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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A53BB it is the complementary color #D5AC44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A53BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A53BB shade: #2F53B6, #4065C9, #5177DC, #6289EF and #739BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A53BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A53BB shade: #2A53BB, #1941A8, #082F95, #001D82 and #000B6F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A53BB shade: #2A53BB, #2A2CBB, #4F2ABB, #762ABB and #9D2ABB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A53BB shade: #2A53BB, #2A2CBB and #2A2ABB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A53BB shade matches the following richer shades: #2A53BB, #174BCD and #0543E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A53BB shade: #2A53BB, #3D5BA8, #4F6395, #626B83 and #747370

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A53BB shade: #2AA0BB, #2A79BB, #2A53BB, #2A2CBB and #4E2ABB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A53BB shade: #1B3577, #224499, #2A53BB, #3C66D2 and #5D80DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A53BB shade: #2A53BB, #AE2ABB and #8DBB2A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A53BB shade: #2A53BB, #BB2A53 and #53BB2A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A53BB shade: #2A53BB, #AE2ABB, #BB922A and #36BB2A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A53BB shade: #2A53BB, #BB2A9B, #BB922A and #2ABB49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 56 / 0 / 27

HEX #2A53BB

RGB 42 83 187

HSL 223.03, 0.63%, 0.45%

LAB 38.32, 23.61, -58.89

 

Complementary color

CMYK 0 / 19 / 68 / 16

HEX #D5AC44

RGB 213 172 68

HSL 43.03, 0.63%, 0.55%

LAB 72.27, 4.05, 57.12

 

CMYK 74 / 54 / 0 / 29

HEX #2F53B6

RGB 47 83 182

HSL 224, 0.59%, 0.45%

LAB 38.14, 22.31, -56.23

 

CMYK 68 / 50 / 0 / 21

HEX #4065C9

RGB 64 101 201

HSL 223.8, 0.56%, 0.52%

LAB 45.1, 20.05, -56

 

CMYK 63 / 46 / 0 / 14

HEX #5177DC

RGB 81 119 220

HSL 223.6, 0.67%, 0.59%

LAB 51.96, 18.23, -55.75

 

CMYK 59 / 43 / 0 / 6

HEX #6289EF

RGB 98 137 239

HSL 223.4, 0.82%, 0.66%

LAB 58.71, 16.73, -55.53

 

CMYK 55 / 39 / 0 / 0

HEX #739BFF

RGB 115 155 255

HSL 222.86, 1%, 0.73%

LAB 65.21, 14.54, -53.93

 

CMYK 78 / 56 / 0 / 27

HEX #2A53BB

RGB 42 83 187

HSL 223.03, 0.63%, 0.45%

LAB 38.32, 23.61, -58.89

 

CMYK 85 / 61 / 0 / 34

HEX #1941A8

RGB 25 65 168

HSL 223.22, 0.74%, 0.38%

LAB 31.38, 26.66, -58.96

 

CMYK 95 / 68 / 0 / 42

HEX #082F95

RGB 8 47 149

HSL 223.4, 0.9%, 0.31%

LAB 24.5, 30.35, -58.73

 

CMYK 100 / 78 / 0 / 49

HEX #001D82

RGB 0 29 130

HSL 226.62, 1%, 0.25%

LAB 17.88, 34.45, -57.81

 

CMYK 100 / 90 / 0 / 56

HEX #000B6F

RGB 0 11 111

HSL 234.05, 1%, 0.22%

LAB 11.87, 37.69, -55.58

 

CMYK 78 / 56 / 0 / 27

HEX #2A53BB

RGB 42 83 187

HSL 223.03, 0.63%, 0.45%

LAB 38.32, 23.61, -58.89

 

CMYK 78 / 76 / 0 / 27

HEX #2A2CBB

RGB 42 44 187

HSL 239.17, 0.63%, 0.45%

LAB 29.11, 47.92, -73.99

 

CMYK 58 / 78 / 0 / 27

HEX #4F2ABB

RGB 79 42 187

HSL 255.31, 0.63%, 0.45%

LAB 31.59, 52.62, -69.8

 

CMYK 37 / 78 / 0 / 27

HEX #762ABB

RGB 118 42 187

HSL 271.45, 0.63%, 0.45%

LAB 36.17, 58.33, -62.12

 

CMYK 16 / 78 / 0 / 27

HEX #9D2ABB

RGB 157 42 187

HSL 287.59, 0.63%, 0.45%

LAB 41.86, 65.31, -52.62

 

CMYK 78 / 56 / 0 / 27

HEX #2A53BB

RGB 42 83 187

HSL 223.03, 0.63%, 0.45%

LAB 38.32, 23.61, -58.89

 

CMYK 78 / 76 / 0 / 27

HEX #2A2CBB

RGB 42 44 187

HSL 239.17, 0.63%, 0.45%

LAB 29.11, 47.92, -73.99

 

CMYK 78 / 78 / 0 / 27

HEX #2A2ABB

RGB 42 42 187

HSL 240, 0.63%, 0.45%

LAB 28.74, 48.99, -74.61

 

CMYK 78 / 56 / 0 / 27

HEX #2A53BB

RGB 42 83 187

HSL 223.03, 0.63%, 0.45%

LAB 38.32, 23.61, -58.89

 

CMYK 89 / 63 / 0 / 20

HEX #174BCD

RGB 23 75 205

HSL 222.86, 0.8%, 0.45%

LAB 37.16, 34.24, -71.3

 

CMYK 98 / 70 / 0 / 12

HEX #0543E0

RGB 5 67 224

HSL 223.01, 0.96%, 0.45%

LAB 36.8, 45.74, -82.83

 

CMYK 78 / 56 / 0 / 27

HEX #2A53BB

RGB 42 83 187

HSL 223.03, 0.63%, 0.45%

LAB 38.32, 23.61, -58.89

 

CMYK 64 / 46 / 0 / 34

HEX #3D5BA8

RGB 61 91 168

HSL 223.18, 0.47%, 0.45%

LAB 40.08, 14.1, -44.8

 

CMYK 47 / 34 / 0 / 42

HEX #4F6395

RGB 79 99 149

HSL 222.86, 0.31%, 0.45%

LAB 42.39, 6.65, -29.76

 

CMYK 25 / 18 / 0 / 49

HEX #626B83

RGB 98 107 131

HSL 223.64, 0.14%, 0.45%

LAB 45.29, 2.31, -14.4

 

CMYK 0 / 1 / 3 / 55

HEX #747370

RGB 116 115 112

HSL 45, 0.02%, 0.45%

LAB 48.44, -0.21, 1.79

 

CMYK 78 / 14 / 0 / 27

HEX #2AA0BB

RGB 42 160 187

HSL 191.17, 0.63%, 0.45%

LAB 60.98, -22.51, -23.08

 

CMYK 78 / 35 / 0 / 27

HEX #2A79BB

RGB 42 121 187

HSL 207.31, 0.63%, 0.45%

LAB 49.2, -0.63, -41.43

 

CMYK 78 / 56 / 0 / 27

HEX #2A53BB

RGB 42 83 187

HSL 223.03, 0.63%, 0.45%

LAB 38.32, 23.61, -58.89

 

CMYK 78 / 76 / 0 / 27

HEX #2A2CBB

RGB 42 44 187

HSL 239.17, 0.63%, 0.45%

LAB 29.11, 47.92, -73.99

 

CMYK 58 / 78 / 0 / 27

HEX #4E2ABB

RGB 78 42 187

HSL 254.9, 0.63%, 0.45%

LAB 31.49, 52.5, -69.96

 

CMYK 77 / 55 / 0 / 53

HEX #1B3577

RGB 27 53 119

HSL 223.04, 0.63%, 0.29%

LAB 24.04, 15.46, -40.7

 

CMYK 78 / 56 / 0 / 40

HEX #224499

RGB 34 68 153

HSL 222.86, 0.64%, 0.37%

LAB 31.29, 19.57, -50.04

 

CMYK 78 / 56 / 0 / 27

HEX #2A53BB

RGB 42 83 187

HSL 223.03, 0.63%, 0.45%

LAB 38.32, 23.61, -58.89

 

CMYK 71 / 51 / 0 / 18

HEX #3C66D2

RGB 60 102 210

HSL 223.2, 0.63%, 0.53%

LAB 45.79, 22.09, -60.05

 

CMYK 57 / 41 / 0 / 15

HEX #5D80DA

RGB 93 128 218

HSL 223.2, 0.63%, 0.61%

LAB 54.89, 14.3, -49.91

 

CMYK 78 / 56 / 0 / 27

HEX #2A53BB

RGB 42 83 187

HSL 223.03, 0.63%, 0.45%

LAB 38.32, 23.61, -58.89

 

CMYK 7 / 78 / 0 / 27

HEX #AE2ABB

RGB 174 42 187

HSL 294.62, 0.63%, 0.45%

LAB 44.58, 68.59, -48.11

 

CMYK 25 / 0 / 78 / 27

HEX #8DBB2A

RGB 141 187 42

HSL 79.03, 0.63%, 0.45%

LAB 70.43, -35.29, 63.09

 

CMYK 78 / 56 / 0 / 27

HEX #2A53BB

RGB 42 83 187

HSL 223.03, 0.63%, 0.45%

LAB 38.32, 23.61, -58.89

 

CMYK 0 / 78 / 56 / 27

HEX #BB2A53

RGB 187 42 83

HSL 343.03, 0.63%, 0.45%

LAB 42.53, 58.77, 12.34

 

CMYK 56 / 0 / 78 / 27

HEX #53BB2A

RGB 83 187 42

HSL 103.03, 0.63%, 0.45%

LAB 67.69, -54.86, 59.51

 

CMYK 78 / 56 / 0 / 27

HEX #2A53BB

RGB 42 83 187

HSL 223.03, 0.63%, 0.45%

LAB 38.32, 23.61, -58.89

 

CMYK 7 / 78 / 0 / 27

HEX #AE2ABB

RGB 174 42 187

HSL 294.62, 0.63%, 0.45%

LAB 44.58, 68.59, -48.11

 

CMYK 0 / 22 / 78 / 27

HEX #BB922A

RGB 187 146 42

HSL 43.03, 0.63%, 0.45%

LAB 62.75, 5.43, 57.27

 

CMYK 71 / 0 / 78 / 27

HEX #36BB2A

RGB 54 187 42

HSL 115.03, 0.63%, 0.45%

LAB 66.89, -61.35, 58.48

 

CMYK 78 / 56 / 0 / 27

HEX #2A53BB

RGB 42 83 187

HSL 223.03, 0.63%, 0.45%

LAB 38.32, 23.61, -58.89

 

CMYK 0 / 78 / 17 / 27

HEX #BB2A9B

RGB 187 42 155

HSL 313.24, 0.63%, 0.45%

LAB 45.06, 66.44, -28.23

 

CMYK 0 / 22 / 78 / 27

HEX #BB922A

RGB 187 146 42

HSL 43.03, 0.63%, 0.45%

LAB 62.75, 5.43, 57.27

 

CMYK 78 / 0 / 61 / 27

HEX #2ABB49

RGB 42 187 73

HSL 132.83, 0.63%, 0.45%

LAB 66.91, -60.34, 46.27

 

Description

Color code: HEX #2A53BB | qconv.com Color code: HEX #2A53BB | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 83 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 83 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 56 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 56% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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