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Color name
HEX #2ABB83

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2ABB83 it is the complementary color #D5447C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2ABB83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2ABB83 shade: #2FBB7E, #40CD91, #51DFA4, #62F1B7 and #73FFCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2ABB83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2ABB83 shade: #2ABB83, #19A970, #08975D, #00854A and #007337

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2ABB83 shade: #2ABB83, #2ABB5C, #2ABB35, #46BB2A and #6DBB2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2ABB83 shade: #2ABB83, #2ABBAA, #2AA4BB, #2A7DBB and #2A56BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2ABB83 shade matches the following richer shades: #2ABB83, #17CD87 and #05E08B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2ABB83 shade: #2ABB83, #3DA87E, #4F957A, #628376 and #747072

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2ABB83 shade: #2ABB34, #2ABB5A, #2ABB81, #2ABBA7 and #2AA7BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2ABB83 shade: #1B7754, #22996B, #2ABB83, #3CD298 and #5DDAAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2ABB83 shade: #2ABB83, #2A47BB and #BB472A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2ABB83 shade: #2ABB83, #812ABB and #BB812A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2ABB83 shade: #2ABB83, #2A47BB, #BB2A64 and #BB9E2A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2ABB83 shade: #2ABB83, #382ABB, #BB2A64 and #ACBB2A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 30 / 27

HEX #2ABB83

RGB 42 187 131

HSL 156.83, 0.63%, 0.45%

LAB 67.78, -50.34, 17.96

 

Complementary color

CMYK 0 / 68 / 42 / 16

HEX #D5447C

RGB 213 68 124

HSL 336.83, 0.63%, 0.55%

LAB 51.54, 60.83, 0.65

 

CMYK 75 / 0 / 33 / 27

HEX #2FBB7E

RGB 47 187 126

HSL 153.86, 0.6%, 0.46%

LAB 67.76, -50.79, 20.64

 

CMYK 69 / 0 / 29 / 20

HEX #40CD91

RGB 64 205 145

HSL 154.47, 0.59%, 0.53%

LAB 74.06, -51.36, 19.21

 

CMYK 64 / 0 / 26 / 13

HEX #51DFA4

RGB 81 223 164

HSL 155.07, 0.69%, 0.6%

LAB 80.29, -51.69, 17.89

 

CMYK 59 / 0 / 24 / 5

HEX #62F1B7

RGB 98 241 183

HSL 155.66, 0.84%, 0.66%

LAB 86.47, -51.86, 16.69

 

CMYK 55 / 0 / 21 / 0

HEX #73FFCA

RGB 115 255 202

HSL 157.29, 1%, 0.73%

LAB 91.43, -50.24, 13.94

 

CMYK 78 / 0 / 30 / 27

HEX #2ABB83

RGB 42 187 131

HSL 156.83, 0.63%, 0.45%

LAB 67.78, -50.34, 17.96

 

CMYK 85 / 0 / 34 / 34

HEX #19A970

RGB 25 169 112

HSL 156.25, 0.74%, 0.38%

LAB 61.44, -49.27, 19.55

 

CMYK 95 / 0 / 38 / 41

HEX #08975D

RGB 8 151 93

HSL 155.66, 0.9%, 0.31%

LAB 55.05, -47.68, 21.31

 

CMYK 100 / 0 / 44 / 48

HEX #00854A

RGB 0 133 74

HSL 153.38, 1%, 0.26%

LAB 48.6, -45.4, 23.28

 

CMYK 100 / 0 / 52 / 55

HEX #007337

RGB 0 115 55

HSL 148.7, 1%, 0.23%

LAB 42.06, -42.47, 25.39

 

CMYK 78 / 0 / 30 / 27

HEX #2ABB83

RGB 42 187 131

HSL 156.83, 0.63%, 0.45%

LAB 67.78, -50.34, 17.96

 

CMYK 78 / 0 / 51 / 27

HEX #2ABB5C

RGB 42 187 92

HSL 140.69, 0.63%, 0.45%

LAB 67.13, -57.71, 37.48

 

CMYK 78 / 0 / 72 / 27

HEX #2ABB35

RGB 42 187 53

HSL 124.55, 0.63%, 0.45%

LAB 66.74, -62.41, 54.41

 

CMYK 63 / 0 / 78 / 27

HEX #46BB2A

RGB 70 187 42

HSL 108.41, 0.63%, 0.45%

LAB 67.28, -58.09, 58.99

 

CMYK 42 / 0 / 78 / 27

HEX #6DBB2A

RGB 109 187 42

HSL 92.28, 0.63%, 0.45%

LAB 68.72, -46.99, 60.87

 

CMYK 78 / 0 / 30 / 27

HEX #2ABB83

RGB 42 187 131

HSL 156.83, 0.63%, 0.45%

LAB 67.78, -50.34, 17.96

 

CMYK 78 / 0 / 9 / 27

HEX #2ABBAA

RGB 42 187 170

HSL 172.97, 0.63%, 0.45%

LAB 68.7, -40.61, -2.02

 

CMYK 78 / 12 / 0 / 27

HEX #2AA4BB

RGB 42 164 187

HSL 189.52, 0.63%, 0.45%

LAB 62.19, -24.57, -21.21

 

CMYK 78 / 33 / 0 / 27

HEX #2A7DBB

RGB 42 125 187

HSL 205.66, 0.63%, 0.45%

LAB 50.39, -3.03, -39.55

 

CMYK 78 / 54 / 0 / 27

HEX #2A56BB

RGB 42 86 187

HSL 221.79, 0.63%, 0.45%

LAB 39.13, 21.63, -57.57

 

CMYK 78 / 0 / 30 / 27

HEX #2ABB83

RGB 42 187 131

HSL 156.83, 0.63%, 0.45%

LAB 67.78, -50.34, 17.96

 

CMYK 89 / 0 / 34 / 20

HEX #17CD87

RGB 23 205 135

HSL 156.92, 0.8%, 0.45%

LAB 73.28, -57.95, 23.33

 

CMYK 98 / 0 / 38 / 12

HEX #05E08B

RGB 5 224 139

HSL 156.71, 0.96%, 0.45%

LAB 79.16, -64.61, 29.15

 

CMYK 78 / 0 / 30 / 27

HEX #2ABB83

RGB 42 187 131

HSL 156.83, 0.63%, 0.45%

LAB 67.78, -50.34, 17.96

 

CMYK 64 / 0 / 25 / 34

HEX #3DA87E

RGB 61 168 126

HSL 156.45, 0.47%, 0.45%

LAB 62.09, -40.71, 12.84

 

CMYK 47 / 0 / 18 / 42

HEX #4F957A

RGB 79 149 122

HSL 156.86, 0.31%, 0.45%

LAB 56.65, -28.77, 7.48

 

CMYK 25 / 0 / 10 / 49

HEX #628376

RGB 98 131 118

HSL 156.36, 0.14%, 0.45%

LAB 51.99, -14.58, 3.23

 

CMYK 0 / 3 / 2 / 55

HEX #747072

RGB 116 112 114

HSL 330, 0.02%, 0.45%

LAB 47.64, 1.94, -0.56

 

CMYK 78 / 0 / 72 / 27

HEX #2ABB34

RGB 42 187 52

HSL 124.14, 0.63%, 0.45%

LAB 66.73, -62.5, 54.78

 

CMYK 78 / 0 / 52 / 27

HEX #2ABB5A

RGB 42 187 90

HSL 139.86, 0.63%, 0.45%

LAB 67.1, -58.01, 38.44

 

CMYK 78 / 0 / 31 / 27

HEX #2ABB81

RGB 42 187 129

HSL 156, 0.63%, 0.45%

LAB 67.74, -50.78, 18.98

 

CMYK 78 / 0 / 11 / 27

HEX #2ABBA7

RGB 42 187 167

HSL 171.72, 0.63%, 0.45%

LAB 68.62, -41.43, -0.49

 

CMYK 78 / 11 / 0 / 27

HEX #2AA7BB

RGB 42 167 187

HSL 188.28, 0.63%, 0.45%

LAB 63.11, -26.09, -19.82

 

CMYK 77 / 0 / 29 / 53

HEX #1B7754

RGB 27 119 84

HSL 157.17, 0.63%, 0.29%

LAB 44.33, -35.14, 11.87

 

CMYK 78 / 0 / 30 / 40

HEX #22996B

RGB 34 153 107

HSL 156.81, 0.64%, 0.37%

LAB 56.27, -43.1, 15.24

 

CMYK 78 / 0 / 30 / 27

HEX #2ABB83

RGB 42 187 131

HSL 156.83, 0.63%, 0.45%

LAB 67.78, -50.34, 17.96

 

CMYK 71 / 0 / 28 / 18

HEX #3CD298

RGB 60 210 152

HSL 156.8, 0.63%, 0.53%

LAB 75.65, -52.44, 17.69

 

CMYK 57 / 0 / 22 / 15

HEX #5DDAAA

RGB 93 218 170

HSL 156.96, 0.63%, 0.61%

LAB 79.26, -46.02, 13.32

 

CMYK 78 / 0 / 30 / 27

HEX #2ABB83

RGB 42 187 131

HSL 156.83, 0.63%, 0.45%

LAB 67.78, -50.34, 17.96

 

CMYK 78 / 62 / 0 / 27

HEX #2A47BB

RGB 42 71 187

HSL 228, 0.63%, 0.45%

LAB 35.18, 31.48, -64.01

 

CMYK 0 / 62 / 78 / 27

HEX #BB472A

RGB 187 71 42

HSL 12, 0.63%, 0.45%

LAB 45.96, 45.25, 40.84

 

CMYK 78 / 0 / 30 / 27

HEX #2ABB83

RGB 42 187 131

HSL 156.83, 0.63%, 0.45%

LAB 67.78, -50.34, 17.96

 

CMYK 31 / 78 / 0 / 27

HEX #812ABB

RGB 129 42 187

HSL 276, 0.63%, 0.45%

LAB 37.68, 60.2, -59.59

 

CMYK 0 / 31 / 78 / 27

HEX #BB812A

RGB 187 129 42

HSL 36, 0.63%, 0.45%

LAB 58.45, 14.8, 53.2

 

CMYK 78 / 0 / 30 / 27

HEX #2ABB83

RGB 42 187 131

HSL 156.83, 0.63%, 0.45%

LAB 67.78, -50.34, 17.96

 

CMYK 78 / 62 / 0 / 27

HEX #2A47BB

RGB 42 71 187

HSL 228, 0.63%, 0.45%

LAB 35.18, 31.48, -64.01

 

CMYK 0 / 78 / 47 / 27

HEX #BB2A64

RGB 187 42 100

HSL 336, 0.63%, 0.45%

LAB 42.97, 60.16, 2.33

 

CMYK 0 / 16 / 78 / 27

HEX #BB9E2A

RGB 187 158 42

HSL 48, 0.63%, 0.45%

LAB 65.89, -1.08, 60.19

 

CMYK 78 / 0 / 30 / 27

HEX #2ABB83

RGB 42 187 131

HSL 156.83, 0.63%, 0.45%

LAB 67.78, -50.34, 17.96

 

CMYK 70 / 78 / 0 / 27

HEX #382ABB

RGB 56 42 187

HSL 245.79, 0.63%, 0.45%

LAB 29.62, 50.13, -73.11

 

CMYK 0 / 78 / 47 / 27

HEX #BB2A64

RGB 187 42 100

HSL 336, 0.63%, 0.45%

LAB 42.97, 60.16, 2.33

 

CMYK 8 / 0 / 78 / 27

HEX #ACBB2A

RGB 172 187 42

HSL 66.21, 0.63%, 0.45%

LAB 72.55, -22.6, 65.8

 

Description

Color code: HEX #2ABB83 | qconv.com Color code: HEX #2ABB83 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 187 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 187 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 30 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 30% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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