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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2AD97E it is the complementary color #D52681. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2AD97E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2AD97E shade: #2FD979, #40EB8C, #51FD9F, #62FFB2 and #73FFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2AD97E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2AD97E shade: #2AD97E, #19C76B, #08B558, #00A345 and #009132

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2AD97E shade: #2AD97E, #2AD94F, #34D92A, #64D92A and #93D92A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2AD97E shade: #2AD97E, #2AD9AD, #2AD6D9, #2AA6D9 and #2A77D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2AD97E shade matches the following richer shades: #2AD97E and #16ED7D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2AD97E shade: #2AD97E, #3EC57F, #53B180, #679C80 and #7B8881

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2AD97E shade: #36D92A, #2AD94D, #2AD97C, #2AD9AA and #2AD9D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2AD97E shade: #1A9656, #20BA6A, #2AD97E, #4DDF93 and #70E5A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2AD97E shade: #2AD97E, #2A64D9 and #D9362A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2AD97E shade: #2AD97E, #7C2AD9 and #D97C2A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2AD97E shade: #2AD97E, #2A64D9, #D92A87 and #D99F2A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2AD97E shade: #2AD97E, #2A30D9, #D92A87 and #D9D32A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 42 / 15

HEX #2AD97E

RGB 42 217 126

HSL 148.8, 0.7%, 0.51%

LAB 77.06, -62.44, 33.04

 

Complementary color

CMYK 0 / 82 / 39 / 16

HEX #D52681

RGB 213 38 129

HSL 328.8, 0.7%, 0.49%

LAB 48.41, 70.56, -6.99

 

CMYK 78 / 0 / 44 / 15

HEX #2FD979

RGB 47 217 121

HSL 146.12, 0.69%, 0.52%

LAB 77.05, -62.78, 35.56

 

CMYK 73 / 0 / 40 / 8

HEX #40EB8C

RGB 64 235 140

HSL 146.67, 0.81%, 0.59%

LAB 83.13, -63.65, 34

 

CMYK 68 / 0 / 37 / 1

HEX #51FD9F

RGB 81 253 159

HSL 147.21, 0.98%, 0.65%

LAB 89.16, -64.22, 32.53

 

CMYK 62 / 0 / 30 / 0

HEX #62FFB2

RGB 98 255 178

HSL 150.57, 1%, 0.69%

LAB 90.47, -58.48, 24.81

 

CMYK 55 / 0 / 23 / 0

HEX #73FFC5

RGB 115 255 197

HSL 155.14, 1%, 0.73%

LAB 91.32, -51.29, 16.36

 

CMYK 81 / 0 / 42 / 15

HEX #2AD97E

RGB 42 217 126

HSL 148.8, 0.7%, 0.51%

LAB 77.06, -62.44, 33.04

 

CMYK 87 / 0 / 46 / 22

HEX #19C76B

RGB 25 199 107

HSL 148.28, 0.78%, 0.44%

LAB 70.95, -61.06, 34.73

 

CMYK 96 / 0 / 51 / 29

HEX #08B558

RGB 8 181 88

HSL 147.75, 0.92%, 0.37%

LAB 64.81, -59.14, 36.52

 

CMYK 100 / 0 / 58 / 36

HEX #00A345

RGB 0 163 69

HSL 145.4, 1%, 0.32%

LAB 58.62, -56.53, 38.36

 

CMYK 100 / 0 / 66 / 43

HEX #009132

RGB 0 145 50

HSL 140.69, 1%, 0.28%

LAB 52.38, -53.29, 40.1

 

CMYK 81 / 0 / 42 / 15

HEX #2AD97E

RGB 42 217 126

HSL 148.8, 0.7%, 0.51%

LAB 77.06, -62.44, 33.04

 

CMYK 81 / 0 / 64 / 15

HEX #2AD94F

RGB 42 217 79

HSL 132.69, 0.7%, 0.51%

LAB 76.49, -69.24, 54.48

 

CMYK 76 / 0 / 81 / 15

HEX #34D92A

RGB 52 217 42

HSL 116.57, 0.7%, 0.51%

LAB 76.39, -70.98, 67.47

 

CMYK 54 / 0 / 81 / 15

HEX #64D92A

RGB 100 217 42

HSL 100.11, 0.7%, 0.51%

LAB 77.58, -61.1, 69

 

CMYK 32 / 0 / 81 / 15

HEX #93D92A

RGB 147 217 42

HSL 84, 0.7%, 0.51%

LAB 79.61, -46.17, 71.6

 

CMYK 81 / 0 / 42 / 15

HEX #2AD97E

RGB 42 217 126

HSL 148.8, 0.7%, 0.51%

LAB 77.06, -62.44, 33.04

 

CMYK 81 / 0 / 20 / 15

HEX #2AD9AD

RGB 42 217 173

HSL 164.91, 0.7%, 0.51%

LAB 77.95, -52.46, 9.74

 

CMYK 81 / 1 / 0 / 15

HEX #2AD6D9

RGB 42 214 217

HSL 181.03, 0.7%, 0.51%

LAB 78.23, -39.34, -13.39

 

CMYK 81 / 24 / 0 / 15

HEX #2AA6D9

RGB 42 166 217

HSL 197.49, 0.7%, 0.51%

LAB 63.98, -15.58, -35.17

 

CMYK 81 / 45 / 0 / 15

HEX #2A77D9

RGB 42 119 217

HSL 213.6, 0.7%, 0.51%

LAB 50.33, 11.87, -56.76

 

CMYK 81 / 0 / 42 / 15

HEX #2AD97E

RGB 42 217 126

HSL 148.8, 0.7%, 0.51%

LAB 77.06, -62.44, 33.04

 

CMYK 91 / 0 / 47 / 7

HEX #16ED7D

RGB 22 237 125

HSL 148.74, 0.86%, 0.51%

LAB 83.03, -70.82, 41.18

 

CMYK 81 / 0 / 42 / 15

HEX #2AD97E

RGB 42 217 126

HSL 148.8, 0.7%, 0.51%

LAB 77.06, -62.44, 33.04

 

CMYK 69 / 0 / 36 / 23

HEX #3EC57F

RGB 62 197 127

HSL 148.89, 0.54%, 0.51%

LAB 71.21, -52.22, 24.83

 

CMYK 53 / 0 / 28 / 31

HEX #53B180

RGB 83 177 128

HSL 148.72, 0.38%, 0.51%

LAB 65.63, -39.42, 16.77

 

CMYK 34 / 0 / 18 / 39

HEX #679C80

RGB 103 156 128

HSL 148.3, 0.21%, 0.51%

LAB 60.09, -23.88, 9.14

 

CMYK 10 / 0 / 5 / 47

HEX #7B8881

RGB 123 136 129

HSL 147.69, 0.05%, 0.51%

LAB 55.49, -6.17, 2.13

 

CMYK 75 / 0 / 81 / 15

HEX #36D92A

RGB 54 217 42

HSL 115.89, 0.7%, 0.51%

LAB 76.42, -70.7, 67.51

 

CMYK 81 / 0 / 65 / 15

HEX #2AD94D

RGB 42 217 77

HSL 132, 0.7%, 0.51%

LAB 76.47, -69.45, 55.29

 

CMYK 81 / 0 / 43 / 15

HEX #2AD97C

RGB 42 217 124

HSL 148.11, 0.7%, 0.51%

LAB 77.02, -62.8, 34.01

 

CMYK 81 / 0 / 22 / 15

HEX #2AD9AA

RGB 42 217 170

HSL 163.89, 0.7%, 0.51%

LAB 77.89, -53.18, 11.24

 

CMYK 81 / 0 / 0 / 15

HEX #2AD9D9

RGB 42 217 217

HSL 180, 0.7%, 0.51%

LAB 79.11, -40.69, -12.06

 

CMYK 83 / 0 / 43 / 41

HEX #1A9656

RGB 26 150 86

HSL 149.03, 0.7%, 0.35%

LAB 54.77, -47.33, 24.81

 

CMYK 83 / 0 / 43 / 27

HEX #20BA6A

RGB 32 186 106

HSL 148.83, 0.71%, 0.43%

LAB 66.87, -56.12, 30

 

CMYK 81 / 0 / 42 / 15

HEX #2AD97E

RGB 42 217 126

HSL 148.8, 0.7%, 0.51%

LAB 77.06, -62.44, 33.04

 

CMYK 65 / 0 / 34 / 13

HEX #4DDF93

RGB 77 223 147

HSL 148.77, 0.7%, 0.59%

LAB 79.87, -55.85, 26.15

 

CMYK 51 / 0 / 27 / 10

HEX #70E5A8

RGB 112 229 168

HSL 148.72, 0.69%, 0.67%

LAB 83.08, -46.92, 19.81

 

CMYK 81 / 0 / 42 / 15

HEX #2AD97E

RGB 42 217 126

HSL 148.8, 0.7%, 0.51%

LAB 77.06, -62.44, 33.04

 

CMYK 81 / 54 / 0 / 15

HEX #2A64D9

RGB 42 100 217

HSL 220.11, 0.7%, 0.51%

LAB 45.1, 23.95, -65.2

 

CMYK 0 / 75 / 81 / 15

HEX #D9362A

RGB 217 54 42

HSL 4.11, 0.7%, 0.51%

LAB 48.95, 61.78, 45.62

 

CMYK 81 / 0 / 42 / 15

HEX #2AD97E

RGB 42 217 126

HSL 148.8, 0.7%, 0.51%

LAB 77.06, -62.44, 33.04

 

CMYK 43 / 81 / 0 / 15

HEX #7C2AD9

RGB 124 42 217

HSL 268.11, 0.7%, 0.51%

LAB 39.5, 66.21, -74.1

 

CMYK 0 / 43 / 81 / 15

HEX #D97C2A

RGB 217 124 42

HSL 28.11, 0.7%, 0.51%

LAB 61.08, 30.35, 57.03

 

CMYK 81 / 0 / 42 / 15

HEX #2AD97E

RGB 42 217 126

HSL 148.8, 0.7%, 0.51%

LAB 77.06, -62.44, 33.04

 

CMYK 81 / 54 / 0 / 15

HEX #2A64D9

RGB 42 100 217

HSL 220.11, 0.7%, 0.51%

LAB 45.1, 23.95, -65.2

 

CMYK 0 / 81 / 38 / 15

HEX #D92A87

RGB 217 42 135

HSL 328.11, 0.7%, 0.51%

LAB 49.69, 71.17, -8.63

 

CMYK 0 / 27 / 81 / 15

HEX #D99F2A

RGB 217 159 42

HSL 40.11, 0.7%, 0.51%

LAB 69.27, 11.58, 64.4

 

CMYK 81 / 0 / 42 / 15

HEX #2AD97E

RGB 42 217 126

HSL 148.8, 0.7%, 0.51%

LAB 77.06, -62.44, 33.04

 

CMYK 81 / 78 / 0 / 15

HEX #2A30D9

RGB 42 48 217

HSL 237.94, 0.7%, 0.51%

LAB 33.17, 55.45, -84.78

 

CMYK 0 / 81 / 38 / 15

HEX #D92A87

RGB 217 42 135

HSL 328.11, 0.7%, 0.51%

LAB 49.69, 71.17, -8.63

 

CMYK 0 / 3 / 81 / 15

HEX #D9D32A

RGB 217 211 42

HSL 57.94, 0.7%, 0.51%

LAB 82.65, -15.42, 76.09

 

Description

Color code: HEX #2AD97E | qconv.com Color code: HEX #2AD97E | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 217 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 217 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 42 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 42% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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