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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 93 128 218 it is the complementary color RGB 162 127 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 93 128 218. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 93 128 218 shade: RGB 98 128 213, RGB 115 146 232, RGB 132 164 251, RGB 149 182 255 and RGB 166 200 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 93 128 218. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 93 128 218 shade: RGB 93 128 218, RGB 76 110 199, RGB 59 92 180, RGB 42 74 161 and RGB 25 56 142

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 93 128 218 shade: RGB 92 127 218, RGB 92 94 218, RGB 125 92 218, RGB 159 92 218 and RGB 192 92 218

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 93 128 218 shade: RGB 92 127 218, RGB 92 94 218 and RGB 92 92 218

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 93 128 218 shade matches the following richer shades: RGB 92 127 218, RGB 76 120 234 and RGB 60 113 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 93 128 218 shade: RGB 92 127 218, RGB 108 135 202, RGB 125 142 186, RGB 141 149 169 and RGB 157 156 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 93 128 218 shade: RGB 92 195 218, RGB 92 161 218, RGB 92 128 218, RGB 92 94 218 and RGB 124 92 218

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 93 128 218 shade: RGB 42 82 186, RGB 59 101 210, RGB 92 127 218, RGB 126 154 225 and RGB 160 180 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 93 128 218 shade: RGB 93 128 218, RGB 207 92 218 and RGB 178 218 92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 93 128 218 shade: RGB 93 128 218, RGB 218 92 128 and RGB 128 218 92

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 93 128 218 shade: RGB 93 128 218, RGB 207 92 218, RGB 218 182 92 and RGB 103 218 92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 93 128 218 shade: RGB 93 128 218, RGB 218 92 191, RGB 218 182 92 and RGB 92 218 120

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 41 / 0 / 15

HEX #5D80DA

RGB 93 128 218

HSL 223.2, 0.63%, 0.61%

LAB 54.89, 14.3, -49.91

 

Complementary color

CMYK 0 / 22 / 77 / 36

HEX #A27F25

RGB 162 127 37

HSL 43.2, 0.63%, 0.39%

LAB 55.07, 4.46, 50.98

 

CMYK 54 / 40 / 0 / 16

HEX #6280D5

RGB 98 128 213

HSL 224.35, 0.58%, 0.61%

LAB 54.91, 13.73, -47.06

 

CMYK 50 / 37 / 0 / 9

HEX #7392E8

RGB 115 146 232

HSL 224.1, 0.72%, 0.68%

LAB 61.68, 12.7, -46.88

 

CMYK 47 / 35 / 0 / 2

HEX #84A4FB

RGB 132 164 251

HSL 223.87, 0.94%, 0.75%

LAB 68.33, 11.84, -46.76

 

CMYK 42 / 29 / 0 / 0

HEX #95B6FF

RGB 149 182 255

HSL 221.32, 1%, 0.79%

LAB 74.23, 6.94, -39.61

 

CMYK 35 / 22 / 0 / 0

HEX #A6C8FF

RGB 166 200 255

HSL 217.08, 1%, 0.83%

LAB 79.97, 1.53, -30.65

 

CMYK 57 / 41 / 0 / 15

HEX #5D80DA

RGB 93 128 218

HSL 223.2, 0.63%, 0.61%

LAB 54.89, 14.3, -49.91

 

CMYK 62 / 45 / 0 / 22

HEX #4C6EC7

RGB 76 110 199

HSL 223.41, 0.52%, 0.54%

LAB 48.02, 15.7, -50.13

 

CMYK 67 / 49 / 0 / 29

HEX #3B5CB4

RGB 59 92 180

HSL 223.64, 0.51%, 0.47%

LAB 41.02, 17.44, -50.37

 

CMYK 74 / 54 / 0 / 37

HEX #2A4AA1

RGB 42 74 161

HSL 223.87, 0.59%, 0.4%

LAB 33.91, 19.64, -50.62

 

CMYK 82 / 61 / 0 / 44

HEX #19388E

RGB 25 56 142

HSL 224.1, 0.7%, 0.33%

LAB 26.7, 22.47, -50.78

 

CMYK 58 / 42 / 0 / 15

HEX #5C7FDA

RGB 92 127 218

HSL 223.33, 0.63%, 0.61%

LAB 54.57, 14.71, -50.43

 

CMYK 58 / 57 / 0 / 15

HEX #5C5EDA

RGB 92 94 218

HSL 239.05, 0.63%, 0.61%

LAB 46.1, 34.94, -64.04

 

CMYK 43 / 58 / 0 / 15

HEX #7D5CDA

RGB 125 92 218

HSL 255.71, 0.63%, 0.61%

LAB 48.36, 42.7, -60.26

 

CMYK 27 / 58 / 0 / 15

HEX #9F5CDA

RGB 159 92 218

HSL 271.9, 0.63%, 0.61%

LAB 51.94, 50.53, -54.31

 

CMYK 12 / 58 / 0 / 15

HEX #C05CDA

RGB 192 92 218

HSL 287.62, 0.63%, 0.61%

LAB 56.01, 58.66, -47.58

 

CMYK 58 / 42 / 0 / 15

HEX #5C7FDA

RGB 92 127 218

HSL 223.33, 0.63%, 0.61%

LAB 54.57, 14.71, -50.43

 

CMYK 58 / 57 / 0 / 15

HEX #5C5EDA

RGB 92 94 218

HSL 239.05, 0.63%, 0.61%

LAB 46.1, 34.94, -64.04

 

CMYK 58 / 58 / 0 / 15

HEX #5C5CDA

RGB 92 92 218

HSL 240, 0.63%, 0.61%

LAB 45.62, 36.16, -64.81

 

CMYK 58 / 42 / 0 / 15

HEX #5C7FDA

RGB 92 127 218

HSL 223.33, 0.63%, 0.61%

LAB 54.57, 14.71, -50.43

 

CMYK 68 / 49 / 0 / 8

HEX #4C78EA

RGB 76 120 234

HSL 223.29, 0.79%, 0.61%

LAB 52.85, 21.65, -62.2

 

CMYK 76 / 55 / 0 / 2

HEX #3C71FA

RGB 60 113 250

HSL 223.26, 0.95%, 0.61%

LAB 51.47, 29.66, -73.39

 

CMYK 58 / 42 / 0 / 15

HEX #5C7FDA

RGB 92 127 218

HSL 223.33, 0.63%, 0.61%

LAB 54.57, 14.71, -50.43

 

CMYK 47 / 33 / 0 / 21

HEX #6C87CA

RGB 108 135 202

HSL 222.77, 0.47%, 0.61%

LAB 56.86, 8.46, -37.72

 

CMYK 33 / 24 / 0 / 27

HEX #7D8EBA

RGB 125 142 186

HSL 223.28, 0.31%, 0.61%

LAB 59.21, 4.49, -24.93

 

CMYK 17 / 12 / 0 / 34

HEX #8D95A9

RGB 141 149 169

HSL 222.86, 0.14%, 0.61%

LAB 61.67, 1.4, -11.45

 

CMYK 0 / 1 / 3 / 38

HEX #9D9C99

RGB 157 156 153

HSL 45, 0.02%, 0.61%

LAB 64.36, -0.2, 1.69

 

CMYK 58 / 11 / 0 / 15

HEX #5CC3DA

RGB 92 195 218

HSL 190.95, 0.63%, 0.61%

LAB 73.78, -23.29, -20.53

 

CMYK 58 / 26 / 0 / 15

HEX #5CA1DA

RGB 92 161 218

HSL 207.14, 0.63%, 0.61%

LAB 64.02, -5.19, -35.54

 

CMYK 58 / 41 / 0 / 15

HEX #5C80DA

RGB 92 128 218

HSL 222.86, 0.63%, 0.61%

LAB 54.84, 14.1, -50

 

CMYK 58 / 57 / 0 / 15

HEX #5C5EDA

RGB 92 94 218

HSL 239.05, 0.63%, 0.61%

LAB 46.1, 34.94, -64.04

 

CMYK 43 / 58 / 0 / 15

HEX #7C5CDA

RGB 124 92 218

HSL 255.24, 0.63%, 0.61%

LAB 48.26, 42.49, -60.41

 

CMYK 77 / 56 / 0 / 27

HEX #2A52BA

RGB 42 82 186

HSL 223.33, 0.63%, 0.45%

LAB 37.97, 23.89, -58.87

 

CMYK 72 / 52 / 0 / 18

HEX #3B65D2

RGB 59 101 210

HSL 223.31, 0.63%, 0.53%

LAB 45.48, 22.6, -60.56

 

CMYK 58 / 42 / 0 / 15

HEX #5C7FDA

RGB 92 127 218

HSL 223.33, 0.63%, 0.61%

LAB 54.57, 14.71, -50.43

 

CMYK 44 / 32 / 0 / 12

HEX #7E9AE1

RGB 126 154 225

HSL 223.03, 0.62%, 0.69%

LAB 64.15, 8.6, -39.09

 

CMYK 31 / 23 / 0 / 9

HEX #A0B4E9

RGB 160 180 233

HSL 223.56, 0.62%, 0.77%

LAB 73.55, 5.24, -28.73

 

CMYK 57 / 41 / 0 / 15

HEX #5D80DA

RGB 93 128 218

HSL 223.2, 0.63%, 0.61%

LAB 54.89, 14.3, -49.91

 

CMYK 5 / 58 / 0 / 15

HEX #CF5CDA

RGB 207 92 218

HSL 294.76, 0.63%, 0.61%

LAB 58.02, 62.43, -44.27

 

CMYK 18 / 0 / 58 / 15

HEX #B2DA5C

RGB 178 218 92

HSL 79.05, 0.63%, 0.61%

LAB 82.04, -31.86, 56.52

 

CMYK 57 / 41 / 0 / 15

HEX #5D80DA

RGB 93 128 218

HSL 223.2, 0.63%, 0.61%

LAB 54.89, 14.3, -49.91

 

CMYK 0 / 58 / 41 / 15

HEX #DA5C80

RGB 218 92 128

HSL 342.86, 0.63%, 0.61%

LAB 56.21, 52.65, 5.13

 

CMYK 41 / 0 / 58 / 15

HEX #80DA5C

RGB 128 218 92

HSL 102.86, 0.63%, 0.61%

LAB 79.33, -49.46, 52.71

 

CMYK 57 / 41 / 0 / 15

HEX #5D80DA

RGB 93 128 218

HSL 223.2, 0.63%, 0.61%

LAB 54.89, 14.3, -49.91

 

CMYK 5 / 58 / 0 / 15

HEX #CF5CDA

RGB 207 92 218

HSL 294.76, 0.63%, 0.61%

LAB 58.02, 62.43, -44.27

 

CMYK 0 / 17 / 58 / 15

HEX #DAB65C

RGB 218 182 92

HSL 42.86, 0.63%, 0.61%

LAB 75.53, 2.44, 49.91

 

CMYK 53 / 0 / 58 / 15

HEX #67DA5C

RGB 103 218 92

HSL 114.76, 0.63%, 0.61%

LAB 78.34, -56.67, 51.31

 

CMYK 57 / 41 / 0 / 15

HEX #5D80DA

RGB 93 128 218

HSL 223.2, 0.63%, 0.61%

LAB 54.89, 14.3, -49.91

 

CMYK 0 / 58 / 12 / 15

HEX #DA5CBF

RGB 218 92 191

HSL 312.86, 0.63%, 0.61%

LAB 58.34, 60.84, -28.31

 

CMYK 0 / 17 / 58 / 15

HEX #DAB65C

RGB 218 182 92

HSL 42.86, 0.63%, 0.61%

LAB 75.53, 2.44, 49.91

 

CMYK 58 / 0 / 45 / 15

HEX #5CDA78

RGB 92 218 120

HSL 133.33, 0.63%, 0.61%

LAB 78.33, -55.62, 37.9

 

Description

Color code: RGB 93 128 218 | qconv.com Color code: RGB 93 128 218 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 128 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 128 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 41 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 41% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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