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Color name
RGB 47 217 121

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 47 217 121 it is the complementary color RGB 208 38 134. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 47 217 121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 47 217 121 shade: RGB 52 217 116, RGB 69 235 135, RGB 86 253 154, RGB 103 255 173 and RGB 120 255 192

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 47 217 121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 47 217 121 shade: RGB 47 217 121, RGB 30 199 102, RGB 13 181 83, RGB 0 163 64 and RGB 0 145 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 47 217 121 shade: RGB 48 217 121, RGB 48 217 76, RGB 65 217 48, RGB 111 217 48 and RGB 156 217 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 47 217 121 shade: RGB 48 217 121, RGB 48 217 167, RGB 48 217 212, RGB 48 175 217 and RGB 48 130 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 47 217 121 shade matches the following richer shades: RGB 48 217 121 and RGB 28 236 119

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 47 217 121 shade: RGB 48 217 121, RGB 67 197 124, RGB 87 177 126, RGB 107 157 129 and RGB 127 137 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 47 217 121 shade: RGB 65 217 48, RGB 48 217 76, RGB 48 217 121, RGB 48 217 166 and RGB 48 217 211

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 47 217 121 shade: RGB 28 154 83, RGB 34 189 101, RGB 48 217 121, RGB 83 223 144 and RGB 117 229 166

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 47 217 121 shade: RGB 47 217 121, RGB 48 110 217 and RGB 217 53 48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 47 217 121 shade: RGB 47 217 121, RGB 121 48 217 and RGB 217 121 48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 47 217 121 shade: RGB 47 217 121, RGB 48 110 217, RGB 217 48 143 and RGB 217 155 48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 47 217 121 shade: RGB 47 217 121, RGB 48 59 217, RGB 217 48 143 and RGB 217 205 48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 44 / 15

HEX #2FD979

RGB 47 217 121

HSL 146.12, 0.69%, 0.52%

LAB 77.05, -62.78, 35.56

 

Complementary color

CMYK 0 / 82 / 36 / 18

HEX #D02686

RGB 208 38 134

HSL 326.12, 0.69%, 0.48%

LAB 47.65, 69.87, -11.26

 

CMYK 76 / 0 / 47 / 15

HEX #34D974

RGB 52 217 116

HSL 143.27, 0.68%, 0.53%

LAB 77.05, -63.01, 38.07

 

CMYK 71 / 0 / 43 / 8

HEX #45EB87

RGB 69 235 135

HSL 143.86, 0.81%, 0.6%

LAB 83.14, -63.79, 36.53

 

CMYK 66 / 0 / 39 / 1

HEX #56FD9A

RGB 86 253 154

HSL 144.43, 0.98%, 0.66%

LAB 89.19, -64.29, 35.08

 

CMYK 60 / 0 / 32 / 0

HEX #67FFAD

RGB 103 255 173

HSL 147.63, 1%, 0.7%

LAB 90.51, -58.48, 27.41

 

CMYK 53 / 0 / 25 / 0

HEX #78FFC0

RGB 120 255 192

HSL 152, 1%, 0.74%

LAB 91.38, -51.24, 19.02

 

CMYK 78 / 0 / 44 / 15

HEX #2FD979

RGB 47 217 121

HSL 146.12, 0.69%, 0.52%

LAB 77.05, -62.78, 35.56

 

CMYK 85 / 0 / 49 / 22

HEX #1EC766

RGB 30 199 102

HSL 145.56, 0.74%, 0.45%

LAB 70.93, -61.51, 37.21

 

CMYK 93 / 0 / 54 / 29

HEX #0DB553

RGB 13 181 83

HSL 145, 0.87%, 0.38%

LAB 64.77, -59.68, 38.95

 

CMYK 100 / 0 / 61 / 36

HEX #00A340

RGB 0 163 64

HSL 143.56, 1%, 0.32%

LAB 58.57, -57.22, 40.68

 

CMYK 100 / 0 / 69 / 43

HEX #00912D

RGB 0 145 45

HSL 138.62, 1%, 0.28%

LAB 52.33, -53.87, 42.26

 

CMYK 78 / 0 / 44 / 15

HEX #30D979

RGB 48 217 121

HSL 145.92, 0.69%, 0.52%

LAB 77.06, -62.66, 35.58

 

CMYK 78 / 0 / 65 / 15

HEX #30D94C

RGB 48 217 76

HSL 129.94, 0.69%, 0.52%

LAB 76.54, -68.85, 55.81

 

CMYK 70 / 0 / 78 / 15

HEX #41D930

RGB 65 217 48

HSL 113.96, 0.69%, 0.52%

LAB 76.66, -68.58, 66.09

 

CMYK 49 / 0 / 78 / 15

HEX #6FD930

RGB 111 217 48

HSL 97.63, 0.69%, 0.52%

LAB 78, -57.71, 67.85

 

CMYK 28 / 0 / 78 / 15

HEX #9CD930

RGB 156 217 48

HSL 81.66, 0.69%, 0.52%

LAB 80.13, -42.62, 70.59

 

CMYK 78 / 0 / 44 / 15

HEX #30D979

RGB 48 217 121

HSL 145.92, 0.69%, 0.52%

LAB 77.06, -62.66, 35.58

 

CMYK 78 / 0 / 23 / 15

HEX #30D9A7

RGB 48 217 167

HSL 162.25, 0.69%, 0.52%

LAB 77.9, -53.3, 12.86

 

CMYK 78 / 0 / 2 / 15

HEX #30D9D4

RGB 48 217 212

HSL 178.22, 0.69%, 0.52%

LAB 79.05, -41.61, -9.48

 

CMYK 78 / 19 / 0 / 15

HEX #30AFD9

RGB 48 175 217

HSL 194.91, 0.69%, 0.52%

LAB 66.75, -19.78, -30.86

 

CMYK 78 / 40 / 0 / 15

HEX #3082D9

RGB 48 130 217

HSL 210.89, 0.69%, 0.52%

LAB 53.6, 5.7, -51.51

 

CMYK 78 / 0 / 44 / 15

HEX #30D979

RGB 48 217 121

HSL 145.92, 0.69%, 0.52%

LAB 77.06, -62.66, 35.58

 

CMYK 88 / 0 / 50 / 7

HEX #1CEC77

RGB 28 236 119

HSL 146.25, 0.85%, 0.52%

LAB 82.68, -71.11, 43.64

 

CMYK 78 / 0 / 44 / 15

HEX #30D979

RGB 48 217 121

HSL 145.92, 0.69%, 0.52%

LAB 77.06, -62.66, 35.58

 

CMYK 66 / 0 / 37 / 23

HEX #43C57C

RGB 67 197 124

HSL 146.31, 0.53%, 0.52%

LAB 71.27, -51.92, 26.51

 

CMYK 51 / 0 / 29 / 31

HEX #57B17E

RGB 87 177 126

HSL 146, 0.37%, 0.52%

LAB 65.73, -38.83, 18.03

 

CMYK 32 / 0 / 18 / 38

HEX #6B9D81

RGB 107 157 129

HSL 146.4, 0.2%, 0.52%

LAB 60.63, -22.91, 9.37

 

CMYK 7 / 0 / 4 / 46

HEX #7F8983

RGB 127 137 131

HSL 144, 0.04%, 0.52%

LAB 56.13, -4.87, 1.95

 

CMYK 70 / 0 / 78 / 15

HEX #41D930

RGB 65 217 48

HSL 113.96, 0.69%, 0.52%

LAB 76.66, -68.58, 66.09

 

CMYK 78 / 0 / 65 / 15

HEX #30D94C

RGB 48 217 76

HSL 129.94, 0.69%, 0.52%

LAB 76.54, -68.85, 55.81

 

CMYK 78 / 0 / 44 / 15

HEX #30D979

RGB 48 217 121

HSL 145.92, 0.69%, 0.52%

LAB 77.06, -62.66, 35.58

 

CMYK 78 / 0 / 24 / 15

HEX #30D9A6

RGB 48 217 166

HSL 161.89, 0.69%, 0.52%

LAB 77.88, -53.53, 13.36

 

CMYK 78 / 0 / 3 / 15

HEX #30D9D3

RGB 48 217 211

HSL 177.87, 0.69%, 0.52%

LAB 79.02, -41.89, -8.99

 

CMYK 82 / 0 / 46 / 40

HEX #1C9A53

RGB 28 154 83

HSL 146.19, 0.69%, 0.36%

LAB 56.07, -49.16, 28.11

 

CMYK 82 / 0 / 47 / 26

HEX #22BD65

RGB 34 189 101

HSL 145.94, 0.7%, 0.44%

LAB 67.78, -57.86, 33.74

 

CMYK 78 / 0 / 44 / 15

HEX #30D979

RGB 48 217 121

HSL 145.92, 0.69%, 0.52%

LAB 77.06, -62.66, 35.58

 

CMYK 63 / 0 / 35 / 13

HEX #53DF90

RGB 83 223 144

HSL 146.14, 0.69%, 0.6%

LAB 79.97, -55.32, 27.85

 

CMYK 49 / 0 / 28 / 10

HEX #75E5A6

RGB 117 229 166

HSL 146.25, 0.68%, 0.68%

LAB 83.22, -46.1, 21.07

 

CMYK 78 / 0 / 44 / 15

HEX #2FD979

RGB 47 217 121

HSL 146.12, 0.69%, 0.52%

LAB 77.05, -62.78, 35.56

 

CMYK 78 / 49 / 0 / 15

HEX #306ED9

RGB 48 110 217

HSL 217.99, 0.69%, 0.52%

LAB 47.99, 18.14, -60.51

 

CMYK 0 / 76 / 78 / 15

HEX #D93530

RGB 217 53 48

HSL 1.78, 0.69%, 0.52%

LAB 48.9, 62.29, 42.37

 

CMYK 78 / 0 / 44 / 15

HEX #2FD979

RGB 47 217 121

HSL 146.12, 0.69%, 0.52%

LAB 77.05, -62.78, 35.56

 

CMYK 44 / 78 / 0 / 15

HEX #7930D9

RGB 121 48 217

HSL 265.92, 0.69%, 0.52%

LAB 39.9, 63.56, -73.46

 

CMYK 0 / 44 / 78 / 15

HEX #D97930

RGB 217 121 48

HSL 25.92, 0.69%, 0.52%

LAB 60.46, 32.14, 53.96

 

CMYK 78 / 0 / 44 / 15

HEX #2FD979

RGB 47 217 121

HSL 146.12, 0.69%, 0.52%

LAB 77.05, -62.78, 35.56

 

CMYK 78 / 49 / 0 / 15

HEX #306ED9

RGB 48 110 217

HSL 217.99, 0.69%, 0.52%

LAB 47.99, 18.14, -60.51

 

CMYK 0 / 78 / 34 / 15

HEX #D9308F

RGB 217 48 143

HSL 326.27, 0.69%, 0.52%

LAB 50.51, 70.44, -12.21

 

CMYK 0 / 29 / 78 / 15

HEX #D99B30

RGB 217 155 48

HSL 37.99, 0.69%, 0.52%

LAB 68.32, 13.94, 61.42

 

CMYK 78 / 0 / 44 / 15

HEX #2FD979

RGB 47 217 121

HSL 146.12, 0.69%, 0.52%

LAB 77.05, -62.78, 35.56

 

CMYK 78 / 73 / 0 / 15

HEX #303BD9

RGB 48 59 217

HSL 236.09, 0.69%, 0.52%

LAB 35.53, 49.92, -80.87

 

CMYK 0 / 78 / 34 / 15

HEX #D9308F

RGB 217 48 143

HSL 326.27, 0.69%, 0.52%

LAB 50.51, 70.44, -12.21

 

CMYK 0 / 6 / 78 / 15

HEX #D9CD30

RGB 217 205 48

HSL 55.74, 0.69%, 0.52%

LAB 81.09, -12.23, 73.06

 

Description

Color code: RGB 47 217 121 | qconv.com Color code: RGB 47 217 121 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 217 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 217 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 44 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 44% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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