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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1B7754 it is the complementary color #E488AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1B7754. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1B7754 shade: #20774F, #318962, #429B75, #53AD88 and #64BF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1B7754. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1B7754 shade: #1B7754, #0A6541, #00532E, #00411B and #002F08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1B7754 shade: #1B7855, #1B783B, #1B7822, #2D781B and #46781B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1B7754 shade: #1B7855, #1B786E, #1B6978, #1B5078 and #1B3778

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1B7754 shade matches the following richer shades: #1B7855, #0F8457 and #03905A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1B7754 shade: #1B7855, #276C52, #33604F, #3F544C and #4B4849

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1B7754 shade: #1B7823, #1B783B, #1B7854, #1B786D and #1B6A78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1B7754 shade: #0C3525, #13563D, #1B7855, #229A6C and #2ABB84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1B7754 shade: #1B7754, #1B2C78 and #782F1B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1B7754 shade: #1B7754, #541B78 and #78541B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1B7754 shade: #1B7754, #1B2C78, #781B3F and #78671B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1B7754 shade: #1B7754, #261B78, #781B3F and #6D781B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 29 / 53

HEX #1B7754

RGB 27 119 84

HSL 157.17, 0.63%, 0.29%

LAB 44.33, -35.14, 11.87

 

Complementary color

CMYK 0 / 40 / 25 / 11

HEX #E488AB

RGB 228 136 171

HSL 337.17, 0.63%, 0.71%

LAB 67.31, 39.5, -3.26

 

CMYK 73 / 0 / 34 / 53

HEX #20774F

RGB 32 119 79

HSL 152.41, 0.58%, 0.3%

LAB 44.33, -35.53, 14.81

 

CMYK 64 / 0 / 28 / 46

HEX #318962

RGB 49 137 98

HSL 153.41, 0.47%, 0.36%

LAB 51.18, -35.87, 13.35

 

CMYK 57 / 0 / 25 / 39

HEX #429B75

RGB 66 155 117

HSL 154.38, 0.4%, 0.43%

LAB 57.93, -35.96, 12.05

 

CMYK 52 / 0 / 21 / 32

HEX #53AD88

RGB 83 173 136

HSL 155.33, 0.35%, 0.5%

LAB 64.57, -35.9, 10.9

 

CMYK 48 / 0 / 19 / 25

HEX #64BF9B

RGB 100 191 155

HSL 156.26, 0.42%, 0.57%

LAB 71.1, -35.76, 9.85

 

CMYK 77 / 0 / 29 / 53

HEX #1B7754

RGB 27 119 84

HSL 157.17, 0.63%, 0.29%

LAB 44.33, -35.14, 11.87

 

CMYK 90 / 0 / 36 / 60

HEX #0A6541

RGB 10 101 65

HSL 156.26, 0.82%, 0.22%

LAB 37.4, -34.07, 13.57

 

CMYK 100 / 0 / 45 / 67

HEX #00532E

RGB 0 83 46

HSL 153.25, 1%, 0.16%

LAB 30.36, -32.13, 15.58

 

CMYK 100 / 0 / 58 / 75

HEX #00411B

RGB 0 65 27

HSL 144.92, 1%, 0.13%

LAB 23.2, -28.94, 17.88

 

CMYK 100 / 0 / 83 / 82

HEX #002F08

RGB 0 47 8

HSL 130.21, 1%, 0.09%

LAB 15.75, -25.13, 19.01

 

CMYK 78 / 0 / 29 / 53

HEX #1B7855

RGB 27 120 85

HSL 157.42, 0.63%, 0.29%

LAB 44.69, -35.33, 11.79

 

CMYK 78 / 0 / 51 / 53

HEX #1B783B

RGB 27 120 59

HSL 140.65, 0.63%, 0.29%

LAB 44.21, -40.77, 25.97

 

CMYK 78 / 0 / 72 / 53

HEX #1B7822

RGB 27 120 34

HSL 124.52, 0.63%, 0.29%

LAB 43.92, -44.22, 38.06

 

CMYK 63 / 0 / 78 / 53

HEX #2D781B

RGB 45 120 27

HSL 108.39, 0.63%, 0.29%

LAB 44.33, -40.97, 41.47

 

CMYK 42 / 0 / 78 / 53

HEX #46781B

RGB 70 120 27

HSL 92.26, 0.63%, 0.29%

LAB 45.38, -33.01, 42.85

 

CMYK 78 / 0 / 29 / 53

HEX #1B7855

RGB 27 120 85

HSL 157.42, 0.63%, 0.29%

LAB 44.69, -35.33, 11.79

 

CMYK 78 / 0 / 8 / 53

HEX #1B786E

RGB 27 120 110

HSL 173.55, 0.63%, 0.29%

LAB 45.35, -28.52, -2.09

 

CMYK 78 / 13 / 0 / 53

HEX #1B6978

RGB 27 105 120

HSL 189.68, 0.63%, 0.29%

LAB 40.72, -17.5, -15.05

 

CMYK 78 / 33 / 0 / 53

HEX #1B5078

RGB 27 80 120

HSL 205.81, 0.63%, 0.29%

LAB 32.54, -2.56, -27.74

 

CMYK 78 / 54 / 0 / 53

HEX #1B3778

RGB 27 55 120

HSL 221.94, 0.63%, 0.29%

LAB 24.71, 14.45, -40.25

 

CMYK 78 / 0 / 29 / 53

HEX #1B7855

RGB 27 120 85

HSL 157.42, 0.63%, 0.29%

LAB 44.69, -35.33, 11.79

 

CMYK 89 / 0 / 34 / 48

HEX #0F8457

RGB 15 132 87

HSL 156.92, 0.8%, 0.29%

LAB 48.63, -41.2, 16.02

 

CMYK 98 / 0 / 38 / 44

HEX #03905A

RGB 3 144 90

HSL 157.02, 0.96%, 0.29%

LAB 52.62, -45.97, 19.72

 

CMYK 78 / 0 / 29 / 53

HEX #1B7855

RGB 27 120 85

HSL 157.42, 0.63%, 0.29%

LAB 44.69, -35.33, 11.79

 

CMYK 64 / 0 / 24 / 58

HEX #276C52

RGB 39 108 82

HSL 157.39, 0.47%, 0.29%

LAB 40.84, -28.45, 8.23

 

CMYK 47 / 0 / 18 / 62

HEX #33604F

RGB 51 96 79

HSL 157.33, 0.31%, 0.29%

LAB 37.18, -20.04, 4.92

 

CMYK 25 / 0 / 10 / 67

HEX #3F544C

RGB 63 84 76

HSL 157.14, 0.14%, 0.29%

LAB 33.81, -9.99, 2.04

 

CMYK 0 / 4 / 3 / 71

HEX #4B4849

RGB 75 72 73

HSL 340, 0.02%, 0.29%

LAB 30.91, 1.46, -0.16

 

CMYK 78 / 0 / 71 / 53

HEX #1B7823

RGB 27 120 35

HSL 125.16, 0.63%, 0.29%

LAB 43.93, -44.11, 37.63

 

CMYK 78 / 0 / 51 / 53

HEX #1B783B

RGB 27 120 59

HSL 140.65, 0.63%, 0.29%

LAB 44.21, -40.77, 25.97

 

CMYK 78 / 0 / 30 / 53

HEX #1B7854

RGB 27 120 84

HSL 156.77, 0.63%, 0.29%

LAB 44.67, -35.58, 12.35

 

CMYK 78 / 0 / 9 / 53

HEX #1B786D

RGB 27 120 109

HSL 172.9, 0.63%, 0.29%

LAB 45.32, -28.82, -1.54

 

CMYK 78 / 12 / 0 / 53

HEX #1B6A78

RGB 27 106 120

HSL 189.03, 0.63%, 0.29%

LAB 41.05, -18.05, -14.54

 

CMYK 77 / 0 / 30 / 79

HEX #0C3525

RGB 12 53 37

HSL 156.59, 0.63%, 0.13%

LAB 19.05, -18.82, 6.04

 

CMYK 78 / 0 / 29 / 66

HEX #13563D

RGB 19 86 61

HSL 157.61, 0.64%, 0.21%

LAB 32.1, -27.29, 8.75

 

CMYK 78 / 0 / 29 / 53

HEX #1B7855

RGB 27 120 85

HSL 157.42, 0.63%, 0.29%

LAB 44.69, -35.33, 11.79

 

CMYK 78 / 0 / 30 / 40

HEX #229A6C

RGB 34 154 108

HSL 157, 0.64%, 0.37%

LAB 56.62, -43.28, 15.16

 

CMYK 78 / 0 / 29 / 27

HEX #2ABB84

RGB 42 187 132

HSL 157.24, 0.63%, 0.45%

LAB 67.8, -50.12, 17.45

 

CMYK 77 / 0 / 29 / 53

HEX #1B7754

RGB 27 119 84

HSL 157.17, 0.63%, 0.29%

LAB 44.33, -35.14, 11.87

 

CMYK 78 / 63 / 0 / 53

HEX #1B2C78

RGB 27 44 120

HSL 229.03, 0.63%, 0.29%

LAB 21.54, 22.25, -45.39

 

CMYK 0 / 61 / 78 / 53

HEX #782F1B

RGB 120 47 27

HSL 12.9, 0.63%, 0.29%

LAB 29.68, 30.68, 28.35

 

CMYK 77 / 0 / 29 / 53

HEX #1B7754

RGB 27 119 84

HSL 157.17, 0.63%, 0.29%

LAB 44.33, -35.14, 11.87

 

CMYK 30 / 78 / 0 / 53

HEX #541B78

RGB 84 27 120

HSL 276.77, 0.63%, 0.29%

LAB 23.75, 42.52, -41.54

 

CMYK 0 / 30 / 78 / 53

HEX #78541B

RGB 120 84 27

HSL 36.77, 0.63%, 0.29%

LAB 38.57, 9.27, 37.54

 

CMYK 77 / 0 / 29 / 53

HEX #1B7754

RGB 27 119 84

HSL 157.17, 0.63%, 0.29%

LAB 44.33, -35.14, 11.87

 

CMYK 78 / 63 / 0 / 53

HEX #1B2C78

RGB 27 44 120

HSL 229.03, 0.63%, 0.29%

LAB 21.54, 22.25, -45.39

 

CMYK 0 / 78 / 48 / 53

HEX #781B3F

RGB 120 27 63

HSL 336.77, 0.63%, 0.29%

LAB 27.12, 42.34, 1.7

 

CMYK 0 / 14 / 78 / 53

HEX #78671B

RGB 120 103 27

HSL 49.03, 0.63%, 0.29%

LAB 43.91, -1.97, 42.74

 

CMYK 77 / 0 / 29 / 53

HEX #1B7754

RGB 27 119 84

HSL 157.17, 0.63%, 0.29%

LAB 44.33, -35.14, 11.87

 

CMYK 68 / 78 / 0 / 53

HEX #261B78

RGB 38 27 120

HSL 247.1, 0.63%, 0.29%

LAB 18.15, 34.76, -50.92

 

CMYK 0 / 78 / 48 / 53

HEX #781B3F

RGB 120 27 63

HSL 336.77, 0.63%, 0.29%

LAB 27.12, 42.34, 1.7

 

CMYK 9 / 0 / 78 / 53

HEX #6D781B

RGB 109 120 27

HSL 67.1, 0.63%, 0.29%

LAB 47.96, -16.62, 46.23

 

Description

Color code: HEX #1B7754 | qconv.com Color code: HEX #1B7754 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 119 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 119 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 29 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 29% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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