shade: #333BE5, #E433CA and #83E433

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #333BE5 shade: #333BE5, #E4333C and #3CE433

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #333BE5 shade: #333BE5, #E433CA, #E4DB33 and #33E44E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #333BE5 shade: #333BE5, #E43395, #E4DB33 and #33E483

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 74 / 0 / 10

HEX #333BE5

RGB 51 59 229

HSL 237.3, 0.77%, 0.55%

LAB 36.91, 54.05, -85.45

 

Complementary color

CMYK 0 / 4 / 87 / 20

HEX #CCC41A

RGB 204 196 26

HSL 57.3, 0.77%, 0.45%

LAB 77.51, -13.88, 75

 

CMYK 75 / 74 / 0 / 12

HEX #383BE0

RGB 56 59 224

HSL 238.93, 0.73%, 0.55%

LAB 36.65, 52.82, -83.02

 

CMYK 70 / 68 / 0 / 5

HEX #494DF3

RGB 73 77 243

HSL 238.59, 0.88%, 0.62%

LAB 43.06, 50.47, -83.2

 

CMYK 65 / 63 / 0 / 0

HEX #5A5FFF

RGB 90 95 255

HSL 238.18, 1%, 0.68%

LAB 48.98, 45.97, -80.15

 

CMYK 58 / 56 / 0 / 0

HEX #6B71FF

RGB 107 113 255

HSL 237.57, 1%, 0.71%

LAB 54.19, 37.95, -71.62

 

CMYK 51 / 49 / 0 / 0

HEX #7C83FF

RGB 124 131 255

HSL 236.79, 1%, 0.74%

LAB 59.65, 30.51, -62.76

 

CMYK 78 / 74 / 0 / 10

HEX #333BE5

RGB 51 59 229

HSL 237.3, 0.77%, 0.55%

LAB 36.91, 54.05, -85.45

 

CMYK 84 / 80 / 0 / 18

HEX #2229D2

RGB 34 41 210

HSL 237.61, 0.72%, 0.48%

LAB 30.83, 56.33, -84.63

 

CMYK 91 / 88 / 0 / 25

HEX #1117BF

RGB 17 23 191

HSL 237.93, 0.84%, 0.41%

LAB 25.24, 57.82, -82.82

 

CMYK 100 / 97 / 0 / 33

HEX #0005AC

RGB 0 5 172

HSL 238.26, 1%, 0.34%

LAB 20.39, 57.61, -79.57

 

CMYK 100 / 100 / 0 / 40

HEX #000099

RGB 0 0 153

HSL 240, 1%, 0.3%

LAB 16.99, 54.09, -73.67

 

CMYK 78 / 74 / 0 / 11

HEX #333BE4

RGB 51 59 228

HSL 237.29, 0.77%, 0.55%

LAB 36.81, 53.73, -85.06

 

CMYK 60 / 78 / 0 / 11

HEX #5B33E4

RGB 91 51 228

HSL 253.56, 0.77%, 0.55%

LAB 38.19, 61.34, -82.68

 

CMYK 39 / 78 / 0 / 11

HEX #8B33E4

RGB 139 51 228

HSL 269.83, 0.77%, 0.55%

LAB 43.45, 67.66, -73.85

 

CMYK 18 / 78 / 0 / 11

HEX #BA33E4

RGB 186 51 228

HSL 285.76, 0.77%, 0.55%

LAB 49.99, 75.44, -62.92

 

CMYK 0 / 78 / 3 / 11

HEX #E433DE

RGB 228 51 222

HSL 302.03, 0.77%, 0.55%

LAB 56.22, 82.29, -49.17

 

CMYK 78 / 74 / 0 / 11

HEX #333BE4

RGB 51 59 228

HSL 237.29, 0.77%, 0.55%

LAB 36.81, 53.73, -85.06

 

CMYK 78 / 78 / 0 / 11

HEX #3333E4

RGB 51 51 228

HSL 240, 0.77%, 0.55%

LAB 35.35, 57.9, -87.47

 

CMYK 78 / 74 / 0 / 11

HEX #333BE4

RGB 51 59 228

HSL 237.29, 0.77%, 0.55%

LAB 36.81, 53.73, -85.06

 

CMYK 87 / 83 / 0 / 3

HEX #212AF7

RGB 33 42 247

HSL 237.48, 0.93%, 0.55%

LAB 35.39, 66.91, -98.19

 

CMYK 78 / 74 / 0 / 11

HEX #333BE4

RGB 51 59 228

HSL 237.29, 0.77%, 0.55%

LAB 36.81, 53.73, -85.06

 

CMYK 67 / 64 / 0 / 18

HEX #464CD2

RGB 70 76 210

HSL 237.43, 0.61%, 0.55%

LAB 39.79, 39.82, -69.79

 

CMYK 53 / 51 / 0 / 25

HEX #595DBF

RGB 89 93 191

HSL 237.65, 0.44%, 0.55%

LAB 43.82, 26.27, -52.2

 

CMYK 38 / 36 / 0 / 33

HEX #6B6EAC

RGB 107 110 172

HSL 237.23, 0.28%, 0.55%

LAB 48.58, 14.43, -33.49

 

CMYK 18 / 18 / 0 / 40

HEX #7E7F9A

RGB 126 127 154

HSL 237.86, 0.12%, 0.55%

LAB 53.97, 5.52, -14.58

 

CMYK 78 / 32 / 0 / 11

HEX #339AE4

RGB 51 154 228

HSL 205.08, 0.77%, 0.55%

LAB 61.15, -4.15, -45.68

 

CMYK 78 / 53 / 0 / 11

HEX #336BE4

RGB 51 107 228

HSL 221.02, 0.77%, 0.55%

LAB 48.03, 24.46, -66.66

 

CMYK 78 / 74 / 0 / 11

HEX #333CE4

RGB 51 60 228

HSL 236.95, 0.77%, 0.55%

LAB 37, 53.19, -84.74

 

CMYK 61 / 78 / 0 / 11

HEX #5A33E4

RGB 90 51 228

HSL 253.22, 0.77%, 0.55%

LAB 38.1, 61.23, -82.83

 

CMYK 40 / 78 / 0 / 11

HEX #8933E4

RGB 137 51 228

HSL 269.15, 0.77%, 0.55%

LAB 43.19, 67.35, -74.27

 

CMYK 87 / 83 / 0 / 31

HEX #161DAF

RGB 22 29 175

HSL 237.25, 0.78%, 0.39%

LAB 24.14, 50.64, -75.1

 

CMYK 87 / 83 / 0 / 17

HEX #1B23D3

RGB 27 35 211

HSL 237.39, 0.77%, 0.47%

LAB 29.76, 59.12, -87

 

CMYK 78 / 74 / 0 / 11

HEX #333BE4

RGB 51 59 228

HSL 237.29, 0.77%, 0.55%

LAB 36.81, 53.73, -85.06

 

CMYK 62 / 60 / 0 / 9

HEX #585EE9

RGB 88 94 233

HSL 237.52, 0.77%, 0.63%

LAB 46.93, 39.14, -71.2

 

CMYK 48 / 45 / 0 / 7

HEX #7C82EE

RGB 124 130 238

HSL 236.84, 0.77%, 0.71%

LAB 58.44, 26, -55.32

 

CMYK 78 / 74 / 0 / 10

HEX #333BE5

RGB 51 59 229

HSL 237.3, 0.77%, 0.55%

LAB 36.91, 54.05, -85.45

 

CMYK 0 / 78 / 11 / 11

HEX #E433CA

RGB 228 51 202

HSL 308.81, 0.77%, 0.55%

LAB 55.2, 79.41, -39.39

 

CMYK 43 / 0 / 78 / 11

HEX #83E433

RGB 131 228 51

HSL 92.88, 0.77%, 0.55%

LAB 82.14, -55.63, 71.14

 

CMYK 78 / 74 / 0 / 10

HEX #333BE5

RGB 51 59 229

HSL 237.3, 0.77%, 0.55%

LAB 36.91, 54.05, -85.45

 

CMYK 0 / 78 / 74 / 11

HEX #E4333C

RGB 228 51 60

HSL 356.95, 0.77%, 0.55%

LAB 50.91, 66.53, 38.47

 

CMYK 74 / 0 / 78 / 11

HEX #3CE433

RGB 60 228 51

HSL 116.95, 0.77%, 0.55%

LAB 80, -72.6, 68.37

 

CMYK 78 / 74 / 0 / 10

HEX #333BE5

RGB 51 59 229

HSL 237.3, 0.77%, 0.55%

LAB 36.91, 54.05, -85.45

 

CMYK 0 / 78 / 11 / 11

HEX #E433CA

RGB 228 51 202

HSL 308.81, 0.77%, 0.55%

LAB 55.2, 79.41, -39.39

 

CMYK 0 / 4 / 78 / 11

HEX #E4DB33

RGB 228 219 51

HSL 56.95, 0.77%, 0.55%

LAB 85.7, -14.46, 76.65

 

CMYK 78 / 0 / 66 / 11

HEX #33E44E

RGB 51 228 78

HSL 129.15, 0.77%, 0.55%

LAB 80.03, -71.68, 58.83

 

CMYK 78 / 74 / 0 / 10

HEX #333BE5

RGB 51 59 229

HSL 237.3, 0.77%, 0.55%

LAB 36.91, 54.05, -85.45

 

CMYK 0 / 78 / 35 / 11

HEX #E43395

RGB 228 51 149

HSL 326.78, 0.77%, 0.55%

LAB 52.98, 72.94, -11.86

 

CMYK 0 / 4 / 78 / 11

HEX #E4DB33

RGB 228 219 51

HSL 56.95, 0.77%, 0.55%

LAB 85.7, -14.46, 76.65

 

CMYK 78 / 0 / 43 / 11

HEX #33E483

RGB 51 228 131

HSL 147.12, 0.77%, 0.55%

LAB 80.64, -64.42, 35.22

 

Description

Color code: HEX #333BE5 | qconv.com Color code: HEX #333BE5 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 59 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 59 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 74 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 74% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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